Daumier, HonoreBiblio.com
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rif. 9157051Short description: In Russian. Daumier Honore. Siege. Moscow: State Publishing House 1920. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU9157051 unknown
1888rif. 287477Paris: Maison Quantin - Compagnie Generale d'Impression et d'Edition 1888. Hardcover. 109p. profuse b&w reproductions in a variety of media plus the promised five color lithos simple colorwork not layered as called for hardbound in 11x8 inch dark red morocco over marbled green boards beautifully tooled spine with raised bands devices and titling gilt abraded joints pervasive light foxing within terminal signature is detached but not damaged badly broken hinges with casing nearly detached from textblock. Professional attentions would benefit item and its readership otherwise just be cautious when going through. The V. Hugo singleton is a curiosity quite a ferocious style; the Daumier are splendid; all inclusions are worthwhile and unusual. As is. Maison Quantin - Compagnie Generale d'Impression et d'Edition hardcover
1826rif. 4572Paris: Chez Giraut et Martinet 1826. Two lithographs picturing Parisians with umbrellas ! 1 Edme Jean Pigal Moeurs Parisiennes #55. Two elderly Parisians huddle under an umbrella whilst waiting for a carriage driver. Nice bright colours. The sheet is a little foxed but still presentable. Image is 19cm x 19cm. The sheet is 34cm x 24.5cm. Together with 2 Honoré Daumier "Flibustiers Parisiens #6 - Le tour du Parapluie." This was produced in 1835 in Le Chariviari. Here it is produced and numbered as an individual lithograph on stiff card. This copy is uncoloured. Attractive engraving of two men battling with the wind and rain and carried by their umbrellas. Published by Chez Aubert. Illustration is 21cm x 18cm. The sheet is 31cm x 23cm. A little darkening and marking only. Together both are attractive caricatures. First edition. . Two lithographs of Parisians with umbrellas! 1 Edme Jean Pigal Moeurs Parisiennes #55. Two elderly Parisians huddle under an umbrella while waiting for a carriage driver. Beautiful bright colors. The sheet is a little scorched but still presentable. The image measures 19 cm x 19 cm. The sheet measures 34cm x 24.5cm. Together 2 Honoré Daumier "Flibustiers Parisiens #6 - Le tour du Parapluie". This illustration was produced in 1835 in Le Chariviari. It is produced and numbered here as an individual lithograph on stiff card. This copy is not colored. Attractive engraving of two men struggling against the wind and rain and carried by their umbrellas. Published by Chez Aubert. The illustration measures 21cm x 18cm. The sheet measures 31cm x 23cm. Some darkening and marks only. Both are attractive caricatures. Chez Giraut et Martinet unknown
rif. 1148044280.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1016548478.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1017032580.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1839rif. 48449Paris: Le Charivari 1839. Lithograph. 4to 8 1/8" X 11 1/8". Very good. Faint age toning only. Tipped to backing board and cream paper matte old but nice and faintly age toned. This is the December 7 1839 lithograph trimmed of Plate 15 in this illustrated newspaper's "Emotions Parisiennes" Emotions of Paris series -- a bold clean impression. A flustered elderly gentleman at left hat pulled down over his eyes addresses a waiter clutching a serving tray in a restaurant. Partial title cited above continues: "que voulez-vous que je fasse de ca; j'anne mieux une marmte: donnez-moi une marmite!" An attractive copy with news text and advertisements on verso. "Le Charivari" literally "Hullabaloo" was a satirical newspaper that began in 1832 and continued until 1935 publishing reviews as well as political cartoons and caricatures such as Daumier's. Le Charivari unknown
1839rif. 48451Paris: Le Charivari 1839. Lithograph. 4to 8 1/8" X 11½". Very good. Mild wear and faint age toning only. Tipped to backing board and cream paper matte old but nice and lightly age toned. The first plate in Daumier's "Les Parisiens" series here trimmed with series title cropped out by matte from this illustrated newspaper. Title translates as "Shopkeepers riding hired horses." and image shows two uncomfortable-looking Parisian gents in suits and hats astride two small left-facing horses in a wooded setting; street sign at further left notes "Avenue des Princes." Daumier's lithographed signature appears at lower left. Quite striking with news text and advertisements on verso. "Le Charivari" literally "Hullabaloo" was a satirical newspaper that began in 1832 and continued until 1935 publishing reviews as well as political cartoons and caricatures such as Daumier's. Le Charivari unknown
1869rif. 32445Paris: Le Charivari 1869. Lithograph. Small 4to image size 8¼" X 10". Very good. Light even age toning. This is the May 3 1869 second state of Plate 73 in this illustrated newspaper's "Actualites" series and a strong clean impression. It depicts a statuesque crowned woman representing France and resembling our Statue of Liberty standing at right atop a scale with a measuring pole. Her right hand rests across her bosom and her left hand clutches the adjustable height bar near the top of the measuring pole. Behind her and at left stand a crowd of Frenchmen in suits and ties all staring apprehensively at her. The caption reads in translation "France preparing to get her candidates to pass muster under the measure of standards." Immediately below the plate at lower left is printed "A. de Vresse r.Rivoli 55" while at lower right is printed "Lith. Destouches r. Paradis Pre 28" and the stone number "16" appears in the base of the scale. A quite nice copy printed on wove paper. The rare first state was printed on newsprint stock and bore no caption and the rare third state bore a different caption than the second state. This print is displayed in a single cream matte and a ½" black wooden frame overall dimensions 13" X 16". Very good. Slight bit of dampstaining at upper left and lower right of matte not affecting print. Verso of frame bears the label of noted New York art gallery E. Weythe Art Books Prints. Daumier produced a vast number of social caricatures roughly 4000 in number many done for this famed publication. From the collection of former Illinois Senator ADLAI E. STEVENSON III b. 1930 son of the Illinois governor of the same name 1900-65 and great-grandson of the U.S. vice president of the same name 1835-1914. DR 3708. Le Charivari unknown
1926rif. 33638Wien: Otto Lorenz Verlag. 196 Tafeln davon 4 Vielfarbig. A few smudges and mild foxing inside front and back covers otherwise very clean inside. Spine a little faded edges with little wear and top of spine stretched with small tear to one side 1/8". Red decorative cloth. Includes a pamphlet that lists all 192 Illustrations by name. Pamphlet with foxing and some wear. Many black and white reproductions and several in color that are all in excellent condition. No jacket. . Very Good. Hardcover. 1926. Otto Lorenz Verlag hardcover
rif. 1021054542.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1021067687.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1977rif. BBS-2021524Editions Vilo Paris 1977. Hardcover. Like New/Very Good. Speckled grey/beige cloth with gold titling fine/like new. Spine square. Binding sound. Dust jacket very good with light scuffing and edgewear protected in plastic dust wrapper. Pages bright and unmarked. Editions Vilo, Paris hardcover
1974rif. 13806Paris: Leon Amiel Publisher 1974. Hardcover. Preface by Francoise Parturier. Catalogue and notes by Jacqueline Armingeat. 4to. Tan cloth pictorial dust jacket. 135pp. Numerous drawings. Near fine/fine. First of this edition. Beautiful compendium of Daumier drawings with their original French captions. Leon Amiel Publisher hardcover
1836rif. 8974Hand-colored lithograph highlighted with gum arabic. Plate No. 20. Stain to bottom left corner and crease to upper right corner see image. Scarce. 10.5 x 13.75 in 27 x 35 cm DR #345 Aubert et de Junca
1837rif. 8975Hand-colored lithograph highlighted with gum arabic. Plate No. 13. Stain to bottom left corner and minor foxing see image. Scarce. 10.5 x 13.75 in 27 x 35 cm DR #338 Aubert et de Junca
1850rif. 1278863Paris: Au Bureau du Journal le Charivari 1850's. 8vo.; VG; 3/4 bound in brown leather spine paneled with burgundy label and gilt lettering; repaired with original spine rebacked new label new endpapers; marbled boards; wear to corners rubbing to boards spine; some age-toning to pages; three of the images have been cut out of the Revue Du Salon De 1853. NOTE: Shelved in Locked Annex Area ND-HV Column. 1278863. FP New Rockville Stock. Au Bureau du Journal le Charivari unknown
1840rif. 1121840. Lithograph. 225mm by 300mm sheet. The French text below the image translates to : GOOD! NEVER MIND!. WE WILL PLEAD. I PREFER THAT ANYWAY !!Folds as issued text on the reverse.Original lithograph by Honore Daumier published in Paris circa 1840. Initialled 'HD' in the image. From his series titled Types Parisiens.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen. Sheet slightly trimmed. unknown
1978rif. 851071Paris: Arthur Hubschmid 1978. 1st French. Hardcover. Very Good/None. 2 volumes. French text. 1287 pages total b&w cartoons. Cream cloth covers. Small smudge on Volumes 1 previous owner's signature on front fly leaf of Volume 2. Else very clean tight copies. Record # 851071 Arthur Hubschmid hardcover
1858rif. 11271858. Lithograph. 300mm by 240mm sheet. 'Savant essayant de lier d'amitie son fils avec le grand Kangourou de l'Amerique centrale' A scientist trying to befriend his son with a great kangaroo from Central AmericaOriginal lithograph by Honore Daumier published in Paris in 1858. Plate 3 from La Societe D'acclimatation 1858.Daumier was a famous French printmaker and caricaturist.Trimmed at top of sheet. unknown
1845rif. 25981845. Lithograph. 350mm by 260mm sheet. A CHARGE OF ADULTERY. 'Magistrates my client is absolutely sure of the fact. But this personal conviction of his was not sufficient for him. He wanted to share it with your tribunal with the auditorium surrounding us with all of France. This is the task I am trying to accomplish in the interest of my client and I believe that I succeeded in opening everybody's eyes. Now my client needs only to see his social position reestablished by an authentic judgement and you are by far too just my Magistrates if you would refuse to render him this last satisfaction.'On the left hand side is the Royal Stamp - this is sometimes found on the lithographs of Le Charivari and was a censor's stamp.From the French satirical journal 'Le Charivari' from a series titled 'Moeurs Conjugales' Married Life . Light folds as issued. A couple of minor marks top left. unknown
1833rif. 1153Dec. 5 1833. Hand-colored lithograph printed on white wove paper Sur Blanc. Lithograph with contemporary hand coloring. Delteil 73 as pub. in La Caricature No.161 pl. 337 & 338. 13 ¼ x 17 3/8 with full margins. Chez Aubert, La Caricature
1833rif. 122DAUMIER HONORE 1808-1879. PRIMO SAIGNARE DEINDE PURGARE POSTEA CLYSTERIUM DONARE FIRST HE BLEEDS THEM THEN HE PURGES THEM THEN HE GIVES THEM AN ENEMA. Lithograph with contemporary hand coloring sur blanc. Dec. 5 1833. Ref: Delteil 73 as published in La Caricature No. 161 pl. 337 and 338. 131.4mm x173.8mm. 13 x17. With full margins. Framed. This lithograph depicts the bleeding purging and medication of a man. The print shows from left to right: King Louis-Philippe a coachman the French people Ferdinand Duc d'Orléans and Marshal Lobau with his famous syringe. Louis-Philippe in 1833 bleeds a mail messenger postillon who has fallen off his horse thereby saving his life. The King had learned the art of blood-letting in a hospital in his youth and always carried a bleeding-knife on him. Symbolically it is not the postillon but rather the French nation which is being bled. Brandeis Univ. Chez Aubert, La Caricature
1974rif. 013793Editions Andre Sauret 1974. Hardcover. Near Fine/Very Good. Texte en francaise. Hardcover copy in near fine condition with jacket in very good condition. Questions welcome. We ship internationally from the United States and Canada weekly. Packages leave our location Tuesdays and are postmarked Wednesdays. If buying internationally please be aware that additional charges may apply for heavier books. We guarantee a safe quick and secure transaction. 10 years in online bookselling experience. Editions Andre Sauret hardcover
rif. NY34Paris Aubert n.d. 1840. Folio 339 x 263 mm of 30 plates. Green half-sheepskin flat spine. Contemporary binding. Complete and very rare set of 30 original lithographs in very nice proofs in black on white in a very scarce issue of the 2nd or 3rd state out of 3 or 4 before correction with Aubert's address later erased. Delteil 760 to 790. The bathers on the banks of the Seine offered Daumier multiple subjects to evoke comical situations. The series of thirty plates ofLes Baigneurs published between June 1839 and September 1842 in Le Charivari was much appreciated by Delacroix for the quality of the anatomical studies it contains and which will have a female counterpart in 1847 with Les Baigneuses. Honoré Daumier 1808-1879 began his career as a political cartoonist for the newspapers "La Caricature" and "Le Charivari" under the sign of opposition to Louis-Philippe led by Charles Philipon the director of these publications. But the laws of September 1835 put a brake on the freedom of the press and forced Daumier to reorient himself towards the caricature of manners. Parisian society is then pinned in all its strata under the eyes of readers of "Charivari". Formidable caricaturist of the ridicules of the French society of the 19th century qualified of "Michelangelo of the caricature" he developed his lithographic career for the press from the July Monarchy until the fall of the Second Empire. " Delacroix not only appreciated but even studied the nude of the Baigneurs of Daumier ". Béraldi. "The source of the river Seine is found in Burgundy runs through Paris and ends in the Channel. The public baths in the Seine offered a highly welcomed refreshment in summer. According to information by Provost one of the ""Bathing Boats" called ""Petit Ecole de Natation"" was moored very close to Daumier's house at the Quai d'Anjou on the river Seine. In turning over this album all the different schools of swimming from the working-man's bath at 10 Centimes up to the noble baths where one walks on rugs. Daumier even allows us to peak a stolen glance at the ladies aquatic section. We also enjoy a view of the Seine and those strong gentlemen racing the train in the water swimming against the current. We see all these aspects from their amusing angle because Daumier's drawings are filled with grotesque physiognomies amusing scenes and all those little mishaps which strike the unfortunate swimmer. from a Charivari advertisement August 2 1843 The French painter Delacroix 1798-1863 was so impressed by Daumiers Bathers that he pinned a lithograph from this series to the wall of his studio. He advised his students to look at Daumiers prints exhibited in the windows of Auberts gallery in order to appreciate this masters drawing talent."" Good condition except for few foxing on some plates. Français Paris Aubert s.d. 1840. In-folio de 30 planches. Demi-basane verte dos orné en long. Reliure de l'époque. 339 x 263 mm. Suite complète et très rare de 30 lithographies originales en très belles épreuves en noir sur blanc en très rare épreuve du 2e ou 3e état sur 3 ou 4 avant la correction avec l'adresse d'Aubert effacée par la suite. Delteil 760 à 790. Les baigneurs des bords de la Seine ont offert à Daumier de multiples sujets propices à évoquer des situations cocasses. La série de trente planches des Baigneurs publiée entre juin 1839 et septembre 1842 dans Le Charivari était très appréciée de Delacroix pour la qualité des études anatomiques qu'elle contient et qui aura un pendant féminin en 1847 avec Les Baigneuses. " Daumier recherche avant tout l'expression juste qui lui est fournie par une rare faculté d'observation ce qui fit dire à Champfleury : "Dans le moindre croquis de Daumier on sent la griffe du lion". Les Daumier font aujourd'hui des prix fous. " Carteret Trésor du bibliophile III p.188. Honoré Daumier 1808-1879 débute sa carrière comme caricaturiste politique pour les journaux " La Caricature " et " Le Charivari " sous le signe d'une opposition à Louis-Philippe conduite par Charles Philipon le directeur de ces publications. Mais les lois de septembre 1835 mettent un frein à la liberté de la presse et obligent Daumier à se réorienter vers la caricature de mœurs. La société parisienne est alors épinglée dans toutes ses strates sous les yeux des lecteurs du " Charivari ". Formidable caricaturiste des ridicules de la société française du XIXe siècle qualifié de " Michel-Ange de la caricature " il développa sa carrière lithographique pour la presse de la Monarchie de Juillet jusqu'à la chute du Second Empire. " Delacroix non seulement appréciait mais même étudiait le nu des Baigneurs de Daumier ". Béraldi. " Si plus tard les héritiers de Delacroix trouvèrent dans un de ses nombreux portefeuilles des croquis d'après 'les Baigneurs' de Daumier cela n'étonnera pas les admirateurs des deux maîtres. Les yeux gourmands de Delacroix dans leur soif d'études et d'observations ne pouvaient jamais assez se rassasier de lignes passionnées d'emportements michelangesques et de mouvements réels. L'accentuation robuste des œuvres de Daumier enthousiasmait cette nature distinguée comme un cavalier qui monté sur un élégant cheval arabe s'arrête tout à coup pour admirer un cheval de brasseur. " Revue de Paris "The source of the river Seine is found in Burgundy runs through Paris and ends in the Channel. The public baths in the Seine offered a highly welcomed refreshment in summer. According to information by Provost one of the ""Bathing Boats" called ""Petit Ecole de Natation"" was moored very close to Daumier's house at the Quai d'Anjou on the river Seine. In turning over this album all the different schools of swimming from the working-man's bath at 10 Centimes up to the noble baths where one walks on rugs. Daumier even allows us to peak a stolen glance at the ladies aquatic section. We also enjoy a view of the Seine and those strong gentlemen racing the train in the water swimming against the current. We see all these aspects from their amusing angle because Daumier's drawings are filled with grotesque physiognomies amusing scenes and all those little mishaps which strike the unfortunate swimmer. from a Charivari advertisement August 2 1843 The French painter Delacroix 1798-1863 was so impressed by Daumiers Bathers that he pinned a lithograph from this series to the wall of his studio. He advised his students to look at Daumiers prints exhibited in the windows of Auberts gallery in order to appreciate this masters drawing talent."" Belle condition sauf quelques rousseurs à certaines planches. hardcover
