1 051 résultats
1969Mm 150x210 Brossura originale, 290 pagine profusamente illustrate in nero e a colori. Testo in lingua tedesca - german text. Copia ottima, spedizione in 24 ore dalla conferma dell'ordine.
réf. 5115Bern Benteli 1952 u. 1955. 8° 142 u. 209 S. Abb. Brosch. m. OU u. Transparent-OU Umschlag min. gebräunt sonst tadellos. Enthält: Bd. 1: Über das Geistige in der Kunst 4. Aufl.; Bd. 2: Punkt und Linie zu Fläche. Beitrag zur Analyse der malerischen Elemente 3. Aufl.; beide Bände mit einer Einführung von Max Bill. 010 Bern, Benteli, 1952 u. 1955 unknown
réf. 115567Munich R. Piper & Co. 1913. . First edition one of 300 copies signed by the artist and numbered in ink on the justification; square 4to 28.5 x 28 cm; illustrated with 56 woodcuts 12 in colour and 44 in black text and illustrations on Holland Van Gelder cream laid paper some scattered spotting; publisher's purple cloth linen over red paper covered boards top and bottom of spine repaired corners repaired gold design to upper cover later morocco backed chemise and slipcase a good copy. 'The range of Kandinsky's work is seen here from cuts in his early style reminiscent of folk art and Jugendstil to his non-objective designs which have been so important in 20th-century art. Arp has pointed out that the sonorous quality of Kandinsky's poetry in Klänge was likewise influential in modern literature and was recited by the Dadaists in the Cabaret Voltaire in Zurich' The Artist and The Book 1860-1960. 'Between the time he created extraordinary hand-coloured woodcuts of medieval ladies in 1903 and 1913 Kandinsky formed Der Blaue Reiter The Blue Rider group with Franz Marc and wrote Concerning the Spiritual in Art. The blue rider was Saint George a favourite of the Russians. In this pivotal book which includes some of Kandinsky's earliest abstract compositions Saint George and other knights on horseback are shown searching magic mountains for truth. Munich, R. Piper & Co., 1913. hardcover
réf. 72088Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1907–12 published 1913. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 72087Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1907–12 published 1913. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 72089Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1907–12 published 1913. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 72086Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1907–12 published 1913. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 530690Nantes, Musée des Beaux-Arts, 1988. In-8, broché, 79 p., illustrations en couleurs et en noir.
réf. 64861Musee des Beaux-Arts Nantes 1988 In-8 23 cm 79pp. 25 illustr. hors-texte photos Nb-0137 unknown
1979réf. 338582Staatsgalerie Stuttgart 1979. 99 S. mit einigen Abbildungen. 4°. Original-kartoniert, Einband teils etwas verfärbt / fleckig, sonst gut.
1979réf. 122502Stuttgart: Staatsgalerie, Graphische Sammlung, 1979. 99 S. ; 29 x 21 cm ; kart. ;
2015réf. 38783München, London, New York: Prestel 2015. 359 S. Mit zahlr. farb. u. s/w, Abb.
2015réf. 43393München, London, New York : Prestel, 2015. 358 Seiten ; Ill. Halbleinen
réf. OP-1244Berggruen & Cie Paris. paperback. fine. Berggruen & Cie , Paris unknown
1959réf. 2092902138101950Berggruen & Cie 1959. Soft Cover. Fine. Size: 22cmx11.5cm Number of books: 1 Berggruen & Cie paperback
1988New York Portland House 1988, In-4 carré cartonnage de l'éditeur sous jaquette illustrée. 138 pages. 135 reproductions couleur d'oeuvres de KANDINSKY avec notes et explications en regard. Ex dono en page de garde. Bon état.
1924réf. 46222Tokyo.: Idea-Shoin. 1924 Tai Sho 13. Original publisher's scarlet cloth with gilt vignettes after Kandinsky to front and rear boards original card slipcase with illustration after Kandinsky to front cover and printed text in Japanese to spine and rear cover. 4to. 258 x 198 mm. Printed title in Japanese and Western characters on glossy paper monochrome photographic portrait of Kandinsky with reproduction of his signature as frontispiece Kandinsky's translated text in Japanese with occasional insertions in Western characters illustrated with 9 monochrome text vignettes 3 'Tabelle' of colour theory and 57 plates on a variety of paper stocks 9 in colour and 48 in monochrome several with multiple images on the same sheet including the 'Abbildungen' at rear final leaf with imprint verso; the illustration incorporates that for 'Uber das Geistige in der Kunst' as well as many from 'Klänge'. A very scarce edition of Kandinsky's Uber das Geistige in der Kunst published in Japan in 1924.Although Reinhard Piper feared that Kandinsky's treatise on abstraction would not sell well the book required three editions in the first year it was published. This Japanese edition published nearly 15 years after the original incorporates the text and woodcuts of the earlier editions as well as Kandinsky's later introductions to the first and second editions as well as illustration from 'Klänge'. The majority of the plates depict work by Kandinsky but works by Dürer Raphael Cézanne and others are also included.The Japanese translation is by Obara Kuniyoshi 1887 - 1977 the publisher translator and educational theorist and president of Tamagawa University which he founded. His Idea-Shoin publishing house later the Tamagawa University Press was established in 1923 and aimed to produce teaching material educational work for children Obara published the first encyclopedia for Japanese children as well as the complete works of the Swiss educator Johann Heinrich Pestalozzi. Obara's translation of the present work is not only an indication of the importance of Kandinsky's text and theories but also casts light on the emergence of Japan's own avant-garde and its international influences.'The book which he Kandinsky claimed had been gestating for nearly a decade elucidated his artistic theories and his valuing of expression and spirituality over naturalistic representation. It also introduced his new pictorial categories derived from the field of music - impressions improvisations and compositions - which further de-emphasized the importance of recognizable subject matter. On the cover and in ten woodcuts Kandinsky illustrated his ideas by reducing complex scenes of spiritual battle and redemption to simplified designs of lines and shapes. For Kandinsky abstraction was a weapon for transforming what he perceived to be a corrupt materialist society.' see MOMA catalogue.'One of the most important manifestos of modern art. Written in 1910 and first published in 1912 Kandinsky's book is anti-materialistic and anti-naturalistic calling for painting that goes beyond a recording of the visible world. The non-objective woodcuts are historically important as early graphic demonstrations of the artist's thesis.' The Artist and the Book.Obara's translation is scarce and we can trace only the copies at the Metropolitan Museum and the Phillips collection outside Japan for which OCLC list copies at the National Diet Library and Waseda University Library.see Roethel 82 - 92; see The Artist and the Book 137 for the first edition of 1912. Idea-Shoin. hardcover
réf. 313887Fondation Pierre Gianadda Suisse 2000 In-8 ( 240 X 220 mm ) broché sous couverture illustrée. Portrait en frontispice. Illustrations dans et hors-texte. Bel exemplaire.
réf. 4876, Rotterdam, Museum Boymans - Van Beuringen, 1964., Originele uitgeversomslag verkleurd, vergulde titel op de voorplat, typoschrift, 21x32cm, 7pp.
réf. 15574format moyen, couverture souple. 281 pages. Illustrations n/b dans un cahier central; bon état. Une expédition par Mondial Relay vous sera proposée 1991 Flammarion
1993267 p. : illustrato a colori e in b/n ; 30 cm. Catalogo della mostra tenuta a Firenze, Palazzo Strozzi 24 aprile - 11 giugno 1993. Brossura illustrata con alette. Ottime le pagine, a parte aloni di scritta rosa ai margine di due pagine (segno a biro all’ultimo risguardo). **** Peso kg 1,600.
1982réf. 195238Massachusetts: G. K. Hall & Company 1982. First Edition; First Printing. Hardcover. Near Fine in a Very Good dust jacket. G. K. Hall & Company hardcover
1999A clean, unmarked book with a tight binding. 224 pages. 9 5/8"w x 10 7/8"h. Many color illustrations. "In this striking catalogue of the first major showing of Kandinsky's work for some years, over 130 works on paper are reproduced in full colour and shown in the context of Kandinsky's oeuvre as a whole." Introductory essay by Frank Whitford.
1961réf. 202085London: Marlborough Fine Art Ltd 1961. Staplebound. VG: In excellent condition. Looks like it has rarely been taken from the shelf. A staple-bound softcover will a full-color illustration on the front cover. Pages: 44. There are eight tipped in full-color plates on heavy black paper. There are also twenty-five black-and-white illustrations. Several of the pages informing the different sections are a heavier textured color. Catalogue of an exhibition held at Marlborough Fine Art Ltd. April-May 1961. Marlborough Fine Art Ltd unknown books
1966réf. 184420New York: Marlborough-Gerson 1966. First edition. Softcover. Exhibition catalog for a show that ran April through May 1966. Text by Will Grohmann. Includes with the covers 10 color and 40 black and white illustrations. A near fine copy in wrappers and with laid in errata slip. Marlborough-Gerson unknown books