2 208 résultats
1821réf. 54180London: Printed for Jones & Co. Oxford Arms Passage Paternoster-Row 1821. First. Hardcover. Very good. Two volumes octavo published in 1821 and 1822. 2: title verso blank iii-x 3-656; 2: title verso blank i-ix 1: blank 3-668 pp. Hand-colored engraved frontispiece and pictorial hand-colored title in each volume plus 30 hand-colored aquatint plates in the text. Later full crimson morocco triple-ruled in gilt; spine with raised bands lettered in gilt; gilt turn-ins; all edges gilt. Spine extremities and bands rubbed. Occasional mild toning and smudges. Complete with all 28 text plates called for in the Directions to the Binder along with an additional two plates "Tom and Bob Catching a Charley Napping" Abbey no. 34 and "St. George's Day Presentation at the Levee" Abbey no. 31. A very good or better set in a handsome signed binding by Riviere and Son. First edition later issue of this imitation of Pierce Egan's Life in London 1821. While sometimes attributed to Egan the work was possibly written by John Badcock. "Out of the sixty-five imitations of it which Egan stated that he had reckoned the most important was Real Life in London. which was published in sixpenny numbers in 1821 with excellent illustrations by Heath Alken Dighton Rowlandson and others. Real Life in London is a pleasanter book than its prototype. Some have held that Egan wrote it; but the author had a purer style a cleaner mind and a wider knowledge of London than Egan" The Cambridge History of English and American Literature. "From a bibliographical point of view one of the most complicated and bewildering books ever published rivaling Pickwick in the tangle of variant states that exist both in text and plates. The work had a tremendous success probably out-rivaling in popularity its prototype. A difficult feature of the book is that two printers. printed copies textually the same page by page with only minor variations in the settings and this coupled with the fact that during the eight or nine years it was being reprinted makes the whole vast output all 'first editions' but with innumerable states and variants that continually overlap one with the other" Abbey. "Originally published in 56 parts on completion the work was issued in boards. Later copies were bound in publisher's cloth. A book full of contrarities and difficulties for the bibliographer there being innumerable variations of the plates. The difficulties are further increased by many copies in modern bindings having been completed or made up of different issues giving combinations that are not true variations" Tooley. Printers: R. Bensley Bolt Court Fleet Street vol. 1; A. Applegath Stamford-street vol. 2. Second volume title and imprint: Real Life in London; or The Further Rambles and Adventures etc. - Printed for Jones & Co. 3 Warwick Square. 1822. References: Abbey Life 280 1821-22 first edition; J. H. Slater Illustrated Sporting Books 1899 p. 96; Tooley 198 1821-22 first edition. Printed for Jones & Co. Oxford Arms Passage, Paternoster-Row hardcover books
1821réf. 54180London: Printed for Jones & Co. Oxford Arms Passage Paternoster-Row 1821. First. Hardcover. Very good. Two volumes octavo published in 1821 and 1822. 2: title verso blank iii-x 3-656; 2: title verso blank i-ix 1: blank 3-668 pp. Hand-colored engraved frontispiece and pictorial hand-colored title in each volume plus 30 hand-colored aquatint plates in the text. Later full crimson morocco triple-ruled in gilt; spine with raised bands lettered in gilt; gilt turn-ins; all edges gilt. Spine extremities and bands rubbed. Occasional mild toning and smudges. Complete with all 28 text plates called for in the Directions to the Binder along with an additional two plates "Tom and Bob Catching a Charley Napping" Abbey no. 34 and "St. George's Day Presentation at the Levee" Abbey no. 31. A very good or better set in a handsome signed binding by Riviere and Son. First edition later issue of this imitation of Pierce Egan's Life in London 1821. While sometimes attributed to Egan the work was possibly written by John Badcock. "Out of the sixty-five imitations of it which Egan stated that he had reckoned the most important was Real Life in London. which was published in sixpenny numbers in 1821 with excellent illustrations by Heath Alken Dighton Rowlandson and others. Real Life in London is a pleasanter book than its prototype. Some have held that Egan wrote it; but the author had a purer style a cleaner mind and a wider knowledge of London than Egan" The Cambridge History of English and American Literature. "From a bibliographical point of view one of the most complicated and bewildering books ever published rivaling Pickwick in the tangle of variant states that exist both in text and plates. The work had a tremendous success probably out-rivaling in popularity its prototype. A difficult feature of the book is that two printers. printed copies textually the same page by page with only minor variations in the settings and this coupled with the fact that during the eight or nine years it was being reprinted makes the whole vast output all 'first editions' but with innumerable states and variants that continually overlap one with the other" Abbey. "Originally published in 56 parts on completion the work was issued in boards. Later copies were bound in publisher's cloth. A book full of contrarities and difficulties for the bibliographer there being innumerable variations of the plates. The difficulties are further increased by many copies in modern bindings having been completed or made up of different issues giving combinations that are not true variations" Tooley. Printers: R. Bensley Bolt Court Fleet Street vol. 1; A. Applegath Stamford-street vol. 2. Second volume title and imprint: Real Life in London; or The Further Rambles and Adventures etc. - Printed for Jones & Co. 3 Warwick Square. 1822. References: Abbey Life 280 1821-22 first edition; J. H. Slater Illustrated Sporting Books 1899 p. 96; Tooley 198 1821-22 first edition. Printed for Jones & Co. Oxford Arms Passage, Paternoster-Row hardcover
1982réf. 49320Wakefield West Yorkshire UK Autobooks Ltd. 1982. Hardcover Fifth Edition 1981 Fully Revised and Enlarged. The first edition was published in 1976. Good only: Shows significant indications of use: Greasy smudges to the outside edges and many of the pages; fairly heavy wear to the extremities; the head and heel of the backstrip have lost about an eighth inch to chipping and have been reinforced with cellophane packing tape; a dime-size gouge at the upper front panel; moderate rubbing to the panels. The binding is square and remains secure; the text is free of underlining highlighting or any other marks; though there is an inked price at the front free endpaper. Free of any ownership names dates addresses notations inscriptions stamps plates or labels. Not much to look at; a moderately worn copy showing several flaws. Remains structurally sound and tightly bound. Overall remains a sturdy reading copy. NOT a Remainder Book-Club or Ex-Library. 8vo. 9.65 x 7.35 x 0.65 inches. 161 pages. Language: English. Weight: 15.4 ounces. Autobooks Owners Workshop Manuals Series. OWM 787. Fifth Edition 1981 Fully Revised and Enlarged. The first edition was published in 1976. Hardback: Laminate Boards. Autobooks Ltd. , hardcover
1981réf. 312289NY: MARVEL COMICS GROUP. Near Fine with no dust jacket. 1981. First Edition; First Printing. Softcover. First edition. About fine in stapled pictorial printed wrappers. Slight hint of shelf wear Official graphic adaptation of the film. . MARVEL COMICS GROUP. paperback
2019réf. 641294Hornsea: PS Publishing 2019. Limited Edition. Hardcover. Near Fine/Near Fine. octavo super. Deluxe signed edition and the first edition w/ these illustrations. Lettered Edition. Letter "U" of 26 lettered copies. Signed by author and illustrators. Signed by Ray Bradbury who died in 2012 in red ink to pre-existing bound in limitation page separate from the illustrators own special limitation page. Pictorial boards w/ Illustrated endpapers and illustrated throughout in black and white by Tikulin and Chadbourne. A beautiful item clean and bright in near mint condition. Housed in a special solander box. Near Fine PS Publishing hardcover
1978réf. GITg933Paris Collection des Orties Blanches 1978. In-8 broché couverture rose imprimée 201pp. Orné de 10 illustrations hors texte par Louis Malteste. Exemplaire frais et bien complet de son texte et des illustrations. (4459)
réf. 200620186Paris, Denoel, 1984 ; petit in-4, 62 pp., broché, couverture illustr.
réf. 200620185Paris, Denoel, 1984 ; petit in-4, 62 pp., broché, couverture illustr.
1957Editions A la rose des vents, La Rochelle, 1957. In-4 (28 x 23 cm) broché, couverture rempliée illustrée d'un vignette, 117 pages. Illustrations au pochoir en couleurs de Louis Suire réhaussées à la main par lui-même. Rousseurs sur la couverture. Louis Suire a pu suivre tôt des cours de dessin sous Louis Giraudeau. C'est aussi grâce à ce dernier qu'il découvrit en 1912 une Île de Ré encore sauvage. Son talent permit à l'artiste une entrée aux Beaux-Arts à Paris. C'est l'époque où il fréquente l'Académie Julian, se lie d'amitié avec Paul Signac, Albert Marquet1 et André Dunoyer de Segonzac.
réf. 25087Editions A la rose des vents, La Rochelle, 1957. In/4 (28 x 23 cm) broché, couverture rempliée illustrée d'un vignette, 117 pages. Illustrations au pochoir en couleurs de Louis Suire rehaussées à la main par lui-même. Rousseurs sur la couverture.
1949Au Moulin de Pen Mur, 1949. In/4 en feuilles sous couverture rempliée chemise et étui cartonnés, illustrations au pochoir de Joseph Hémard, 251 p. Exemplaire numéroté sur pur fil Johannot. Rare rousseurs.
réf. 51913Paris Piazza 1945 in 8 (23x16,5) 1 volume broché, couverture rempliée, plat supérieur titré et orné du vignette centrale en couleurs, 267 pages, avec de nombreuses illustrations en couleurs par Henry Cheffer, étui. Henry Cheffer, 1880-1957, peintre et graveur français. Tirage limité, celui-un des exemplaires non numéroté sur vélin. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 17065Au Moulin de Pen Mur, 1949. In/4 en feuilles sous couverture rempliée chemise et étui cartonnés, illustrations au pochoir de Joseph Hémard, 251 pages. Exemplaire numéroté sur pur fil Johannot. Rare rousseurs.
1957réf. WOC-90878 illustrations en couleurs à pleine page, 1 double page et 1 carte, par: Albert Brenet (27), Marin-Marie (19) et Mathurin Méheut (32). les bandeaux et culs-de-lampe noirs sont de Mathurin Méheut. Nantes, Imprimerie Moderne Beuchet & Vanden Brugge, 1957. In-4 (25x31cm) oblong broché crème, couverture rempliée, plat supérieur avec le nom et le titre en rouge et noir et orné d'une illustration en couleurs, titre en noir au dos, sous chemise et étui beige. 305pp.
1934réf. 9441New York: Blue Ribbon Press 1934. Illustrated pop-up edition. Original Wraps. Very Good. Illustrated pop-up edition. Original Wraps. Classic story of Puss in Boots illustrated by Harold Lentz in pop-up form and black and white text with illustrations. Harold Lentz was an advertising and children's pop-up book illustrator also the paper engineer for other books as "Pinocchio" "Jack the Giant Killer" and "Little Red Riding Hood." All paper engineering in excellent condition. Little shelf/edge wear soiling else tight bright and unmarred. Bound in original illustrated boards with pop-up end pages 8vo. np. Illus. color. Inscription on title page. No dust jacket as issued. Blue Ribbon Press unknown books
1934réf. 9441New York: Blue Ribbon Press 1934. Illustrated pop-up edition. Original Wraps. Very Good. Illustrated pop-up edition. Original Wraps. Classic story of Puss in Boots illustrated by Harold Lentz in pop-up form and black and white text with illustrations. Harold Lentz was an advertising and children's pop-up book illustrator also the paper engineer for other books as "Pinocchio" "Jack the Giant Killer" and "Little Red Riding Hood." All paper engineering in excellent condition. Little shelf/edge wear soiling else tight bright and unmarred. Bound in original illustrated boards with pop-up end pages 8vo. np. Illus. color. Inscription on title page. No dust jacket as issued. Blue Ribbon Press unknown
1962réf. ABE-1659815591504The Push Pin Graphic 1962 Softcover 8vo. 1st edition. Unpaginated. Illustrated staple-bound wraps. Sepia tone & B&W photo illustrations. Scarce. 1st Edition. Soft cover. Near Fine. The Push Pin Graphic paperback
1875réf. 4786London: Punch Office. Good. Hardcover. Boards rubbed especially spine. Most of the pages loose but present. Hinges cracked. Light foxing to endpapers; Extremely scarce. Bound in dark blue leather boards with a closing flap. All edges gilt; 24mo; 192 pages . 1875. Punch Office hardcover
1903réf. 49693London: Punch Office. Very Good. 1903. First Edition. 1/4 leather. Woodcuts; 4to 11" - 13" tall; 935 pages; 1903 Punch Office. Volumes 124 & 125 bound together; 467; 468 pp. Oversize quarto snug and bright in a finely bound quarter red morocco and red cloth covered sides. Page edges marbled and marbled endpages. Bound by Murphy of Liverpool. Page edges marbled and marbled endpages. Numerous large format illustrations by artists including Phil May & Bernard Partridge & Edward Tennyson Reed & Edward Linley Sambourne. Light shelf rubbing to leather over joints and corners. VG . Oversize book may require additional charges for expedited or international shipping. . Punch Office hardcover
1790réf. GITb316Parisiis Typis Barbou 1790. 2vol in-12 II-XXVIII 2ff n ch 6-392pp, 1f n ch 4-423pp. Pleine basane havane marbrée, dos lisse orné de filets et fleurettes dorés, pièces de titre et de tomaison de maroquin rouge, plats encadrés d'un triple filet doré, dentelle dorée sur bordure intérieure, tranches dorées, rel époque. Orné de têtes de chapitres et culs de lampes (non signés), 1 frontispice et 17 figures hors texte de Cochin gravés par Duflos.
1898réf. cROU-6971898 Paris,1898-1899 ; in folio, demi-basane olive époque, dos lisse orné de jeux de filets dorés, titre, date et possesseur dorés. Publication hebdomadaire de 2ff. in-folio, parue du 5 février 1898 (n°1) au 16 septembre 1899 (n°85).
1948Editions A. Rivoire, Lyon, 1948. 2 vol. grand In/4 couverture rempliée et imprimée sous chemise et étui illustrés, illustrations de Joseph Belouze, feuillets libres. Exemplaire sur Johannot. Eugène Martin, poète provençal et Félibre Mainteneur historien et archéologue ont composé le texte de cet ouvrage ; les illustrations sont de Joseph Belouze ; les textes composés en caractères Peignot d’origine.
1967réf. 008463Berkeley: Bill Donaho 1967. Brochure. Fine. Pamphlet. First Printing. 8vo - over 7¾" - 9¾" tall. Progress Report 1 September 1967 illustrations by Johnny Chambers 8 unnumbered pages in stapled illustrated wrappers. Mostly containing the schedule for the upcoming convention. With Anthony Boucher listed as Toastmaster and Parliamentarian significant because inside rear cover of Progress Report 3 contains memorial tribute to Boucher. Progress Report 3 June 1968 cover illustrations by Vaughan Bode 28 unnumbered pages stapled illustrated wrappers full page map of Berkeley. From the collection of noted science fiction artist illustrator and writer Henry M. Eichner with original mailing envelope addressed to him. Both Reports are Fine. RARE Baycon ephemera with excellent sci-fi provenance. Bill Donaho Paperback books
1967réf. 008463Berkeley: Bill Donaho 1967. Brochure. Fine. Pamphlet. First Printing. 8vo - over 7¾" - 9¾" tall. Progress Report 1 September 1967 illustrations by Johnny Chambers 8 unnumbered pages in stapled illustrated wrappers. Mostly containing the schedule for the upcoming convention. With Anthony Boucher listed as Toastmaster and Parliamentarian significant because inside rear cover of Progress Report 3 contains memorial tribute to Boucher. Progress Report 3 June 1968 cover illustrations by Vaughan Bode 28 unnumbered pages stapled illustrated wrappers full page map of Berkeley. From the collection of noted science fiction artist illustrator and writer Henry M. Eichner with original mailing envelope addressed to him. Both Reports are Fine. RARE Baycon ephemera with excellent sci-fi provenance. Bill Donaho Paperback
1947Floury éditeur, Paris, 1947. In/8 broché, couverture illustré, 156 p., illustrations de Hansi. Nouvelle édition augmentée de dessins inédits, d’un avant propos et de quelques écrits.