1060 resultados
1937ref. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown
1937ref. 140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown books
In-8°, pp. non numerate: il libro consta di 8 pagine di introduzione e di una trentina di pagine che riportano titoli e autori della Collezione Thompson; ma soprattutto di numerose tavole (più di 80) a piena pagina a colori e in b/n di dipinti e sculture facenti parte della Collezione Thompson (autori: Picasso [dipinti e sculture], Laurens, Wols, Soutine, Rouault, Monet, Mondrian, Mirò, Matisse, Léger, Klee, Kandinsky, Giacometti, Cézanne, Braque, Bazaine e altri). Brossura editoriale figurata a colori.
ref. 530575Stuttgart, Gerd Hatje, 1955 pet. in-8, cartonnage de l'éditeur toile rouge, jaquette illustrée, 242 p., figures dans le texte
1973Gutes Exemplar; mit priv. Schutzhülle. - Wassily Kandinsky (* 4. Dezember jul. / 16. Dezember 1866 greg. in Moskau; † 13. Dezember 1944 in Neuilly-sur-Seine, Frankreich) war ein russischer Maler, Grafiker und Kunsttheoretiker, der auch in Deutschland und Frankreich lebte und wirkte. Mit Franz Marc war er Begründer der Redaktionsgemeinschaft Der Blaue Reiter, die am 18. Dezember 1911 ihre erste Ausstellung in München eröffnete. Der Blaue Reiter ging aus der 1909 gegründeten Neuen Künstlervereinigung München (N.K.V.M.) hervor, in der Kandinsky zeitweise Vorsitzender war. In der Weimarer Republik war er als Lehrer am Bauhaus tätig. Kandinsky war ein Künstler des Expressionismus und einer der Wegbereiter der abstrakten Kunst. … (wiki) // INHALT : Einführung von Max Bill --- Über die Formfrage. 1912 --- Über Bühnenkomposition. 1912 --- Malerei als reine Kunst --- Die Grundelemente der Form. 1923 --- Farbkurs und Seminar. 1923 --- Über die abstrakte Bühnensynthese. 1923 --- Tanzkurven. 1926 --- Der Wert des theoretischen Unterrichts in der Malerei. 1926 --- und. 1927 --- Analyse der primären Elemente der Malerei. 1928 --- Modeste Mussorgsky: Bilder einer Ausstellung. 1928/30 --- Kunstpädagogik. 1928 --- Die kahle Wand. 1929 --- Der Blaue Reiter. 1930 --- Paul Klee. 1931 --- Betrachtungen über die abstrakte Kunst. 1931 --- Fragen und Antworten. 1935 --- Berechnung. 1935 --- Die Kunst von heute ist lebendiger denn je. 1935 --- Linie und Fisch. 1935 --- Leere Leinwand undsoweiter. 1935 --- Abstrakte Malerei. 1935 --- Zwei Richtungen. 1935 --- Franz Marc. 1936 --- Zugang zur Kunst. 1937 --- Interview Nierendorf-Kandinsky. 1937 --- Konkrete Kunst. 1938 --- abstrakt oder konkret. 1938 --- Meine Holzschnitte. 1938 --- Stabilite Animee. 1938 --- Der Wert eines Werkes der konkreten Kunst. 1939 --- Jede geistige Epoche. 1942 --- Die farbigen Reliefs von Sophie Teuber-Arp. 1943 --- Verzeichnis der Tafeln.
1973ref. 103588ABBern, Benteli, 1973. 3. Aufl. Mit zahlr. Ill. 257 S. OKt. - Sehr gutes Ex. 3
1958ref. 80490Genève, Gérald Cramer (= Catalogue N° 11), 1958. 54 S., 1 Bl. Mit zahlreichen s/w Abbildungen. 8vo. Farb. ill. OKart.
2008ref. ABE-1650018941710LA VOIX DES ARBRES DANS L'HISTOIRE DE LA PEINTURE, PAR LAURENT WOLF, 12 PAGES, HOKUSAI, ROUSSEAU, MONDRIAN, 5 ILLUSTRATIONS-LA CORRIDA, 10 PAGES-CINEMA: BIENVENUE CHEZ LES CH'TIS: UNE GEOGRAPHIE DU MEPRIS ET DE L'ACCUEIL, 2 PAGES PAR JACQUES ARENES-TRACES DU SACRE: RIEN.SINON L'ART, 4 PAGES, JACKSON POLLOCK, KANDINSKY, EMIL NOLDE-(22B)
2009ref. ABE-1647085145009IN 8-144 PAGES-LES MINORITES DANS LE JEU POLITIQUE ISRAELIEN, PAR FREDERIC SARTER, 10 PAGES-LA PRESSE ECRITE A L'EPREUVE D'INTERNET, PAR ANTOINE DE TARLE, 11P-VERS L'INDIFFERENCIATION SEXUELLE?, PAR MICHELA MARZANO, 10P-UNE LECTURE DE TINTIN AU TIBET, PAR EUDES GIRARD, 10 PAGES, 1 DESSIN-EXPOSITION: KANDINSKY OU L'INTRIGUE DU VISIBLE, CENTRE POMPIDOU, 4P PAR LAURENT WOLF-LIVRES: LE TESTAMENT CELINE, DE PAUL YONNET, DEMI PAGE-(22A)
1921ref. 011643Paris 1921 En feuilles
1973ref. 590590New York: The Pace Gallery 1973. Softcover. Very Good. Exhibition. Slim oblong quarto. Illustrated in color and black and white. Stapled wrappers. Wrappers evenly tanned with modest rubbing and wear including tiny nicks at the spine ends very good or better. The interior is fine. The Pace Gallery unknown
1973ref. 590590New York: The Pace Gallery 1973. Softcover. Very Good. Exhibition. Slim oblong quarto. Illustrated in color and black and white. Stapled wrappers. Wrappers evenly tanned with modest rubbing and wear including tiny nicks at the spine ends very good or better. The interior is fine. The Pace Gallery unknown books
2008ref. 132019Berkeley CA: Tango Press 2008. 24p 7x8.5 inches personal inscription signed as Carla by the poet illustrations bios very good first edition poetry chapbook in stapled pictorial wraps. Tango Press unknown books
1980ref. 27090Frankfurt am Main: Städtische Galerie im Städelschen Kunstinstitut, 1980. 54 S.; Abb. brosch.
ref. 25788BE, Snoeck, 2010 relie, , 128 pp. ,150 Illust.: French edition . ISBN 9789053497791.
1917ref. ZB1237475Stockholm: A.B. Nord 1917. Price HAS BEEN REDUCED by 10% until Monday Oct. 26 weekend SALE item folio 12 pp. 2 tipped in color plates by G. Adrian-Nilsson and Per Krogh with his name misspelled; original illustrated paper wrappers very good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Stockholm: A.B. Nord unknown
1996Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 274 pages with a few b&w illustrations.
1960ref. 200141Dumont Schauberg, 1960. 138 Seiten mit einigen Bildtafeln Leinen
1939ref. SPENDERS007080Atelier 17 Paris & New York. March 1939. First edition. Octavo. Spender's poem ''Fall of a City'' and Louis Aragon's translation ''Chute d'une Cit�'' together with nine engravings loose within wrappers. The engravings were printed by Atelier 17 and Henri Hecht and include one with aquatint and roulette one with soft ground etching one drypoint and one etching. All are on Montval handmade paper with deckle-edges. Held within the original plain board chemise but lacking the slipcase which had a Hayter titling-piece pasted onto the front. Stanley Hayter founded Atelier 17 in Paris in 1927 and it continues to this day in Rue Didot albeit with the name changed to Atelier Contrepoint. This production was his contribution to the raising of funds to help children orphaned by the Spanish Civil War.101 numbered copies were printed for sale and 12 for the contributors. This copy is unnumbered and hors commerce marked ''h.c'' on the limitation page. Each copy including this one was signed by Spender and Aragon at their respective contribution and by each artist in the lower margin of the etched sheet.Fine in custom burgundy morocco box with ''FRATERNITY'' in gilt on the lid. Very scarce with all nine loose etchings as most sets have been broken up for piecemeal sale. Atelier 17, Paris & New York. March, unknown
2004ref. Q-0892072989Guggenheim Museum Publications 2004-02-02. Paperback. New. In shrink wrap. Looks like an interesting title! Guggenheim Museum Publications paperback
1964ref. 20414London/Bradford, Percy Lund, Humphries & Co. 1964. 4°, 111 Seiten. mit 50 ganzseitigen farbigen Abbildungen. Illustrierter Orig.Pappband mit OSU.
1992ref. BN258622Frankfurt am Main : Insel-Verl. 1992. 1992. Gabriele Münter und Wassily Kandinsky : Biographie eines Paares. Gabriele Münter und Wassily Kandinsky : Biographie eines Paares. Kandinsky Münter Gabriele - Kleine Gisela Gabriele Münter und Wassily Kandinsky Frankfurt am Main : Insel-Verl. unknown
1981ref. 17620Köln, Galerie Orangerie / Reinz, 1981. 94 S. mit Abbildungen. 8°. Orig.-Karton.
1992ref. 16001München : Prestel Verlag 1992. 300 S. : mit 384 Abbildungen davon 166 in Farbe; 29 cm Softcover/Paperback, Exemplar in gutem Erhaltungszustand
1992ref. 23528Frankfurt am Main : Insel-Verl. 1992. 813 S. : zahlr. Abb. ; 21 cm, mit Schutzumschlag Gewebe, gebundene Ausgabe, Leinen, Exemplar in gutem Erhaltungszustand, Neupreis in Euro: 40,80
