2,215 results
1903ref. 49693London: Punch Office. Very Good. 1903. First Edition. 1/4 leather. Woodcuts; 4to 11" - 13" tall; 935 pages; 1903 Punch Office. Volumes 124 & 125 bound together; 467; 468 pp. Oversize quarto snug and bright in a finely bound quarter red morocco and red cloth covered sides. Page edges marbled and marbled endpages. Bound by Murphy of Liverpool. Page edges marbled and marbled endpages. Numerous large format illustrations by artists including Phil May & Bernard Partridge & Edward Tennyson Reed & Edward Linley Sambourne. Light shelf rubbing to leather over joints and corners. VG . Oversize book may require additional charges for expedited or international shipping. . Punch Office hardcover
1875ref. 4786London: Punch Office. Good. Hardcover. Boards rubbed especially spine. Most of the pages loose but present. Hinges cracked. Light foxing to endpapers; Extremely scarce. Bound in dark blue leather boards with a closing flap. All edges gilt; 24mo; 192 pages . 1875. Punch Office hardcover
1962ref. ABE-1659815591504The Push Pin Graphic 1962 Softcover 8vo. 1st edition. Unpaginated. Illustrated staple-bound wraps. Sepia tone & B&W photo illustrations. Scarce. 1st Edition. Soft cover. Near Fine. The Push Pin Graphic paperback
1934ref. 9441New York: Blue Ribbon Press 1934. Illustrated pop-up edition. Original Wraps. Very Good. Illustrated pop-up edition. Original Wraps. Classic story of Puss in Boots illustrated by Harold Lentz in pop-up form and black and white text with illustrations. Harold Lentz was an advertising and children's pop-up book illustrator also the paper engineer for other books as "Pinocchio" "Jack the Giant Killer" and "Little Red Riding Hood." All paper engineering in excellent condition. Little shelf/edge wear soiling else tight bright and unmarred. Bound in original illustrated boards with pop-up end pages 8vo. np. Illus. color. Inscription on title page. No dust jacket as issued. Blue Ribbon Press unknown
1934ref. 9441New York: Blue Ribbon Press 1934. Illustrated pop-up edition. Original Wraps. Very Good. Illustrated pop-up edition. Original Wraps. Classic story of Puss in Boots illustrated by Harold Lentz in pop-up form and black and white text with illustrations. Harold Lentz was an advertising and children's pop-up book illustrator also the paper engineer for other books as "Pinocchio" "Jack the Giant Killer" and "Little Red Riding Hood." All paper engineering in excellent condition. Little shelf/edge wear soiling else tight bright and unmarred. Bound in original illustrated boards with pop-up end pages 8vo. np. Illus. color. Inscription on title page. No dust jacket as issued. Blue Ribbon Press unknown books
ref. 51913Paris Piazza 1945 in 8 (23x16,5) 1 volume broché, couverture rempliée, plat supérieur titré et orné du vignette centrale en couleurs, 267 pages, avec de nombreuses illustrations en couleurs par Henry Cheffer, étui. Henry Cheffer, 1880-1957, peintre et graveur français. Tirage limité, celui-un des exemplaires non numéroté sur vélin. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
ref. 17065Au Moulin de Pen Mur, 1949. In/4 en feuilles sous couverture rempliée chemise et étui cartonnés, illustrations au pochoir de Joseph Hémard, 251 pages. Exemplaire numéroté sur pur fil Johannot. Rare rousseurs.
1957ref. WOC-90878 illustrations en couleurs à pleine page, 1 double page et 1 carte, par: Albert Brenet (27), Marin-Marie (19) et Mathurin Méheut (32). les bandeaux et culs-de-lampe noirs sont de Mathurin Méheut. Nantes, Imprimerie Moderne Beuchet & Vanden Brugge, 1957. In-4 (25x31cm) oblong broché crème, couverture rempliée, plat supérieur avec le nom et le titre en rouge et noir et orné d'une illustration en couleurs, titre en noir au dos, sous chemise et étui beige. 305pp.
1949Au Moulin de Pen Mur, 1949. In/4 en feuilles sous couverture rempliée chemise et étui cartonnés, illustrations au pochoir de Joseph Hémard, 251 p. Exemplaire numéroté sur pur fil Johannot. Rare rousseurs.
ref. 25087Editions A la rose des vents, La Rochelle, 1957. In/4 (28 x 23 cm) broché, couverture rempliée illustrée d'un vignette, 117 pages. Illustrations au pochoir en couleurs de Louis Suire rehaussées à la main par lui-même. Rousseurs sur la couverture.
1957Editions A la rose des vents, La Rochelle, 1957. In-4 (28 x 23 cm) broché, couverture rempliée illustrée d'un vignette, 117 pages. Illustrations au pochoir en couleurs de Louis Suire réhaussées à la main par lui-même. Rousseurs sur la couverture. Louis Suire a pu suivre tôt des cours de dessin sous Louis Giraudeau. C'est aussi grâce à ce dernier qu'il découvrit en 1912 une Île de Ré encore sauvage. Son talent permit à l'artiste une entrée aux Beaux-Arts à Paris. C'est l'époque où il fréquente l'Académie Julian, se lie d'amitié avec Paul Signac, Albert Marquet1 et André Dunoyer de Segonzac.
ref. 200620186Paris, Denoel, 1984 ; petit in-4, 62 pp., broché, couverture illustr.
ref. 200620185Paris, Denoel, 1984 ; petit in-4, 62 pp., broché, couverture illustr.
1978ref. GITg933Paris Collection des Orties Blanches 1978. In-8 broché couverture rose imprimée 201pp. Orné de 10 illustrations hors texte par Louis Malteste. Exemplaire frais et bien complet de son texte et des illustrations. (4459)
2019ref. 641294Hornsea: PS Publishing 2019. Limited Edition. Hardcover. Near Fine/Near Fine. octavo super. Deluxe signed edition and the first edition w/ these illustrations. Lettered Edition. Letter "U" of 26 lettered copies. Signed by author and illustrators. Signed by Ray Bradbury who died in 2012 in red ink to pre-existing bound in limitation page separate from the illustrators own special limitation page. Pictorial boards w/ Illustrated endpapers and illustrated throughout in black and white by Tikulin and Chadbourne. A beautiful item clean and bright in near mint condition. Housed in a special solander box. Near Fine PS Publishing hardcover
1981ref. 312289NY: MARVEL COMICS GROUP. Near Fine with no dust jacket. 1981. First Edition; First Printing. Softcover. First edition. About fine in stapled pictorial printed wrappers. Slight hint of shelf wear Official graphic adaptation of the film. . MARVEL COMICS GROUP. paperback
1982ref. 49320Wakefield West Yorkshire UK Autobooks Ltd. 1982. Hardcover Fifth Edition 1981 Fully Revised and Enlarged. The first edition was published in 1976. Good only: Shows significant indications of use: Greasy smudges to the outside edges and many of the pages; fairly heavy wear to the extremities; the head and heel of the backstrip have lost about an eighth inch to chipping and have been reinforced with cellophane packing tape; a dime-size gouge at the upper front panel; moderate rubbing to the panels. The binding is square and remains secure; the text is free of underlining highlighting or any other marks; though there is an inked price at the front free endpaper. Free of any ownership names dates addresses notations inscriptions stamps plates or labels. Not much to look at; a moderately worn copy showing several flaws. Remains structurally sound and tightly bound. Overall remains a sturdy reading copy. NOT a Remainder Book-Club or Ex-Library. 8vo. 9.65 x 7.35 x 0.65 inches. 161 pages. Language: English. Weight: 15.4 ounces. Autobooks Owners Workshop Manuals Series. OWM 787. Fifth Edition 1981 Fully Revised and Enlarged. The first edition was published in 1976. Hardback: Laminate Boards. Autobooks Ltd. , hardcover
1821ref. 54180London: Printed for Jones & Co. Oxford Arms Passage Paternoster-Row 1821. First. Hardcover. Very good. Two volumes octavo published in 1821 and 1822. 2: title verso blank iii-x 3-656; 2: title verso blank i-ix 1: blank 3-668 pp. Hand-colored engraved frontispiece and pictorial hand-colored title in each volume plus 30 hand-colored aquatint plates in the text. Later full crimson morocco triple-ruled in gilt; spine with raised bands lettered in gilt; gilt turn-ins; all edges gilt. Spine extremities and bands rubbed. Occasional mild toning and smudges. Complete with all 28 text plates called for in the Directions to the Binder along with an additional two plates "Tom and Bob Catching a Charley Napping" Abbey no. 34 and "St. George's Day Presentation at the Levee" Abbey no. 31. A very good or better set in a handsome signed binding by Riviere and Son. First edition later issue of this imitation of Pierce Egan's Life in London 1821. While sometimes attributed to Egan the work was possibly written by John Badcock. "Out of the sixty-five imitations of it which Egan stated that he had reckoned the most important was Real Life in London. which was published in sixpenny numbers in 1821 with excellent illustrations by Heath Alken Dighton Rowlandson and others. Real Life in London is a pleasanter book than its prototype. Some have held that Egan wrote it; but the author had a purer style a cleaner mind and a wider knowledge of London than Egan" The Cambridge History of English and American Literature. "From a bibliographical point of view one of the most complicated and bewildering books ever published rivaling Pickwick in the tangle of variant states that exist both in text and plates. The work had a tremendous success probably out-rivaling in popularity its prototype. A difficult feature of the book is that two printers. printed copies textually the same page by page with only minor variations in the settings and this coupled with the fact that during the eight or nine years it was being reprinted makes the whole vast output all 'first editions' but with innumerable states and variants that continually overlap one with the other" Abbey. "Originally published in 56 parts on completion the work was issued in boards. Later copies were bound in publisher's cloth. A book full of contrarities and difficulties for the bibliographer there being innumerable variations of the plates. The difficulties are further increased by many copies in modern bindings having been completed or made up of different issues giving combinations that are not true variations" Tooley. Printers: R. Bensley Bolt Court Fleet Street vol. 1; A. Applegath Stamford-street vol. 2. Second volume title and imprint: Real Life in London; or The Further Rambles and Adventures etc. - Printed for Jones & Co. 3 Warwick Square. 1822. References: Abbey Life 280 1821-22 first edition; J. H. Slater Illustrated Sporting Books 1899 p. 96; Tooley 198 1821-22 first edition. Printed for Jones & Co. Oxford Arms Passage, Paternoster-Row hardcover
1821ref. 54180London: Printed for Jones & Co. Oxford Arms Passage Paternoster-Row 1821. First. Hardcover. Very good. Two volumes octavo published in 1821 and 1822. 2: title verso blank iii-x 3-656; 2: title verso blank i-ix 1: blank 3-668 pp. Hand-colored engraved frontispiece and pictorial hand-colored title in each volume plus 30 hand-colored aquatint plates in the text. Later full crimson morocco triple-ruled in gilt; spine with raised bands lettered in gilt; gilt turn-ins; all edges gilt. Spine extremities and bands rubbed. Occasional mild toning and smudges. Complete with all 28 text plates called for in the Directions to the Binder along with an additional two plates "Tom and Bob Catching a Charley Napping" Abbey no. 34 and "St. George's Day Presentation at the Levee" Abbey no. 31. A very good or better set in a handsome signed binding by Riviere and Son. First edition later issue of this imitation of Pierce Egan's Life in London 1821. While sometimes attributed to Egan the work was possibly written by John Badcock. "Out of the sixty-five imitations of it which Egan stated that he had reckoned the most important was Real Life in London. which was published in sixpenny numbers in 1821 with excellent illustrations by Heath Alken Dighton Rowlandson and others. Real Life in London is a pleasanter book than its prototype. Some have held that Egan wrote it; but the author had a purer style a cleaner mind and a wider knowledge of London than Egan" The Cambridge History of English and American Literature. "From a bibliographical point of view one of the most complicated and bewildering books ever published rivaling Pickwick in the tangle of variant states that exist both in text and plates. The work had a tremendous success probably out-rivaling in popularity its prototype. A difficult feature of the book is that two printers. printed copies textually the same page by page with only minor variations in the settings and this coupled with the fact that during the eight or nine years it was being reprinted makes the whole vast output all 'first editions' but with innumerable states and variants that continually overlap one with the other" Abbey. "Originally published in 56 parts on completion the work was issued in boards. Later copies were bound in publisher's cloth. A book full of contrarities and difficulties for the bibliographer there being innumerable variations of the plates. The difficulties are further increased by many copies in modern bindings having been completed or made up of different issues giving combinations that are not true variations" Tooley. Printers: R. Bensley Bolt Court Fleet Street vol. 1; A. Applegath Stamford-street vol. 2. Second volume title and imprint: Real Life in London; or The Further Rambles and Adventures etc. - Printed for Jones & Co. 3 Warwick Square. 1822. References: Abbey Life 280 1821-22 first edition; J. H. Slater Illustrated Sporting Books 1899 p. 96; Tooley 198 1821-22 first edition. Printed for Jones & Co. Oxford Arms Passage, Paternoster-Row hardcover books
ref. 2919Frontispices en couleurs de DIGNIMONT. Monte-Carlo. Edt. Du Livre, 1946. 2 volumes petit in-4. Broché.
1933ref. GITh651Tours Maison Alfred Mame et Fils sans date (1933). In-4 2 feuillets non chiffrés 6-172pp 1 feuillet achevé d'imprimer. Cartonnage de l'éditeur dos de toile bleu marial muet, plats de papier toilé, 1er plat illustré en couleurs (épisode de la pêche miraculeuse), vue de Jérusalem en noir, dans un médaillon sur le 2e. Orné d'une vignette sur le titre et 73 illustrations de René-Régis de Coniac dont 16 en couleurs hors texte comprises dans la pagination, incluant le frontispice et 1 carte. Petit plis de lecture sur le dos, légère usure du papier sur les coins. Bel exemplaire frais, malgré les défauts signalés, complet du texte et des illustrations. Cartonnage solide, en bon état et décoratif.
ref. 1111211 partitions entre 1865 et 1882, reliées en 1 volume In folio, demi-chagrin rouge, dos à nerfs orné de fleurons dorés, titre doré “ Souvenir“, plats de toile granitée rouge inscription dorée poussée au 1er plat “ ALBUM BIJOU - J. -B. A.“. LOUIS Atrhur. Grelots rémois. Polka pour piano avec accomp.t de grelots placés au pied droit par Arthur Louis. Op. 50. Paris J.B. Frantz (1880), couverture illustrée en bleu et or) / SIEG. Sylvia. Valse pour piano par Constant Sieg. Op. 46 (Paris, Mackar 1870), couverture illustrée en couleurs / METRA. Les volontaires : polka-marche par Olivier Métra. Paris, Tellier (1882), couverture illustrée par G. Fraipont. / AUDRAN. La Mascotte, opéra comique en 3 actes. La Ballade chantée par Mr. Morlet. Paris, Choudens ( 1881)/ HACK d'. Les Fiancailles, valse chantée. Paroles de René Gry. Musique d'Alfred d'Hack. ( paris, Egrot ( vers 1875), couvertureillsutrée par L. Denis. / REIFFLER. À ton Bras ! Polka pour piano par Tony Rieffler . Paris ,L. Grus, (1879); couverture illustrée par Fraipont d'après Kammerer/ HENRION. L'Anniversaire ! Rondeau..., paroles de Villemer et H. Ryon, musique de Paul Henrion. paris, Egrot (1877), couverture illustrée par Fraipont. (partition chant petit format jointe) / QUIDANT. Bengali ! Chant créole, paroles de Raphaël May, musique de Jules Quidant . Paris, Egrot , (1865), couverture illustrée par Barbizet. (partition chant petit format jointe) / DESORMES. Sérénade de Mandolines pour le piano. Paris, 4grot ( vers 1880), couverture illustrée par L. Denis, tirée en bleu pâle. / LERICHE. Mon Bonheur, le voilà ! Romance..., paroles de M. Auguste Mérigot, musique de Charles Leriche. Paris, Egrot (1870), couverture illustrée d'après A. Jannin, Colomb lithographe (partition chant petit format jointe) / HENRION. Mon ami ne revient pas ! Mélodie, paroles de Villemer et Delormel, musique de Paul Henrion. Paris, Egrot,(1875), (partition chant petit format jointe) .
ref. 1111520 partitions pour piano, reliées en 1 volume In folio, demi-basane rouge, dos lise orné de filets gras à froid, titre doré “ Danses“, plats de papier granité rouge. Renferme en particulier de l'Editeur Choudens les partitions de la collection des Danses de WALLERSTEIN, légendées “ Château des Fleurs, Château d'Asnières, salle Sainte-Cécile, Jardin Mabille" dont la couverture illustrée en noir est encadrée d'une large dentelle typographique rouge et vert: Les dentelles de Malines, Schottisch (couverture de Aumont Leroux) / Les féeries d'Asnières, Schottisch ( couverture deGustave Janet)/ Paris qui rit, Schottisch (couverture de Aumont Leroux), dernière page réparée au papier gommé/ Deux galops. Couverture illustrée par Célestin Nanteuil.
1941H. Lardanchet, Lyon, 1941. In/8 reliure pleine basane, dos à nerfs à pièces de titres, couvertures et dos conservés, 190 p. Un des 200 exemplaires sur alfa. Dos insolé.
128ref. GITb905Paris Garnier Frères sd (1928). In-16 broché couverture illustrée par Robert Sallès 210pp. Orné de 2 figures dans le texte. Pliure angulaire sur le 1er plat.