Lacroix Marie-HortenseLivre Rare Book
2 742 résultats
2001réf. 500072426Michel de Maule 2001 13 716x1 016x18 034cm. 2001. Broché.
2001réf. 500072625Michel de Maule 2001 13 716x1 016x18 034cm. 2001. Broché.
2001réf. 500082328Michel de Maule 2001 13 716x1 016x18 034cm. 2001. Broché.
réf. 6208931037.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1822réf. ST21092London: Printed for T. Cadell by T. Bensley 1822. 170 x 105 mm. 6 5/8 x 4 1/8". 4 p.l. 319 1 pp. Quite nice period honey-brown straight-grain morocco covers with frame of decorative blind rolls gilt armorial supralibros of William Carr Viscount Beresford at center raised bands densely blind-tooled panels gilt lettering gilt-framed turn-ins vellum endleaves leather hinges all edges gilt. WITH APPEALING DOUBLE FORE-EDGE PAINTINGS one depicting Richmond Bridge the other Kingston upon Thames. Joints expertly strengthened. Numerous small illustrations in text. Light wear to spine covers just slightly marked title and last leaf a little foxed intermittent trivial foxing elsewhere other insignificant defects but an excellent copy the binding sturdy and lustrous the contents fresh and clean and the fore-edge paintings well preserved. This volume of Romantic poems comes adorned with two atmospheric fore-edge paintings. English poet Samuel Rogers 1763-1855 the scion of a wealthy banking family first achieved fame with the publication in 1792 of "The Pleasures of Memory" and was later greatly inspired by his Italian travels during which he met Shelley and Byron in Pisa. The present collection of his works is decorated with pleasing fore-edge paintings of sights closer to home. Fanned to the right the fore-edge depicts Richmond Bridge in London its graceful stone arches framing the reflections of trees and bobbing boats. Fanned to the left a scene of Kingston upon Thames is revealed a fishing boat with two silhouetted figures in the foreground and the tower of All Saint's Church rising over the red-roofed cottages. Both scenes are executed in cheerful though muted colors with lush greenery and serene waters. It is difficult to tell the age of the paintings but we can at least say that they convey a convincing expression of quietude. As often happens with authors whose works are greatly popular and then suddenly not so much Rogers' poetry fell abruptly out of fashion later in his life at roughly the time our volume was issued. As a consequence his books became a popular target for fore-edge adornment as a way to encourage the sales of volumes that otherwise might languish on the bookstore shelf. Our copy is from the library of William Carr Beresford 1768-1854 the first Viscount Beresford. He distinguished himself as a general in the Peninsular War fighting alongside the Duke of Wellington. He was elevated to the peerage in honor of his military achievements and invested in the Order of Bath whose motto "Tria Juncta in Uno" "Three Joined in One" circles his crest here. Printed for T. Cadell by T. Bensley unknown
1822réf. ST21092London: Printed for T. Cadell by T. Bensley 1822. 170 x 105 mm. 6 5/8 x 4 1/8". 4 p.l. 319 1 pp. Quite nice period honey-brown straight-grain morocco covers with frame of decorative blind rolls gilt armorial supralibros of William Carr Viscount Beresford at center raised bands densely blind-tooled panels gilt lettering gilt-framed turn-ins vellum endleaves leather hinges all edges gilt. WITH APPEALING DOUBLE FORE-EDGE PAINTINGS one depicting Richmond Bridge the other Kingston upon Thames. Joints expertly strengthened. Numerous small illustrations in text. Light wear to spine covers just slightly marked title and last leaf a little foxed intermittent trivial foxing elsewhere other insignificant defects but an excellent copy the binding sturdy and lustrous the contents fresh and clean and the fore-edge paintings well preserved. This volume of Romantic poems comes adorned with two atmospheric fore-edge paintings. English poet Samuel Rogers 1763-1855 the scion of a wealthy banking family first achieved fame with the publication in 1792 of "The Pleasures of Memory" and was later greatly inspired by his Italian travels during which he met Shelley and Byron in Pisa. The present collection of his works is decorated with pleasing fore-edge paintings of sights closer to home. Fanned to the right the fore-edge depicts Richmond Bridge in London its graceful stone arches framing the reflections of trees and bobbing boats. Fanned to the left a scene of Kingston upon Thames is revealed a fishing boat with two silhouetted figures in the foreground and the tower of All Saint's Church rising over the red-roofed cottages. Both scenes are executed in cheerful though muted colors with lush greenery and serene waters. It is difficult to tell the age of the paintings but we can at least say that they convey a convincing expression of quietude. As often happens with authors whose works are greatly popular and then suddenly not so much Rogers' poetry fell abruptly out of fashion later in his life at roughly the time our volume was issued. As a consequence his books became a popular target for fore-edge adornment as a way to encourage the sales of volumes that otherwise might languish on the bookstore shelf. Our copy is from the library of William Carr Beresford 1768-1854 the first Viscount Beresford. He distinguished himself as a general in the Peninsular War fighting alongside the Duke of Wellington. He was elevated to the peerage in honor of his military achievements and invested in the Order of Bath whose motto "Tria Juncta in Uno" "Three Joined in One" circles his crest here. Printed for T. Cadell by T. Bensley unknown books
réf. 2080702109503471Sanrio Yamanashi Silk Center Publishing Department N.A. Soft Cover. Fine. Number of pages: 46p both pictures Size: 16cm Number of books: 1 Sanrio Yamanashi Silk Center Publishing Department paperback
199424x33 cm. 95 pages. Gilt hardcover with dust jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
réf. ria9789004505582_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Radical applied theatre practice in dialogue with interdisciplinary theorising Poking The WASP Nest draws on a landmark place-based case study to explore the challenging and contested terrain of anti-racism in the arts and education. paperback
réf. ria9789004399945_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Radical applied theatre practice in dialogue with interdisciplinary theorising Poking The WASP Nest draws on a landmark place-based case study to explore the challenging and contested terrain of anti-racism in the arts and education. hardcover
réf. B9789004505582Paperback / softback. New. Radical applied theatre practice in dialogue with interdisciplinary theorising Poking The WASP Nest draws on a landmark place-based case study to explore the challenging and contested terrain of anti-racism in the arts and education. paperback
réf. 900450558X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 43824685-nnew. unknown
réf. 43824685like new. unknown
1996réf. 100118955Oxus 1996 160 pages 24 6x2x20cm. 1996. Cartonné. 160 pages.
1999réf. 2111902158905462Michi Koku 1999. Soft Cover. Fine. Volume: 1 Michi Koku paperback
1980Undated. Circa 1980? "You can paint almost any subject or kind of decoration on porcelain. My personal interest has always been the study of flowers and fruit, so I have not attempted to cover other possibilities here. The tools and techniques which are described are those which I find most helpful." - the author. Jean Sadler is internationally recognized by porcelain artists for her paintings of flowers and fruit. She captures their beauty with an unusual combination of subtle shadows, strong contrast and graceful line arrangement. All colour. Moderate wear. Clean and unmarked. Nice copy. Book
1958Contains b&w plates. 21X27 cm. 80 pages. Hardcover with dust jacket. In good condition.
2005New English Paperback. Pbo. 4to. (33 x 24 cm). In English. Color ills. 155 p. Throughout the ages, the Orient has attracted the interest of the West. European intellectual and artists have been mesmerized since the earliest times by this presumably mysterious and relatively closed world. As a natural consequence, during various periods many artists, either by travelling themselves or by travelling in their imaginations, sought to discover the essence of the Orient, and depicted or expressed in their works either the real Orient or their own visions of it. The movement known as Orientalism in European art, which appeared in conjunction with the Romanticist movement of the 19th century, focused on the East, primarily in the lands of the Ottoman Empire. Even long before the rise of Orientalism in European art, many European artists, fascinated by their first glimpses of the mysterious East and by the Turquerie fashion which was the result of the new relations with the Ottoman world. For nearly two hundred years, starting from the 18th century, numbers of painters, some of whom became known as the Bosphorus Painters, worked intensively in the lands of the Empire and depicted the Ottoman world ib its various aspects, consequently engraving those images in mankind's visual memory. The exhibition Portraits from the Empire sheds light on a special part of this opulent world. Almost sixty paintings selected from the Suna and Inan Kiraç and Sevgi and Erdogan Gönül collections bring us face to face with the peoples of the Ottoman world, their portraits and portrayals, sometimes very familiar and sometimes remote, even nearly foreign, in their physiognomies. These paintings, most of them created before the eye of the camera replaced the human eye, in the times when observing, studying, interpreting and depicting the world was the priority of painters, present the lost faces of an era long past with amazing reality and vividness.
réf. 6711, Brussels, Arcade, 1977., Bound, black cloth, gilt spine, originale red dust jacket illustrated in b/w, red slip - case, 18x26,5cm, 206pp+ 137 plates b/w. fine condition / neuf!
1987160 pages. Light wear. Unmarked. Artworks in both colour and black and white are supplemented by considerable text. Book
2004réf. 1014552004 Editions Academia. 2004. 1 vol in-4, format oblong (30x21 cm). Cartonnage éditeur + jaquette illustrée. Sans pagination - Illustré de reproductions de tableaux en couleur en et hors texte
réf. 10763, Manchester, City Art Galleries, 1993., Paperback, original wrappers illustrated in color, 24x30cm, 135pp, illustrated in color and b/w, select bibliography. ISBN 9780901673428.
réf. 2083002116206475Army Art Association Takeji Fujishima and other paintings N.A. Soft Cover. Fine. Volume: 19 Army Art Association Takeji Fujishima and other paintings paperback
réf. 139055550X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
