6 250 résultats
réf. 63531St Theobaldus in the wilderness kneeling with opened arms. Signed with privilege on the bottom: 'Vos figur. / Cu privil. Sumi Potif. et Ce.M. / Ioan Sadeler scalp et excud.' lettered further: 'Venit in Italiam Senonum THEOBALDVS ab oris; / Et Vicentinis incola mansit agris / Mente super stellas atrijs habitabat in amplis; / Sic docuit multos; silvaque ludus erat'. Engraving on paper with margins; plate mark: 167 x 207 mm total: 216 x 271 mm; Hollstein 1074 Maarten de Vos unknown
réf. 60431Riverscape with a stone bridge and a wooden bridge some personnages walking over them. A village on the right and on the left river flowing towards the background.Signed on the bottom center: 'Paulus Bril inuentor' and on the lower right corner:'EGS / scalp.' Engraving on paper trimmed to platemark; total: 191 x 267 mm; only state; in great conditions; Hollstein 205 W. 401. unknown
réf. 60435Wooded landscape with a large rock forming an archway on the right on the left discending landscape. From set: Eight Bohemian land and riverscapes.Signed on the bottom center:'Petrus Stephani Jnuent' Engraving on paper trimmed to platemark; total: 213 x 278mm; state I/2; Hollstein 261 W. 96. unknown
réf. 60451Landscape with ruins man on horse and shepherd.Signed on the bottom: 'P. Stephani inuentor'and on the right:'Raph . excud.' Engraving on paper trimmed to platemark; total: 206 x 273 mm; dirt and mold above and a lacuna on the bottom right; only state; Hollstein 221. unknown
réf. 60427On a river landscape are represented several episodes of the New Testament involving Christ and St. Peter. Set title: 'Land and River landscape with stories of the Old and New Testament.'Signed on the bottom left:'HBol inue. John sadl. excu.'Discipel Petrus loopt over water. Mattheüs 14. Etching on paper trimmed within platemark; total: 193 x 269 mm; only state; in great conditions; Hollstein 572. unknown
réf. 60449After a composition by Jacopo Bassano a young milkmaid is giving out milk to a child and an older lady. Sheeps and a dog on the left. In the background a landscape.Underneath six lines of Latin text: 'Multiplicem. caue.' One line :'PER HONESTI VIRI CAROLI HALEMANNI CIVIS ANDOCERPIANI LIBERALITATE TABVLAM IACOB. BASSANI ARTE ET MANV DEPICTAM RAPH. SADELER EXCVLPSIT.'Within picture on the bottom: 'Cum privil Summi Pontif. et S. Caes. Mai R. Sadeler excud 1601.' Engraving on paper trimmed within platemark; total: 228 x 296 mm; some dirt and some repaired margins along the margins; only state; Hollstein 215 W 109. unknown
réf. 60437Landscape with high trees in the center wooded bridged with personnages. From the set: Six mountainous Landscapes in Tyrol.Very sharp impression; Original Drawig by Savery in Paris at Louvre F. Lugt: Inv. général des Dessins des Écoles du nord Ec. Holl vol II 1913 n. 712. Engraving on paper trimmed to platemark; total: 191 x 265 mm; possibly state I/2; Hollstein 230; W. 107. unknown
réf. 59691Late impression. Inscribed on the bottom right: 'cum privil Sum Ponti / M de Vos figu'; lettered on the bottom: 'Anglorum de gente nepos Regis contemtor honoris / Est VINVALOCIUS quem dare vota vides. / Interea fures tectum expilare sed ecce / Hic oculo hic membris captus et ille iacens' Hollstein de Vos 1061 Engraving on paper; broad margins; platemark: 166 x 208 mm; total: 216 x 271 mm. In the sky towards the right a line in ink. PB01SSVinvalocius unknown
réf. 59687Ephestius running after a couple who left him a small bag with coins. Late impression. Inscribed on the bottom left on a rock 'Vos fig.'; on the bottom right: 'cu privil Sum. Pontifici / Joa Sadeler fecit et excu.'; lettered on the bottom: 'Melana in tecto quod EPHAESTIO pauper habebat/ Fraude pia loculos condidit; is repeit. / Currit et exclamat: cape numos; illa recusat. Tum senior. non vis ego. dentur aquis' Hollstein de Vos 1053 Engraving on paper; broad margins; platemark: 167 x 208 mm; total: 218 x 272 mm. The outline of the heremit of the small bag and of the couple on the right have been marked with an ink-free needle or pen. PB01SSEphestius unknown
réf. RXzz0890Prag Gesellschaft deutscher Bücherfreunde in Böhmen 1938. Front. 108 S. 7 Bl. Abb. OLn. Erschienen als 14. Veröffentlichung der Gesellschaft als Gabe für das Jahr 1936. Eines von 300 num. Ex. Prag, Gesellschaft deutscher Bücherfreunde in Böhmen 1938. unknown
1631réf. 6220Munich: Melchior Segen 1631. Contemporary vellum with two brass clasps blue edges. 12mo. With an engraved title page and 12 full-page engraved emblems by Raphael Sadeler. Revised and enlarged edition of one of the most attractive emblem books by the Jesuit author Jeremias Drexel 1581-1638. Born in Augsburg and active for most of his career in Munich Drexel was among the most celebrated Catholic devotional writers of the 17th century. After entering the Society of Jesus he gained renown as a preacher and was appointed court preacher to Maximilian I Elector of Bavaria 1573-1651. His numerous ascetical and devotional works achieved remarkable popularity throughout Europe appearing in many editions and translations.First published in 1622 the Zodiacus Christianus appeared in numerous editions; the present copy is the fifth. In the work Drexel transforms the 12 signs of the zodiac into Christian moral and spiritual emblems. Rejecting their astrological significance he interprets each sign allegorically as representing stages in the Christian life and symbols of divine providence and predestination. The work combines learned theological reflection with practical moral instruction illustrating the Jesuit use of emblematic imagery as a powerful instrument for meditation and religious education during the Counter-Reformation.The text is illustrated with a finely engraved series of emblematic plates by Raphael Sadeler 1561-1632 one of the most accomplished members of the celebrated Sadeler family of engravers. Rich in symbolic detail the engravings harmoniously combine biblical imagery classical motifs and emblematic devices making the work one of the finest examples of 17th-century Jesuit book illustration.The margins are slightly trimmed. Otherwise in very good condition.l Dünnhaupt p. 1377 5.13; USTC 2518976 2 copies; VD 17 23:267994Z; WorldCat 314128646 258194835; cf. Caillet 3250 Cologne ed. of 1634; Hollstein XXI Raphael Sadeler II 109-124 Munich ed. 1628; Landwehr German emblem books 229 Munich ed. 1618. Melchior Segen, hardcover
1660réf. C100117Rome: Iacomo Di Rossi 1660. Second Edition. Hardback. Hardcover Hardcover. Very Good. Second Edition. Hardback. Wide oblong 4to. 39 by 27 cms. Half cream parchment over marbled boards title inked in sepia on parchment spine. Second editionfirst printed in 1606. With an engraved allegorical title with the main title incised within a wolf's hide hung on a monument; also an engraved dedication page to Matthaeus Wacker von Wackenfels numbered '1' but actually the third page with the text incised on a stone tablet between flanking obelisks and with two putti supporting the dedicatee's arms; and 49 full-paged engraved plates ca. 170 x 270 mm all numbered and signed 'Marco Sadeler excudit' with descriptive captions in Italian. Decent clean sound copy with plates unfoxed title page only sl foxed ink number to the corner of each plate probably contemporary with the book. The number is close to top right corner of each plate but not affecting any image. Other than Rome views also include a series of seaside views and some of the Golfo di Napoli and its dintorni: the Golfo di Baia Cuma the Lake of Averno the Campi Flegrei Capo Miseno and the Villa Agrippina a Oplontis and Pozzuoli. Iacomo Di Rossi, hardcover
réf. BN318697Donner à voir Editions. Softcover. Grains de Ciel Grains de Ciel Joël Sadeler Donner à voir (Editions) paperback
1691réf. 006985Rome: Vestigi -- Jacomo Rossi 1691. Full Mottled Calf. Very Good. Spectacular collection of plates of the architecture fountains churches streets and ruins of the Eternal City. Oblong folio. 25 by 38 cm. 198 plates four folding plus title and dedication pages. Plate count is including titles and dedications which are decorated with illustration. The first work of the five "Vestigi della Antichita" has Rococo allegorical illustrations on both the title and dedication pages and in addition to its 50 plates three additional engraved folding plates by Étienne Dupérac have been bound in. "Le Fontane" has two engraved dedication pages both richly illustrated in addition to 45 view plates. Final suite of eight plates includes a plate folding both on bottom and side. Contemporary mottled calf with gilt morocco title pieces to upper and lower covers. Condition: Contemporary calf with wear but remaining attractive. Occasional dampstaining. Some scattered stains and foxing but most of the plates read as clean. Vestigi -- Jacomo Rossi unknown
1689réf. 044668Paris: Pierre Aubouyn Pierre Emery et Charles Clouzier. Printed By Laurent Rondet 1689. In French. Worn. New edition title page dated 1689. Beautifully illustrated includes 139 fables each with the written fable on the left hand page and a wood engraving on the right with the moral below. Full brown leather frontis 12 279p two page colophon errata 1 page advertisement. Rear cover and rear free endpaper detached covers work spine dried but stabilized front hinge cracked front free endpaper and frontis loosened but not detached pages lightly age-toned but clean old dampstain to lower inner margins of first 100 pages and then again toward the end of the book not affecting printed areas different bookplates on either side of front free endpaper second one is from E. Coster Wilmerding name of Richard Creed Paris 1700 inside front cover with an 1814 notation that the book belonged to Richard Creed who was slain at the Battle of Blenheim and was being presented to Miss Katherine Simcoe signed Wililam Walcot names may actually be different that is what we could make out from the handwriting. Hard Cover. Fair. 8vo - over 7¾" - 9¾" tall. Pierre Aubouyn, Pierre Emery et Charles Clouzier. Printed By Laurent Rondet Hardcover
1618réf. 510Prague 1618. Superb. Engraving on hand made laid paper 8 1/2 x 5 7/8 inches 210 x 148 mm thread margins. An approximately 1-inch vertical repaired tear extends into the image area at the top center sheet edge. Adhered to archival paper at the center of the top sheet edge and at the top and bottom left corners with an associated dog-eared lower left corner. Condition issues are consistent with age. A superb impression with rich dark inking and all of the fine lines printing clearly. An impression of this work may be viewed in the permanent collection of the British Museum registration no. O2.54. Hollstein 291. In the upper left corner of the portriat is a fancy heraldic coat of arms with two feathered talons and a Burgonet helmet on the right is an ovoid tableau with the sun and moon shining above a group of soldiers bearing the enigmatic latin phrase "Non mihi verum alies" I do not know the truth of others. The inscription in Latin above and below the portrait reads: "V. Illvst. Marqvardvs Frehervs patr. Avg. Vind. IC. Sereniss. Viiviro Com. Palat. a Cons. et Dicasteri Elector. Proivdex." and "died III.Eid.Mai. Ann. CIC.IC.CXIV. ætat.XLIX.". The work is inscribed and signed in Latin in lower margin first four lines by German jurist Georg Remus followed by three lines of dedication to Paul Freher: "Dona Hominvm . / . velvt ætherivs Sol. / Georg Remus IC. facieb." and "V. Nob. et Clariss. Dn. Pavlo Frehero . / . Sac. Cæs. Maiest. / glyptes Ægidius Sadeler Pragæ Ao. MDCXVIII. unknown
réf. 76-0459Belgium: Brussels Publisher circa 1588. Engraving. 18 x 13.3 cm sheet. Very Good sheet trimmed to or just within platemark. [Belgium: Brussels Publisher, circa 1588]. unknown
réf. 71-0110Paris: Balthasar Moncornet 1620-1668. Engraving. 13 x 10.3 cm sheet. Very Good. Sheet trimmed to the image. Mounted on support sheet. Light soiling. [Paris: Balthasar Moncornet, 1620-1668]. unknown
réf. 51-4675Antwerp: circa 1583. Engraving on laid paper. 22 x 28.3cm. mounted at corners; stabilized tears in lower margin. References: Hollstein / Dutch and Flemish etchings engravings and woodcuts c.1450-1700 27; British Museum D6.140.Inscription content: Signed in lower part of impression: "Ioa: Sadl: inue: / et sculps:" and "M. de Vos figur." and "GENES. IIII". Lettered in Latin in lower margin two lines in two columns: "Musica tractabat . / . hilaresque choreas.".Plate 11: Jubal and his musical instruments. Landscape with Jubal seated at a table in front of an instrument workshop at left several other figures building instruments a procession of dancing couples in background at right buildings in background; first state before numbers; after Maarten de Vos. 1583 Antwerp: circa 1583 unknown
réf. 51-4676Antwerp: circa 1586. Engraving on laid paper. 20.3 x 26.9 cm. Lightly mounted.Plate 3: Seth and Enosh. the aged and bearded Seth up a ladder cuts a branch with an axe; the young Enosh drags a branch towards a wheelbarrow with logs; beyond is a well tended farm landscape with a river valley; by a small wooden bridge a woman collects water from the river; across the width of the river are fish traps; after Maarten de Vos. 1586.References: British Museum 19590221.11.3; Hollstein / Dutch and Flemish etchings engravings and woodcuts c.1450-1700 43."Joann: sadeler auctor at sculptor excu: Genes: capit 4" and at right "Martin de vos figuravit". In the margin two columns each two lines "Seth generavit Enos . laude". Numbered top centre "III". Antwerp: circa 1586 unknown
réf. 16-4208Prague: Egidius Sadeler 1601-1602. Small folio. 183 x 30.5 cm. 19th Century half calf. 3 vols. bound together with numerous plates.Vol. 1: 3 leaves; 60 engraved leaves lacking nos. 52 and 53; engraved portrait of Octavio de Strada; Vol. 2: 8 184 8pp; Vol. 3: 6pp 51 leaves; 8pp. Small wormholes in first few and last few pages.Very rare. OCLC Number:181875317.TYPOTIUS Jacques. Symbola divina et humana pontificum imperatorum regum. Prague Chez Sadeler 1601; in-folio IV-59 gravures 184 pp. index de 8 pages et 41 pages en chiffre romain index alphabétique de 8 pages reliure demi-veau brun du 19 ème siècle dos lisse orné tranches jaspées. Ouvrage en trois parties avec deux très belles pages de titres imprimées. Notre exemplaire est incomplet des gravures 52 et 53 dans la première partie. Célèbre livre d'emblèmes un des plus beaux et des plus importants de son temps. Les planches ont été gravées par Sadeler. Prague: Egidius Sadeler, 1601-1602 unknown
réf. 51-3775Gerard de Jode 1585. 3 engravings on contemporary laid paper. 27 x 34 cm. sheet size. Wide margins. Johann Sadeler I. After Maarten van Cleve. Betsabe & Uriah. 3 engr. pl. 2-4 from the «Story of Solomon»: David speaks to Uriah;Uriah is killed in the battle B.M. 19681018.1.120 and Nathan criticising David for Uriah's death B.M. 19681018.1.121. All were published in the «Thesaurus Sacrarum Historiarum veteris testamenti» by Gerard de Jode. Ref. New Hollstein De Jode Dynasty I 118-122.1. Gerard de Jode, 1585. unknown
2026réf. LRB1013181Paris: Editions Recreasoft 2026 Langue : Latin. Environ 534 pages. Français : Réimpression à la demande. Édition originale : 1652. Recueil emblématique de la première modernité consacré aux figures symboliques et allégoriques des papes empereurs et rois. L'ouvrage réunit des compositions gravées d'une grande richesse iconographique caractéristiques de la tradition humaniste et morale des livres d'emblèmes avec plusieurs index facilitant l'usage savant et la consultation thématique. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1652. Emblematic work from the early modern period devoted to the symbolic and allegorical representation of popes emperors and kings. The volume brings together richly engraved plates characteristic of the humanist and moral tradition of emblem books with several indexes that support scholarly use and thematic consultation. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB1012680Paris: Editions Recreasoft 2026 Langue : Latin. Environ 656 pages. Printed on premium paper. Français : Réimpression à la demande. Édition originale : 1601. Collection emblématique consacrée aux symboles et aux devises des papes des empereurs et des rois avec une introduction de Jacob Typotius et des contributions d'Aegidius Sadeler et d'Anselmus de Boodt. Un ouvrage illustré prisé pour ses planches gravées et pour son importance dans l'histoire des emblèmes de l'iconographie politique et de la culture savante de la fin de la Renaissance et du début du XVIIe siècle. Les trois volumes réunis constituent un ensemble richement documenté avec des index et des ornements typographiques décoratifs. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1601. Emblematic collection devoted to the symbols and devices of popes emperors and kings with an introduction by Jacob Typotius and contributions by Aegidius Sadeler and Anselmus de Boodt. An illustrated work prized for its engraved plates and for its importance in the history of emblems political iconography and late Renaissance / early seventeenth-century learned culture. The three volumes together form a richly documented ensemble with indexes and decorative typographic features. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB9005754Paris: Editions Recreasoft 2026 Idioma: Español. Aproximadamente 744 páginas. Español : Reimpresión bajo demanda. Edición original : 1640. Obra emblemática mayor de la literatura política del Siglo de Oro español articulada en cien empresas grabadas y acompañada de comentarios de Diego de Saavedra Fajardo. El conjunto asocia reflexión moral arte de gobernar y simbolismo visual en una composición erudita y ambiciosa muy buscada por su importancia en la historia de la emblemática del pensamiento político y del grabado barroco. Imágenes del libro no contractuales English : Print-on-demand reprint. Original edition : 1640. Major emblematic work of the political literature of the Spanish Golden Age structured in one hundred engraved emblems and accompanied by comments by Diego de Saavedra Fajardo. The whole combines moral reflection the art of government and visual symbolism in a learned and ambitious composition highly sought after for its importance in the history of emblem literature political thought and Baroque engraving. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
