2.490 resultados
ref. 30058873Thames & Hudson London 1964 . 28.5 x 22.5cms 292pp 260 b/w & 27 tipped in colour plates very good hardcover& dustwrapper Written in the wake of Bacon's retrospective at the Tate 1962 this was the fist monograph on Bacon's oeuvre. It reproduces all his surviving paintings to 1963 as well as some of the important destroyed works. Thames & Hudson London 1964 hardcover
2018ref. x-331980894XPalgrave Macmillan 2018. Paperback. New. reprint edition. 305 pages. 8.26x5.82x0.75 inches. Palgrave Macmillan paperback
2016ref. x-3319308181Palgrave Macmillan 2016. Hardcover. New. 328 pages. 8.25x6.00x0.75 inches. Palgrave Macmillan hardcover
ref. 4051paris galerie georges petit 28 et 29 avril 1913 - 3 forts volumes In 4 brochés (33X25cm) 135/118/ et 222 pages - très nombreuses illustrations à pleine page hors texte
ref. 17209London, & Co. . Half-Leather, Folio -Hardcover over, 290mm x 230mm tall. Ill.: Four books bound as one comprising different editions: Folio, 73, 31, vi-45 + 64 pp. Profusely illustrated with bl/white and (hand)coloured ills.,a very good copy of the large paper edition on India Proofs. Fine.24 b/w plates and 8 colour plates (vol iv)
ref. 16164, Paris, Menard, 1892., Relie l'epoque, dimi veau, 27x35,5cm, 161pp+ 72pp., avec planches en noir/blanc.
1793ref. WOC-1630Edition Originale. A Paris, De L'Imprimerie Nationale Exécutive du Louvre, An IIè de la République une & indivisible (1793). In-8 reliure moderne pleine toile écrue, titre au dos doré. XIV,148pp.
ref. 084-Ao.J. Radierung, nach Hans Jordaens III (1643 in Antwerpen verst.), auf Bütten. 16,5:23 cm. Zarter Abdruck, auf die Plattenkante geschnitten und auf Sammlungsuntersatz montiert. Literatur: Nagler aus 56 (Innere Zimmerdarstellungen, 6 Blätter nach J. Jordaens, kl.qu.fol.); Wurzbach I (Jordaens), S. 765; Thieme/Becker XIX (Jordaens), S. 150.
1991ref. 6rfiaEskom 1991. Limited . Hardcover. Very Good/No Jacket. Signed. Signed by the Author Paul Semark December 1991 on the Dedication page and Signed by Austin Brown Paintings by. Limited edition of 100 copies this is number 24. Rare in a Slip case. Publication of 49 pages. Landscape large book. There is Bright Gold Gilt on the front cover. The boards are in near fine condition. Internally the pages are clean and complete. The binding is excellent. Placed in a slip case small chipped piece in the case. Lovely copy. GK. Our orders are shipped using tracked courier delivery services. Eskom hardcover
1733ref. 9711A Amsterdam, Chez les Wetsteins & Smith, 1733. 2 volumes in-4 de [20-titre, privilège, épitre, avis, avertissement, préface]-LXIX-[3]-523 et [8]-740 pages, demi-vélin à coin (empoussiéré), étiquettes de titre bordeaux, tranches mouchetées. Quelques rousseurs. Nom de possesseur calligraphié à la plume aux pages de titre.
ref. a83482London 1909 first edition Adam and Charles Black. Hardcover. Sm.4to. 320pp. 75 lovely color illustration plates by the Stokes foldout map gilt printed ivory cloth with heraldic shield in green and orange on front. VG oOccasional light foxing and light foxing on fore-edges. In later protective removable glassine jacket. . hardcover
1970ref. 021701Girard Bank 1970. First edition. Near Fine. Signed by both Michener and Wyeth on title page. Tiny scuff to the paper covered boards. Near fine in a fine slipcase. In original red box in fine condition. Always securely packed. Professional booksellers since 1994. Satisfaction guaranteed. Girard Bank unknown
2006ref. 307007MEXICO CITY: MUSEO TAMAYO. Fine with no dust jacket. 2006. First Edition. 9685979154 . Fine in quarter orange cloth & orange boards without dj. as issued. 10" X 14" Text in Spanish and English. . MUSEO TAMAYO. hardcover
1866ref. 20181Genève, Société d'histoire et d'archéologie de Genève, 1866. In-4 de [6]-XXVII-[1]-542 pages, cartonnage d'éditeur, dos (moderne) de percaline grise, pièce de titre en veau noir.
1987ref. 13661Fribourg, Office du livre, 1987. Fort volume in-4 de 486-[2] pages, pleine toile bleue avec titre à froid au premier plat, argenté au dos, jaquette couleurs.
ref. 20842697Reed Sydney 1980 . 42.0 x 28.5cms 144ppb/w & colour illusts very good hardcover & dustwrapper in very good slipcase some edgewear. Blackman's & Amadio's inscriptions with signatures This book reviews Blackman's total oeuvre to 1980. The section headings are: schoolgirls; Alice in Wonderland; girl & flowers; faces of love; children playing; gardens; the sea; nudes; nightmares; identities. Reed Sydney 1980 hardcover
12mo, 24pp., later boards. This catalogue lists 55 of Miss Linwood's needlework paintings. Bound with a German text title: Begleiter zu den landschaftlichen Freskoge, Munich, 1834. 92pp.
2025ref. x-3031957164Springer Nature 2025. Hardcover. New. 350 pages. 9.25x6.10x9.21 inches. Springer Nature hardcover
ref. 4490Hong Kong, Cafa Company Limited, 1970. 1 volume, elephant folio, soft printed blue covers, 8 pp. (in english) - 8 pp. (in chinese), illustrated with 50 plates of paintings by different chinese painters, a very good copy.
ref. 11527Féerie chantée en 19 tableaux lumineux. Poème & mages de Lucien METIVET. Musique de Jane VIEU. In 8 cartonné, à l’italienne, plats illustrés en couleurs. Faux-titre illustré en couleurs, titre, 45 pages, illustrations en couleurs dans le texte et à pleine page. Enoch & Cie 1902. Ernest Flammarion. Edition originale. Bien complet de sa jaquette verte à rabats, illustrée. Eugène VERNEAU imprimeur-lithographe. Tableaux : 1) prélude et berceuse-2) la forêt- 3) le manoir endormi- 4) la cour- 5) les gardes- 6) les pages- 7)La Belle au bois dormant- 8) le réveil- 9) le cortège- 10) le départ- 11) la forêt coupée- 12) -13)la route-14)les carrosses-15) la ville moderne-16)vieilles cités-17) la mer-18) les cuirassés-19) la Belle se rendort . Edition originale dédiée à Madame MASSENET. Très bel album de cette féérie enchantée d’ombres chinoises, représentée pour la première fois en février 1902 au théâtre des MATHURINS-La musique est de Jane VIEU (1871-1955) qui interpréta elle-même son œuvre à la représentation et le texte est de Lucien METIVET (1863-1932)
2015ref. 125237Thinkspace Gallery, Culver City, 2015. 213 S. ; 31 x 23 cm ; Pp. ;
ref. BN604761Robert Mangold. X Plus and Frame Paintings. Weck Ardalan Ziba de; Mangold Robert and Schwarz Dieter Robert Mangold. X Plus and Frame Paintings. Weck Ardalan Ziba de; Mangold Robert and Schwarz Dieter Robert Mangold. X Plus and Frame Paintings. Weck Ardalan Ziba de; Mangold Robert and Schwarz Dieter unknown
1977ref. 85163Dublin Ireland: Dolmen Press 1977. Limited Edition 1/650 copies. Limited edition 1/650 copies. Quarto. Black cloth over boards 10 5/8 in. x 7 1/4 in. with striking painting by Louis le Brocquy of a rook in flight to front board. White lettering to spine. Housed in Black and Red on White dustjacket. 78 pp with red and black lettering to dustjacket spine. It is interesting to note that while creating the images for this book the artist le Brocquy was healing from an injury which encased his primary drawing/painting hand in plaster. He writes: "In my present task I have not had the use of my right hand which is immobilised in plaster. With my available left hand I cannot write nor do any precise operation at all. It is encouraging therefore to note that this clumsy left hand produces illustrations as well as paintings which are not less articulate than those formerly made with my right. It would seem to show that no predictable skill whatever is involved and that images emerge not by imnposition on my part but as it were automatically -- jerked into coherence by a series of vaguely directed accidents discovered rather than executed. In illlustrating THE GODODDIN I discovered nothing but rooks. This would be less disconcerting were I preoccupied with Ted Hughes's CROW. As it is I have had to accept their persistent presence in THE GODODDIN as a kind of counterpoint to its own repetitive and compassionate insistence and in renewed irony as a recurrent image of the unscathed victor" "Aneirin the sixth-century Welsh poet is reputed to have been one of a handful of survivors from the battle of Catraeth which inspired his epic poem THE GODODDIN.Desmond O'Grady's belief is that what Aneirin wrote of his war is true of all wars and informs the purpose of his version which is to give a 'reading' of the poem as one way in which it might have been written today." Louis le Brocquy executed magnificent brush drawings for Thomas Kinsella's version of the Irish epic THE TAIN.has provided a series of ink paintings to accompany Desmond O'Grady's text. Dolmen Press unknown
1976Signed by Abraham Arnold upon title page. 91 pages. "...A remarkable story and a fine collaboration between artist and historian." - from dust jacket. Contains sixteen wonderful colour illustrations. Light wear to clean and unmarked book. Above-average wear to price-clipped dust jacket which has been touched up and is now preserved in a glossy new archival-grade Brodart cover. Overall a nice copy of this lovely work. Bibliographic reference: Bishop p.1019. Book
2005180 pages. Index. References. Biographical overview. List of works. Colour illustrated endpapers. "E.J. Hughes is famous for his unforgettably rich and accomplished landscapes, primarily depicting the British Columbia coast. His works now command the highest auction prices ever paid for a living Canadian artist, confirmation of his emergence as a major figure on the international art scene... The passionate collector has always been central to the emergence of important artists. In this extraordinarily personal account, the world of a collector comes alive. Here are 76 Hughes sketches, paintings and prints, in colour and black and white - only a handful previously published in book form - accompanied by a text rich with anecdotes about the joys, frustrations and satisfactions of the chase. This is a very human story of art as master - one which sheds important new light on Hughes and his work." - from dust jacket. "Hughes is the chronicler of a landscape almost too beautiful and too alive with spirit to be believed." - Globe and Mail. Clean, bright and unmarked with very light wear. Appears unread. Faintly visible tape repair to back panel of dust jacket which is now preserved in glossy new archival-grade Brodart cover. An excellent copy. Book