[Coulot] Lescure (Jean) :Livre Rare Book
2 742 résultats
1961réf. 17598Paris, Galerie Domec, 1961 ; in-8, br. ; 24 pp. et couv. blanche à rabats. Six photographies dont une en couleurs et photo du peintre.
1683réf. 21191A Paris, suivant la copie imprimée, 1683. In-12 de 65-82 pages, pleine basane brune du temps, dos à nerfs orné de filets et fleurons dorés, tranches mouchetées.
1993réf. 310667NY: THE MUSEUM OF MODERN ART/THE PHILLIPS COLLECTIO/HARPER-COLLINS PUBLISHERS. Fine in Fine dust jacket. 1993. First Edition; First Printing. Hardcover. First trade edition after a limited edition of 100 copies. SIGNED & dated in year of publication by artist Jacob Lawrence on title page. Fine in brown boards & quarter black cloth binding in fine dust jacket. Unpaginated 9 1/4" X 11 1/4" Uncommon signed. ; 9 1/4" X 11 1/4" . THE MUSEUM OF MODERN ART/THE PHILLIPS COLLECTIO/HARPER-COLLINS PUBLISHERS. hardcover
1882réf. 2092902138300026Junzaburo Morimoto Edition 1882. Soft Cover. Fine. The book is in fine condition. Junzaburo Morimoto Edition paperback
1962réf. KOS02200067Asahi press 1962. Soft Cover. Fine. KOS02200067 Asahi press paperback
réf. 20802Fort in-4° (263 mm) polycopié, demi-maroquin vert sapin, dos à quatre nerfs encadrant l’auteur et le titre dorés ; [11] ff. liminaires, 379 ff. recto, 5 planches hors-texte, 11 tableaux dont 9 dépliants et 12 planches de tirages photographiques originaux.
1962réf. 18589Grenoble, 1962. Un volume in-8 de XI-[2]-1564-[4] pages, pleine toile beige imprimée de l'éditeur.
1783réf. 20988Neuchâtel, Samuel Fauche père et fils, imprimeurs, libraires du Roi, 1783. In-8 de XII-524 pages, demi-veau moucheté brun à petits coins, dos lisse orné de roulettes dorées, pièces de titre en chagrin rouge, tranches rouge.
réf. 52436In-folio en plein maroquin rouge aux armes du Comte Doria sur le 1er.plat.Gardes en satin richement décorées.Tranches dorées.Paris.1889.Nombreuses planches Bel ouvrage avec quelques piqûres.Directeur des Imprimeries de la Gironde, ex-libris de Gustave Chapon, qui fut aussi Directeur de la Petite Gironde. Qui était le petit-fils de l'imprimeur bordelais Gounouilhou.
1881réf. 5818Le Mans, Edmond Monoyer Imprimeur-Editeur, 1881. 1881 1 vol. in-12° (154 x 112 mm) de : VIII pp. ( (faux-titre, frontispice, aprobation), 720 pp, [4] ff. (table des matieres, explications); encadrement gravé à chaque page, 5 cartes-signets insérées dont 2 polychromes à systhéme. (infimes rousseurs). Plein chagrin vert olive, dos à cinq nerfs titré à froid, fermoirs de metal argenté ciselé, double filet doré sur les coupes et les coiffes, bordure intérieure dorée avec signature, tranches dorées, gardes de soie bleue avec innitiales dorées sur la première. (petit manque à un fermoir).
1840réf. ST20481-06Paris: Chez L. Hachette 1840. 224 x 131 mm. 8 1/2 x 5 1/4". 2 p.l. 822 pp. 1 leaf title 1-259 1 pp. Attractive contemporary scarlet morocco covers ruled in blind central panel with an elaborate gilt-tooled cross surrounded by a scrolling frame raised bands spine gilt in compartments tooled with small fleurons turn-ins tooled in gilt all edges gilt.features a well-executed and historically important fore-edge painting that depicts a famous tribute to one of the most celebrated figures in French Catholicism. The fresh richly painted scene here shows the Place de la Pucelle in Rouen with the fountain of Joan of Arc featured prominently in the foreground. This view inspired works from a number of artists and writers such as watercolorist Samuel Prout and American poet Maria White Lowell whose poem "Rouen Place de la Pucelle" was published ca. 1858. Visual records like this of the square and fountain are historically important because they were destroyed in the Red Week bombings of 1944. WITH AN EXCELLENT FORE-EDGE PAINTING DEPICTING LA PLACE DE LA PUCELLE ROUEN. Occasional early pencil marginalia. Corners a bit bumped edges and joints with a little rubbing but this well disguised with dye spine very slightly sunned and dried. Occasional scattered spots mostly marginal other trivial defects but generally fine internally very fresh and quite bright. An attractive binding with a very lovely painting. This attractive French-language Bible features a well-executed and historically important fore-edge painting that depicts a famous tribute to one of the most celebrated figures in French Catholicism. The fresh richly painted scene here shows the Place de la Pucelle in Rouen with the fountain of Joan of Arc featured prominently in the foreground. This view inspired works from a number of artists and writers such as watercolorist Samuel Prout and American poet Maria White Lowell whose poem "Rouen Place de la Pucelle" was published ca. 1858. Visual records like this of the square and fountain are historically important because they were destroyed in the Red Week bombings of 1944. Chez L. Hachette unknown
1840réf. ST20481-06Paris: Chez L. Hachette 1840. 224 x 131 mm. 8 1/2 x 5 1/4". 2 p.l. 822 pp. 1 leaf title 1-259 1 pp. Attractive contemporary scarlet morocco covers ruled in blind central panel with an elaborate gilt-tooled cross surrounded by a scrolling frame raised bands spine gilt in compartments tooled with small fleurons turn-ins tooled in gilt all edges gilt.features a well-executed and historically important fore-edge painting that depicts a famous tribute to one of the most celebrated figures in French Catholicism. The fresh richly painted scene here shows the Place de la Pucelle in Rouen with the fountain of Joan of Arc featured prominently in the foreground. This view inspired works from a number of artists and writers such as watercolorist Samuel Prout and American poet Maria White Lowell whose poem "Rouen Place de la Pucelle" was published ca. 1858. Visual records like this of the square and fountain are historically important because they were destroyed in the Red Week bombings of 1944. WITH AN EXCELLENT FORE-EDGE PAINTING DEPICTING LA PLACE DE LA PUCELLE ROUEN. Occasional early pencil marginalia. Corners a bit bumped edges and joints with a little rubbing but this well disguised with dye spine very slightly sunned and dried. Occasional scattered spots mostly marginal other trivial defects but generally fine internally very fresh and quite bright. An attractive binding with a very lovely painting. This attractive French-language Bible features a well-executed and historically important fore-edge painting that depicts a famous tribute to one of the most celebrated figures in French Catholicism. The fresh richly painted scene here shows the Place de la Pucelle in Rouen with the fountain of Joan of Arc featured prominently in the foreground. This view inspired works from a number of artists and writers such as watercolorist Samuel Prout and American poet Maria White Lowell whose poem "Rouen Place de la Pucelle" was published ca. 1858. Visual records like this of the square and fountain are historically important because they were destroyed in the Red Week bombings of 1944. Chez L. Hachette unknown books
2009réf. 311068LONDON/NY: HAYWARD PUBLISHING/D.A.P. Fine with no dust jacket. 2009. First Edition; First Printing. Hardcover in slipcase. 1853322741 . Boldly SIGNED by artist Ed Ruscha on the title page. Fine in pictorial boards in matching publisher's pictorial slipcase with the original plastic shrinkwrap. Published on the occasion of the exhibition: "Ed Ruscha: Fifty Years of Painting" at Hayward Gallery London 14 October- 10 January 21010. LR . HAYWARD PUBLISHING/D.A.P. hardcover
1873réf. 16450Paris, Lemerre (Imprimerie Claye), 1873 ; in-18 (188118 mm), broché ; (8), 258 pp., (1) f. blanc, couverture imprimée.
1672réf. 4445Lugduni [Lyon], Antoinii Cellier, 1672. In-4 de [16]-535-[18] pages, plein vélin souple de l’époque.
1944réf. 2410240339xbvkParis, Louis Carré Éditeur, MCMXLIV (1944); Presses de L'Imprimérie Union, Reproduction des Dessins: Georges Duval. 40 untrimmed folded sheets (=160 pages overall) of thick paper 'Vélin d'Arches' (with watermarks), including foretitle-, partly red-printed titlesheet, 'Justification du Tirage' and colophone, text by Louis Carré until page 19, titlesheets to each section (I. 'La Mer', II. 'Paysages', III. 'Châteaux', IV. 'Venise - Côte d'Azur et Roussillon', V. 'Tarascon et Alger', VI. 'Dessins de Nus et Portraits', VII. 'Les Courses', VIII. 'Le Théâtre et le Monde', IX. 'La Musique') with many quarter- to doublepage illustrations (intaglio) and transparent tissueguards loosely inserted. - Loose in another 2 blank doublesheets which hold the publisher's light-brown large-paper dustjacket, again loose in publ. stiff cardboard folder with cloth-joints and large printed artist's name at spine; Folio (ca. 36 x 24 x 4 cm; ca. 2 kg.).
2017réf. ABE-1605632473460Easton Press USA 2017 Pardon the paraphrase but while all books are equal some are more equal than others. This is most definitely one such; perhaps the only limited edition ever issued of Orwell s great parable of the Totalitarian State. The paintings are by Bill Mayer and he has signed and numbered the edition. It is a typical small press production. The gorgeous acid free paper is specially made for the Easton Press. The signatures are sewn not glued. The text block edges are gilt. The binding is full leather. This magnificent edition will last hundreds of years. The allegorical masterpiece of power and corruption is now available in a signed and numbered Limited Edition of just 1200 copies.Personally signed by artist Bill Mayer who has created 10 paintings - it is an injustice to just call them illustrations - each of which is tipped in and then protected by a translucent page. All animals are equal but some animals are more equal than others. Orwell s brilliant allegory of the rise of the Soviet state is compellingly envisioned in this FULL LEATHER Limited Edition Mr. Mayer also illustrated the colophon page which he has signed. The book comes in a custom-crafted clothbound slipcase which is also sturdily constructed. A limited hand-numbered edition of 1200 of which this copy number 592. It is signed by the artist. Signed by Illustrator. Limited Edition. Hardcover. New. Easton Press USA hardcover
1762réf. 12850A Berne, chez la Société Typographique, 1762-1765. 12 parties en 6 volumes in-8, demi-basane mouchetée à coins, dos à 5 nerfs avec filets, titre, tomaison et date dorés, tranches mouchetées. Inscription à la plume au premier contreplat de Seigneux de Correvon, membre de la Société économique de Berne, auteur de poésies, de traités de théologie et de droit, traducteur, et qui collabora à de nombreuses revues suisses et étrangères.
1822réf. 9535A Paris, Chez Barrois / Chez Anselin et Pochard, 1809 - 1806 -1822. 3 volumes in-8 de XVI-390 / XVI-296 et XXIII-386-4 pages, demi-basane (2 en rouge, avec tomaison, 1 caramel, sans tomaison), dos lisses (un peu taché pour le dernier) ornés de filets et titre dorés, tranches jaunes, quelques rares rousseurs. Inscription à la plume à un faux-titre. A noter que le relieur a indiqué sur le dos le tome 2 comme étant le 3. Très pâle inscription au crayon à la page de titre du dernier volume: "Revue, corrigée et augmentée par un capitaine du génie", qui fait référence à de petites notes discrètes au crayon dans le texte.
1806réf. 7425Paris, Bossange, Masson et Besson, 1806. In-8 de [6]-XIX-[1]-302-[2]p., demi-basane brune à coins, dos lisse orné de filets dorés, pièces de titre rouge, reliure du temps avec quelques frottements. Ex-libris de Charles de Constant-Rebecque.
1868réf. 12840London: Longmans Green and Co 1868. First Edition. Leather bound. Near fine. Decorated with two fore-edge paintings first edition of A Memoir of Baron Bunsen as collected by his wife Frances Baroness Bunsen. Octavo two volumes 8 1-637pp; 8 1-616pp. Three-quarter dark green leather with marbled paper boards and matching endpapers. Silk bookmarks. All edges gilt. Gilt-ruled trim on covers title within a double gilt-ruled border on spines. No additional printings listed on copyright page. Solid text blocks light rubbing to corners joints and marbled boards. Previous owner's name on front flyleaf of Volume I. Complete with three lithographs and two woodcuts in Volume I five lithographs and three woodcuts in Volume II. Each volume with frontispiece portrait and tissue guard. Volume I has fore-edge painting of Strand-on-the-Green Volume II of Kew Bridge. Strand-on-the-Green is a medieval village in Chiswick England that still stands today previously used as a trading location for businesses due to its access to the River Thames. Kew Bridge crosses the Thames and connects the districts of Kew and Chiswick. The bridge depicted in the fore-edge of Volume II is the second of three bridges at this location. This one being opened in 1789 and demolished in 1899. Longmans, Green, and Co unknown
1868réf. 12840London: Longmans Green and Co 1868. First Edition. Leather bound. Near fine. Decorated with two fore-edge paintings first edition of A Memoir of Baron Bunsen as collected by his wife Frances Baroness Bunsen. Octavo two volumes 8 1-637pp; 8 1-616pp. Three-quarter dark green leather with marbled paper boards and matching endpapers. Silk bookmarks. All edges gilt. Gilt-ruled trim on covers title within a double gilt-ruled border on spines. No additional printings listed on copyright page. Solid text blocks light rubbing to corners joints and marbled boards. Previous owner's name on front flyleaf of Volume I. Complete with three lithographs and two woodcuts in Volume I five lithographs and three woodcuts in Volume II. Each volume with frontispiece portrait and tissue guard. Volume I has fore-edge painting of Strand-on-the-Green Volume II of Kew Bridge. Strand-on-the-Green is a medieval village in Chiswick England that still stands today previously used as a trading location for businesses due to its access to the River Thames. Kew Bridge crosses the Thames and connects the districts of Kew and Chiswick. The bridge depicted in the fore-edge of Volume II is the second of three bridges at this location. This one being opened in 1789 and demolished in 1899. Longmans, Green, and Co unknown books
1616réf. 20956[Bern], [Abraham Weerli], 1616. Grand in-4 de [8]-591-[71] pages, plein vélin, dos lisse et muet, attaches.
1895réf. 9835Paris, Boussod, Valadon & Cie, 1895. In-folio de [4]-238-[2] pages, demi-chagrin bleu à coins, dos à 5 nerfs avec titre doré, tête dorée. Minuscules épidermures, rares rousseurs.
