1.061 Ergebnisse
1973Best.-Nr. TK251117International Exhibitions Foundation 1973. 1st Edition. SOFTCOVER. Very large Square 4to in colour printed stiff card covers 87pp on thick art paper full page plates in colour and monochrome etc __CONDITION : An extremely well preserved FINE very clean and tight unmarked copy in not far from new condition slight crease to top edge of front cover adjacent to the spine. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS International Exhibitions Foundation paperback
2006Best.-Nr. TH232302Tate Publishing London 2006. 1st Edition. SOFTCOVER. Large heavy 4to. in colour printed stiff card covers 224pp on thick art paper colour plates bibliography index etc __CONDITION : A well preserved AS NEW unread and unmarked copy. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Tate Publishing, London paperback
Best.-Nr. 3737206899.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976Best.-Nr. TH223502Elek London 1976. New Impression. SOFTCOVER. Heavy 4to. in stiff card covers with colour printed dust jacket 192pp colour plates illustrations in text bibliography index etc __CONDITION : A well preserved near FINE clean and tight unmarked copy hint of tanning to leaves in a very slightly edge-rubbed but otherwise FINE publisher-price-clipped Dust Jacket with publishers price sticker to inner flap. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Elek, London paperback
1982Best.-Nr. 330327New York: Guggenheim Museum 1982. paperback. very good. Vasily Kandinsky. Profusely illustrated in black and white and color. 312pp. Square 8vo stiff pictorial wrappers slightly smudged. New York: Guggenheim Museum 1982. Very good copy but internally fine. Guggenheim Museum unknown
Best.-Nr. 0892070447.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976Best.-Nr. 20-A17266Leon Amiel Publisher New York 1976. Hardcover. Very Good/very good. Carefully wrapped on a protective acetate cover to prevent further damage. Leon Amiel Publisher, New York hardcover
Best.-Nr. Knut LjoslandNot in perfect condition. unknown
1914Best.-Nr. 211488Boston New York: Houghton Mifflin Company 1914. First Edition. Hardcover. VG. Some bumping to board corners with paper fraying. Title tag is a little rubbed. Front end paper has Previous owners name penciled in and a small pen notation. A few pages of the primary text have passages marked in the margins. Otherwise clean and unmarked. Small 4to. Gardcover. Wheat cloth spine with title tag over green paper boards. 112pp. With 9 illustrative plates. First English-language Edition of this manifesto for abstract art translated and with an introduction by Michael Sadler. Houghton Mifflin Company hardcover
1994Best.-Nr. 208370Barcelona: Fundacion "La Caixa" 1994. Softcover. Spanish language with English translations in rear. VG. Light corner bumping anf rubbing to wraps. Quarto. Softcover. Matte yellow wraps. 172 pages : illustrations some color ; 30 cm. Fundacion "La Caixa" paperback
1930Best.-Nr. 208824Paris France: Cahiers d'Art 1930. Softcover. Good transluscent plastic sunned and torn in several places wraps good with minor wear. Dent along bottom textblock some foxing on top textblock pages otherwise excellent. Minor penciling inside cover. White wraps with transluscent plastic covering black and red text. xxxvii pp. 58 bw plates one original color woodcut. #381/610 copies. "This work the sixth in the collection 'The Great Painters of Today' was printed in 610 copies namely: 8 copies on Japanese Imperial paper with a gouache and an engraving numbered from 1 to 8; 8 copies on Japanese Imperial paper with an original drawing and an engraving numbered from 9 to 16; 4 copies on Japanese Imperial paper h. c.; 24 copies on Arches paper with an original engraving numbered from 17 to 40; 6 copies on Arches paper h. c.; 500 copies on Torpes vellum numbered from 41 to 540; 60 copies on Torpes vellum h. c.; a few copies were also printed for the collaborators and friends of 'Cahier d'art'"--Title page verso. Cahiers d'Art paperback
1930Best.-Nr. 208823Paris France: Cahiers d'Art 1930. #281/610 copies. Softcover. Good transluscent plastic sunned and torn in several places wraps good with minor wear. Dent along bottom textblock some foxing on top textblock pages otherwise excellent. Minor penciling inside cover. White wraps with transluscent plastic covering black and red text. xxxvii pp. 58 bw plates one original color woodcut. "This work the sixth in the collection 'The Great Painters of Today' was printed in 610 copies namely: 8 copies on Japanese Imperial paper with a gouache and an engraving numbered from 1 to 8; 8 copies on Japanese Imperial paper with an original drawing and an engraving numbered from 9 to 16; 4 copies on Japanese Imperial paper h. c.; 24 copies on Arches paper with an original engraving numbered from 17 to 40; 6 copies on Arches paper h. c.; 500 copies on Torpes vellum numbered from 41 to 540; 60 copies on Torpes vellum h. c.; a few copies were also printed for the collaborators and friends of 'Cahier d'art'"--Title page verso. Cahiers d'Art paperback
1946Best.-Nr. 208695New York: Solomon R. Guggenheim Foundation / The Gallery Press 1946. Hardcover. VG. Some toning around edges of he textblock and very light soiling to boards. Pen notation inside front cover. Small Quarto. Hardcover. Bound in black cloth with gilt titles and illustration pasted center front. 152 2 p. incl. front. port. facsim. illus. plates part col. port. diagrs. 24 x 19 cm. First complete English translation with four full colour page reproductions woodcuts and half tones. General: Introduction -- The movement -- The spiritual turning-point -- The pyramid -- Painting: The effect of colour -- The language of form and colour -- Theory -- Art and artists -- Conclusion: Survey of forty years of Kandinsky's Artistic Evolution -- Public Comments -- List of full page illustrations. Solomon R. Guggenheim Foundation / The Gallery Press hardcover
1947Best.-Nr. 208847New York: Solomon R. Guggenheim Foundation 1947. Hardcover. VG. Light wear around edges. Tiny scuff near the head of spine. Small Quarto. Hardcover. Bound in black cloth with gilt titles and illustration pasted center front. 196 pages : illustrations some color charts ; 24 cm. "In Point and Line to Plane one of the most influential books in 20th-century art Kandinsky presents a detailed exposition of the inner dynamics of non-objective painting. Relying on his own unique terminology he develops the idea of point as the "proto-element" of painting the role of point in nature music and other art and the combination of point and line that results in a unique visual language. He then turns to an absorbing discussion of line -- the influence of force on line lyric and dramatic qualities and the translation of various phenomena into forms of linear expression. With profound artistic insight Kandinsky points out the organic relationship of the elements of painting touching on the role of texture the element of time and the relationship of all these elements to the basic material plane called upon to receive the content of a work of art"--From description. Solomon R. Guggenheim Foundation hardcover
1970Best.-Nr. 201267Koln: Verlag M. DuMont Schauberg 1970. Number 1006 of 1500 copies printed. Hardcover. VG Slipcase is sunned and lightly shelfworn; DJ has moderate smudging; boards have very light edgewear; interior is clean; binding is solid. Red slipcase; white DJ with color illustration and black lettering; blue boards with gilt lettering and illustration; xxix 504 pp. some folded; richly illustrated some color; errata slip inserted. Text in German. Verlag M. DuMont Schauberg hardcover
1953Best.-Nr. 197847Paris France: Editions Pierre à Feu 1953. Paperback. AS IS SOLD WITH ALL FAULTS This is not a complete issue of this magazine; wraps are toned/edgeworn/scuffed/foxed/smudged; interior is lightly toned. White illustrated portfolio w/ colorful design and black lettering; one folded sheet with color lithograph on one side and text on the other. Text in French. Editions Pierre à Feu paperback
1914Best.-Nr. 198053Boston New York: Houghton Mifflin Company 1914. First Edition. Hardcover. VG/G ex-library bookplate front pastedown corners are sharp and solid binding is tight so label or marking on spine or rear cover. Overall a very desirable copy. Small 4to. Gardcover. Wheat cloth spine with title tag over green paper boards. 112pp. With 9 illustrative plates. First English-language Edition of this manifesto for abstract art translated and with an introduction by Michael Sadler. Houghton Mifflin Company hardcover
Best.-Nr. 0300025106.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1914Best.-Nr. 186514London: Constable 1914. First Edition. Hardcover. VG/G ex-library bookplate fep spine has been tape repaired not well but covers are intact. Pages are clean except for the first few which have slight toning. Text block is solid. Excellent repair candidate. Grey boards. Small 4to 112pp. With 9 illustrative plates. First English-language Edition of this manifesto for abstract art translated and with an introduction by Michael Sadler. Constable hardcover
1945Best.-Nr. 001286New York: Solomon R. Guggenheim Foundation 1945. First Edition. . Cloth. Very Good. Black cloth gilt titles and printed illustration laid-on front board. 45 pp. with index. Illustrated tipped-in color plates. Text essays by Kandinsky. This work published on the occasion of the Kandinsky Memorial Exhibition March 15th to May 15th 1945 in the Museum of Non-Objective Paintings. A clean tight copy Size: Folio Solomon R. Guggenheim Foundation hardcover
Best.-Nr. alb7e5c95ff933e3a91SPb ABC Classics 2008. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKUalb7e5c95ff933e3a91 paperback
Best.-Nr. 0866220062.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 3752395931.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 3752341599.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1970Best.-Nr. 9307Koln: Verlag M. DuMont Schauberg. Very Good/No Jacket. 1970. Limited/Numbered. Hardcover. 3770104501 Catalogue Raisonné Stout 4to 504 pp VG in gilt-stamped blue cloth lacking the dust jacket ex-inst library: light label remnant to heel of spine; covers moderately soiled with lightly bumped corners; ink stamp to top edge; card pocket with card to rear pastedown; extremely clean and minimally handled internally. TEXT IN GERMAN. #783/1500 copies. The catalogue raisonné of the prints of Kandinsky with 203 works on paper illustrated in b&w and color with detailed descriptions. Includes numerous appendices. Rare and well-done. An essential work on one of the masters of twentieth century German printmaking. . Verlag M. DuMont Schauberg hardcover
