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1900réf. 164294No date. circa1900. 11 original hand painted fan designs approximately 40 x 15cm laid down on archival sheets 51 x 38cm. Each design is unique some are brightly coloured whilst others are more sombre and some have a lacquer or metallic overprinting and silver flecking. Each of the designs has been backed with Japanese paper. Undated and in very good condition apart from some very minor spotting to the backing sheets not affecting the image they appear to be early 1900s. The collection is housed in a custom-made clamshell case. The earliest recorded sighting of the Japanese fan was in the 6th century CE where burial tombs were adorned with pictures of fans. Drawing on the fan began around the Heian period 794-4485 and became such a hit that laws were created to restrict their use to particular social classes. Historically Japanese hand fans were tools of aristocrats and the samurai class. They were a way to signify social standing and even communicate messages. Japanese fan designs enchanted westerners when they first became exposed to them. Those influenced include the Australian artist Charles Conder who in the 1890s inspired by Japanese fan designs made a speciality of painting them on silk. Various images painted on these fans have symbolic or seasonal meanings. One shows an array of golden origami cranes on a red background symbolizing long life. Another is decorated with peonies symbols of fertility and nobility whose flowering marks the end of spring and beginning of summer. A third is decorated with images of pine bamboo and plum blossom - a combination representing health and longevity because all three plants can withstand cold weather. Others have more abstract images based on the flow of rivers the sheen of silk and other themes. . unknown
1967réf. 30172241London : The Arial press 1967 . Hardcover . Very Good /Very Good . 42.0 x 30.0cms. 72pp. Colour illusts; hardback. The essays are: Talbot de Malahide's 'genesis'; George Taylor's 'the flora of Tasmania'; Margaret Stone's 'plates with botanical commentaries'. The Arial press hardcover
réf. 20506285Random House Sydney 2005 . 24.0 x 16.0cms 568pp colour illusts very good hardback & dustwrapper author's & artist's signatures This is a full length biography of 'Australia's most loved living artist'. Random House Sydney 2005 hardcover
réf. 20235215Museo de Bellas Artes de Bilbao & The Meadows Muse. 29.5 x 23.0cms 308pp b/w & colour illusts fine paperback with French flaps. The chapters are: Zuloaga the Basque; Ignacio Zuloaga in France; Zuloaga & the United States 190-1925; Ignacio Zuloaga the collector. English & Spanish text. Museo de Bellas Artes de Bilbao & The Meadows Muse paperback
réf. 20247669Whitney Museum Of American Art & Rizzoli New York . New 32.5 x 25.0cms 158pp Colour Illusts New hard Cover in Shrink Wrap Exhibition Catalogue This book presents 90 of Katz's realist paintings cutouts and collages from the 1950s to the 1980s. Whitney Museum Of American Art & Rizzoli New York hardcover
réf. 30075467Stedelijk Museum Amsterdam & Craig Potton Publishi. 30.0 x 24.0cms 270pp b/w & colour illusts very good paperback with French flaps. This is the catalogue for the first large and significant retrospective of McCahon's ouevre. It focuses on his exploration of spirituality and religious faith as well as his depiction fo the New Zealand landcape. Stedelijk Museum Amsterdam & Craig Potton Publishi paperback
réf. 20972509Ian Potter Museum Of Art Melbourne 1999 . 25.5 x 20.5cms 44 colour Illusts very good paperback & cover. Frances Lindsay's introduction argues that 'certain Australian artists will stand out not just for the aesthetic quality of their work but also for their significant contribution to our understanding of what constitutes the Australian identity. Clarice Beckett is one such artist. Her works capture the essence of Australian city life in particular that of Melbourne and more specifically that of the bayside suburbs at a time between the World Wars when the advent of the modern age was signified by the motorcar and the ubiquitous telegraph pole'. Scarce title Ian Potter Museum Of Art Melbourne 1999 paperback
réf. 20426729Galerie Maurice Garnier Paris 1991 . 26.0 x 32.0cms landscape 56pp colour illusts very good paperback & cover This book reproduces 21 paintings of Italian buildings cityscapes and views in Buffet's style. Scarce title. Galerie Maurice Garnier Paris 1991 paperback
réf. 20129392British Council & National Galleries Of Scotland E. 21.5 x 24.5cms landscape 96pp b/w & colour illusts very good paperback This is the catalogue for the exhibition of small portraits of his friends. He often displayed them as tripychs showing various aspects of the sitter's character. Scarce title. British Council & National Galleries Of Scotland E paperback
réf. 20427481Angus & Robertson Sydney 1954 . 29.0 x 22.0cms c80pp 23 tipped-in colour plates very good hardback with very good- dustwrapper artist's signature unnumbered copy of an edition of 1000 signed copies Dargie argues that Bennett's landscapes are 'verifiable portraits of the places he has been and that they are portraits because he has felt a love for his subject matter which demanded a record of every individual aspect of land & weather'. Angus & Robertson Sydney 1954 hardcover
réf. 20865955The Leslie Urquhart Press Sharpthorne UK 1960 . 46.0 x 32.0cms 20pp 20 colour illusts and detailed descriptions of each flowers' synonyms. description history and explanatory notes. Very good hardback with chipped and archivally conserved tears. This bookfocuses on the varieties of Camellia reticulata which originated in Yunnan. reproduces 2 of Raymond Boothe's paintings and 14 of Paul Jones's paintings. The Leslie Urquhart Press Sharpthorne UK 1960 hardcover
réf. 20510428Alister Taylor Publishers Martinborough NZ 1982 . 31.0 x 40.0cms landscape 306pp tipped in colour plates very good hardback with decorated boards owner's bookplate with poor solander box torn & sunned. On 132 of 500 copies. This is avery heavy book so expect extra freight costs. This book documents the novel interest in von Guerard's paintings of Australia & New Zealand. The section headings are: chronology; biography;' a golddigger's journal; the colour plates; the artist's techniques & work methods; catalogue raisonne; exhibitions Alister Taylor Publishers Martinborough NZ 1982 hardcover
réf. 20702328Beagle Press Sydney 2004 . 30.0 x 28.0cms 204pp colour illusts fine black cloth hardcover in fine black cloth dustwrapper The chapters are: beginnings; Europe & London; Sydney - New York; home; an interview with Michael Johnson; exhibitions; collections Beagle Press Sydney 2004 hardcover
réf. 20842697Reed Sydney 1980 . 42.0 x 28.5cms 144ppb/w & colour illusts very good hardcover & dustwrapper in very good slipcase some edgewear. Blackman's & Amadio's inscriptions with signatures This book reviews Blackman's total oeuvre to 1980. The section headings are: schoolgirls; Alice in Wonderland; girl & flowers; faces of love; children playing; gardens; the sea; nudes; nightmares; identities. Reed Sydney 1980 hardcover
réf. 30056626The Beagle Press Sydney 2000 . 32.0 x 26.0cms 180pp colour illusts very good hardback & dustwrapper artist's inscription Cress was 'Australia's foremost abstractionist' for 20 years before becoming 'a committed realist' of the human emotions lyrical landscapes and architectural studies. This book identifies his evolution and 'the tell tale' works of 1988. The Beagle Press Sydney 2000 hardcover
réf. 30031968Craftsman House Sydney 2006 first published in 19. 34.0 x 25.0cms 204pp b/w & colour illusts very good hardback & dustwrapper The essays are: J A Tuckson Deputy Director of the Art Gallery of NSW; an introduction to Tony Tuckson; Tuckson & tradition Craftsman House Sydney 2006 (first published in 19 hardcover
réf. 30000292Harry Abrams New York 2004 . 32.0 x 30.0cms 176pp colour illusts very good hardback & dustwrapper Freilicher is a realist painter best known for her monumental still lifes landscapes & cityscapes. Kertess analyses her life & work: John Ashbury writes an appreciative introduction and Thomas Nozkowski writes a 'note'. Harry Abrams New York 2004 hardcover
réf. 20641146Gallery Editions Singapore c 1992 . 27 colour illusts very good hardback & dustwrapper This recently recovered cache of handwritten manuscripts and watercolours offers 'an overview of Indonesia that was entirely unprecedented in both range and style'. Gallery Editions Singapore c 1992 hardcover
réf. 30029408Queen Street Fine Art Sydney 2004 first published. 30.0 x 24.0cms 168pp Colour Illusts very good hardback & dustwrapper both Jennifer & Robert Dickerson's signatures Writing the introduction to this monograph Elwyn Lynn positions it as 'a lively and modest account' of Dickerson's attempts to combat Sydney's Charm School and its precious renderings of slums and 'to have the indifferent or comatose reach states of realisation'. Queen Street Fine Art Sydney 2004 (first published hardcover
réf. 30080041Beagle Press Sydney 2004 . 30.0 x 28.0cms 204pp colour illusts fine black cloth hardcover & dustwrapper The chapters are: beginnings; Europe & London; Sydney - New York; home; an interview with Michael Johnson; exhibitions; collections Beagle Press Sydney 2004 hardcover
réf. 20808501Art Gallery of New South Wales / AGNSW Sydney 1994. 32.0 x 25.0cms 200pp b/w & colour illusts very good paperback & cover artist's Boyd's signature The section headings are: paintings drawings prints ceramics works on paper ceramics & a sense of place. Art Gallery of New South Wales / AGNSW Sydney 1994 paperback
réf. 20450472Hart Gallery London 1995 . 30.0 x 21.0cms 112pp b/w & colour illusts fine hardback Author's inscription Blackburn's landscapes are visual metaphors visionary landscapes which provide a glimpse of heaven. English French & German text. Hart Gallery London 1995 hardcover
réf. 20186036University of Queensland Press Brisbane 1971 . 36.0 x 25.0cms 52pp 7 illusts very good hardback & very good dustwrapper ex-libray with tape stains and scars on endpapers NO stamps Alvarez has contributed 21 poems which are printed in his handwriitng and in type. Blackman has contributed complementary gouche illustrations 'which express everything Alvarez was fumbling towards'. University of Queensland Press Brisbane 1971 hardcover
réf. 20944155Edizioni OLivares Milan 2004 . 32.0 x 29.0cms 112pp colour illusts very good hardback & dustwrapper artist's signature The chapters are: early paintings; early drawings; Sydney; Bondi; the outback; Greece; China; Florence. Edizioni OLivares Milan 2004 hardcover
réf. 20423674Museo de Arte Contemporaneo Esteban Vicente 2003 . 29.0 x 29.0cms 178pp very good hardback & dustwrapper The sections are: la trama y el fulgor: escritos de Juan Manuel Caneja 1905-1988; chronologia. Spanish text only Museo de Arte Contemporaneo Esteban Vicente 2003 hardcover