Honore DAUMIERBiblio.com
4298 resultados
1842ref. 72622Paris: Maison Martinet 1842. Fine. Maison Martinet Paris 1842 37 x 24.50 cm une feuille Original lithograph in second state colored and gum arabic highlights created for the journal La Caricature. Delteil 422. Paper slightly yellowed otherwise handsome copy. Maison Martinet unknown
1845ref. 72646Paris: Chez Aubert 1845. Fine. Chez Aubert Paris 1845 26.50 x 35.10 cm une feuille Original black and white lithograph in second state created for Le Charivari and printed on heavy paper. Delteil 2232. Light foxing throughout the plate. Chez Aubert unknown
1838ref. 4946Paris: Aubert & Cie. 1838. First edition First state. This is the rarest version of this caricature with the title below and the Aubert imprint to the left but without the header title "La Caricature provisoire" second state or the title "Les 12 Mois" third state. It is also without the number 1. to the top right that appears on the later imprints. Signed h.D. in the plate. A very good clean impression with a little foxing only. The fold to the centre as called for on this edition. Verso is blank but for slight foxing. A very nice copy of this rare Daumier engraving. 16.5cm x 22.5cm. Cat.Rais.: Delteil 551 . Première édition premier état. Il s'agit de la version la plus rare de cette caricature avec le titre en bas et l'empreinte d'Aubert à gauche mais sans le titre d'en-tête "La Caricature provisoire" deuxième état ni le titre "Les 12 Mois" troisième état. Il n'y a pas non plus le chiffre 1 en haut à droite qui apparaît sur les tirages ultérieurs. Signé h.D. dans la planche. Très bonne impression propre avec seulement quelques rousseurs. La pliure est au centre comme prévu dans cette édition. Le verso est vierge à l'exception d'une légère rousseur. Un très bel exemplaire de cette rare gravure de Daumier. 16.5cm x 22.5cm. Cat.Rais. : Delteil 551 Aubert & Cie. unknown
1846ref. 7402Paris, Chez Aubert et Cie, sans date [1846]. In-4 à l'italienne de [4]-94-15 pages, les dernières catalogue de l'éditeur, pleine percaline bleue, plats ornés de filets à froid, titre doré au premier plat. Quelques marques et taches discrètes à la percaline, rares rousseurs, très bon état général.
1845ref. 25981845. Lithograph. 350mm by 260mm sheet. A CHARGE OF ADULTERY. 'Magistrates my client is absolutely sure of the fact. But this personal conviction of his was not sufficient for him. He wanted to share it with your tribunal with the auditorium surrounding us with all of France. This is the task I am trying to accomplish in the interest of my client and I believe that I succeeded in opening everybody's eyes. Now my client needs only to see his social position reestablished by an authentic judgement and you are by far too just my Magistrates if you would refuse to render him this last satisfaction.'On the left hand side is the Royal Stamp - this is sometimes found on the lithographs of Le Charivari and was a censor's stamp.From the French satirical journal 'Le Charivari' from a series titled 'Moeurs Conjugales' Married Life . Light folds as issued. A couple of minor marks top left. unknown
ref. HD-201o.J. Dieser Wagen wird immer rollen, sie können noch so viele Knüppel zwischen die Speichen werfen. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse., sowie: Imp. Aubert & Cie. Darstellungsgröße 21,6:26,7 cm, Blattgröße 27,7:35,8 cm. Literatur: Daumier-Register 1915 II (von 2); Delteil 1915 II (von 2), Blatt Nr. 36 der Serie ?ACTUALITÉS?, erschienen 29.11.1849 in ?LE CHARIVARI?. ? Sur blanc!
ref. HD-199o.J. GARNIER-Pagès. Ex-Mitglied der Provisorischen Regierung, Ex-Bürgermeister von Paris, Ex-Finanzminister; GARNIER-Pagès pflegt die Angewohnheit, seine Hände in den Hosentaschen zu haben... was man als Beweis seiner Ehrlichkeit deuten kann... vor allem in einer Zeit, in der viele Mitbürger sich damit vergnügen, mit ihren Händen in den Taschen Anderer herumzuwühlen. Zu bemerken wäre weiterhin, dass alle, die GARNIER-Pagès kennen, ihn auch mögen, obwohl er eine Warze auf der Stirne hat. . Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse, sowie: Imp. Aubert & Cie. Darstellungsgröße 24,4:17,2 cm, Blattgröße 35,8:27,5 cm. Literatur: Daumier-Register 1815 III (von 3); Delteil 1815 III (von 3), Blatt Nr. 17 der Serie ?LES REPRÉSENTANS REPRÉSENTÉS?, erschienen 02.02.1849 in ?LE CHARIVARI?. ? Sur blanc! Mit kleineren Papierverlusten in den Ecken.
ref. HD-202o.J. Ritter Véron fordert den Charivari zum grossen Kampf im Hofe der sechstem Kammer im Palais de Justice auf. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse., sowie: Imp. Aubert & Cie. Darstellungsgröße 21,5:27,6 cm, Blattgröße 27,3:36 cm. Literatur: Daumier-Register 1916 II (von 2); Delteil 1916 II (von 2), Blatt Nr. 49 der Serie ?ACTUALITÉS?, erschienen 22.12.1849 in ?LE CHARIVARI?. ? Sur blanc!
ref. HD-102o.J. EIN VERBISSENER ANGLER, oder: "Über Geschmack lässt sich nicht streiten". Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger R. du Croissant 16 sowie: Imp. d?Aubert & Cie. Blattgröße 33,8:25,7 cm. ? Verso an den Ecken Reste alter Verklebung. Literatur: Daumier-Register 817, II (von 2); Delteil 817, I (von 2). Blatt 3 der 7-Blatt-Serie ?La Pêche?, erschienen in ?La Caricature?, 2.08.1840. ? Sur blanc.
ref. HD-214o.J. Pudel und Rentenbezieher auf dem Weg zur Nationalversammlung, um für die Abschaffung der Hundesteuer und Transfersteuer auf Renteneinkommen zu gratulieren. Lithographie, auf braünlichem Velin, mit den Adressen: Chez Me.Ve.Aubert Pl. de la Bourse.29, sowieLithie.de Me.Vve.Aubert r. Croix des Pts.Chps...... Darstellungsgröße 21,4:26,7 cm, Blattgröße 27,6:32,8 cm. Literatur: Daumier-Register 2016 II (von 2); Delteil 2016 II (von 2), Blatt Nr. 146 der Serie ?ACTUALITÉS.?, erschienen 17.06.1850 in ?LE CHARIVARI?. ? Sur blanc!
ref. HD-075o.J. (Du beklagst Dich wirklich immer, nie bist Du zufrieden). Zeitgenöss. aquarellierte Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger R du Croissant 16, sowie: Imp. d?Aubert & Cie. Blattgröße 34,9:26 cm. ? Papier gebräunt. Literatur: Daumier-Register 631; Delteil 631. No. 8 der Folge ?Moeurs Conjugales?, erschienen 22.10.1839 in ?Le Charivari?. ? Sur blanc!
ref. HD-055o.J. (Feuer!). Lithographie, auf chamoisfarbenem Velin, mit der Adresse: Imp. D?Aubert & Cie. Blattgröße 24,6:33,1 cm. Provenienz: Sammlung HB im Rhombus, nicht bei Lugt. Literatur: Daumier-Register 591; Delteil 591, Blatt 5 der Serie ?Les Pratiques des Marchands de Paris?, erschienen 27.10.1839 in ?La Caricature?. ? Blatt 35 der Folge ?Types Parisiens?, erschienen 1.08.1842 in ?Le Charivari?. ? Sur blanc! - TYPES PARISIENS. (Pariser Typen) ist eine Serie von 50 Lithographien, welche zwischen Oktober 1840 und Januar 1843 im LE CHARIVARI erschienen sind. Die Blätter DR 502 und 503 erschienen separat im Jahre 1838. Zuvor erschienen die Blätter 1 - 42 dieser Serie im Jahr 1839 bis 1840 in ?La Caricature Provisoire? und ?Le Figaro?.
1842ref. 72711Chez Aubert | Paris 1842 | 35.90 x 27.50 cm | une feuille
1841ref. 1308Reliure demi-chagrin rouge. Dos lisse orné de filets dorés, C. H. JAMET en queue. Trois tranches jaspées. Intérieur avec rousseurs. Illustré de 350 vignettes par MM. Grandville, Gavarni, Daumier, Travies, Lecurieur et Henri Monnier.
1924ref. 217323Paris: aux Édition G. Crès et Cie 1924. First edition. Illustrated with 46 plates. 38 pp. of text. 1 vols. 4to. Bound in three quarter dark morocco gilt spine about fine. First edition. Illustrated with 46 plates. 38 pp. of text. 1 vols. 4to. Freitag no. 2071 aux Édition G. Crès et Cie unknown books
ref. 05423Paris: Au Bureau du Journal le Charivari 1857. Thirty Amusing Wood-Cut Illustrations by Honoré Daumier DAUMIER Honoré. Croquis Variés. Paris: Au Bureau du Journal le Charivari 1857. First edition. Small quarto 9 1/2 x 7 1/8 inches; 241 x 181 mm. 16 leaves including vignette title-page all printed on one side only. Thirty amusing wood-cut illustrations. Some foxing throughout as is usual. Publisher's pale green printed wrappers with advertisements on rear. Complete with the publisher's glassine wrapper. Apart from the usual foxing a remarkable survival of this very fragile little book. First edition of this collection of plates by the famous illustrator writer sculptor. French lithographer and caricaturist Honoré Daumier Marseilles February 26 1808 - Valmondois February 10 1879 famous for his satirical cartoons targeting the political figures of the time. Daumier from a very young age demonstrated a propensity for drawing. In 1825 he was an apprentice of Beliard lithography starting to collaborate then with the humorous newspaper "La Silhouette" demonstrating right from the start all his satirical verve. Among the first tables that he created one caused a stir. In it the caricaturist opposed the glorious Napoleonic tricolor to the restored Bourbon flag. Daumier's political commitment did not stop at paper but he took an active part in the revolutionary uprisings which overthrew the monarchy of Charles X in July 1830. During the uprisings he was also hit by a bullet. In 1835 he began his collaboration with the famous satirical newspaper directed by Charles Philipon and Gabriel Aubert "La Caricature" which gave him fame and visibility but also various problems which also led him to be imprisoned for a too ferocious cartoon towards Louis Philippe I of France formerly Louis-Philippe Duke of Orléans. Dumier in the following years became one of the most famous illustrators of France collaborating with newspapers such as Le Charivari and La Chronique de Paris newspaper founded in 1836 by Balzac who also used the caricaturist for the images of some of his works and illustrating classic works and contemporary novels achieving enormous success. Uncommon in this first edition. Paris: Au Bureau du Journal le Charivari, 1857 unknown books
1840ref. 1416013Paris: Chez Aubert et Editeur du Musée Pour Rire 1840. Hardcover. Quarto. Unpaginated. In Very Good condition. Half-bound in black leather over marbled-paper boards. Black paneled spine with gilt lettering. Sympathetically rebacked with boards and majority of spine preserved. Boards show mild shelf wear overall with bumping to corners and rubbing along edges. Textblock shows mild age toning to interior and occasional light foxing. Pencil notation to inside end paper. Shelved in Room X Glass case 1. Illustrated throughout with black-and-white lithographic plates after drawings by Honoré Daumier. 1416013. Special Collections - Downstairs. Chez Aubert et Editeur du Musée Pour Rire hardcover books
1924ref. 217323Paris: aux Édition G. Crès et Cie 1924. First edition. Illustrated with 46 plates. 38 pp. of text. 1 vols. 4to. Bound in three quarter dark morocco gilt spine about fine. First edition. Illustrated with 46 plates. 38 pp. of text. 1 vols. 4to. Freitag no. 2071 aux Édition G. Crès et Cie unknown
1918ref. 79235Muenchen:: Verlag der Marees-Gesellschaft 1918. First edition. publisher's printed wrappers text; plates laid into publisher's portfolio. The mats to the plates and preliminary leaf slightly tanned; portfolio spotted; plates very attractive. . Large folio. 13 only of 15 matted plates lacking Pl. 6 and 9; some in color. Verlag der Marees-Gesellschaft, unknown
ref. 05423Paris: Au Bureau du Journal le Charivari 1857. Thirty Amusing Wood-Cut Illustrations by Honoré Daumier DAUMIER Honoré. Croquis Variés. Paris: Au Bureau du Journal le Charivari 1857. First edition. Small quarto 9 1/2 x 7 1/8 inches; 241 x 181 mm. 16 leaves including vignette title-page all printed on one side only. Thirty amusing wood-cut illustrations. Some foxing throughout as is usual. Publisher's pale green printed wrappers with advertisements on rear. Complete with the publisher's glassine wrapper. Apart from the usual foxing a remarkable survival of this very fragile little book. First edition of this collection of plates by the famous illustrator writer sculptor. French lithographer and caricaturist Honoré Daumier Marseilles February 26 1808 - Valmondois February 10 1879 famous for his satirical cartoons targeting the political figures of the time. Daumier from a very young age demonstrated a propensity for drawing. In 1825 he was an apprentice of Beliard lithography starting to collaborate then with the humorous newspaper "La Silhouette" demonstrating right from the start all his satirical verve. Among the first tables that he created one caused a stir. In it the caricaturist opposed the glorious Napoleonic tricolor to the restored Bourbon flag. Daumier's political commitment did not stop at paper but he took an active part in the revolutionary uprisings which overthrew the monarchy of Charles X in July 1830. During the uprisings he was also hit by a bullet. In 1835 he began his collaboration with the famous satirical newspaper directed by Charles Philipon and Gabriel Aubert "La Caricature" which gave him fame and visibility but also various problems which also led him to be imprisoned for a too ferocious cartoon towards Louis Philippe I of France formerly Louis-Philippe Duke of Orléans. Dumier in the following years became one of the most famous illustrators of France collaborating with newspapers such as Le Charivari and La Chronique de Paris newspaper founded in 1836 by Balzac who also used the caricaturist for the images of some of his works and illustrating classic works and contemporary novels achieving enormous success. Uncommon in this first edition. Paris: Au Bureau du Journal le Charivari, 1857 unknown
1840ref. 1416013Paris: Chez Aubert et Editeur du Musée Pour Rire 1840. Hardcover. Quarto. Unpaginated. In Very Good condition. Half-bound in black leather over marbled-paper boards. Black paneled spine with gilt lettering. Sympathetically rebacked with boards and majority of spine preserved. Boards show mild shelf wear overall with bumping to corners and rubbing along edges. Textblock shows mild age toning to interior and occasional light foxing. Pencil notation to inside end paper. Shelved in Room X Glass case 1. Illustrated throughout with black-and-white lithographic plates after drawings by Honoré Daumier. 1416013. Special Collections - Downstairs. Chez Aubert et Editeur du Musée Pour Rire hardcover
1836ref. 8974Hand-colored lithograph highlighted with gum arabic. Plate No. 20. Stain to bottom left corner and crease to upper right corner see image. Scarce. 10.5 x 13.75 in 27 x 35 cm DR #345 Aubert et de Junca
1837ref. 8975Hand-colored lithograph highlighted with gum arabic. Plate No. 13. Stain to bottom left corner and minor foxing see image. Scarce. 10.5 x 13.75 in 27 x 35 cm DR #338 Aubert et de Junca
ref. 51-6779Frankfurt: Querschnitt-Verlag A.G. 1923. 4to. 18.5 x 25cm. Original boards. and linen spine.One of 400 numbered copies. Cover by Fernand LeÌger.OCLC Number / Unique Identifier:950242019.Physical Description:XXII 256 p. : ill. ; 257 x 187 cm.Der Querschnitt 1921–31The magazine ‘Der Querschnitt’ was launched by Alfred Flechtheim. It captured the zeitgeist and combined contemporary art literature sport and more. Initially it was published by the Verlag der Galerie Flechtheim and from 1923 by the Querschnitt-Verlag. In 1924 it switched to Propyläen-Verlag. The number of issues varied from year to year. During the first four years a year book was also published in addition. After the April issue 1931 the editor and publisher Hermann von Wedderkop left ‘Der Querschnitt’. The issues that followed had no connection whatsoever with Alfred Flechtheim. Frankfurt: Querschnitt-Verlag A.G., 1923. hardcover
1841ref. 2546Paris, L. Curmer, 1841 ; in-8, demie-percaline bleu-réglisse, dos lisse, titre doré, filets dorés ; (3) ff. (bl., faux-titre, titre), 480 pp., (1) f. (bl.) ; nombreux dessins en noir in-texte.
