Ronice Muller de QuadrosBiblio.com
Brazilian Sign Language Studies
réf. 41864027-nnew. unknown
GreatBookPrices · États-Unis224,74 $US≈ 200,39 €
2 701 résultats
réf. 20785789National Museum of Australia Canberra 2008 . 29.0 x 23.5cms 254pp colour illusts very good paperback & cover The essays are: reflecting on Emily - a personal response; Aboriginal modernism - 2 histories 1 painter; the impossible modernist;painting the Dreaming - sacred expressions from a non-Western cultural sphere within a Western culture; the genius of Emily Kame Kngwarraye. The catalogue has sections on: origins; fields of dots; colourism; body lines; yam; sacred grasses; the last series. National Museum of Australia Canberra 2008 paperback
1969réf. 29674A. S. Barnes And Company 1969. First Edition. Hardcover. Very Good In Jacket With Light Surface Wear to jacket. Quarto. After Mee’s Difficult Struggle To Prepare these Paintings For The The Flora Brasilica By F. C. Hoehne No Money Existed To Include Them In The Book. This Format Was Published By Barnes; This Book Is From The Personal Working Library oF Dr. Alfred Byrd Graf of The Roehrs Co. New Jersey. Dr. Graf Traveled The World Botanizing For The The Roehrs Company. He Wrote Three Major Books On Tropical And Sub Tropical Plants - Exotica Hortica And Tropica. Dr. Graf Died in 2001 at the age of 100. A. S. Barnes And Company hardcover
réf. 41864027-nnew. unknown
1929réf. 014644Paris Galerie E. Druet 1929 In-12 Agrafé
réf. 13613Carton original pour tapisserie. Aubusson, XXè siècle. En feuille Très bon Aubusson XXè 39 x 20 cm
réf. 13617Carton original pour tapisserie. Aubusson, XXè siècle. En feuille Très bon Aubusson XXè 24,5 x 34 cm oval
réf. 13618Carton original pour tapisserie. Aubusson, XXè siècle. En feuille Très bon Aubusson XXè 24 X 32 cm
réf. 13619Carton original pour tapisserie. Aubusson, XXè siècle. Filigranne : Papeterie Aulantier & cie à Paris. En feuille Très bon Aubusson XXè 23,5 x 27,5 cm
1877réf. ART2997C175GARTyp. Pillet et Dumoulin, 1877. In-4°, Relié demi-cuir a coins, XII + 36 pp.
1954réf. 010806Paris Plon 1954 In-12 Broché
1951réf. WOC-2852Avec 97 illustrations hors-texte. Deuxième édition. Haute-Savoie, Chez l'auteur, Chamonix-Mont-Blanc & Bonneville, Imprimerie Plancher, 1951. Grand in-8 (21x2x16cm) broché, avec légendes en rouge et noir. 305pp.
réf. 20328Londres, John Murray, 1910. 2 vol. in-folio, XII-319 pp. + XVI pp., 324-613 pp., vélin ivoire rigide, premiers plats orné de filets, fleurons et arabesques dorés, pièce de cuir rouge mosaïquée à ces mêmes plats, dos long orné de filets dorés, tête dorée (taches aux reliures, portefeuille manquant, comme souvent).
1990166 pages. Bibliography. "This beautiful volume, full of light and colour that characterize most Impressionist art, is a thoroughly enjoyable guide to Canadian Impressionist painting from roughly 1885 to 1920. It brings together for the first time in book form, the Canadian representatives of the world's most popular and accessible school of painting, offering a totally fresh look at a now-vanished society, and presenting a strong contrast to the isolated, unpopulated vision of the country usually portrayed by the Group of Seven - although members of that group are represented in their earlier, more intimate styles." - from dust jacket. Gift greetings and Christmas sticker atop front free endpaper else unmarked. Light wear to price-clipped dust jacket. Minor lean to spine. A clean copy of this lovely and large work which measures 12"x12". Book
200872 pages. Profusely illustrated in colour. Bilingual English/Chinese text. Printed upon glossy stock. Oblong 11.5" x 8.75". "My paintings are personal investigations into the interaction between Eastern and Western culture. They express how I see and feel about my subject; how I interpret it intuitively and spiritually by using a visual language. The scenery of British Columbia is a major subject of my painting. I blend the old and the new to forge a contrast between ink and colour, between the ancient traditions of Chinese painting and the rapidly-changing world of Western art." - dust jacket. Clean and unmarked with light wear. Binding tight. Dust jacket now preserved in glossy new archival-grade Brodart. A nice copy. Book
196440 pages. Features: There's a New Paul Martin - Canada's compleat politician heads Canada's U.N. delegation - article with photos; Senta Baby - article with gorgeous colour photo of German actress Senta Berger; Colour photo fashion section - play clothes; Joe Flaherty won his freedom - and bride Fran McKearney when he was released from prison; Club de l'Etoile in Paris offers patrons headphones so they may each listen/dance to their own music - photos and bried write-up; Who is Better, Arnold Palmer or Sam Snead? - article with photo; Forgeries/Knock-offs of Group of Seven Paintings - article with colour photos; Photos of water ski machine at Saratoga Lake, NY; Jeannie Snowball's Happy Owl - Oopik; Nipper comic. Printed by newspapers across Canada as a weekend supplement. Unmarked with moderate wear. A sound vintage copy. Magazine
196840 pages. Features: Working mothers mean Canada has several hundred thousand child casualties of neglect - article with colour photos; Mark Ten Cigarette ad; Alex Hobson is featured in a GM ad; Joey Maher - Reigning World Handball Champion - photos and article; Nice ad for CCMN Mustant bike with banana seat - Bobby Hull endorsement; 2001-A Space Odyssey - article with photos, including one of Stanley Kubrick and Arthur C. Clarke; Springtime for Odette - with paintings by Bruce Johnson; Nice full-page colour photo ad for Arrow shirts; Claude Morin Wants a Better Deal for Quebec - article with photo of him striking an RCMP officer; Nice ad for BA/Gulf service stations; Maurice Genest and his SSS (Supermarket Scratch Saver); Singer Mary Lou Collins - photo and article; and more. Moderate wear. Unmarked. A sound vintage copy. Book
1974réf. 2090502125400932Iwasaki shoten 1974. Soft Cover. Fine. Volume: 1 Iwasaki shoten paperback
2026réf. x-1041102992CRC Pr I Llc 2026. Hardcover. New. 312 pages. 9.19x6.13x9.21 inches. CRC Pr I Llc hardcover
1999"The influence and power of the Trickster figure - often embodied as Coyote - is deeply entwined with Native cultural sensibility and expressed through wry, ironic humour. In this entertaining and innovative book, Allan J. Ryan explores the Trickster's presence in the work of outstanding artists such as Carl Beam, Rebecca Belmore, Bob Boyer, Joane Cardinal-Schubert, George Littlechild, Jim Logan, Gerald McMaster, Shelley Niro, Ron Noganosh, Jane Ash Poitras, Edward Poitras, Bill Powless, and Lawrence Paul Yuxweluptun." - dust jacket. "Captures the subtle humour and social satire of the new Native arts in Canada." - George F. MacDonald. "A richly illustrated volume that is destined to become a classic. A triumph of first-rate scholarship... on the mythical figure that inspired Indian humour long before the white man set foot on this continent." - Harvey Mindess. 303 pages. Generously illustrated in colour. References. Index. Printed upon glossy stock. Prior owner's name atop front free endpaper, otherwise book clean and unmarked with light wear. Moderate wear to dust jacket now preserved in archival-grade Brodart. A quality copy. Book
1866réf. 20655Genève, Société d'histoire et d'archéologie de Genève, 1866. In-4 broché de [6]-XXVII-[1]-542 pages, couverture de papier gris muet.
1899réf. 2754Genève et Bâle, Georg & Co, 1899. 2 vol. in-8 de [2]ff., XXXVI, 839p. + [2]ff., II, 872p., [2]ff. Demi-percaline verte à coins, dos lisses. Léger accroc au coins inf. 1er plat vol. 2.
1827réf. 9558Paris, Anselin et Pochard, successeurs de Magimel, 1827. In-8 de VIII-285-[3] pages, demi-veau vert, dos lisse orné de filets, roulettes, titre et fleurons dorés. Coins frottés, petit accroc à la coiffe supérieure, rousseurs aux premiers ff. Signature sur la p. de titre d'A. Naville, S. Lieutnant de Génie.
1823réf. 12854A Paris, chez Rey et Gravier, 1823. In-8 de [4]-308-[2] pages, cartonnage gris taupe, étiquette de titre au haut du dos, manuscrite avec numéro au bas. Non rogné.
1823réf. 16710A Paris, chez Rey et Gravier, 1823. In-8 de [4]-308-[2] pages, plein veau glacé caramel, dos lisse orné de filets et fleurons dorés, large roulette florale dorée encadrant les plat, filet sur les coupes, grecque dorées intérieure.
1978réf. SKU2020021419American Wildlife Art Galleries 1978. First Edition. Hardcover. Like New/Very Good. Signed by Author. In Near Fine condition in price clipped dustjacket with some light edgewear. Signed on title page signature only by Walter Bush Les Kouba and Jim Robinson. Copies signed by all three contributors are quite scarce. "Never before has so much information on how to hunt ducks and geese been contained in one book. All phases of the sport are covered in detail by two men who have had more than a century of experience between them from the market hunting days to the present.This is a post graduate course in wildfowl hunting leading to a masters degree.Guns gun fit decoys duck and goose calling duck identification and pages of useful information.". Bush shot trap with and hunted each year with Jimmy Robinson at the Duck Camp on the Delta Marsh and other fine waterfowling destinations for over 50 years. He was a National Trustee of Ducks Unlimited for many years and a long time member of the Outdoor Writers Association. Jimmy Robinson was one of the world’s most famous hunting writers and sportsmen editor for Sports Afield magazine and the hunting partner of some of the biggest names in entertainment politics and business. He was also a close friend of Ernest and Mary Hemingway and hunted with Hemingway's son Pat. Robinson was one of the original members of Ducks Unlimited a waterfowl conservation organization. Jimmy joined the Amateur Trapshooting Association as a statistician in 1922 an association that he maintained for the next fifty years. In 1926 he began writing for Sports Afield magazine with his first article about his good friend Annie Oakley. Renowned as a hunter fisherman and conservationist his writing career spanned 45 years. He wrote fourteen books on shooting and hunting. Each year since 1935 his duck survey of Western Canada was awaited eagerly by hundreds of newspapers all over North America. His contributions in building Ducks Unlimited were so great that they named him an honorary trustee in 1970 along with Bing Crosby and Andrew Mellon. Several times he tried to retire but could not — his editors would not accept his resignation and no one could replace him. Sometimes called the “Sportsman of the Century” Jimmy is the only man inducted into five Halls of Fame: Fishing Minnesota Skeet Trapshooting and Waterfowl. Jimmy founded his first lodge at Delta Marsh in 1935 in a farmhouse near Portage Creek. Its more luxurious successor dubbed the “Sports Afield Lodge” in honor of Jimmy’s long-time employer was built in 1958 on the east side of the marsh south of St. Ambroise. The “Sports Afield Duck Club” had numerous well-heeled members from a broad cross section of the American business community. Les Kouba 1917-1998 was Internationally known as one of the world’s foremost master painters of wildlife. He is recognized as the founder of the wildlife art revival in the 1970s and as such inspired many other wildlife artists. His deep understanding of wildlife stems from growing up on a Minnesota farm which afforded him ample opportunity to observe and study wildlife in their natural habitat. Kouba said “Because I actually hunted and fished I developed an early understanding of all of the background skills necessary for my future career as a wildlife artist.” Kouba gained fame as the painter of over 20 Conservation Stamps including two Federal Duck Stamps 1958 and 1967 as winner of the 1982 Wildlife Heritage Foundation Artist of The Year and for his Canadian Ducks Unlimited 50 Year Commemorative Stamp. “Ducks Unlimited is the world’s largest and most effective private waterfowl and wetlands conservation organization. In no small way we are able to say that because of Les Kouba and his art. He raised many millions of dollars for DU and played an integral role in our growth. His 1976 DU print Bluebills in Lifting Fog established a new record for fundraising. Because his images of waterfowl and habitat are so authentic they instantly capture the atmosphere of what Ducks Unlimited is all about.” American Wildlife Art Galleries hardcover
