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1987ref. 2092902141104580Private edition revised version published by Ayumi Publishing 1987. Soft Cover. Fine. Number of books: 7 books Private edition (revised version published by Ayumi Publishing) paperback
ref. 1390390705.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1989No marks or inscriptions. A very clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket price clipped but not marked or torn with slight creasing/rubbing to upper edge. 128pp. A textual and highly pictorial account of a young artist's journey across Asia in 1966 to the high plateau of Tibet. The attractive pictures are watercolours which accompany the story of his travels.
1983cm. 17 x 24, iv-412 pp. con 109 ill. f.t. Fondazione Giorgio Cini - Civilt? veneziana - Saggi 1057 gr. iv-412 p.
1952225pp + cxii tavv. VG/none Prima (unica) edizione, solida rilegatura in tutta tela rossa con scritte ed emblema dorati al piatto anteriore, lievi tracce di uso in copertina, ex-libris privato sulla sguardia, in ottime condizioni, quasi nuovo internamente. Monografia dedicata al pittore Pisanello (1395 circa - ottobre 1455) con 112 tavole in b/n in fine al volume.
1900ref. 221586Circa1900. Twelve very bright colour gouache paintings on pith paper showing a series of Qing dynasty figures arranged by rank blue paper border red silk covered album with contrasting green ties. Images approximately 17.5 x 12cm. Album 22.5 x 15.5cm. All twelve paintings in very good condition. This finely painted gouache album opens with portraits of the Chinese Emperor and Empress followed by the Prime Minister and his wife. The remaining eight leaves depict officials of various ranks with their spouses. A vivid and beautifully executed series the colours standing out with exceptional clarity. . unknown
ref. 30085909Gagosian Rome 2019 . 32.0 x 27.5cms c 80pp colour illusts very good hardback & dustwrapper This exhibition had 14 abstract works 1952-1992 Gagosian Rome 2019 hardcover
ref. 017393Gaston Neumans (1873-1948), marchand de tableaux, expert, collectionneur. P.A.S., Paris, 29 septembre 1911, 1p in-8. Facture pour l'achat d'un tableau XVIIIe, « Fête dans un parc » par François Thiébault-Sisson (1856-1944), critique d'art, pour la somme de 12000 francs. Le détail du paiement indique que Thiébault-Sisson a payé avec un autre tableau XVIIIe. Intéressant petit document.
1870ref. 78391870 planche double in-folio ( format : 54 centimètres de large par 42,5 centimètres de haut) gravée en couleur, sans date (1870 environ) Paris Charles Lahure Editeur,
1870ref. 76801870 planche double in-folio ( format : 54 centimètres de large par 42,5 centimètres de haut) gravée en couleur, sans date (1870 environ) Paris Charles Lahure Editeur,
1880ref. 9782paris Charles Lahure 1880 planche double in-folio ( format : 54 centimètres de large par 42,5 centimètres de haut) lithographiée en couleur, sans date (1880 environ) Paris Charles Lahure Editeur,
1870ref. 23481870 planche double in-folio ( format : 54 centimètres de large par 42,5 centimètres de haut) gravée en couleur, sans date (1870 environ) Paris Charles Lahure Editeur,
1870ref. 27221Paris Charles Lahure 1870 planche double in-folio ( format : 54 centimètres de large par 42,5 centimètres de haut) gravée en couleur, sans date (1870 environ) Charles Lahure Editeur,
1870ref. 278181870 planche double in-folio ( format : 54 centimètres de large par 42,5 centimètres de haut) gravée en couleur, sans date (1870 environ) Paris Charles Lahure Editeur,
ref. 9788522705214-11-40502INTERSABERES. New. INTERSABERES unknown
2011ref. DADAX3847350161Eae Editorial Academia Espanola 2011-12-26. paperback. New. 5.91x0.24x8.66. Buy with confidence. Excellent Customer Service & Return policy. Eae Editorial Academia Espanola paperback
ref. 3847350161.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1972ref. 147649Couverture souple. Broché. 15 x 15 cm.70 pages.
1981ref. 2082702114911040Gakushu Kenkyusha 1981. Soft Cover. Fine. Number of pages: 202p Plate size: 23cm Gakushu Kenkyusha paperback
ref. 6208931037.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1822ref. ST21092London: Printed for T. Cadell by T. Bensley 1822. 170 x 105 mm. 6 5/8 x 4 1/8". 4 p.l. 319 1 pp. Quite nice period honey-brown straight-grain morocco covers with frame of decorative blind rolls gilt armorial supralibros of William Carr Viscount Beresford at center raised bands densely blind-tooled panels gilt lettering gilt-framed turn-ins vellum endleaves leather hinges all edges gilt. WITH APPEALING DOUBLE FORE-EDGE PAINTINGS one depicting Richmond Bridge the other Kingston upon Thames. Joints expertly strengthened. Numerous small illustrations in text. Light wear to spine covers just slightly marked title and last leaf a little foxed intermittent trivial foxing elsewhere other insignificant defects but an excellent copy the binding sturdy and lustrous the contents fresh and clean and the fore-edge paintings well preserved. This volume of Romantic poems comes adorned with two atmospheric fore-edge paintings. English poet Samuel Rogers 1763-1855 the scion of a wealthy banking family first achieved fame with the publication in 1792 of "The Pleasures of Memory" and was later greatly inspired by his Italian travels during which he met Shelley and Byron in Pisa. The present collection of his works is decorated with pleasing fore-edge paintings of sights closer to home. Fanned to the right the fore-edge depicts Richmond Bridge in London its graceful stone arches framing the reflections of trees and bobbing boats. Fanned to the left a scene of Kingston upon Thames is revealed a fishing boat with two silhouetted figures in the foreground and the tower of All Saint's Church rising over the red-roofed cottages. Both scenes are executed in cheerful though muted colors with lush greenery and serene waters. It is difficult to tell the age of the paintings but we can at least say that they convey a convincing expression of quietude. As often happens with authors whose works are greatly popular and then suddenly not so much Rogers' poetry fell abruptly out of fashion later in his life at roughly the time our volume was issued. As a consequence his books became a popular target for fore-edge adornment as a way to encourage the sales of volumes that otherwise might languish on the bookstore shelf. Our copy is from the library of William Carr Beresford 1768-1854 the first Viscount Beresford. He distinguished himself as a general in the Peninsular War fighting alongside the Duke of Wellington. He was elevated to the peerage in honor of his military achievements and invested in the Order of Bath whose motto "Tria Juncta in Uno" "Three Joined in One" circles his crest here. Printed for T. Cadell by T. Bensley unknown
1822ref. ST21092London: Printed for T. Cadell by T. Bensley 1822. 170 x 105 mm. 6 5/8 x 4 1/8". 4 p.l. 319 1 pp. Quite nice period honey-brown straight-grain morocco covers with frame of decorative blind rolls gilt armorial supralibros of William Carr Viscount Beresford at center raised bands densely blind-tooled panels gilt lettering gilt-framed turn-ins vellum endleaves leather hinges all edges gilt. WITH APPEALING DOUBLE FORE-EDGE PAINTINGS one depicting Richmond Bridge the other Kingston upon Thames. Joints expertly strengthened. Numerous small illustrations in text. Light wear to spine covers just slightly marked title and last leaf a little foxed intermittent trivial foxing elsewhere other insignificant defects but an excellent copy the binding sturdy and lustrous the contents fresh and clean and the fore-edge paintings well preserved. This volume of Romantic poems comes adorned with two atmospheric fore-edge paintings. English poet Samuel Rogers 1763-1855 the scion of a wealthy banking family first achieved fame with the publication in 1792 of "The Pleasures of Memory" and was later greatly inspired by his Italian travels during which he met Shelley and Byron in Pisa. The present collection of his works is decorated with pleasing fore-edge paintings of sights closer to home. Fanned to the right the fore-edge depicts Richmond Bridge in London its graceful stone arches framing the reflections of trees and bobbing boats. Fanned to the left a scene of Kingston upon Thames is revealed a fishing boat with two silhouetted figures in the foreground and the tower of All Saint's Church rising over the red-roofed cottages. Both scenes are executed in cheerful though muted colors with lush greenery and serene waters. It is difficult to tell the age of the paintings but we can at least say that they convey a convincing expression of quietude. As often happens with authors whose works are greatly popular and then suddenly not so much Rogers' poetry fell abruptly out of fashion later in his life at roughly the time our volume was issued. As a consequence his books became a popular target for fore-edge adornment as a way to encourage the sales of volumes that otherwise might languish on the bookstore shelf. Our copy is from the library of William Carr Beresford 1768-1854 the first Viscount Beresford. He distinguished himself as a general in the Peninsular War fighting alongside the Duke of Wellington. He was elevated to the peerage in honor of his military achievements and invested in the Order of Bath whose motto "Tria Juncta in Uno" "Three Joined in One" circles his crest here. Printed for T. Cadell by T. Bensley unknown books
ref. 2080702109503471Sanrio Yamanashi Silk Center Publishing Department N.A. Soft Cover. Fine. Number of pages: 46p both pictures Size: 16cm Number of books: 1 Sanrio Yamanashi Silk Center Publishing Department paperback
199424x33 cm. 95 pages. Gilt hardcover with dust jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
ref. ria9789004505582_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Radical applied theatre practice in dialogue with interdisciplinary theorising Poking The WASP Nest draws on a landmark place-based case study to explore the challenging and contested terrain of anti-racism in the arts and education. paperback