Weber, Renée / Brussel-Smith, MildredAntiquariat.de
2.194 Ergebnisse
1983Best.-Nr. 88367Madison, N.J. Friends of the Library, Fairleigh Dickinson University, 1983. 18, (2) S., mit 5 Holzstichtafeln u. 2 vom Künstler geschnittenen Initialen. 4to. 33 cm. OBüttenkart. mit Fadenheftung.
1910Best.-Nr. 65603Marburg, N. G. Elwert, [1910]. 22 kartonierte Bll. mit mont. Abb. unterschiedlichen Formats (Blattgr. ca. 24,2 x 15,6 cm). Lose in schlichter OKart.-Mappe.
1974Best.-Nr. 67092Wien, Edition Tusch, (1974). 132 S. Mitr zahlr. ein- u. mehrfarbigen Abb. u. 1 doppelblattgr. Original-Linolschnitt (= Österreichische Graphiker der Gegenwart, 11). Gr.-8vo (24 x 23 cm). Illustr. OKart.
1953Best.-Nr. 69458Zürich, Rotapfel-Verlag, 1953. 25 S. Text, [36] Bl. Abb. 4to (30 cm). OKart. m. illustr. Orig.-SU u. Orig.-Pergamin-Umschlag.
1954Best.-Nr. 68402Paris, Cercle d'Art, (1954). 140 S. Mit 97 s/w u. 16 farbigen Abb., vielen davon ganzseitig. 4to (26 cm). Rotes OLn.
1974Best.-Nr. 73253London, Heinemann, (1974). 181 S. Mit zahlr. Abb. im Text u. auf tls. farb. mont. Taf. 4to (28,5 x 22,5 cm). OLn. mit Goldpräg.
1962Best.-Nr. 75028(Schmiden bei Stuttgart), Franz Decker, (1962). 66 S. Mit zahlr. s/w Illustr. , 1 s/w montierten Tafel sowie 36 Farbtafeln (7 montiert). 4to (28 cm). OPp.
1937Best.-Nr. 67597Cambridge, Massachusetts, The John Barnard Associates, 1937. 32 S. Mit zahlr. Abb. 4to (ca. 30 x 21,5 cm). Illustr. OHLn.
1930Best.-Nr. 81434Berlin, W. Büxenstein, 1930. 2 Bl. (Titel u. Vorwort), 12 Tafeln (22 x 31 cm). Lose in Original-Papiermappe (dieser gebräunt und schadhaft).
1930Best.-Nr. 69406München, Zeltverlag, 1930. 32 S., überwiegend Illustr. Gr.-8vo (24 cm). OBrosch.
1930Best.-Nr. 69407München, Zeltverlag, 1930. .32 S. Mit zahlr. Illustr. Gr.-8vo. (24 cm). Obrosch.
1934Best.-Nr. 69411München, Zeltverlag, 1934. 45 S. Mit zahlr. Holzschnitten (= Zeltheft 76). Gr.-8vo (24 cm). OBrosch.
1988Best.-Nr. 85745(Homburg-Schwarzenacker), Edition Monika Beck, (1988). 32 nn. S. Mit zahlr. s/w. Illustr. (= 3. Triennale für Zeitgenössische Bibliophilie). 4to. 30 cm. OKart. mit VDeckel-Illustr.
1959Best.-Nr. 31156BBMünchen, Bruckmann, 1959. 4°. 239 S überw. Ill. OHLwd., mit Schutzumschl. Su mit randl. Läsuren und bestossen, Seiten gebräunt.
1992Best.-Nr. 1003919New York: Philomel Books 1992. First edition review copy of Nancy White Carlstrom's Alaskan bedtime story richly illustrated with Native American imagery by Leo and Diane Dillon accompanied by the publisher's signed promotional poster. A sleepy young narrator bids goodnight to the Earth each feature of the snow-covered landscape imagined as part of the family: "Goodnight Papa Star / Goodnight Mama Moon / Bending your silver arms / down through the darkness." Leo and Diane Dillon won numerous awards over the course of their long career including back-to-back Caldecott Medals in 1976 and 1977 for Ashanti to Zulu and Why Mosquitoes Buzz in People's Ears the only consecutive medals given to date. They would win the 1992 Society Of Illustrators Gold Medal for the vibrant airbrush and watercolor images in Northern Lullaby. The publisher's poster reproduces their two-page spread of the tree spirits Auntie Willow and Auntie Birch "standing in long flannel gowns in the silence." A near-fine inscribed copy of a stunning book accompanied by a signed poster. Single volume measuring 11 x 10 inches: 26. Original black cloth spine lettered in silver purple pictorial boards stamped in blind original unclipped color pictorial dust jacket color pictorial endpapers. Color illustrations on every page. Inscribed "For Daniel" signed and dated 1993 by Dillons on title page. Publisher's review slip laid in. Poster measuring 18.5 x 21.5 inches signed at lower right. Lightest shelfwear to book horizontal and vertical creases to poster from folding. Philomel Books unknown books
2009Best.-Nr. 1415774Burton Mi: Subterranean Press 2009. Limited edition #635/750. Hardcover. Octavo xxii 503 2 pages. Very Good Plus in a Very Good Plus dust wrapper. Bound in light blue cloth with red stamped lettering and a gilt stamped design. Spine has red stamped lettering and a gilt stamped design. Corners and spine ends are sharp. Text block has no apparent problems. Slipcase is Very Good Minus with a color illustration paste down on the front. Slipcase has some soiling and minor scuffing. Signed on the limitation page by the illustrators Jim & Ruth Keegan. Numbered 635 of an edition of 750. Shelved in Case 4. 1415774. Shelved Dupont Bookstore. Subterranean Press hardcover books
2009Best.-Nr. 1415773Burton Mi: Subterranean Press 2009. Limited edition #613/750. Hardcover. Octavo xxii 503 2 pages. Very Good Plus in a Very Good Plus dust wrapper. Bound in light blue cloth with red stamped lettering and a gilt stamped design. Spine has red stamped lettering and a gilt stamped design. Corners and spine ends are sharp. Text block has owners stamp on the bottom edge else no apparent problems. Slipcase is Very Good Minus with a color illustration paste down on the front. Slipcase has some minor scuffing with one corner slightly dented. Signed on the limitation page by the illustrators Jim & Ruth Keegan. Numbered 613 of an edition of 750. 1415773. Special Collections - Downstairs. Subterranean Press hardcover books
1876Best.-Nr. 40759London: William Tegg 1876. 4to. 10 5/8 x 8 1/4 inches. 96 pp. 47 lithograph plates on 45 sheets. Publisher's red cloth gilt decoration and title on front cover and spine. A delightful volume of lithographic plates by the Junior Etching Club a prestigious organization instrumental in the revival of etching in late-Victorian England with illustrations by James McNeil Whistler and others. 'Passages from Modern English Poets was issued by Day and Son in 1862 in a large octavo. In 1876 another edition in large quarto with etchings transferred to stone and printed as lithographs was published by William Tegg. In this notable volume Millais is represented by Summer Indolence a most graceful study of a girl lying on her back in a meadow with a small child who is wearing a daisy chain seated at her side. Mr. J. McNeill Whistler contributes two delightful landscapes The Angle and A River Scene. "Summer Indolence" by famed Pre-Raphaelite artist John Everett Millais derives from a figure in Millais's painting "Spring Apple Blossoms." The Etching Revival and Pre-Raphaelite Movement shared many comonalities as new artistic forms in the Victorian Era. These groups held artists in common as well as close ties with literature especially poetry. Communing the poetry of authors Lord Byron Wordsworth Tennyson etc with new expressive etchings Passages from Modern English Poets encompasses a whimsical artistic and literary facet of the Victorian Era. Gleeson White English illustration 'The Sixties': 1855-70; "A Selection of Etchings by the Etching Club" The Met. William Tegg unknown books
1914Best.-Nr. 3708London: Hodder and Stoughton 1914. First edition. Finely bound ca. 1914 by Sangorski & Sutcliffe stamp-signed on rear turn-in in full dark blue morocco covers decoratively paneled in gilt with inlaid red morocco floral corner-pieces and in the center in gilt the Royal stamp of Princess Mary. Spine with five raised bands paneled and lettered in gilt in compartments all edges gilt cream watered silk liners and endleaves.Quarto 9 7/8 x 7 5/16 inches; 251 x 186 mm. vi 140 pp. Fourteen color plates tipped-in to captioned tan stock with brown line frame many black and white text drawings. Four figure ink number upside down on verso of rear blank leaf. An exceptional copy. A relatively common book but scarce in fine condition. This may well be a special presentation binding that was done at the time of publication. "This was the first of a group of wartime books sponsored by prominent people and sold to raise money for worthy causes. The most popular it sold 604884 copies during the two years 1914-1916 that is was in print. The Times in an article November 21 1914 sought to promote the cause "The Queen's Fund" by directing the public to the display of the original drawings at the Leicester Galleries" Hughey. The fourteen tipped-in color plates include: "So nobody can quite explain Exactly where the rainbows end" Arthur Rackham "True Spartan Hearts" Edmund Dulac "The Ant Lion" E.J. Detmold "A Holiday in Bed" W. Russell Flint There are also many black & white drawings by C.E. Brock; E.J. Detmold; Arthur Rackham; Byam Shaw; H. M. Brock; Lewis Baumer and Edmund J. Sullivan. Arthur Rackham 1867-1939 is perhaps the most acclaimed and influential illustrators of the Golden Age of Illustration. A prolific artist even from his youth Rackham got his start as an illustrator working for the Westminster Budget Newspaper 1892. Over the next few years he took on more and more commissions for children's books hitting his career high in the first three decades of the twentieth century. Rackham turned his imaginative pen to every classic-from Shakespeare to Dickens to Poe. Latimore and Haskell 93. Riall 120. Hughey 34. Hodder and Stoughton unknown books
1828Best.-Nr. 9027029London: Jones 1828. Hardcover. Very good. Cruikshank George. Illustrated with three etched frontispieces by George Cruikshank and 84 woodcut illustrations by George and Robert Cruikshank et al. "With a copious and classified index" in each volume. Bound in half black morocco with gilded bands spine stamped in both gilt and blind black cloth boards ruled in gilt printed endpapers. A few signatures loose but stilll holding otherwise binding is intact. A nice clean set. Jones hardcover books
1910Best.-Nr. 31601Edinburgh and London: Ballantyne Hanson & Co 1910. Hardcover. Very Good. Hardcover. Twenty six numbered volumes plus 2 volume set of life and works plus 2 volume set of Our Mutual Friend all in matching publisher's bindings. Bound in full olive green cloth boards with paper title labels to spines. Minor wear to edges of boards and spine ends of all volumes. Wear / chipping / browning to title labels. Minor dampstaining to corners of boards of some volumes; although interior pages seem to be free from staining. Some volumes have minor soiling and/or discoloration to covers. Each volume contains illustrations - most in black and white with a few in color. Occasional smudge marks occasional tear to a page in the margin from opening the pages and sporadic spots of foxing - but overall very clean and bright interiors. Rippling to some of the illustrations which are printed on a different paper stock. Signature of previous owner in pen to front free endpapers of most volumes. All bindings remain strong. This set will require an extra shipping fee. LIT/010318. Ballantyne, Hanson, & Co hardcover books
1865Best.-Nr. 3790London: Bradbury & Evans 1865. First edition. Third issue with Part I's title Mr. Facey Romford's Hounds in solid lettering in the original twelve monthly parts May 1864-April 1865. Octavo 8 3/4 x 5 5/8 in; 223 x 144 mm.Collating vi 2 391 1 with twenty-four hand-colored steel-engraved plates two to each volume heightened with gum arabic. The illustrations to Parts VIII-XII are unsigned but by Hablot K. Brown aka "Phiz." The woodcut on the upper wrapper is by Hablot K. Brown. Advertisements collate per Schwerdt save Part VI which lacks the Note of Lever's Martin and Part VII lacking the slip for The Belle of the Village. Publisher's original red-brown pictorial wrappers. Minimal restoration of spines to a few volumes tiny chip to fore- edge of Part I otherwise an excellent and quite lovely set. Chemised and housed in a red cloth clamshell case with black leather spine label lettered in gilt. "Although Surtees approached his publishers in July 1861 with the idea of bringing out 'Mr. Facey Romford' they preferred not to undertake the matter until Mr. Leech's services were definitely secured and there would be no questoin of such delays as had occurred in the illustrations of 'Handley Cross.' Leech promised however to being in January 1862 and the situation seemed sufficiently secure to set up the type but just at this time the artist held his first exhibition of oil paintings which proved so successful and diverting that the 'Facey Romford' illustrations were again postponed. Surtees in despair at last offered the book in August 1864 to The Field where is was refused. In March of that year Leech finally undertook the drawings but never lived to complete the work which was carried on byPhiz" Field. Field 225. Tooley 475. Schwerdt II 237. Podeschi 207. Bradbury & Evans unknown books
1904Best.-Nr. 3810London: John F. Shaw 1904. First edition. Publisher's quarter decorated cloth over full-color glazed pictorial boards corners a little worn.Small quarto 9 5/8 x 7 1/8 in; 245 x 180 mm. A few illustrations hand-colored by a child. Closed tear to bottom edge of page. 17. Early ink presentation dated "Christmas 1905" on front paste-down. Illustrated throughout in black and white and color with fifteen drawings by Louis Wain and an unrecorded text drawing by Arthur Rackham so initialed on page 40. Unrecorded and scarce with no copies noted in the Wain or Rackham bibliographies. Anytime an unrecorded book illustration by Arthur Rackham comes to light it's an item for collectors to note. Buried within this book unheralded on page forty is a black and white text illustration of four chickens in various states of distress as they observe in high dudgeon and with no little annoyance a cat within their food bucket chowing down the chicken feed. And at the lower left of the bucket as small as can be are Rackham's initials as typically drawn. Latimore and Haskell and Riall make no mention of this illustration in their Rackham bibliographies and the Arthur Rackham Society expressed no knowledge of it when we inquired. A true scarcity -- a previously unknown Rackham during his transitional period when his fairies and goblins were emerging but had not yet fully vanquished the simple pay-the-bills work of his early years. Arthur Rackham 1867-1939 is perhaps the most acclaimed and influential illustrator of the Golden Age of Illustration. A prolific artist even from his youth Rackham got his start as an illustrator working for the Westminster Budget Newspaper 1892. Over the next few years he took on more and more commissions for children's books hitting his career high in the first three decades of the twentieth century. Rackham turned his imaginative pen to every classic-from Shakespeare to Dickens to Poe. Cf. Dale 34 and 35. John F. Shaw unknown books
1910Best.-Nr. 3818London: S.W. Partridge & Co. Lrd 1910. First edition. Original red cloth over color pictorial front board and advertisement on rear board advertisements on endpapers. Corners and board edges a little worn. Large quarto 10 3/16 x 7 11/16 inches; 259 x 195 mm. Pictorial title-page printed in blue 92 unnumbered pages and six full page color plates. Numerous other mono-color and black & white illustrations throughout the text including six by Louis Wain. Ink inscription on verso of color frontispiece dated Xmas 1910. A good copy of a very scarce book in fact the first time that we have ever seen this title. The Louis Wain illustrations in this delicate book include the following: How Pride Betrays. three 0ne-third page printed in brown When the Cook's Away. full-page printed in blue Tubbing the Kitties. one-third page printed in green "You Naughty Kitties!" full-page printed in green. S.W. Partridge & Co., Lrd unknown books
Best.-Nr. 37782London: Raphael Tuck & Sons n.d. Hardcover. Fair. Hardcover. A surprisingly scarce title. No date but the ownership signature on the free front endpaper is dated Christmas 1908. This charming collection of illustrated fairy tales including Beauty and the Beast Tom Thumb. Snow-White and Rose-Red and Rapunzel among others has fortunately or unfortunately been well used and read. The quite worn covers are present but detached and the spine is missing. Tears to first couple of front endpapers and soiling and spots to many of the text pages. Nonetheless a sweet survivor of this well loved book. Measures 7.5 x 10.25 inches. 72 pages. CHILD/012925. Raphael Tuck & Sons hardcover books
