Hicks, Ray; (Smith, Owen, Paintings)Biblio.com
2.761 resultados
2000ref. Q-0935112588Callaway Editions Inc 2000-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Callaway Editions, Inc hardcover
ref. DADAX0935112588Brand: Callaway Editions 0000-00-00. Rei/Com. hardcover. New. 10.25x0.50x13.25. Buy with confidence. Excellent Customer Service & Return policy. Brand: Callaway Editions hardcover
1977ref. 119320A Push Press / Harmony Book - Harmony Books, New York, 1977. 72 S. ; 32 x 23,5 cm , kart. ;
ref. 360972Cassell Petter & Galpin nd. REBOUND INCORPORATING ORIGINAL BINDING NEW EPS MAGNIFICENT PLATES quarto illus red buckram boards gilt and black lettering and gilt decoration to front board and spine aeg frontispiece with tissue guard illus prelims VIII 392pp 4pp ads illus/diagrams/plates plates opposite pages 173 and 359 missing VG plates opposite pages 173 and 359 missing 11-14pp loosely enclosed moderate scuffing to extrems minor fading/discolouration to front and rear boards light fading to front board decoration heavy fading to rear board decoration heavy fading to spine decoration previous owner's details in ink to front pastedown light foxing and soiling to frontispiece minor marking soiling foxing and 1.5cm closed tear to title page light cracking to gutters 0.5cm and 1cm closed tears to prelims minor soiling creasing foxing and tanning to pages throughout minor soiling to page edges minor archival repair to frontis edges Cassell Petter & Galpin nd hardcover
1931Book is in excellent condition in heavy weave dark red cloth with gilt print and cover and spine with romanesque drawing on cover and gilt top page ends. Handsome book. Corners are lightly bumped, light scuffing to covers. Binding is solid and square, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. 372 pages with 112 ilustrations throughout in b&w with prints and photos. Not a cheap knock-off.
2004ref. TN241817Published by the Artist London 2004. 1st Edition. SOFTCOVER. Medium 4to size stiff card printed folder containing 20 cards 21 x 15 cm one being text and 19 being colour photos of Parker's recent work the Julia Noble paintings are not shown __CONDITION : Both the folder and its contents are AS NEW. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Published by the Artist, London paperback
1977SIGNED AND DEDICATED BY MORDECHAI ISH-SHALOM. Contains numerous b&w plates. 280x230 mm. 304 pages. Gilt hardcover with dust-jacket. Jacket and pages yellowing. Spine edges bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1977In box. Contains b&w plates. 280x230 mm. 304 pages. Gilt hardcover with dust-jacket. Spine edges bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1902ref. 006784London England: Adam & Charles Black 1902. Book. Illus. by John Fulleylove R.I. VG. Decorative Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. Violet cloth decorated in gilt and olive with gilt lettering gilt top edge. xv301 pp. illus. w/ 93 full page color b&w plates map at rear. Nicely preserved copy. Modest overall shelf wear with sunned spine panel to which purple cloth is especially susceptible slightly rubbed extrems bottom corners just slightly exposed. Endpapers half-title and final leaf a portion of publisher's catalogue are toned with remainder of interior clean and bright. All plates fully intact showing vibrant color. Lovely Nouveau-inspired bookplate from "The House in the Woods Lake Geneva Wisconsin" on front pastedown. Hinges are starting though binding remains firm. Overall very well preserved copy exhibiting only minor condition issues. Adam & Charles Black Hardcover
1999ref. 22976Austin TX: University of Texas Press. Near Fine in Near Fine Dust Jacket. 1999. 1st Edition. Hardcover. 0292777418 . Inscribed by watercolorist J. U. Salvant. Also laid in is Ms. Salvant's brochure showing her art signature. ; Square Small 4to 9" - 11" tall; 86 pages; 22976; Signed by One Author . University of Texas Press hardcover
ref. 23692London Editions 1978. Number 49 of a half bound in leather and limited to 150 copies signed by authors and artists. Fine full page coloured plates. Folio 14 1/8 x 9 1/2 inches 304-pages. Publisher's half brown morocco spine gilt at raised bands with black and red lettering pieces. Fine in the very good slicase. London Editions, 1978. hardcover
ref. 36861London: London Editions 1978 First edition. Hardcover book . Signed on half-title page by Hancock ElliottHayman and Robert Gillmor. Olive green cloth lettered in gilt to spine and colour pictorial wraparound dustjacket from painting by Robert Gillmor. 304pp folio no slipcase. With full page colour plate of each of the 61 species of herons worldwide painted by Robert Gillmor and Peter Hayman shown attractively against natural habitat or vegetation as well as line drawings by Gillmor in text. Some distribution maps at back. Each species has a detailed text; also introduction on the family. A near Fine copy with some fade to colour of jacket spine as often with this title. No other inscriptions. Pictures available. London: London Editions, 1978 hardcover
1959SIGNED BY RITCHIE CALDER. 27.5x21.5 cm. 78 pages. Hardcover in Dust jacket. Dust jacket edges worn and slightly torn. Front cover slightly scratched and stained. Spine visible between several pages. Pages yellowing. Else in good condition.
1981ref. 74497New York: Hammer Publications 1981. First edition. One of 300 numbered copies. Folio 19 x 23 inches. Introduction sheet by Carl Sagan and 10 serigraphs of cave art with each print having a leaf of explanatory text. Housed in the original brown box with cover lettering. Pinholes to corners professionally and invisibly repaired. A very good copy. Oddly only 2 copies recorded by OCLC.The finest and most beautiful reproductions of European cave paintings ever published. Every major continent has cave paintings by prehistoric man and they have long fascinated the modern world. There has been a plethora of books and theories about these cave painting starting from the work of Abbé Henri Breuil and extending to today. Perhaps one of the most finely executed works on the subject is the title offered here. This suite of prints was created in conjunction with an exhibition at Hammer Galleries in NYC in the fall of 1982. Mazonowicz who lived in Spain spent time visiting Altamira and Valltorta and Gasulla and also traveled to the caves of France and the Sahara. He created 20 life sized reproductions of cave paintings ten of which are included in this portfolio. Titles include: Bowmen and Deer Two Figures in Finery Engraved Frieze Hunter and Ibex Head of a Horse Giraffe Prancing Horse Crouching Bison Group of Antelopes and Helmeted Warrior.Douglas Howcroft Mazonowicz a graphic artist helped preserve some of the world's most famous prehistoric cave paintings by recreating them on silk. Born in Swindon in Wiltshire England Mr. Mazonowicz spent 15 years in France Spain North Africa and North America seeking prehistoric art. Mazonowicz wrote several books about prehistoric art including: Prehistoric Rock Paintings of Tassili n’ Ajjer 1969; In Search of Cave Art 1973; Voices from the Stone Age 1974 and The Hand of Man 1981. "Mazonowicz photographed the works he reproduced using a slide projection of the work on drawing paper. Over the slide projection he drew black outline details of the painting. He then began to transfer the image using a silkscreen technique. A new screen was prepared for each color application. Mazonowicz used modern oil based colors instead of the mineral-based colors of the stone age artists. His goal was to faithfully preserve the rock paintings since they are subject to modern day pollution and vandals" Rogallery. Hammer Publications unknown
1797ref. ST19344London: Printed by T. Gillet for Longman et al. 1797. 265 x 163 mm. 10 3/8 x 6 3/8". Two volumes. Contemporary green straight-grain morocco covers with double gilt fillet border raised bands gilt titling turn-ins with decorative gilt roll marbled endpapers all edge gilt inexpert older repairs to joints. EACH VOLUME WITH RICHLY DETAILED FORE-EDGE PAINTING that on volume I depicting the old Tabard Inn Southwark and that on volume II showing Furnival's Inn Holborn. Housed in a fleece-lined double-compartment slipcase. Title pages with engraved vignette. Front flyleaf of each volume with ink ownership inscription of Mary Erskine dated 1803 noting it was a wedding gift from her cousin Lord Wodehouse and with later ink presentation inscription to "Walter and Katherine" on their 13th wedding anniversary 17 February 1931 from "their mother Kate Goodrich." Spines faded to brown as usual with green morocco and with half a dozen minor abrasions joints somewhat worn front joint of vol. II with four-inch crack at head but the bindings entirely solid the contents clean and fresh with only insignificant imperfections and the fore-edge paintings very well-preserved. This is a charming pair of large fore-edge paintings depicting two historic London inns each full of detail and painted on text blocks that fan out beautifully with very little effort. The text here is a late 18th century edition of a controversial and short-lived periodical known as "The Guardian" spearheaded by writer and politician Richard Steele who also founded "The Tatler" and "The Spectator". "The Guardian" as DNB relates ran from 12 March to 1 October 1713 and "is chiefly remembered for the quality of the contributors on whom Steele drew including Edward Young George Berkeley Alexander Pope and of course Joseph Addison." The two inns depicted in the fore-edge paintings here also have literary credentials: the Tabard Inn in Southwark was chosen by Chaucer as the starting point for the "Canterbury Tales" and Furnival's Inn in Holborn will be known to Dickens enthusiasts as the place where he began writing "The Pickwick Papers." The original Tabard Inn burned down in the Great Fire but was immediately rebuilt and became a popular stopping point for stagecoaches as depicted in the present painting. The dirt road in front of the inn is dominated by a large covered wagon and team of horses with a pair of men gesturing in the foreground and others idling nearby; Furnival's Inn by contrast was an Inn of the Chancery and enjoyed much tidier surroundings: the streets in the fore-edge painting here are cobbled the ladies and gentlemen are well dressed and even the rubbish has been neatly piled to one side. Both paintings date from the late 19th century and are based on engravings found in "Old and New London" by George Walter Thornbury ca. 1880. Though unsigned they are extremely well done and offer wonderful views of London haunts from both sides of the Thames. Printed by T. Gillet for Longman et al. unknown books
1797ref. ST19344London: Printed by T. Gillet for Longman et al. 1797. 265 x 163 mm. 10 3/8 x 6 3/8". Two volumes. Contemporary green straight-grain morocco covers with double gilt fillet border raised bands gilt titling turn-ins with decorative gilt roll marbled endpapers all edge gilt inexpert older repairs to joints. EACH VOLUME WITH RICHLY DETAILED FORE-EDGE PAINTING that on volume I depicting the old Tabard Inn Southwark and that on volume II showing Furnival's Inn Holborn. Housed in a fleece-lined double-compartment slipcase. Title pages with engraved vignette. Front flyleaf of each volume with ink ownership inscription of Mary Erskine dated 1803 noting it was a wedding gift from her cousin Lord Wodehouse and with later ink presentation inscription to "Walter and Katherine" on their 13th wedding anniversary 17 February 1931 from "their mother Kate Goodrich." Spines faded to brown as usual with green morocco and with half a dozen minor abrasions joints somewhat worn front joint of vol. II with four-inch crack at head but the bindings entirely solid the contents clean and fresh with only insignificant imperfections and the fore-edge paintings very well-preserved. This is a charming pair of large fore-edge paintings depicting two historic London inns each full of detail and painted on text blocks that fan out beautifully with very little effort. The text here is a late 18th century edition of a controversial and short-lived periodical known as "The Guardian" spearheaded by writer and politician Richard Steele who also founded "The Tatler" and "The Spectator". "The Guardian" as DNB relates ran from 12 March to 1 October 1713 and "is chiefly remembered for the quality of the contributors on whom Steele drew including Edward Young George Berkeley Alexander Pope and of course Joseph Addison." The two inns depicted in the fore-edge paintings here also have literary credentials: the Tabard Inn in Southwark was chosen by Chaucer as the starting point for the "Canterbury Tales" and Furnival's Inn in Holborn will be known to Dickens enthusiasts as the place where he began writing "The Pickwick Papers." The original Tabard Inn burned down in the Great Fire but was immediately rebuilt and became a popular stopping point for stagecoaches as depicted in the present painting. The dirt road in front of the inn is dominated by a large covered wagon and team of horses with a pair of men gesturing in the foreground and others idling nearby; Furnival's Inn by contrast was an Inn of the Chancery and enjoyed much tidier surroundings: the streets in the fore-edge painting here are cobbled the ladies and gentlemen are well dressed and even the rubbish has been neatly piled to one side. Both paintings date from the late 19th century and are based on engravings found in "Old and New London" by George Walter Thornbury ca. 1880. Though unsigned they are extremely well done and offer wonderful views of London haunts from both sides of the Thames. Printed by T. Gillet for Longman et al. unknown
1993ref. 56861New York: Henry Holt and Company 1993. Hardcover. Not paginated first edition color illus. 10x8 inches very good condition in like dust jacket. Henry Holt and Company hardcover books
1993ref. 108528NY:: HarperCollins The Museum of Modern Art. Near Fine in Near Fine dust jacket. 1993. Hardcover. 0060230371 . With a poem of appreciation by Walter Dean Myers. First printing. Oblong. Near fine in a near fine dust jacket. . HarperCollins (The Museum of Modern Art), hardcover books
1970251p. Profusely illustrated with color reproductions, many full page. Folio. Original full gold stamped gray buckram binding. Original dust jacket, price clipped. Nice copy. First edition. ART 2
1993ref. 108528NY:: HarperCollins The Museum of Modern Art. Near Fine in Near Fine dust jacket. 1993. Hardcover. 0060230371 . With a poem of appreciation by Walter Dean Myers. First printing. Oblong. Near fine in a near fine dust jacket. . HarperCollins (The Museum of Modern Art), hardcover
1993ref. 310667NY: THE MUSEUM OF MODERN ART/THE PHILLIPS COLLECTIO/HARPER-COLLINS PUBLISHERS. Fine in Fine dust jacket. 1993. First Edition; First Printing. Hardcover. First trade edition after a limited edition of 100 copies. SIGNED & dated in year of publication by artist Jacob Lawrence on title page. Fine in brown boards & quarter black cloth binding in fine dust jacket. Unpaginated 9 1/4" X 11 1/4" Uncommon signed. ; 9 1/4" X 11 1/4" . THE MUSEUM OF MODERN ART/THE PHILLIPS COLLECTIO/HARPER-COLLINS PUBLISHERS. hardcover
1977ref. 85163Dublin Ireland: Dolmen Press 1977. Limited Edition 1/650 copies. Limited edition 1/650 copies. Quarto. Black cloth over boards 10 5/8 in. x 7 1/4 in. with striking painting by Louis le Brocquy of a rook in flight to front board. White lettering to spine. Housed in Black and Red on White dustjacket. 78 pp with red and black lettering to dustjacket spine. It is interesting to note that while creating the images for this book the artist le Brocquy was healing from an injury which encased his primary drawing/painting hand in plaster. He writes: "In my present task I have not had the use of my right hand which is immobilised in plaster. With my available left hand I cannot write nor do any precise operation at all. It is encouraging therefore to note that this clumsy left hand produces illustrations as well as paintings which are not less articulate than those formerly made with my right. It would seem to show that no predictable skill whatever is involved and that images emerge not by imnposition on my part but as it were automatically -- jerked into coherence by a series of vaguely directed accidents discovered rather than executed. In illlustrating THE GODODDIN I discovered nothing but rooks. This would be less disconcerting were I preoccupied with Ted Hughes's CROW. As it is I have had to accept their persistent presence in THE GODODDIN as a kind of counterpoint to its own repetitive and compassionate insistence and in renewed irony as a recurrent image of the unscathed victor" "Aneirin the sixth-century Welsh poet is reputed to have been one of a handful of survivors from the battle of Catraeth which inspired his epic poem THE GODODDIN.Desmond O'Grady's belief is that what Aneirin wrote of his war is true of all wars and informs the purpose of his version which is to give a 'reading' of the poem as one way in which it might have been written today." Louis le Brocquy executed magnificent brush drawings for Thomas Kinsella's version of the Irish epic THE TAIN.has provided a series of ink paintings to accompany Desmond O'Grady's text. Dolmen Press unknown
2001ref. 72752New York,New York, Springer (Undergraduate Texts in Mathematics / UTM)), 2001. An introduction to special and general relativity XVI, 451 S. (24x18 cm) illustrierter Pappband / gebundene Ausgabe
2005ref. 40626New York: Universe Publ 2005. Not stated presumed 1st edition. Paperback in stiff color-illus card covers wire-spiral bound. As New. Engagement calender with author quotations and full-page color paintings. Rare collectible. 6-3/4 x 9 unnumbered pp color illus. Universe Publ paperback
1994Booklet is 'as new' condition. 48pp. The history of the prehistoric cave paintings at the Font-de-Gaume cave near Les Eyzies in Perigord, France.
