Van Dyck, Anthony (1599-1641)Biblio.com
162 Ergebnisse
1909Best.-Nr. 203029Stuttgart und Leipzig: Deutsche Verlags-Anstalt 1909. First Edition. Hardback. Near fine copy in the original gilt-blocked red cloth over beveled-boards cloth with gilt-stamped lettering to front board. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Additional scans available upon request. ; 8vo 8"" - 9"" tall; 559 pages; Physical description. : xxxvi 4 559 p. Incl. Front. port. illus. plates. ; 26 cm. Notes: ""Erlauterungen"": p. 495-521."" Aufbewahrungsorte und Besitzer der Gemalde"": p. 537-546."" Literatur-Uebersicht"": p. 494."" Chronologisches Verzeichnis der Gemalde"": p. 523-535."" Systematisches Verzeichnis der Gemalde"": p. 547-559. Some captions also in English and French. Subject: Van Dyck Anthony Sir 1599-1641 - Criticism and interpretation. Van Dyck Anthony 1599-1641 - Criticism and interpretation. Dyck Anthony van 1599-1641. Dyck Anthony van Flemish painter 1599-1641 active in England Art Dutch - 17th century. Artists - Netherlands - 17th century. Painters Flemish - 17th century - Great Britain. Dyck Dijck Anthony van Sir 1599-1641. Series: Klassiker der Kunst in Gesamtausgaben ; Bd. 13 Stuttgart und Leipzig: Deutsche Verlags-Anstalt, hardcover
1995Best.-Nr. KFZZQ100250Kabushiki Kaisha 1995. Soft Cover. Fine. KFZZQ100250 Kabushiki Kaisha paperback
1881Best.-Nr. 55561Paris France: Librairie Renouard. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 568 pages. Beautifully bound -- with a bonus offer-- . 1881. Librairie Renouard hardcover
2007Best.-Nr. 912623Paris: Musée du Louvre : le Passage, 2007. 159 S. Mit zahlr. auch farb. Abb. Broschiert.
1999Best.-Nr. 89342ABMünchen, Bayerische Staatsgemäldesammlungen 1999. 4°. 109, (3) S. mit zahlr. (überwieg. ganzseit. farbigen) Abbildungen, farb. illustr. OKlappenkart. Tadelloses Exemplar. Beiliegen mehrere Zeitungsausschnitte zur Ausstellung. EA. farb. illustr. OKlappenkart. Tadelloses Exemplar. Beiliegen mehrere Zeitungsausschnitte zur Ausstellung. EA.
1885In-8° (cm. 25x16,6), pp. 55 (da p. 99 a p. 153) + FAC-SIMILE dal manoscritto f.t. Bross. recente muta, interno in carta pregiata nelle sue barbe. Non ci sono figure, ma parla dei ritratti dipinti durante i soggiorni italiani da Van Dyck 1) a TORINO (nov. 1623-primavera 1624), Carlo Emanuele I, Vittorio Amedeo principe di Piemonte, Tommaso di Savoia principe di Carignano, "la duchessa" (Madama Cristina), Francesco Giacinto duca di Savoia, giovane principessa in piedi (sorella di carlo Em. II?), 6 teste di bambini, il Card. Maurizio da piccolo; 2) in SICILIA: Filiberto Emanuele, il principe Tommaso di Carignano e famiglia. 3) Caterina di Spagna, Amedeo e Luisa figli di Tommaso di Carignano, Isabella di Spagna e i figli del re Carlo I d'Inghilterra.
2016Best.-Nr. 214212Genova: Sagep Editori 2016. Softcover. VG. Octavo. Softcover. Illustrated wraps. 95 pages : illustrations chiefly color portraits ; 23 cm. Italian text. Published to coincide with the presentation of Anton van Dyck's Portrait of Desiderio Segno Liechtenstein - The Princely Collections Vaduz-Vienna at the Galleria Nazionale di Palazzo Spinola in Genoa the volume presents new insights into the Flemish painter's relationships with the Genoese nobility. The exhibition also examines the works painted during his Sicilian sojourn between 1623 and 1624 during his stay in Genoa 1621-1627. In Palermo in the spring of 1624 the Antwerp artist met the famous painter Sofonisba Anguissola who had married the Genoese nobleman Orazio Lomellino in his second marriage. They settled in Genoa and then from 1615 in Palermo becoming a prominent figure in the Genoese colony residing in the city. In Sicily Van Dyck commissioned to create the effigy of the viceroy Emanuele Filiberto of Savoy also executed one of the painter continuing his by then established activity as a portraitist which he had begun in Genoa and which he resumed upon his return to the city in 1624 leaving behind precious pictorial testimonies as attested by the portraits now in Palazzo Spinola. The Palazzo Spinola collection preserves the memory of works related to Van Dyck from the Four Evangelists which are by a skilled follower of the master to the copy by an unknown local painter of his only painting intended for a sacred building in Liguria the dramatic Crucifixion for the church of San Michele di Pagana Rapallo. Exhibition: Galleria Nazionale di Palazzo Spinola Genoa Italy 10.11.2016-26.02.2017. Sagep Editori paperback books
Best.-Nr. 146293London: Macdonald nd. Prospectus. Softcover. 16 pages. Introduction by Michael Jaffe. Includes 16 illustrations. An about fair copy in stapled wrappers with creasing to the corners and from the Cranbrook Academy of Art Library with their stamp to the front cover. Macdonald unknown books
Best.-Nr. 16007, Mercatorfonds, Bruxelles, 2007, Hardcover with dustjacket, Number of pages:208pp., Afmetingen: 24 x 32,5 cm 150 illustraties in kleur ISBN 9789061537137.
2010Best.-Nr. 1-1441844198Brilliance Audio 2010. Audio CD. New. mp3 una edition. 7.75x5.50x0.50 inches. Brilliance Audio unknown
Best.-Nr. 2643294Harrisburg: Christian Publications. VERY GOOD. 1956. Original binding. Brown cloth hardcover. Frontispiece. 176pp. Harrisburg: Christian Publications hardcover
Best.-Nr. 65-2196London 1713. William Seymour 2nd Duke of Somerset 1588-1660 Soldier and politician. Artist:Sir Anthony Van Dyck 1599-1641 Painter. Line engraving. Image size: 100 mm x 172 mm. Sheet size: 285 mm x 440 mm.Watermarked "Waldore". London, 1713. unknown
