2 846 résultats
réf. 1390632784.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1979No marks or inscriptions. A very clean very tight copy with bright unmarked boards, slight foxing to a few pages and no bumping to corners. Dust jacket not price clipped or marked with small tear to lower rear corner, pen indenting, light creasing to upper edge and nicks to spine top. 96pp. A series of fantastic futuristic paintings of rockets, planets, worlds, weapons, explosions and destruction. The images are interspersed with very lengthy text, some being fantastic fiction and some relating to existing science fiction novels.
2000245x220 mm. 324 pages. Hardcover. Cover corners slightly bumped. Spine edges slightly bumped. Else in good condition.
1932réf. 57611Dahlem bei Berlin, Verlag des Repertoriums, 1931-1932. 8° (Tableaux) bzw. Gr.-8° (Texte). Mit 3 Abbildungen auf 2 Tafeln. 1 Bl., 201 S.; 3 Bll., 120 doppelblattgr. Tabellen. HLwd.-Bde. d. Zt. m. goldgepr. Rückentitel.
1932réf. 2092902138301036Not Available 1932. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1996réf. 2111902156101616Nagaokashoten 1996. Soft Cover. Fine. Number of books: 1 Nagaokashoten paperback
réf. SONG0789210088Used: Good unknown
réf. 1002K899411Very Good. Oxford University Press 1926 1st ed. in VG- unclipped orig pictorial DJ. unknown
1977Tape mark to top of front dust flap and correspnding mark to top of front end paper. No other marks or inscriptions. A very clean very tight copy with bright unmarked boards and bumping to lower corners. Dust jacket not price clipped or marked or torn with light creasing to edges and traces of storage. 248pp. The paintings of social history which examine and tell the story of the working class in the fifty years before World War One.
2005New English Paperback. Pbo. 4to. (33 x 24 cm). In English. Color ills. 155 p. Throughout the ages, the Orient has attracted the interest of the West. European intellectual and artists have been mesmerized since the earliest times by this presumably mysterious and relatively closed world. As a natural consequence, during various periods many artists, either by travelling themselves or by travelling in their imaginations, sought to discover the essence of the Orient, and depicted or expressed in their works either the real Orient or their own visions of it. The movement known as Orientalism in European art, which appeared in conjunction with the Romanticist movement of the 19th century, focused on the East, primarily in the lands of the Ottoman Empire. Even long before the rise of Orientalism in European art, many European artists, fascinated by their first glimpses of the mysterious East and by the Turquerie fashion which was the result of the new relations with the Ottoman world. For nearly two hundred years, starting from the 18th century, numbers of painters, some of whom became known as the Bosphorus Painters, worked intensively in the lands of the Empire and depicted the Ottoman world ib its various aspects, consequently engraving those images in mankind's visual memory. The exhibition Portraits from the Empire sheds light on a special part of this opulent world. Almost sixty paintings selected from the Suna and Inan Kiraç and Sevgi and Erdogan Gönül collections bring us face to face with the peoples of the Ottoman world, their portraits and portrayals, sometimes very familiar and sometimes remote, even nearly foreign, in their physiognomies. These paintings, most of them created before the eye of the camera replaced the human eye, in the times when observing, studying, interpreting and depicting the world was the priority of painters, present the lost faces of an era long past with amazing reality and vividness.
1927réf. 2091502135100530Kobunsha 1927. Soft Cover. Fine. Number of pages: 239p Plate size: 22cm Number of books: 1 Kobunsha paperback
1991réf. 2092902137405257Sofusha 1991. Soft Cover. Fine. Number of books: 1 book Sofusha paperback
1864réf. 2092902140400734Not Available 1864. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1864réf. 2092902140401025Not Available 1864. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1864réf. 2092902140400971Not Available 1864. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1907réf. 30029HBDJ 1907 1ST LIMITED EDITION of 1000 copies Stated on Last PG NF/NEAR FINE First Quarto Photogravure Edition .Limited Edition of 1000 copies printed on Arches handmade paper. Book Condition: Very Good PAGES EDGES ARE UNTRIMMED .IN PLAIN BROWN DUSTJACKET WITH TITLE & AUTHOR IS BLACK WITH RED DECORATION publishers SLIPCASE OPEN AT BOTH ENDS Dust Jacket Condition: Very Good Gilt top. In original dust jacket and OPEN END slipcase. Lightest wear only to volume and dust jacket. Slipcase in good- condition. Very Scarce. 8 1/4 X 10 1/4 IN. narrative poem by American writer Edgar Allan Poe & Philosophy of Composition an essay written by Poe that elucidates a theory about how good writers write when they write well. RAVEN often noted for its musicality stylized language and supernatural atmosphere. Philosophy of Composition" an essay written by Poe that elucidates a theory about how good writers write when they write well. PAUL ELDER SAN FRANCISCO NEW YORK PRINTED On Arches Handmade Paper hardcover
réf. 30040HARDBACK NO DUSTJACKET 1907 1ST LIMITED EDITION of 1000 copies Stated on Last PG OUTER SPINE BACKSTRIP To Cover SPINE MISSING & HAS BEEN REPLACED BY FORMER OWNER NF-/VG- SOLD AS-IS NO JACKET INTERIOR NICE TIGHT CLEAN First Quarto Photogravure Edition .Limited Edition of 1000 copies printed on Arches handmade paper. PAGES EDGES ARE UNTRIMMED FRONT OF COVER HAS TINY EDGE NICKS WEAR IS BROWN WITH BROWN SUEDE AT SPINE EDGE TITLED IN RAISED GOLD GILT ON FRONT 8 1/4 X 10 1/4 IN. narrative poem by American writer Edgar Allan Poe & Philosophy of Composition an essay written by Poe that elucidates a theory about how good writers write when they write well. RAVEN often noted for its musicality stylized language and supernatural atmosphere. Philosophy of Composition" an essay written by Poe that elucidates a theory about how good writers write when they write well. PAUL ELDER SAN FRANCISCO NEW YORK PRINTED On Arches Handmade Paper hardcover
2010réf. AR160Athens 2010. Gd in-4o, 533 pp. with hundreds of colour illustrations mostly in full page. These works were exhibited at the Municipal Gallery of Athens from the 17th February to the 3rd of July 2011 in two parts: A) XVth century-Rococo, Academy Realism, Impressionism, Vienna Secession, Fauvism, Expressionism, Cubism, Abstraction, New Objectivity, Drawings. B) Surrealism, the Paris School, Portrait-Nude-Still life, Art in the first post-war decade, Art in the 1960s, Neo-fauves, Prints. Full cloth binding, illustrated jacket. Brand new copy of a total 1000 copies edition. N.B. There is a greek edition also available at the same price.
19728 256 pages. Gilt hard cover and spine both slightly worn at corners. D.J slightly worn at edges. Pages age stained at edges. Else in good condition. With B/W and color photos.
réf. DADAX1604681845New unknown
réf. DADAX0387972692New unknown
réf. 8368. Imprimerie de l'Art E. Ménard et cie in-4 demi-chagrin bordeaux, 5 nerfs, tête dorée. 1er catalogue Paris, 1891, Commissaire-priseur : Me Paul Chevalier, Experts : Georges Petit pour les tableaux, M. A. Durel pour les livres, Charles Mannheim pour les objets d'art et Ed. Sagot pour les estampes. 83pp. 4 planches hors-texte gravées à l'eau forte en noir et blanc. Entre autres : Berne-Bellecour, Corot, Daubigny, Diaz, Dupré, Hébert Isabey, C. Jacque, Jacquet, Jongkind, Pasini, Pokitonow, Roybet, Veyrassat, Wahlberg, Boucher, Chaplin, Decamps, Detaille, Meissonnier, Millet, De Neuville, Ziem... 2ème catalogue à la suite : Katalog der Gemälde - Sammlung des Heen Ludwig R.-A. in Frankfurt, Versteigerung, 1900, Albert Riegner könig. Bayer. Hof-Kunsthänler, Hugo Helbing kunsthandlung und kunstantiquariat, München. 32 planches hors-texte en noir et blanc sur papier glacé. 3ème catalogue : Künstlericher Nachlass des Landschaftsmalers Eugène Jettel Ritters der Ehrenlegion. Verlag von C. J. Wawra, Wien, 1902, 35pp. 12 planches hors-texte en noir et blanc, reproductions aussi in-texte. 4ème catalogue : Tableaux anciens pastels, gouaches et dessins miniatures des Ecoles Anglaise, Allemande, Française du XVIIIème siècle et Hollandaise par Boucher, Charlier, Drouais, Gérard, Mlle Grassy Greuze, Guérin, Ingres, Perronneau, Raoux, Robert Tournières, De Troy, Watteau et Vernet. 1901. Commissaire-priseir : Me Paul Chevalier, expert : Georges Sortais. 32pp. 8 planches hors-texte en noir et blanc.
réf. 38619Amsterdam, Meulenhoff/Landshoff, 1987 Bound, blue cloth with orig. dustjacket, 510pp., 25x33cm., richly illustr. in col. and b/w., very good copy. ISBN 9029082844.
réf. BN86187Albany: Bright Sky Press. El Vaquero Real: The Original American Cowboy Albany: Bright Sky Press unknown
1990166 pages. Bibliography. "This beautiful volume, full of light and colour that characterize most Impressionist art, is a thoroughly enjoyable guide to Canadian Impressionist painting from roughly 1885 to 1920. It brings together for the first time in book form, the Canadian representatives of the world's most popular and accessible school of painting, offering a totally fresh look at a now-vanished society, and presenting a strong contrast to the isolated, unpopulated vision of the country usually portrayed by the Group of Seven - although members of that group are represented in their earlier, more intimate styles." - from dust jacket. Gift greetings and Christmas sticker atop front free endpaper else unmarked. Light wear to price-clipped dust jacket. Minor lean to spine. A clean copy of this lovely and large work which measures 12"x12". Book
