Lazarev, ViktorMareMagnum
2 846 résultats
1966No marks or inscriptions. A very clean very tight copy with bright unmarked boards, very minor rubbing around lower board edges, a trace of dustiness to top of page edges and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with very minor traces of storage. 290pp. A detailed study of Russian mosaics and frescos from the 11th to the 16th century with 265 illustrations. A heavy book.
1977Plates 77-86 missing. Library labels and stamps. Jacket plastic protected, a little worn. Text clean and bright. Ex-Library
1995No marks or inscriptions. No creasing to covers or to spine. A very clean crisp very tight copy with bright unmarked boards and no bumping to corners. pp. With details and illustrations of 279 paintings for sale. Appears unread.
1993No marks or inscriptions. Minor creasing to covers, none to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. pp. With details and illustrations of 182 paintings for sale.
2007Book in mint condition. Dust jacket not price clipped or marked with two small repaired tears to upper edge and light creasing to upper and lower edges. 112pp. This is a story about a youth who joined the Royal Navy in 1891 and left it at sixty-five in 1942. In addition to being a successful officer who rose to high rank he was from his early days a beautiful artist. The book is a written account of his career illustrated extensively by his photographs and a wealth of his paintings. The author, his elder son, retired in 1985 as Commander-in-Chief UK Land Forces.
1992Monet's name and dates written inside front board. No other marks or inscriptions. No creasing to covers or to spine. A very clean crisp very tight copy with bright unmarked boards, traces of storage and no bumping to corners. The book has a left-hand page for every seven days in the year and the right-hand page is a Monet painting. Applicable to any year. No days have been filled in.
1982No marks or inscriptions. No creasing to covers or to spine. A lovely clean crisp very tight copy with bright unmarked boards and no bumping to corners. 122pp. Fifty Dutch paintings from Yorkshire public collections exhibited at Leeds City Art Gallery in 1982-83.
1978Previous owner's name inside front cover. No other marks or inscriptions. Creasing to corners of rear cover, none to front or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 96pp. Study of the National Gallery, its construction and its exhibits with a large number of these displayed, mainly in colour. With magazine cutting on the construction of the Gallery loosely tucked in.
1973Very faint name of previous owner to front end paper. No other marks or inscriptions. A very clean crisp very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked or torn with light creasing to upper edge and traces of storage. 144pp. Ths work deals with the spectacular archeological finds of priceless works of art in China.
1979Inscription on half-title page. No other marks. Some creasing to covers, none to spine. A clean very tight copy with bright unmarked boards. 64pp. Introducing the world of artist Beryl Cook and all manner of wicked goings-on.
1974Ex-library book with usual (minimal) marks and stamps. A very clean very tight copy with bright unmarked tape-free boards and minor bumping to corners. Dust jacket not price clipped or marked or torn or creased with rubbing/small nicks to upper corners and top of spine. 180pp.
1957Ex-library book with usual marks and stamps. No creasing to covers or to spine. Mainly clean pages in a very tight binding with unmarked boards, lib mark to foot of spine and slight rubbing but no bumping to corners. 386pp.Very extensive study of the work on painter James Ensor, born in Belgian of a British father. With a large number of tipped-in colour plates and a catalogue in black & white.
1984Previous owner's name to title page. No other marks or inscriptions. Slight creasing to upper edge, none to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 80pp. Exhibition Catalogue from the Walker Art Gallery, Liverpool 4th May to 30th September 1984.
2000No marks or inscriptions. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked or torn with a little indenting and surface rubbing from storage. 195pp. The book examines Dali's use of various pictorial techniques, photography, and holograms to further his exploration of visual perception and the ways that optical illusion affects our sense of reality. Includes discussion between the editor and a number of other authorities in the field. Very well illustrated. The book is also the catalogue for an exhibition in 2000 in Edinburgh and a number of American galleries.
1993No marks or inscriptions. No creasing to covers or to slightly sunned spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 168pp. A comprehensive design guide to the arrangement and display of pictures and photographs in the home with advice and ideas from professional framers.
1990No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, light traces of storage and no bumping to corners. 174pp. Exhibition catalogue with 144 plates.
1984Presentation signatures from a group of people on front end paper. Otherwise 'fine'. No other marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 215pp. Gallery paintings in Leningrad from Russian artists. Colour representations of 179 paintings, one per page. All text in French.
1929No added marks or inscriptions. No creasing to covers or to spine. Mainly clean pages with marked boards and lower page edges, hinges slightly shaken, dusty page edges and rubbing to edges and corners. 160pp. Extensive advice to the collector of antiques across a wide range of collectibles. Well illustrated with some coloured tipped-in paintings.
1994Booklet is 'as new' condition. 48pp. The history of the prehistoric cave paintings at the Font-de-Gaume cave near Les Eyzies in Perigord, France.
1991No marks or inscriptions. No creasing to covers or to spine. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. 125pp. The history and development of gardens as depicted in the paintings of Ottoman Turkey, Iran, India, China, Japan and Southeast Asia.
1863Foxing to some pages, date stamp on end paper. No other marks or inscriptions. No creasing to covers or to spine. Very clean pages with soiled bevelled edge boards, front board partly detached and no bumping to corners. All edges gilt and marbled end papers. 480pp. Selected poems illustrated by sixty-four engravings on steel, after paintings by David Roberts, Stanfield, Leslie, Stothard, Haydon, Cattermole, Nasmyth, Sir Thomas Lawrence and many others.
1963No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, sign of label removal to rear and no bumping to corners. 25 plates plus 32pp. Coloured and black & white plates. .
2002No marks or inscriptions. Minor creasing to two corners. A very clean very tight copy with bright unmarked boards and no bumping to corners. 95pp. Guide to the exhibits at the Musee d''Orsay in Paris.
1920Very neat inscription on front end paper. No other marks or inscriptions. No creasing to covers. Very clean tight pages with lightly soiled boards, a little foxing/tanning, rubbing to spine ends and no bumping to corners. 48pp. The author takes us through a typical day in the life of the Thackeray with six coloured contemporary paintings.
1910No marks or inscriptions to contents. No creasing to covers or to spine. A very clean very tight copy with slightly sunned slightly foxed unmarked boards, rubbing to spine ends, dusty top of page edges and no bumping to corners. Fore and lower page edges untrimmed. Eight colour plates all present. 80pp. Concise biography of Thomas Gainsborough and examples of his paintings.
