1061 resultados
1958ref. 032164Flammarion Paris 1958. Book. Near Fine. Hardcover. En francais in french. No jacket. Flammarion Paris Hardcover
1992ref. 320409Paris: Terrail 1992. First Edition; First Printing. Softcover. Very Good in wraps. Light foxing on top text block edge.; 223 pages. Terrail unknown
1970ref. 20096AB1970. Cologne DuMont-Schauberg 1970. 30 : 28 cm. 504 pages 203 partly coloured plates 106 b/w illustrations on plates. Illustrated original clothe original coloured illustrated dust-jacket original slip-case. The relevant ouevre-catalogue of the printed works of Vasily Kandinsky. hardcover
ref. 316920Cologne: Verlag M. DuMont Schauberg 1970. FIRST EDITION LIMITED ISSUE number 975 of 1500 copies. 210 illustrations of 203 catalog entries 61 in color plus 109 supplemental figures index. 504pp. Thick 4to 11.75 x 10.25 inches. Original blue cloth gilt; pictorial dust jacket publisher's board slkpcase and protective outer slipcase. A very fine copy. FIRST EDITION LIMITED ISSUE number 975 of 1500 copies. 210 illustrations of 203 catalog entries 61 in color plus 109 supplemental figures index. 504pp. Thick 4to 11.75 x 10.25 inches. Riggs p. 397 Verlag M. DuMont Schauberg unknown
1995ref. mon0000067222Museum of Modern Art 01/03/1995 00:00:01. hardcover. Like New. 1.6288 cent in x 28.2785 cent in x 23.4522 cent in. Museum of Modern Art hardcover
ref. B9781848616073Hardback. New. Klange Sounds was Kandinsky's only poetry publication-a collection of prose poems accompanied by 56 of his own inimitable woodcuts 12 of them in colour. It appeared in late 1912 or early 1913 the exact date is uncertain from the Munich publishing house Piper and thus came at a crucial time in Kandinsky's artistic life. hardcover
1958ref. 14341AB1958. Köln DuMont 1958. 305 : 215 cm. 428 Seiten mit 1014 Abbildungen davon 41 Farbtafeln und 761 Abbildungen im Werkverzeichnis. Illustrierter Original-Leinenband mit farbig illustriertem Original-Schutzumschlag. Die grosse umfassende Monographie über Kandinsky mit einem vollständigen Katalog der von Kandinsky verzeichneten Bilder in chronologischer Reihenfolge sowie der kurz vor Redaktionsschluss des Buches hinzugefundenen Bilder und Studien aus der Sammlung von Gabriele Münter heute in der Lenbachgalerie in München sämtliche Werke reproduziert. Mit einer Würdigung des schriftstellerischen Werkes von Kandinsky einer umfassenden Bibliographie von Bernhard Karpel einem Verzeichnis der Ausstellungen etc. unknown
1988ref. 28687AB1988. Moscow Sowetski Chudoshnik 1988. 32.8cm x 24cm. 254 pages. With 288 illustrations Text in german. Original Softcover. Excellent condition with only minor signs of external wear. Includes for example the following chapters: Die Welt der Kunst / Union der Jugend / Wassili Kandinski / Der Weg der Malerei / Die Filonow-Schule / NOSh: Neue Gesellschaft für Kunstmaler / Gesellschaft der vier Künste / OST: Gesellschaft der Staffeleimaler / Kreis der Künstler etc. paperback
1984ref. 70791AB1984. French Edition. Paris Centre Georges Pompidou 1984. 30 cm x 24 cm. 495 pages. With many black-and-white and colour illustrations throughout the book. Original Softcover. From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear. Includes for example the following essays: Compositions scéniques théàtre / L'arriere-pays russe / Der Blaue Reiter / Der Sturm / L'intermède Suédois 1915-1916 / 1918 Texte de l'artiste / De la méthode de travail sur l'art synthétique / Argus de Presse 1922-1933 etc etc. Wassily Wassilyevich Kandinsky 16 December O.S. 4 December 1866 13 December 1944 was an influential Russian painter and art theorist. He is credited with painting one of the first purely abstract works. Born in Moscow Kandinsky spent his childhood in Odessa where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow studying law and economics. Successful in his professionhe was offered a professorship chair of Roman Law at the University of DorpatKandinsky began painting studies life-drawing sketching and anatomy at the age of 30. In 1896 Kandinsky settled in Munich studying first at Anton Abe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914 after the outbreak of World War I. Kandinsky was unsympathetic to the official theories on art in Communist Moscow and returned to Germany in 1921. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived for the rest of his life becoming a French citizen in 1939 and producing some of his most prominent art. He died at Neuilly-sur-Seine in 1944. His grandson is musicologist Aleksey Ivanovich Kandinsky. Wikipedia. paperback
1958ref. 47380New York: Harry Abrams 1958. 920 illustrations including 41 in color. 428 pp. 1 vols. 4to. Cloth. Dust jacket chipped else very good. 920 illustrations including 41 in color. 428 pp. 1 vols. 4to. Harry Abrams hardcover
1958ref. 28584New York: Harry Abrams 1958. 920 illustrations including 41 in color. 428 pp. 1 vols. 4to. Cloth. Dust jacket chipped else very good. 920 illustrations including 41 in color. 428 pp. 1 vols. 4to. Harry Abrams hardcover
1961ref. 109909Milano : Il Saggiatore 1961. reliure d'éditeur. Kandinsky Wassili.Wassili Kandinsky. Contrappunti. Aquerelli e disegni. Milano Il Saggiatore1961 330x300mm 56 pagine 15 incisione a colori legatura del editore. Bien complet des deux passes-partouts en fin de volume. Très bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Il Saggiatore unknown
ref. 107138Paris : Delpire éditeur sans date. demi-toile. KANDINSKY Wassily.Wassily Kandinsky. Interférences. Aquarelles et dessins. Paris Delpire éditeur sans date 330x305mm 51 pages planches en couleurs et n/bavec deux passe-partout blanc et noir collation effectué: bien complet de toutes les planches détachables reliure demi-toile. Nom du possesseur sur le haut de la page de garde supérieure autrement bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Delpire éditeur unknown
ref. G9688671002I2N00COLOFON. Paperback. Like New. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. COLOFON paperback
2013ref. ABE-1756908033278Thornwillow Press 2013. Newburgh: Thornwillow Press 2013. 8vo 33 p. original wraps with french flaps. First edition of this title excerpted from "On the Spiritual in Art". One of 350 copies this copy being No. 254 designed by Luke Ives Pontifell. Light wear to spine heel and wrap edges else a NF copy in publisher's lightly discolored and creased paper folio. 1st Edition. Soft cover. Near Fine. Thornwillow Press Paperback
1934ref. 47944Paris.: Editions Surréalistes. 1934. Full black crushed morocco by Georges Leroux with his signature gilt boards with abstract geometric rules in gilt and green and outlined parallelograms several with inlaid café crème calf smooth spine with gilt titles café crème calf doublures bright green brushed suede free endpapers original publisher's printed wrappers in black and red and backstrip with titles in black preserved a.e.g. black morocco-edged green paper-covered board slipcase with additional signature at foot. 8vo. 192 x 146 mm. Leaf with half-title recto and 'Du Même Auteur' verso leaf with Kandinsky's dry point engraving as frontispiece verso printed title in red and black with copyright verso Char's verse two leaves with 'Table' and final leaf with justification and achevé d'imprimer recto. PROVENANCE: Discreet bookplate of bibliophile François Ragazzoni with his name and initials 'F R' in blue to front free endpaper verso. The édition de tête of the first edition of René Char's collection with Wassily Kandinsky's original frontispiece etching and bound by Georges Leroux. From the édition de tête limited to 20 numbered copies on papier de Hollande van Gelder with Kandinsky's original dry point engraving as frontispiece; only copies from the édition de tête were issued with the original engraving.Also included inserted loose is the scarce subscription announcement printed on yellow paper 172 x 272 mm with a quotation from the Comte de Lautréamont ' . Pour le moment et pour plus tard vous n'avez pas besoin d'en savoir davantage' and with manuscript notes verso in pencil in an unidentified hand these mention 'Picasso - Parade' 'Cocteau' 'No sur les Ballets Russes' etc.Kandinsky's untitled etching issued in only 20 impressions was followed by only two further etchings those for 'La Main Passe' 1934 and 'Fraternity' 1939 before Kandinsky's death in 1944. Pablo Picasso was a profound admirer of Char and of the work which collected all of Char's poems published after 1927 and submitted an etching for the second edition - printed in a very similar format to this edition - published again by José Corti's Editions Surréalistes in 1945. A third illustrated edition was also published illustrated by Joan Miró in 1976. This first edition and in this issue of 20 copies with Kandinsky's etching is the rarest of the editions; Picasso's etching for the édition de tête was issued in 25 copies while the version with Miró's etchings was an edition of 215 copies 50 with an additional suite.'Le Marteaus sans Maître' includes 'Abondance Viendra' 'Poèmes Militants' it appeared here for the first time 'Arsenal' corrected and with four new poems 'Artine' and 'L'Action de la Justice est Eteinte'. In the present copy the poems 'Sosie' and 'Détachement' feature corrections by Char in green ink. He has amended the last line of 'Sosie' to read: 'Je ne vais pas au bout de ta pauvreté' for 'tes misères' a change reflected in the subsequent editions. The first line of 'Détachement' 'La fleur du pissenlit a perdu son identité' is crossed through and Char has drawn an arrow to it from a note beneath: 'Ce vers ricanait qu'il meurs / comme tant ce fin ricane. / R. C.' 'Détachement' was renamed 'Dentelée' for subsequent editions but was altered considerably by Char and the first line crossed through here was removed entirely.'Des trois éditions illustrées du 'Marteau sans Maître' celle-ci la première est la plus rare . Dans une lettre à Char du 28.11.1933 Kandinsky accepte la demande de fournir une gravure pour son livre bien qu'il ne connaisse pas l'auteur. Avec 'La Main Passe' de Tzara c'est le seul ouvrage poétique illustré par Kandinsky sic . '. De Parallèlement à Chanson Complète.'Auflage: 20 eigenhandig signierte Exemplare auf Van-Gelder-Butten . Veroffentlicht in der Luxusausgabe von Rene Char 'Le Marteau sans Maître' Paris Editions Surréalsites 1934.' Roethel.Roethel 199; see 'De Parallèlement à Chanson Complète' pp. 357 - 364; see lot 100 'Bibliothèque François Ragazzoni Seconde Partie: Editions Originales' Paris 13 / 14 May 2003. Editions Surréalistes. hardcover
1924ref. 46222Tokyo.: Idea-Shoin. 1924 Tai Sho 13. Original publisher's scarlet cloth with gilt vignettes after Kandinsky to front and rear boards original card slipcase with illustration after Kandinsky to front cover and printed text in Japanese to spine and rear cover. 4to. 258 x 198 mm. Printed title in Japanese and Western characters on glossy paper monochrome photographic portrait of Kandinsky with reproduction of his signature as frontispiece Kandinsky's translated text in Japanese with occasional insertions in Western characters illustrated with 9 monochrome text vignettes 3 'Tabelle' of colour theory and 57 plates on a variety of paper stocks 9 in colour and 48 in monochrome several with multiple images on the same sheet including the 'Abbildungen' at rear final leaf with imprint verso; the illustration incorporates that for 'Uber das Geistige in der Kunst' as well as many from 'Klänge'. A very scarce edition of Kandinsky's Uber das Geistige in der Kunst published in Japan in 1924.Although Reinhard Piper feared that Kandinsky's treatise on abstraction would not sell well the book required three editions in the first year it was published. This Japanese edition published nearly 15 years after the original incorporates the text and woodcuts of the earlier editions as well as Kandinsky's later introductions to the first and second editions as well as illustration from 'Klänge'. The majority of the plates depict work by Kandinsky but works by Dürer Raphael Cézanne and others are also included.The Japanese translation is by Obara Kuniyoshi 1887 - 1977 the publisher translator and educational theorist and president of Tamagawa University which he founded. His Idea-Shoin publishing house later the Tamagawa University Press was established in 1923 and aimed to produce teaching material educational work for children Obara published the first encyclopedia for Japanese children as well as the complete works of the Swiss educator Johann Heinrich Pestalozzi. Obara's translation of the present work is not only an indication of the importance of Kandinsky's text and theories but also casts light on the emergence of Japan's own avant-garde and its international influences.'The book which he Kandinsky claimed had been gestating for nearly a decade elucidated his artistic theories and his valuing of expression and spirituality over naturalistic representation. It also introduced his new pictorial categories derived from the field of music - impressions improvisations and compositions - which further de-emphasized the importance of recognizable subject matter. On the cover and in ten woodcuts Kandinsky illustrated his ideas by reducing complex scenes of spiritual battle and redemption to simplified designs of lines and shapes. For Kandinsky abstraction was a weapon for transforming what he perceived to be a corrupt materialist society.' see MOMA catalogue.'One of the most important manifestos of modern art. Written in 1910 and first published in 1912 Kandinsky's book is anti-materialistic and anti-naturalistic calling for painting that goes beyond a recording of the visible world. The non-objective woodcuts are historically important as early graphic demonstrations of the artist's thesis.' The Artist and the Book.Obara's translation is scarce and we can trace only the copies at the Metropolitan Museum and the Phillips collection outside Japan for which OCLC list copies at the National Diet Library and Waseda University Library.see Roethel 82 - 92; see The Artist and the Book 137 for the first edition of 1912. Idea-Shoin. hardcover
1956ref. 13309Paris: Galerie 93 1956. First Edition. Original wraps. Fine. 10p octavo. 1/500 signed by Cesar Domela. Illustrated. Laid in is a black & white print signed by Domela. Fine in gray blue printed wraps. Signed by Authors Galerie 93 paperback
ref. 54647363-nnew. unknown
1973ref. 240202005AThe Pace Gallery 1973. Paperback. Like New. 0x0x0. LIKE NEW. Very Clean. No writing or tears. The Pace Gallery paperback
ref. G3770147022I3N00DUMONT. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. DUMONT hardcover
1912ref. 1720151912. KANDINSKY Wassily. Der Blaue Reiter. Edited by Kandinsky and Franz Marc. 4 140 10 pp. illustrated with numerous illustrations including 4 plates skillfully coloured in pochoir 5 leaves of music including 2 folding plates. 4to 298 x 220 mm. in later full morocco with the wrappers preserved. Munich: R. Piper & Co. 1912. First edition of this rare and important landmark of twentieth-century art. Although it contains no original prints Der Blaue Reiter is a key publication in any collection of twentieth century illustrated books especially in Germany. It features articles on a wide variety of subjects including one on the music of Arnold Schoenberg. Published just before the outbreak of the First World War copies of both the first and second edition have long been hard to obtain. a small advertisement has been excised at the rear otherwise a fine copy of a considerable rarity usually only encountered in the second edition. The Artist and the Book 139 listing the second edition. Johnson Artists' Books in the Modern Era 1870-2000 No20. unknown
1973ref. 590590New York: The Pace Gallery 1973. Softcover. Very Good. Exhibition. Slim oblong quarto. Illustrated in color and black and white. Stapled wrappers. Wrappers evenly tanned with modest rubbing and wear including tiny nicks at the spine ends very good or better. The interior is fine. The Pace Gallery unknown
ref. 6131499039Papeback. New. pp. 168 unknown
1985ref. SONG0917658221Brand: Berkeley Poets Workshop and Press 1985-01-19. 1st. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Berkeley Poets Workshop and Press paperback
