6 237 résultats
réf. #[60524]First print of the series: Love. In the foreground a young man playing a lute under a tree with Cupid aiming an arrow at him; beyond is a park with a loggia and figures making music eating and drinking at a table in the open air; at left is a Diana fountain a female torso spurting water from her breasts atop a turtle; by the musician's feet are various musical instruments a sport racket a sword gloves and a moneybag. Inscribed on the bottom:'Dum mihi. foelix qui potuit dicere talis eram.'; number '253' added with brown ink titled above:'AMOR' Inscription Content: Lettered above with AMOR. Below left Martin de vos inventor / Raphael Sadeler scalpsit et excudit and date 1591. In the margin two columns of Latin each four lines Dum mihi eram. l Engraving on paper pasted on cardboard rimmed within paltemark; total: 216 x 251; Hollstein 1462 copy c unknown
Finissima incisione su soggetto di pari bellezza, opera congiunta di una coppia di artisti appartenenti a due illustri, cospicue dinastie di pittori e incisori quali furono i Breugel e i Sadeler. La scena, vivacissima, raffigura un porto naturale nei pressi di una imponente città, visibile sullo sfondo ed estesa verso i monti retrostanti (forse Napoli, dove Breugel soggiornò nel 1590?); diverse barche e velieri sono ormeggiati presso la riva o più al largo. In primo piano si affollano pittoreschi personaggi: mercanti, popolani, garzoni e pescatori con ceste colme di pesci. Le Blanc, III/p. 397, n. 197. Wurzbach, pp. 534-538/n. 103.
1500réf. 48581500. Engraving 23.5 x 29.5 cm. image dimensions. Signed in lower part of impression "Bassan. inuet. loa. Sadeler sc." and CU. priuil. S. Caes. M." and ex S. Lvc. xvi. cap." Lacking the legend below the image. One of Sadeler's three "Kitchen" scenes this one with Lazaraus seen from behind at right with two dogs seated and looking at a dinner table with the rich man a kitchen with a maid tending a spit over a fire and other servants preparing food. The wall has a display of plates pots and aging game hanging from hooks some fish in a basket and vegetables and a broken egg in the foreground a boy taking a basket with eggs from under the table and a monkey behind him. After Jacopo Bassano c. 1598. The engraving was laid down onto another sheet of paper at some point in the mid 20th century having been trimmed to the edges of the image at some earlier date. The outlines of the legend have been drawn in. Some very light foxing to the image. British Museum 1868 0612.499; Spencer Museum of Art 1990.0017. unknown books
1660réf. C100117Rome: Iacomo Di Rossi 1660. Second Edition. Hardback. Hardcover Hardcover. Very Good. Second Edition. Hardback. Wide oblong 4to. 39 by 27 cms. Half cream parchment over marbled boards title inked in sepia on parchment spine. Second editionfirst printed in 1606. With an engraved allegorical title with the main title incised within a wolf's hide hung on a monument; also an engraved dedication page to Matthaeus Wacker von Wackenfels numbered '1' but actually the third page with the text incised on a stone tablet between flanking obelisks and with two putti supporting the dedicatee's arms; and 49 full-paged engraved plates ca. 170 x 270 mm all numbered and signed 'Marco Sadeler excudit' with descriptive captions in Italian. Decent clean sound copy with plates unfoxed title page only sl foxed ink number to the corner of each plate probably contemporary with the book. The number is close to top right corner of each plate but not affecting any image. Other than Rome views also include a series of seaside views and some of the Golfo di Napoli and its dintorni: the Golfo di Baia Cuma the Lake of Averno the Campi Flegrei Capo Miseno and the Villa Agrippina a Oplontis and Pozzuoli. Iacomo Di Rossi, hardcover
1631réf. 6220Munich: Melchior Segen 1631. Contemporary vellum with two brass clasps blue edges. 12mo. With an engraved title page and 12 full-page engraved emblems by Raphael Sadeler. Revised and enlarged edition of one of the most attractive emblem books by the Jesuit author Jeremias Drexel 1581-1638. Born in Augsburg and active for most of his career in Munich Drexel was among the most celebrated Catholic devotional writers of the 17th century. After entering the Society of Jesus he gained renown as a preacher and was appointed court preacher to Maximilian I Elector of Bavaria 1573-1651. His numerous ascetical and devotional works achieved remarkable popularity throughout Europe appearing in many editions and translations.First published in 1622 the Zodiacus Christianus appeared in numerous editions; the present copy is the fifth. In the work Drexel transforms the 12 signs of the zodiac into Christian moral and spiritual emblems. Rejecting their astrological significance he interprets each sign allegorically as representing stages in the Christian life and symbols of divine providence and predestination. The work combines learned theological reflection with practical moral instruction illustrating the Jesuit use of emblematic imagery as a powerful instrument for meditation and religious education during the Counter-Reformation.The text is illustrated with a finely engraved series of emblematic plates by Raphael Sadeler 1561-1632 one of the most accomplished members of the celebrated Sadeler family of engravers. Rich in symbolic detail the engravings harmoniously combine biblical imagery classical motifs and emblematic devices making the work one of the finest examples of 17th-century Jesuit book illustration.The margins are slightly trimmed. Otherwise in very good condition.l Dünnhaupt p. 1377 5.13; USTC 2518976 2 copies; VD 17 23:267994Z; WorldCat 314128646 258194835; cf. Caillet 3250 Cologne ed. of 1634; Hollstein XXI Raphael Sadeler II 109-124 Munich ed. 1628; Landwehr German emblem books 229 Munich ed. 1618. Melchior Segen, hardcover
1581réf. 324282Antwerp 1581. Dirck Barendsz aka Theodor Barendszoon. Engraving 14 x 17 1/2" with added 1/4" margins. Toning lower left otherwise in very good condition. After a drawing by Dirck Barendsz dated 1581 which is now in the Victoria and Albert Museum London. This engraving captures a dramatic juxtaposition between refinement and chaos emblematic of the late Renaissance period's moral and philosophical tensions. In the foreground finely dressed nobility are absorbed in music feasting with an air of calm and indulgence oblivious to the horrors unfolding beyond their insulated space. Meanwhile through windows or open doors in the background scenes of upheaval are visible. These might include depictions of fire storms war or other catastrophic events that suggest both moral decay and the broader instability of the world. Not recorded by Hollstein with a modified address "Theodor Bernard: Amsterod: pinx" instead of ". inuentor". Johannes I. Sadeler 1550-1600 The Sadeler family were the largest of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries as both artists and publishers. Dirck Barendsz aka Theodor Barendszoon 1534-1592 was a Dutch Renaissance painter from Amsterdam who traveled to Italy in his youth to learn from the Italian masters most notably Titian. Hollstein 265. unknown
réf. 18505Passau, Konrad Frosch, 1633.
1594réf. B6281Venetiis Munich possib. Anvers: : Joann. and Raphael Sadeler c. 1594-1606. . An illustrated work in very good condition with plates clean and mostly wide margined; a few of the plates are reinforced with fine tissue paper; also occasional marginal tears repaired. Edition: First edition anthology of five works. Binding: 18th century full vellum; rebacked expertly saving the original spine; flat spine with gilt lettered and dated title on morocco label; edges marbled; renewed endpapers. Notes: Captions in Latin. The work depicts hermits saints with one of five parts devoted to female believers; this anthology is rarely offered. The members of the Sadeler family were among the most successful Flemish engravers and publishers of their time. Size: Oblong folio 335x263mm. Illustration: 103 copper-engravings; of these 102 illustrated; these include: three titles to the first three works; the paragramma with engraved border. The first work “SYLVA SACRA” being one complete series of hermetic saints with 31 illustrated plates plus a dedication; of the remaining four series of hermetic saints one is dedicated to female hermits: Work II or the “SOLITUDO SIVE VITAE FOEMINARUM” has 14 plates of 25; Work III or the “ORACULVM // ANACHORETICVM. // … MDC” has 22 plates of 26; Work IV or the “Solitudo // sive // vitae patrum // eremicolarum…” has 12 plates of 30; Work V or the “Trophaeum vitae solitariae. // … Venetiis” 1598 Martin de Vos figur. has 23 plates of 26. Volume: five works in one volume References: Graesse VI: 211-212. Pages: Ll: bl. ill.102ff. Collation: all of 31 ill. plus 1 dedication; 14 ill.; 22 ill.; 12 ill.; 23 ill. Category: Book Europe Italy; Book Europe Benelux; Book Europe Germany; Book Plate Books General; Book Religious Christianity; Book Early Printed 1500; Joann. and Raphael Sadeler, hardcover
réf. 51162Elaborately engraved title and 50 additional engraved plates printed recto only showing finely worked and highly detailed views of Roman ruins still in existence in Rome Tivoli Pozzuolo and surrounding areas as of the 16th century each print with detailed caption. Crease to title minor old damp-staining slight soiling and handling wear small marginal tear to bottom of plate 29 which does not enter into image. Oblong folio. Leather-backed boards raised spine. Some very minor edgewear and abrasions. Prague Aegidio Sadeler 1606. Hand-written inscription to title page dated 1638. Olschki 18017 Cicognara 3871. Marco Sadeler was an engraver and print seller in Prague in the early 17th century. Thirty-six of the plates were copied by Sadeler from drawings done by his undle Aegidius Sadeler for Etienne Du Pérac's "Vestigi dell'Antichità di Roma" 1575. For some of the other views Marco Sadeler copied or drew inspiration from works by Jan Breughel the elder and Pieter Stevens. An impressive work notable for its detail and richness of expression here present in its first edition. In the middle of the 17th century a copy of this work made its way to Rome where it was copied for Giovanni Giacomo de' Rossi by Girolamo Ferri and then published in 1660. The views presented here include ruins and monuments in Rome Tivoli and Pozzuoli as well as views from around the Bay of Naples as they existed in the sixteenth and early seventeenth centuries full of life. hardcover books
réf. LCS-1823312 estampes du XVIe siècle en premier tirage. S.l.n.d. [Antwerp, 1570-1580]. Suite de 12 gravures originales au burin (sur 13 ?) montées sur papier fort en un album in-4. La suite a été reliée sans le feuillet de titre. Vélin ivoire rigide, triple encadrement de filets dorés sur les plats, dos à nerfs orné de fleurons dorés, pièce de titre de maroquin rouge, coupes décorées, roulette dorée intérieure, tranches rouges. Reliure du XIXe siècle. Dimensions des gravures : 161 x 111 mm. Dimensions des pages : 220 x 156 mm.
1660réf. 3639Rome: Giovanni Giacomo de Rossi 1660. SECOND EDITION first printed in 1606. Hardcover. Fine. With an engraved allegorical title with the main title incised within a wolf's hide hung on a monument; an engraved dedication to Matthaeus Wacker von Wackenfels numbered'1' with the text incised on a stone tablet between flanking obelisks and with two putti supporting the dedicatee's arms; and 49 full-paged engraved plates ca. 170 x 270 mm all numbered and signed 'Marco Sadeler excudit' with descriptive captions in Italian. An extremely fine broad-margined copy with very rich and clear impressions of the plates. In an attractive contemporary binding of stiff ivory vellum the boards with large central arabesques in gold framed by a double gilt rule and with floral tools at the angles and along the spine. Thirty-six of these images were copied by Aegidius Sadeler from Etienne Du Pérac's " Vestigi dell'Antichità di Roma" Rome 1575. For the other images Sadeler drew on drawings by Jan Breughel the elder and Pieter Stevens. Marco Sadeler whose name appears on the plates was an engraver and print seller in Prague in the early 1600's and probably the nephew of Aegidius. In the middle of the 17th century a copy of the 1606 edition found its way to Rome where it was copied for Giovanni Giacomo de' Rossi by Girolamo Ferri with the "Marco Sadeler excudit" preserved on each plate late variants appeared towards 1677 at the end of the career of Giacomo de' Rossi with "Marco Sadeler/ sculpsit" in place of "excudit". The monograms indicating the reworking of Ferri are visible on the plates no. 10 19 37 42 and 46. In our copy the series of views is in its earliest state as the plates 4 and 45 are unnumbered. The title plate bears the wording Marco Sadeler's "excudit." This state is not recorded in Bartsch 1978. In this series the artists have depicted the ancient monuments of Rome Tivoli and Pozzuoli as they appeared in the late sixteenth- and early seventeenth-century: crowned with vegetation half-buried by the rising ground level and encroached upon by a host of post-Roman structures. The scenes are alive with Rome's inhabitants: herdsmen mule-drivers cattle sheep and every manner of citizen. The images in which the ruins are depicted in their un-restored state and within the context of their early modern environments serve as a record of the monuments as they appeared in this period and evoke the atmosphere of daily life in early modern Rome. Sadeler and The Bay of Naples: In addition to the views of Rome the Sadeler series also includes a number of plates of ruins and views of the Bay of Naples and its environs: the Gulf of Baiae Cuma Lago Averno the Campi Flegrei Capo Miseno and the Villa Agrippina at Oplontis and other places within the confines of Pozzuoli. Giovanni Giacomo de Rossi hardcover
1606réf. 4235Prague: Aegidius Sadeler 1606. Price: $25000.00 Oblong folio: 34.7 x 203.5 cm. Engraved title page and 50 engraved plates. FIRST EDITION. A very fine broad-margined copy with very rich and clear impressions of the plates. Occ. marginal soiling a few pin-prick wormholes in the margins of a few leaves. Bound in contemporary morocco richly tooled in gold. With an engraved allegorical title with the main title incised within a wolf's hide hung on a monument; an engraved dedication to Matthaeus Wacker von Wackenfels numbered'1' with the text incised on a stone tablet between flanking obelisks and with two putti supporting the dedicatee's arms; and 49 full-paged engraved plates ca. 170 x 270 mm all numbered and signed 'Marco Sadeler excudit' with descriptive captions in Italian. This is the first edition. Thirty-six of these images were copied by Aegidius Sadeler from Etienne Du Pérac's " Vestigi dell'Antichità di Roma" Rome 1575. For the other images Sadeler drew on drawings by Jan Breughel the elder and Pieter Stevens. Marco Sadeler whose name appears on the plates was an engraver and print seller in Prague in the early 1600's and probably the nephew of Aegidius. In the middle of the 17th century a copy of the 1606 edition found its way to Rome where it was copied for Giovanni Giacomo de' Rossi by Girolamo Ferri and published in 1660. In this series the artists have depicted the ancient monuments of Rome Tivoli and Pozzuoli as they appeared in the late sixteenth- and early seventeenth-century: crowned with vegetation half-buried by the rising ground level and encroached upon by a host of post-Roman structures. The scenes are alive with Rome's inhabitants: herdsmen mule-drivers cattle sheep and every manner of citizen. The images in which the ruins are depicted in their un-restored state and within the context of their early modern environments serve as a record of the monuments as they appeared in this period and evoke the atmosphere of daily life in early modern Rome. Sadeler and The Bay of Naples: In addition to the views of Rome the Sadeler series also includes a number of plates of ruins and views of the Bay of Naples and its environs: the Gulf of Baiae Cuma Lago Averno the Campi Flegrei Capo Miseno and the Villa Agrippina at Oplontis and other places within the confines of Pozzuoli. Cicognara 3871; Hollstein. Dutch & Flemish XXI 151-201; Fowler 283 2nd ed.; Catalogue of the exhibition "Vestigi delle antichita . Momenti dell'elaborazione di un'immagine" edited by Anna Grelle Rome 1987 pages 123-144 and passim. Aegidius Sadeler, books
