1.050 Ergebnisse
Best.-Nr. 10545N° 1. (Mai 1956). Couverture originale de Victor Vasarely. André Masson, Pierre Alechinsky (" Calligraphie japonaise "), Richard Hülsenbeck (" Dada "), Hans Arp, Jacques Dupin (" Joan Miró "), Will Grohmann (" Zu den Anfängen Wassily Kandinskys "), Herbert Read, Léon Degand Très bon état.
1996Best.-Nr. Q-8449303141Ediciones Paidós 1996-09-20. Paperback. New. New. In shrink wrap. Looks like an interesting title! Ediciones Paidós paperback
Best.-Nr. 8449303141.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 9876170104.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1983formato 22X14. Brossura editoriale con alette pagine 2016. Con diversi disegni in B/N. Qualche sottolineatura a matita. Bella copia
1973Best.-Nr. 103596ABBern, Benteli, 1973. 7. Aufl. Mit zahlr. Abb. 210 S. Illustr. OKt. - OKt. m. 2 schwachen Flecken, gutes Ex. 7
Best.-Nr. CA08A-00005Albert Langen. Collectible - Acceptable. München: Albert Langen Verlag 1926. 2nd edition. 8vo. 190pp. German. Illus. Book Good. No dust jacket. Front hinge cracked. Writing inside. Bauhausbücher 9. Bauhaus painting aesthetics Inquire if you need further information. Albert Langen unknown
Best.-Nr. BAZ5818Attention M-idition est de 2003.
Best.-Nr. 29441Lingua italiana, Adelphi, Biblioteca Adelphi n° 16, 1982, 215 pp., brossura editore, copertina leggermente annerita, condizioni buone.
1978Best.-Nr. 6316New York: Solomon R. Guggenheim Foundation 1978. First Edition; First Printing. Softcover. Book condition is Very Good in wraps. Text is clean and unmarked. Scarce. ; Large 8vo 9" - 10" tall. Solomon R. Guggenheim Foundation unknown
1999Mm 155x210 Brossura originale con copertina a colori, 320 pagine con sottolineature a matita alle prime 92 pagine, peraltro il libro è in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
1993Best.-Nr. ABE-1773872825226COLLECTION CHAMPS N°288-184 PAGES-FORMAT POCHE-(9A)
Best.-Nr. 44856Bruxelles: Maison internationale de la poésie, direction Fernand Verhesen, Frans De Haes 1992. Un volume 15,5x22,8cm broché de 102 pages. Bon état. Créée à l’occasion des Biennales internationales de poésie à Bruxelles en 1954, cette importante revue d’analyse critique et poétique présente des essais, des poèmes inédits, des traductions et des hommages. Plus de 200 numéros seront édités jusqu’au début des années 2000.
1960Best.-Nr. 91440Paris Maeght, N° spécial de la revue "Derrière le miroir", n° 119 1960 1 vol. Broché in-folio, en feuilles, sous couverture illustrée d'une lithographie en couleurs de Raoul Ubac, 36 p. avec 12 lithographies de Braque, Chagall, Léger, Kandinsky, Miro, Giacometti, Ubac, Bazaine, Chillida, Palazuelo, Tal-Coat et Fiedler. Textes de René Char, Blaise Cendrars, Pierre Volboudt, Joan Brossa, Raymond Queneau, Léna Leclercq, André Frénaud, Jean Tardieu, Miguel Hernandez, Jorge Guillen, André Du Bouchet et Jacques Dupin. Petites traces de colle à deux pages, sinon bonne condition.
1960Best.-Nr. 91440Paris Maeght, N° spécial de la revue "Derrière le miroir", n° 119 1960 1 vol. Broché in-folio, en feuilles, sous couverture illustrée d'une lithographie en couleurs de Raoul Ubac, 36 p. avec 12 lithographies de Braque, Chagall, Léger, Kandinsky, Miro, Giacometti, Ubac, Bazaine, Chillida, Palazuelo, Tal-Coat et Fiedler. Textes de René Char, Blaise Cendrars, Pierre Volboudt, Joan Brossa, Raymond Queneau, Léna Leclercq, André Frénaud, Jean Tardieu, Miguel Hernandez, Jorge Guillen, André Du Bouchet et Jacques Dupin. Petites traces de colle à deux pages, sinon bonne condition.
1947Best.-Nr. 208847New York: Solomon R. Guggenheim Foundation 1947. Hardcover. VG. Light wear around edges. Tiny scuff near the head of spine. Small Quarto. Hardcover. Bound in black cloth with gilt titles and illustration pasted center front. 196 pages : illustrations some color charts ; 24 cm. "In Point and Line to Plane one of the most influential books in 20th-century art Kandinsky presents a detailed exposition of the inner dynamics of non-objective painting. Relying on his own unique terminology he develops the idea of point as the "proto-element" of painting the role of point in nature music and other art and the combination of point and line that results in a unique visual language. He then turns to an absorbing discussion of line -- the influence of force on line lyric and dramatic qualities and the translation of various phenomena into forms of linear expression. With profound artistic insight Kandinsky points out the organic relationship of the elements of painting touching on the role of texture the element of time and the relationship of all these elements to the basic material plane called upon to receive the content of a work of art"--From description. Solomon R. Guggenheim Foundation hardcover books
1947Best.-Nr. 014236Bloomfield Hills Michigan: Cranbrook Press 1947. 1st English ed. . Hardcover. Fine/No Jacket. Black cloth with gilt lettering to front and spine square coloured illustration to front. pristine 199 4 Index. 102 figs mostly diagrams but a few photos 2 ex-pagination plates 3 other full page Appendix has 25 full p3ge diagrams facing captions a colour plate by the author only faults is a half millimeter extension below bottom edge of a plate page apparently slightly inaccurately re-fixed otherwise book rates As New. Only date given is of 1947 Guggenheim Foundation copyright but given condition I am suspicious of this as actual issue date of this copy. Translated from the 1928 German second edition unchanged from the 1923 first. Cranbrook Press hardcover
1947Best.-Nr. 208847New York: Solomon R. Guggenheim Foundation 1947. Hardcover. VG. Light wear around edges. Tiny scuff near the head of spine. Small Quarto. Hardcover. Bound in black cloth with gilt titles and illustration pasted center front. 196 pages : illustrations some color charts ; 24 cm. "In Point and Line to Plane one of the most influential books in 20th-century art Kandinsky presents a detailed exposition of the inner dynamics of non-objective painting. Relying on his own unique terminology he develops the idea of point as the "proto-element" of painting the role of point in nature music and other art and the combination of point and line that results in a unique visual language. He then turns to an absorbing discussion of line -- the influence of force on line lyric and dramatic qualities and the translation of various phenomena into forms of linear expression. With profound artistic insight Kandinsky points out the organic relationship of the elements of painting touching on the role of texture the element of time and the relationship of all these elements to the basic material plane called upon to receive the content of a work of art"--From description. Solomon R. Guggenheim Foundation hardcover
1947Best.-Nr. 056445NY: SOLOMON R. GUGGENHEIM FOUNDATION. FIRST U.S. EDITION CLEAN COPY. . Very Good. Hardcover. 1947. SOLOMON R. GUGGENHEIM FOUNDATION hardcover
1947Best.-Nr. 030860Bloomfield Hills Michigan: Cranbrook Press 1947. Book. Very Good. Hardcover. First published in 1926 under the title of Punkt Und Linie Zu Flache. Translated by Howard Dearstyne and Hilla R. Light shelf wear. A brief gift inscription is written on the front free endpaper. Otherwise fine. Cranbrook Press Hardcover
Best.-Nr. 1013852737.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1979Best.-Nr. Q-0486238083Dover Publications 1979-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
Best.-Nr. B9781013852732Hardback. New. hardcover
Best.-Nr. BN640587Lars Müller Publishers Lars Müller Publishers Gmbh. Hardcover. Point and Line to Plane Point and Line to Plane Wassily Kandinsky Lars Müller Publishers, Lars Müller Publishers Gmbh hardcover
1963Best.-Nr. 2601963 Paris Editions de Beaune 1963 Un volume in°8 broché. Nombreux dessins en n&b Tache sur un coins inf des dernières pages LR4
