Lazzaro, G di (Editor), Kandinsky, John Piper, G Duthuit, Pierre Courthion, Kurt SeligmannBiblio.com
963 resultados
ref. 51-2696Paris: Editions de Chroniques du Jour 1938. 4to. Original wraps. Front cover mainly detached. spine defective. Lacking the woodcuts by Kandinsky. Paris: Editions de Chroniques du Jour, 1938. paperback
1973ref. 240202005AThe Pace Gallery 1973. Paperback. Like New. 0x0x0. LIKE NEW. Very Clean. No writing or tears. The Pace Gallery paperback
1947ref. 014236Bloomfield Hills Michigan: Cranbrook Press 1947. 1st English ed. . Hardcover. Fine/No Jacket. Black cloth with gilt lettering to front and spine square coloured illustration to front. pristine 199 4 Index. 102 figs mostly diagrams but a few photos 2 ex-pagination plates 3 other full page Appendix has 25 full p3ge diagrams facing captions a colour plate by the author only faults is a half millimeter extension below bottom edge of a plate page apparently slightly inaccurately re-fixed otherwise book rates As New. Only date given is of 1947 Guggenheim Foundation copyright but given condition I am suspicious of this as actual issue date of this copy. Translated from the 1928 German second edition unchanged from the 1923 first. Cranbrook Press hardcover
ref. 40373Munich Prestel 2008. Large Folio 320pp. Original boards in pictorila dustwrappervery slightly rubbed and bruised toward top corner. Numerous photogrpahic illustrations document reproductions and full-colour reproductions of Kandinsky's works many of them full-page alongside essays by Evelyn Bensch Christian Drouet Helmut Friedel Annegret Hoberg Noemi Smolik Reinhard Spieler and Christian Wolsdorff. Main volume is held in pictorial slipcase within which is held a black envelope containing a slim folio bearing 12 full-colour plates of Kandinsky's 'Little Worlds" Kleine Welten styed in the facsimile of a 1922 German language publication. A near-fine copy. Includes folio of plates Munich, Prestel, 2008. hardcover
1976In-4 p., tela editoriale, sovracoperta a colori, pp. 136, con 4 incisioni su legno originali fuori testo (di cui 1 a colori) e 165 riproduzioni nel testo (di cui 22 a colori). Edizione inglese. Numero speciale della rivista “XX siècle” dedicato a Kandinsky, con numerosi contributi di poeti, critici d’arte e scrittori. Molto ben conservato.
ref. 8137XXe SIECLE, N° 36, Paris, juin 1971. In-4 (315 x 248 mm), cartonnage illustrée de l'éditeur.
ref. 4320Ed. Dynamo/Aelberts, Liège, 1967. 26 x 19 cm, 20 pp. En feuilles sous couverture rempliée imprimée. Très bon état.Illustré de quatre dessins hors-texte de Kandinsky et un de Baumeister. E.O., un des 80 ex. sur Hollande, seul grand papier après 11 Japon. Rare ouvrage écrit par le fils de l'éditeur, éditeur lui-même et spécialiste de Michaux.
ref. 4320Ed. Dynamo/Aelberts, Liège, 1967. 26 x 19 cm, 20 pp. En feuilles sous couverture rempliée imprimée. Très bon état.Illustré de quatre dessins hors-texte de Kandinsky et un de Baumeister. E.O., un des 80 ex. sur Hollande, seul grand papier après 11 Japon. Rare ouvrage écrit par le fils de l'éditeur, éditeur lui-même et spécialiste de Michaux.
1979ref. Q-0933920008Hudson Hills 1979-10-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Hudson Hills hardcover
1981ref. 64627Milano: Feltrinelli 1981. Due volumi di cm. 22 x 22 pp. xxiv 321 1; ixi 1 424 4. Con tavole a colori e molte illustrazioni nel testo. Leg. edit. in tela con sovracoperte illustrate. Entro custodie in tela edit. ill. Perfetta conservazione in stato di nuovo. Feltrinelli hardcover
1960ref. 0154Delpire 1960. Book. Fine. Hardcover. 4to - over 9¾" - 12" tall. In-4 relié Excellent Etat. Delpire Hardcover
1984ref. 81057München, Verlag C.H.Beck, 1984. Original Leinenband, gr.4°, 1118 Seiten.
1947ref. 056445NY: SOLOMON R. GUGGENHEIM FOUNDATION. FIRST U.S. EDITION CLEAN COPY. . Very Good. Hardcover. 1947. SOLOMON R. GUGGENHEIM FOUNDATION hardcover
1917ref. 5145Amsterdam Theosofische Uitgeversmaatschappij 1917 in-4 broché Amsterdam, Theosofische Uitgeversmaatschappij, 1917. 29,5 x 23 cm, in-4, (4) 55 pp. - 48 ff. de planches (d'art et d'architecture) en noir, broché sous couverture noir lettrée en blanc.
ref. 0892501316.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1983ref. Q-0892070447Solomon R Guggenheim Museum 1983-12-01. Paperback. New. In shrink wrap. Looks like an interesting title! Solomon R Guggenheim Museum paperback
1958ref. 28584New York: Harry Abrams 1958. 920 illustrations including 41 in color. 428 pp. 1 vols. 4to. Cloth. Dust jacket chipped else very good. 920 illustrations including 41 in color. 428 pp. 1 vols. 4to. Harry Abrams hardcover
1960ref. 35526Cologne: DuMont 1960. hardcover. 16 matted color plates; several additional text illustrations. Square 4to cloth-backed color pictorial glossy boards Koln: DuMont 1960. Two extra mats inside back cover. DuMont unknown
ref. 18-8765London England: The Arts Council of Great Britain 1958. . Exhibition catalogue. 12mo. 24 pp. Stiff stapled green wraps with purple lettering. Very good. Black and white plates. Includes texts by James Philip James Johnson Sweeney and an essay by Wassily Kandinsky. Includes catalogue of 45 exhibited works. Catalogue created to accompany the exhibition “Paintings by Kandinsky from the Solomon R. Guggenheim Museum New York” held at the Tate Gallery in London England from January 15 through February 16 1958. First edition. Scarce. From the Collection of the Art Historian Peter Selz. London, England: The Arts Council of Great Britain, 1958. paperback
1947ref. 030860Bloomfield Hills Michigan: Cranbrook Press 1947. Book. Very Good. Hardcover. First published in 1926 under the title of Punkt Und Linie Zu Flache. Translated by Howard Dearstyne and Hilla R. Light shelf wear. A brief gift inscription is written on the front free endpaper. Otherwise fine. Cranbrook Press Hardcover
1912ref. 55354Munchen: R. Piper & Co. Fair. 1912. Third Edition. Hardcover. Original pictorial boards. Spine paper detached laid in boards loose and somewhat damped edges worn. Bookplate marginal damping. With eight plates and 10 original woodcuts. ; Large 8vo 9" - 10" tall; 1255 pages . R. Piper & Co hardcover
1960ref. 35526Cologne: DuMont 1960. hardcover. 16 matted color plates; several additional text illustrations. Square 4to cloth-backed color pictorial glossy boards Koln: DuMont 1960. Two extra mats inside back cover. DuMont unknown books
ref. 23014Luzern Kunstkreis 1976. 4° 136 S. zahlr. teilw. farb. Abb. u. 4 Orig.-Graph. OLwd. goldgepr. m. OU. OU min. randrissig; obere Deckelecken gestaucht; Exlibris; handschriftl. Nr. auf Vors. Schmutztitelbl. u. Titelbl.; sonst gutes Exemplar. Mit vier eigens für diesen Band ausgewählten Holzschnitten davon einer mehrfarbig. 010 Luzern, Kunstkreis, 1976 unknown
1934ref. 028887New York: Brentano's 1934. 1st Edition 1st Printing. Hardcover. Good/Good. V 155 Pp Plates At End. Yellow Dust Jacket Printed In Black Attached Over Plain Boards. Light Wear But Spine Browned And With Tears At Corners. With The Original Slipcase Well Worn At Edges. Inscribed By Ramiel Mcgehee To Photographer Sonya Noskowiak "To Sonya In Remembrance Of A Most Important Event! In Gratitude Ramiel Mcgehee May 25Th 1936". Mcgehee Provided Research And Revisions For Danz's 1941 Book. Noskowiak - 1975 Was An American Photographer And Member Of The Famous San Francisco Photography Collective Group F/64 That Included Ansel Adams And Edward Weston. While In San Francisco She Began Working For Photographer Johan Hagemeyer And He Taught Her The Basics Of The Trade. Through Hagemeyer She Met Edward Weston And From 1929 To 1935 She Lived With Him As A Lover Student Model Printer Of His Commercial Photographs And Surrogate Mother To His Children. While With Weston She Developed A Strong Vision Of Her Own And She Quickly Became Known For Her Portraits And Artistic Images. In 1932 Noskowiak Became An Organizing Member Of The Short-Lived Group F/64 Which Included Such Important Photographers As Ansel Adams Imogen Cunningham Willard Van Dyke Weston And His Son Brett. Members Of F/64 Believed That Photography Was An Art Form In Itself And So Photography Did Not Need To Follow The Norms Of The Fine Arts In Order To Be Defined As Art. Noskowiak's Works Were Shown At Group F/64'S Inaugural Exhibition At San Francisco's M. H. De Young Museum; She Had Nine Photographs In The Exhibit - The Same Number As Weston.She Continued Taking And Selling Photographs Through The 1950'S. Her Archives Including 494 Prints Hundreds Of Negatives And Many Letters To Edward Weston Are Now Housed At The Center For Creative Photography In Tucson Arizona. Source: Wikipedia. Brentano's hardcover
