2 718 résultats
réf. 5499100pp, 1991, Superbe catalogue très illustré.
réf. 557864pp, 1991. Superbe catalogue très illustré quadrichromie, noir et blanc ; supplément : feuille volante : "vente de tableaux modernes jeudi 20 juin 1991 à 20 h - Drouot Montaigne" quadrichrome
réf. 3639685881.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000réf. mon0004154879CRC Press 1/27/2026 12:00:01 A. hardcover. Like New. 0.6300 9.2100 6.1400. CRC Press hardcover
2026réf. x-1041102992CRC Pr I Llc 2026. Hardcover. New. 312 pages. 9.19x6.13x9.21 inches. CRC Pr I Llc hardcover
1969réf. 129029Harry N. Abrams Publishers, New York, 1969. 224 S. ; 31 x 31 cm , Leinen.
1949réf. 2110502150407712elementary school 1949. Soft Cover. Fine. Volume: 1 elementary school paperback
réf. 151322002.Davaco, Aetas Aurea, Vol. XVIII, With a Catalogue Raisonne of Paintings and Drawings Cloth bound with dusjacket, 4to. 520 pp. text and 416 ills. on 309 plts. (63 in color). *new ISBN 9070288575.
1927réf. 2091502135100530Kobunsha 1927. Soft Cover. Fine. Number of pages: 239p Plate size: 22cm Number of books: 1 Kobunsha paperback
1937236p. + Plus full page portraits of natives drawn during various Frobenius expeditions. Ownership label of H. R. Dietterich. Tall 8vo. Original full green buckram binding, spine faded. AFRICA/4
réf. 1390591239.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0428109845.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1944réf. 2091502135500044National Map Publication Association 1944. Soft Cover. Fine. Number of pages: 16 pages National Map Publication Association paperback
1963réf. S54950Bruxelles, 1963 96pp.+ 16 planches hors-texte, non coupé, br.orig., 21cm.
196396pp.+ 16 planches hors-texte, non coupé, br.orig., 21cm.
1990réf. 827Berlin, Taschen Verlag 1990. 95 S. 4 , illustr. kasch. OPbd, durchgehend bebildert (Arbeiten von Belin Rogner Artists, Guerrino Boatto, Norbert Cames, Mark Eriksen, Phil Evans, Robert Evans, Rick Goodale, Ute Osterwalder, Heinz Röhrig, Peter Röseler, Lothar Stedtler, Technical Art). Vierzehn internationale Künstler des "Airbrush" werden mit ihren Werken vorgestellt. Einband mit leichten Gebrauchsspuren, sonst guter Zustand.
1966réf. 88552Fallbrook California: Harleyford Publications Limited / Aero Publishers Inc 1966. Later Impression first published in 1956. Quarto 28cm; navy blue cloth-covered boards with titling stamped in gilt on spine; dustjacket; 232pp; black-and-white photographic halftones and colorful illustrations throughout. Light shelf-wear with light rubbing to board edges and trace soil to right edge of textblock; Very Good. Dustwrapper price-clipped with modest shelf-wear and -soil; Very Good. History of aircraft markings with this edition including revisions from suggestions on previous editions. 88552. Harleyford Publications Limited / Aero Publishers, Inc unknown
1966réf. 80172Letchworth: Harleyford Publications 1966. 6th imp. Nice Copy. lge. octavo. dust jacket 232pp. colour frontis. colour & b/w plates diags. drwgs. colour chips index Nice copy in very good unclipped dust jacket Harleyford Publications unknown
1966réf. 61389Letchworth: Harleyford Publications 1966. 6th imp. Nice Copy. lge. octavo. dust jacket 232pp. colour frontis. colour & b/w plates diags. drwgs. colour chips index Neat ownership signature o/w nice copy Harleyford Publications unknown
réf. 0365084328.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2001réf. TN250140National Theatre London 2001. 1st Edition. SOFTCOVER. Large landscape 4to. in colour printed stiff glossy card covers unpaginated approx. 16pp on thick glossy art paper 22 full and half page colour plates showing the paintings with introductory text by the artist __CONDITION : A well preserved almost AS NEW unmarked copy minute speck of shelf rub to cover corner tips. A nice copy of this scarce booklet. . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS National Theatre, London paperback
réf. 577suite de 48 planches gravées d’après les tableaux les plus célèbres en un volume in 8 demi-cuir rouge,titre et fil dorés.sans lieu ni date(XIXème)
1972réf. 114148Laing Art Gallery, Newcastle upon Tyne, 1972. 24 x 20,5 cm ; kart.
125x170 mm. No paginating. Hardcover with dust jacket. Dust jacket slightly scratched and slightly stained. Else in good condition.
réf. 65895China c.1870. 8vo. 20 x 15 cm. Album of contemporary patterned cloth covered boards with 12 leaves of finely coloured illustrations on pith paper each secured with blue silk border. 4 of the images with just minimal cracking. Pith came into use for painting to satisfy the increasing demand for small inexpensive and easily transported souvenirs following the massive growth in the China Trade in the first half of the nineteenth century. Paintings in oils on board and canvas were costly and difficult to carry home. Earlier and more prestigious export water-colours had often been on a larger scale and painted on fine Chinese paper or on paper imported from Europe. The albums of pith paintings and later the little glass-fronted boxes were inexpensive light easy to pack and gave the pictures some protection on the long voyage home. Because many were sold in albums and hence protected from the light they retain their bright colours to this day. Pith comes from the central column of spongy cellular tissue in the stem of a small tree called Tetrapanax Papyrifera native to south-west China. It has had a variety of some going back many centuries. At the imperial court both men and women wore coloured flowers made from pith in their hair. For use in painting it is cut by hand with a knife into thin sheets from short lengths of the spongy tissue. Cutting is highly skilled and the constraints of the process mean that the finished sheets for painting seldom if ever measure more than about 30cms by 20cms. The sheets are dried trimmed and used for painting without any further processing. Because of the nature of pith and its cellular structure the gouache used by the Chinese sat on the surface and produced a bright and even sparkling effect. Very fine detail could be achieved but pith did not lend itself to the flat wash of colour favoured for European watercolours. These albums are difficult to date specifically as they are seldom signed and never actually dated. They are known to have been produced from the 1830s through to the 1870s [China, c.1870] hardcover
