2.506 Ergebnisse
1875Best.-Nr. 015992Paris Drouot. Boussaton & Baubigny 1875 in-8° Broché
2013Best.-Nr. 106125San Francisco: Sore Dove Press 2013. Hardcover Quarto. Hardcover. Very good. brown leathered box. blindstamped lettering 13 pp pages unbound inside box #3 of 15 Standard shipping no tracking or insurance / Priority with tracking / Custom quote for large or heavy orders. Sore Dove Press hardcover
1752Best.-Nr. 115036imprimerie royale 1752 2 in-4 A Paris, De l'imprimerie royale, 1752-1754, 2 volumes in-4 de 215x285 mm environ, XV, 203 - VII, 333 pages, contenant 2 vignettes de titre dont une de Cochin et 3 bandeaux de N. Cochin. Pleine reliure marbrée d'époque aux armes de Louis XV, dos à cinq nerfs portant titres dorés sur pièces de cuir bordeaux, caissons ornés de fers royaux, plats encadrés de triple filet doré, fer central aux armes royales (armoiries dans un écu ovale ceint des colliers de Saint-Michel et du Saint-Esprit), roulette dorée sur les coupes, tranches mouchetées rouges, gardes de papier marbré à la coquille. Exemplaires solides mais reliures abimées (coiffes manquantes, tranchefiles apparentes et l'une d'elle abimée, mors fendus, coins dénudés, griffures sur les plats), ex libris du médecin états-unien Jacob Solis Cohen collé sur les contreplats, des cernes sur les gardes volantes, rares rousseurs sinon intérieur frais.
1929RARE LIMITED EDITION OF 435 COPIES - COPY No.236 of a book set in British-ruled Palestine, written by Goncourt prize winners - the brothers Jérome (1874-1953 ) and Jean Tharaud (1877-1952). The exquisite illustrations are by two eminent French artists: the Orientalist painter and illustrator André Suréda (1872-1930) and the graphic artist Georges Beltrand (1881-1969). 300x215mm. 164 pages. Red leather Hardcover with gilt spine. Cover slightly curved. Cover and spine stained, rubbed/scratched and fading/yellowing. Cover corner bumped and peeling. Cover upper edge rubbed. Spine hinges upper part cracked and glued. Spine edge bumped and peeling/tattered. Pages slightly yellowing and rough-cut as published. [SUMMARY]: This extremely rare deluxe edition of a lavishly illustrated book about the Holy Land is in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1767Best.-Nr. 2338Londres, sans nom, 1767. 2 volumes in-8 de 238 + 1008 pages (pagination continue 426 + 582) plein veau brun moucheté, dos lisses ornés de fleurons dorés, tranches rouges. Dos passés, accroc à l’étiquette de titre vol. 2, mors vol. 1 légèrement fendus, quelques rousseurs en fin de vol. 2.
Best.-Nr. 8577Genève, Chez J. J. Paschoud / Manget et Cherbuliez, 1822 à 1824. 4 volumes in-8 de [4]-469 pages et 45 pages intercalées entre les p. 302 et 303 / 457 pages (numérotées de 472 à 929) / [2]-470 pages et [4]-647 pages, 45 pages intercalées entre les p. 243 et 245, 32 pages intercalées entre les p. 500 et 502 et 13 pages intercalées entre les pages 565 et 566, les pages intercalaires contenant les comptes-rendus et rapports du Conseil d'Etat. Cartonnage marbré, étiquettes caramel au dos avec filets, titre et tomaison en doré, dates manuscrites. Coiffes et coins frottés (petite manque en tête du vol. 2), rares rousseurs.
1900Best.-Nr. SW476-7260perhaps early 1900s. Hardcover. Very Good. Dark grey mottled cloth backed in black leather; oblong 178 x 124 mm; contains 8 highly skilled watercolor paintings plus a few hasty pencil sketches. Watercolors are dense haunting richly colored images of forest scenes tree branches boats ashore. Two of the paintings extend beyond the gutter and onto the facing page. Binding is shabby and broken happily so as these are begging to be displayed. hardcover
1900Best.-Nr. SW476-7260perhaps early 1900s. Hardcover. Very Good. Dark grey mottled cloth backed in black leather; oblong 178 x 124 mm; contains 8 highly skilled watercolor paintings plus a few hasty pencil sketches. Watercolors are dense haunting richly colored images of forest scenes tree branches boats ashore. Two of the paintings extend beyond the gutter and onto the facing page. Binding is shabby and broken happily so as these are begging to be displayed. hardcover books
Best.-Nr. 15714Paris, De l'imprimerie de Ph.-D- Pierres [et] de l'imprimerie royale, 1788 [et] 1772. 4 volumes in-8, les deux premiers en plein veau moucheté, dos à nerfs ornés de filets et d'un fleurons entre les nerfs, pièces de titre et tomaison bordeaux, les deux derniers volumes en plein veau moucheté, dos à nerfs ornés de filets et fleurons dorés, pièces de titre et tomaison rouge et noire.
1783Best.-Nr. 20989Neuchâtel, Samuel Fauche père et fils, imprimeurs, libraires du Roi, 1783. In-8 de XII-524 pages, demi-veau beige, dos à nerfs ornés de filets et fleurons dorés.
1753Best.-Nr. 2624A Paris, Chez Jean-Thomas Herissant, 1753. 2 vol. in-12 de VIII, 431 p., 1 pl. (”Description du fourneau de M. Pott”) + 267 p., [2 ff.] d’approbation et errata, CIII p. de tableaux (Table des effets des mélanges différents des terres de la lithogéognosie). Plein veau fauve, dos lisses ornés, pièces de titre et tomaison en maroquin rouge et vert, filet doré sur les coupes. Petites étiquettes de papier collées en haut du dos. Ex-libris, étiquette partiellement déchirée sur un feuillet blanc, quelques taches à la relire, néanmoins bel état général.
1702Best.-Nr. 9837A Amsterdam, chez Pierre Mortier, 1702. 2 volumes in-4 de [16]-348-[2] et [6]-386-[2] pages, plein veau moucheté, dos à 5 nerfs ornés de fleurons, filets, roulettes, titre et tomaison dorés, étiquettes de titre bordeaux, roulette dorée sur les coupes. Si le second volume ne souffre que d'un petit accroc en coiffe supérieure, de petits trous au dos et d'une inscription sur garde, le premier a beaucoup plus souffert des assauts du temps: manques aux coiffes, dos en grande partie détaché et coin inférieur des feuillets en charpilles sur 1/4 de l'ouvrage, avec atteinte au texte (heureusement peu importante) sur une vingtaine de pages, quelques cahiers déboîtés, manquent les pages 295, 296 et 297. Sans oublier quelques rousseurs...
1967Best.-Nr. AMO-3557Très belle peinture originale gouache et aquarelle signée par Mark Miller Grand format 35,7 x 24 cm environ sur carton de même dimensions Signé au crayon dans le dessin en bas Sujet : homme et deux femmes scène d'intérieur Dessin original exécuté pour un roman-photos intitulé "Voyage pour un meurtre" publié dans le programme TV Télé Poche n°84 (numéro du 16 août 1967 - deuxième année de parution de ce périodique pour la télévision) Annotations en marge supérieure du dessin et au verso (voir photos). Très beau dessin par un maître du genre. Mark Miller, born Marshall Dawson Miller, was an internationally renowned illustrator whose work was published in most of the world. His life and career took him from Oklahoma to Hollywood to New York and Europe. Born in Eldorado, Oklahoma on Jan. 2, 1919, Miller grew up on a cotton farm, studied art at the University of Oklahoma (where he took the name Mark) and then moved to Los Angeles where he attended the Chouinard Art Institute and later got his start as a costume designer for 20th Century Fox in Hollywood. After WW II, he moved to New York where he had a had a long career as an artist that culminated in the 1950s and 60s when he was an illustrator for the Saturday Evening Post and other leading magazines like Colliers, Good Housekeeping, McCall’s, Redbook, Cosmopolitan and many magazines throughout Europe, South America and Australia. In describing the humble beginnings of his career, Miller has said, “My choice of an art career did not have the enthusiastic support of my conservative family back in OK. From their point of view, it was clearly my duty as the eldest son to help run the family farms, and they tolerated my errant pursuit of art only in the certainty that it would become as clear to me as it was to them that I couldn’t make a living at it. (extrait du site http://millerillustrations.com/markmiller/) Les dessins originaux de Mark Miller sont rares sur le marché.
Best.-Nr. 009479No Place Chicago: Ann and Rainey Bennett Book. Near Fine. Decorative Cloth. SIGNED BY ARTIST. 5 1/4" x 4 1/4". Original accordion-fold artist's book designed and constructed by Ann bennett containing four original watercolors image size each 3 1/8" x 2 1/4" by noted Chicago artist Rainey Bennett. Simply inscribed at rear "to William A. Kittredge". Kittredge was the head of the department of design and typography for Lakeside Press under R.R. Donnelley & Sons Co.'s of Chicago from 1922 to 1945 Under Kittredge's direction Lakeside produced work for Chicago's Caxton Club and the Limited Editions Club. Ann Bennett was a professional dancer and the wife of Rainey Bennett until her death in 1975. Rainey Bennett 1907-1998 was a highly regarded artist illustrator and muralist whose works are held by the Metropolitan Museum MOMA Hirshorn Museum the Smithsonian and the Art Institute of Chicago. No date circa 1922-1945 the years Kittredge was at Lakeside Press. Bound in decorative cloth Near Fine light soiling to cloth. each of the paintings signed in pencil verso at bottom edge. A unique piece of Chicago and Lakeside Press publishing history Bennett had a longtime working relationship with the publishers Scott Foresman. Ann and Rainey Bennett Hardcover
Best.-Nr. 009479No Place Chicago: Ann and Rainey Bennett Book. Near Fine. Decorative Cloth. SIGNED BY ARTIST. 5 1/4" x 4 1/4". Original accordion-fold artist's book designed and constructed by Ann bennett containing four original watercolors image size each 3 1/8" x 2 1/4" by noted Chicago artist Rainey Bennett. Simply inscribed at rear "to William A. Kittredge". Kittredge was the head of the department of design and typography for Lakeside Press under R.R. Donnelley & Sons Co.'s of Chicago from 1922 to 1945 Under Kittredge's direction Lakeside produced work for Chicago's Caxton Club and the Limited Editions Club. Ann Bennett was a professional dancer and the wife of Rainey Bennett until her death in 1975. Rainey Bennett 1907-1998 was a highly regarded artist illustrator and muralist whose works are held by the Metropolitan Museum MOMA Hirshorn Museum the Smithsonian and the Art Institute of Chicago. No date circa 1922-1945 the years Kittredge was at Lakeside Press. Bound in decorative cloth Near Fine light soiling to cloth. each of the paintings signed in pencil verso at bottom edge. A unique piece of Chicago and Lakeside Press publishing history Bennett had a longtime working relationship with the publishers Scott Foresman. Ann and Rainey Bennett Hardcover books
1880Best.-Nr. 10014London: Frederick Warne and Co 1880. 8vo 653pp. Portrait frontis plates. Full green morocco with elaborate gilt design and lettering gilt turn ins all edges gilt. With a fine fore-edge painting by Martin Frost with his monograph lower left of two riding gentlemen jumping horses. Rebacked with original spine laid down joints worn and rubbed. Stamp to title page few smudges here and there else clean. Painting bright. Beautiful equestrian scene rendered by Martin Frost one of the foremost artists in fore-edge painting over the last 50 years. Frederick Warne and Co unknown
1652Best.-Nr. 16628Ulmæ, Johannem Görlinum, 1652. In-12 de [542] pages non numérotées, plein vélin ivoire à rabats, titre manuscrit au dos et plats frappés des armes dorées de Louis-Henri de Loménie de Brienne.
Best.-Nr. 15054Paris, J. B. Garnery, l'an second de la Liberté. 2 volumes in-8 de 11-[1]-402-[4] pages et 1 front. et 3 tabl.; [4]-330-[4] pages et 2 tabl., plein veau moucheté brun, dos lisses ornés de filets et fleurons dorés, pièces de titre et tomaison verte et rouge, tranches mouchetées bleues. Ex-libris de Roquencour [J.-J. Roussel de la Celle ](découpé); Sir Robert Peel; et inconnu. Reliure épidermée, un mors fendu.
1986Best.-Nr. KOS06200869Yabu Honjo Goro 1986. Soft Cover. Fine. KOS06200869 Yabu Honjo Goro paperback
2003Best.-Nr. 307005GOTTINGEN: GAGOSIAN GALLERY/STEIDL VERLAG. Fine with no dust jacket. 2003. First Edition. Gathered Signatures. UNCORRECTED PROOF consisting of unbound folded and gathered signatures. One of 3 sets produced prior to publication for purposes of final proofing sent by the printer to Ruscha's office. The recipients included the artist the editor & the designer. The contents are fine. Card slipcase it came with is broken at one corner while still serviceable. First volume in a projected five-volume series. Features 137 paintings in full color. Also bibliography exhibition history & biographical chronology. ; 10" x 12"X 11 1/2" . GAGOSIAN GALLERY/STEIDL VERLAG. unknown
1951Best.-Nr. 68965E-402: Doubleday & Company. 1951. First thus; First Printing. Hardcover. Very Good in Very Good- dust jacket. Hardcover. 8vo. Doubleday & Company Inc Garden City New York. 1951. Illustrated with color plates. Xiv 494 pgs. Signed by Herman Wouk on the FFEP. Laid in Doubleday Christmas card present. First thus. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The Caine Mutiny is Herman Wouk's boldly dramatic brilliantly entertaining novel of life-and mutiny-on a Navy warship in the Pacific theater. It was immediately embraced upon its original publication as one of the first serious works of American fiction to grapple with the moral complexities and the human consequences of the Second World War. In the intervening half century this gripping story has become a perennial favorite selling millions throughout the world and claiming the Pulitzer Prize for fiction. EB; 8vo 8" - 9" tall; Signed by Author . Doubleday & Company hardcover
Best.-Nr. 30108578Konemann Koln 1997 . 32.0 x 30.0cms c 2000pp in toto colour illusts 4 fine hardback volumes & dustwrapper in fine decorated slipcases. These are 4 very heavy books so expect extra freight costs Tapies collaborated on the presentation of this pubication and had the final word on its content giving it 'utmost rigour and documentary value'. Each entry has the work's medium dimension notes collection exhibitions and bibliography. It does not include his book covers posters graphic works circumstantial dedications and small sketches. Konemann Koln 1997 hardcover
1830Best.-Nr. ST20481-05London: John Murray 1830. FIRST EDITION. 220 x 130 mm. 8 5/8 x 5 1/8". 2 p.l. ii v-xix 1 411 1 pp. Agreeable contemporary black morocco covers with an elaborate border in gilt and blind of numerous straight and decorative rules and scrolling foliate cornerpieces raised bands gilt in compartments with a central ornament in blind turn-ins tooled in gilt all edges gilt. Carefully rebacked retaining original spine hinges neatly reinforced with buckram. WITH A FORE-EDGE PAINTING DEPICTING A LANDSCAPE WITH A VERY LARGE CASTLE AND LAKE. With 13 pages of charts. Corners bumped and exposed a handful of scratches to the front cover; occasional spots and soiling internally other trivial defects but still quite a good copy the bulk of the text extremely clean and fresh with a well-preserved fore-edge painting. This is a pleasing copy with an attractive fore-edge painting of the final work of Scottish mathematician and economist Robert Hamilton 1743-1829. A professor at the University of Aberdeen and one of the founders of Edinburgh's Royal Society Hamilton wrote this work of political economy shortly before his passing and it was published posthumously. It treats of the relationship between economic principles and the development of social life and is considered perhaps second in importance only to his "Essay on the National Debt" issued in 1813. The fore-edge painting depicts a serene landscape with sailboat gliding across a smooth lake in front of a castle and tree-studded hills. The artist has rendered the details with subtlety for example the castle is faintly reflected in the lake and the scene as a whole is brigher and richer in color than might be expected. John Murray unknown
1830Best.-Nr. ST20481-05London: John Murray 1830. FIRST EDITION. 220 x 130 mm. 8 5/8 x 5 1/8". 2 p.l. ii v-xix 1 411 1 pp. Agreeable contemporary black morocco covers with an elaborate border in gilt and blind of numerous straight and decorative rules and scrolling foliate cornerpieces raised bands gilt in compartments with a central ornament in blind turn-ins tooled in gilt all edges gilt. Carefully rebacked retaining original spine hinges neatly reinforced with buckram. WITH A FORE-EDGE PAINTING DEPICTING A LANDSCAPE WITH A VERY LARGE CASTLE AND LAKE. With 13 pages of charts. Corners bumped and exposed a handful of scratches to the front cover; occasional spots and soiling internally other trivial defects but still quite a good copy the bulk of the text extremely clean and fresh with a well-preserved fore-edge painting. This is a pleasing copy with an attractive fore-edge painting of the final work of Scottish mathematician and economist Robert Hamilton 1743-1829. A professor at the University of Aberdeen and one of the founders of Edinburgh's Royal Society Hamilton wrote this work of political economy shortly before his passing and it was published posthumously. It treats of the relationship between economic principles and the development of social life and is considered perhaps second in importance only to his "Essay on the National Debt" issued in 1813. The fore-edge painting depicts a serene landscape with sailboat gliding across a smooth lake in front of a castle and tree-studded hills. The artist has rendered the details with subtlety for example the castle is faintly reflected in the lake and the scene as a whole is brigher and richer in color than might be expected. John Murray unknown books
1930Best.-Nr. 012910Paris 1930 In-12 agrafé, couverture illustrée
