2725 risultati
1912rif. 47467Couverture souple. 2 revues, 56 pages. Rousseurs aux couvertures.
1911rif. VBA-429Édité et offert par AU BON MARCHÉ, Paris à l'occasion du Salon des Artistes français, 1911. Livret à couverture souple sous cordelette 26,5 x 19 cm, 33 pages. Illustrations en noir et en couleurs. Poids 210 g.
1963rif. 10311963 - broché - Editions Marcel Didier - Collection Germanica, dirigée par Maurice Collecille, N° 4 - 1963 - In-8 (25,5 x 16,5 cm) broché - 278 pages
1972rif. 14587DBNeichatel., Editions Ides et Calendes., 1972. 29 x 26 cm. 272 S. OLeinen mit illustriertem OUmschlag in OPappschuber., 14587D Erste Auflage. Schuberkanten etwas nachgedunkelt und mit kleinen Bereibungen. Sonst gutes bis sehr gutes Exemplar.
2003cm. 17 x 24, vi-264 pp. con 20 tavv. f.t. Fondo di studi Parini-Chirio - Universit? degli Studi di Torino. Arti La ?Storia pittorica della Italia? di Luigi Lanzi, uno dei capolavori della 'Kunstliteratur' settecentesca, ? ancora oggi un riferimento imprescindibile per gli storici della produzione figurativa italiana. Attraverso la fascinosa ricostruzione dei dibattiti sull?arte che segnarono l?Italia del tardo Settecento, il saggio propone di interpretare la Storia pittorica come il risultato complesso di un serrato confronto tra antiquaria e enciclopedismo, territorio e musei, lingue e arti, geografia e storia, modelli europei e identit? italiana. Luigi Lanzi?s ?Storia pittorica della Italia?, one the masterpieces of Italian Kunstliteratur, is yet today an essential source of reference for art historians. Through the fascinating reconstruction of discussions and controversies on art that left their mark on Eighteenth Century Italy, Chiara Gauna proposes an interpretation of Lanzi?s ?Storia pittorica? as the complex result of the close comparison between antiquity and encyclopaedism, territory and museums, language and art, geography and history, European culture and Italian identity. 536 gr. vi-264 p.
rif. 1390546314.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1390430626.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 11527Féerie chantée en 19 tableaux lumineux. Poème & mages de Lucien METIVET. Musique de Jane VIEU. In 8 cartonné, à l’italienne, plats illustrés en couleurs. Faux-titre illustré en couleurs, titre, 45 pages, illustrations en couleurs dans le texte et à pleine page. Enoch & Cie 1902. Ernest Flammarion. Edition originale. Bien complet de sa jaquette verte à rabats, illustrée. Eugène VERNEAU imprimeur-lithographe. Tableaux : 1) prélude et berceuse-2) la forêt- 3) le manoir endormi- 4) la cour- 5) les gardes- 6) les pages- 7)La Belle au bois dormant- 8) le réveil- 9) le cortège- 10) le départ- 11) la forêt coupée- 12) -13)la route-14)les carrosses-15) la ville moderne-16)vieilles cités-17) la mer-18) les cuirassés-19) la Belle se rendort . Edition originale dédiée à Madame MASSENET. Très bel album de cette féérie enchantée d’ombres chinoises, représentée pour la première fois en février 1902 au théâtre des MATHURINS-La musique est de Jane VIEU (1871-1955) qui interpréta elle-même son œuvre à la représentation et le texte est de Lucien METIVET (1863-1932)
2004cm. 21,5 x 30, xvi-442 pp. con 141 tavv. f.t. di cui 18 a col. Fondazione Carlo Marchi - Studi Discepolo del Verrocchio e compagno a Roma, sui ponteggi della Sistina, di Perugino, Ghirlandaio, Botticelli e Signorelli, Bartolomeo ? uno dei massimi esponenti della cultura figurativa tardoquattrocentesca ? per quanto di natali e di formazione fiorentini, svolse la sua attivit? prevalentemente ad Arezzo. In questa citt?, per i molteplici incarichi ricevuti, fu ben presto coadiuvato da una bottega, il cui pi? fecondo rappresentante, Domenico Pecori, continu?, anche dopo la morte del maestro, a soddisfare la committenza cittadina e dei suoi dintorni. Apprenticed to Verrocchio and companion of Perugino, Ghirlandaio, Botticelli and Signorelli on the scaffolding in the Sistine Chapel of Rome, Bartolomeo was one of the major exponents of figurative art of the late 15th century. Florentine by birth and education, he was chiefly active in Arezzo. Following the numerous commissions which he received there he was soon backed by a workshop whose most prolific member, Domenico Pecori, continued to execute the commissions given him after the master?s death by the city of Arezzo and its neighbouring communities. 2330 gr. xvi-442 p.
rif. 1390464377.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1390611795.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1390443337.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1926cm. 17,5 x 25, 56 pp. con 72 ill. f.t. Rilegato. 426 gr. 56 p.
rif. 1390545873.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1390363562.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0365642428.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1390412261.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1912rif. WOC-2893Ouvrage orné de nombreuses planches hors-texte, J.S. Duplessis, Greco (Domenico Theotocopuli), P. Prud'Hon, Manet, H. De Toulouse-Lautrec, etc. Paris, Goupil & Cie, Éditeurs-Imprimeurs, Manzi, Joyant & Cie, Éditeurs-Imprimeurs, Successeurs, 24 Boulevard des Capucins, 1912. Grand et fort in-4 (29x5x23cm) broché de couverture de l'éditeur gris, plat supérieur orné d'un motif d'encadrement et légendes imprimée au centre avec le logos ''G'', dos imprimé et avec restauration. 176pp.
2005cm. 21,5 x 31, xvi-130 pp. con 121 figg. f.t. di cui 37 a colori. Rilegato. Fondazione Carlo Marchi - Studi Viene ricostruita la collezione e l?attivit? mecenatizia di Gustavo Sforni (1888-1939), pittore fiorentino vicino agli ambienti della prima ?Voce?, offrendo delle sue scelte (Fattori, Ghiglia, C?zanne, van Gogh, Degas, Medardo Rosso) una lettura in parallelo al mercato d?arte e al dibattito critico delle riviste fiorentine del primo Novecento. Il triplice profilo del mecenate-collezionista-pittore si articola intorno alla sua raccolta, letta come un frammentario ?diario pittorico?, seguita nel suo carattere di esperienza in formazione e insieme di acuta e consapevole operazione critica. Gustavo Sforni (1888-1939) was a Florentine painter, art collector and benefactor. The choices he made as a collector (Fattori, Ghiglia, Cezanne, van Gogh, Degas, Medardo Rosso) are viewed against the background of the art market of the period and the critical debates in the Florentine journals in the early 20th century. Based on the analysis of his collection, which serves as a sort of ?pictorial diary?, the author reconstructs a triple portrait of this artist-collector-benefactor and reveals his pioneering critical judgment. He was among the earliest collectors of Cezanne. 1105 gr. xvi-130 p.
rif. 1390616193.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 500308972Hatier Sans date. Ouvrage de référence complet présentant la conjugaison de 12 000 verbes français publié par Hatier sous la marque Bescherelle servant d'outil pédagogique pour maîtriser les règles et exceptions de la conjugaison
rif. 0365073555.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1390464091.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1390373908.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2006rif. LFA01109Un ouvrage de 1 362 pages, format 210 x 135 mm, broché, publié en 2006, Editions La Cote de l'Amateur