Daumier, Honore (1808-1879)Biblio.com
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1833Best.-Nr. 1153Dec. 5 1833. Hand-colored lithograph printed on white wove paper Sur Blanc. Lithograph with contemporary hand coloring. Delteil 73 as pub. in La Caricature No.161 pl. 337 & 338. 13 ¼ x 17 3/8 with full margins. Chez Aubert, La Caricature
1833Best.-Nr. 122DAUMIER HONORE 1808-1879. PRIMO SAIGNARE DEINDE PURGARE POSTEA CLYSTERIUM DONARE FIRST HE BLEEDS THEM THEN HE PURGES THEM THEN HE GIVES THEM AN ENEMA. Lithograph with contemporary hand coloring sur blanc. Dec. 5 1833. Ref: Delteil 73 as published in La Caricature No. 161 pl. 337 and 338. 131.4mm x173.8mm. 13 x17. With full margins. Framed. This lithograph depicts the bleeding purging and medication of a man. The print shows from left to right: King Louis-Philippe a coachman the French people Ferdinand Duc d'Orléans and Marshal Lobau with his famous syringe. Louis-Philippe in 1833 bleeds a mail messenger postillon who has fallen off his horse thereby saving his life. The King had learned the art of blood-letting in a hospital in his youth and always carried a bleeding-knife on him. Symbolically it is not the postillon but rather the French nation which is being bled. Brandeis Univ. Chez Aubert, La Caricature
1974Best.-Nr. 013793Editions Andre Sauret 1974. Hardcover. Near Fine/Very Good. Texte en francaise. Hardcover copy in near fine condition with jacket in very good condition. Questions welcome. We ship internationally from the United States and Canada weekly. Packages leave our location Tuesdays and are postmarked Wednesdays. If buying internationally please be aware that additional charges may apply for heavier books. We guarantee a safe quick and secure transaction. 10 years in online bookselling experience. Editions Andre Sauret hardcover
Best.-Nr. NY34Paris Aubert n.d. 1840. Folio 339 x 263 mm of 30 plates. Green half-sheepskin flat spine. Contemporary binding. Complete and very rare set of 30 original lithographs in very nice proofs in black on white in a very scarce issue of the 2nd or 3rd state out of 3 or 4 before correction with Aubert's address later erased. Delteil 760 to 790. The bathers on the banks of the Seine offered Daumier multiple subjects to evoke comical situations. The series of thirty plates ofLes Baigneurs published between June 1839 and September 1842 in Le Charivari was much appreciated by Delacroix for the quality of the anatomical studies it contains and which will have a female counterpart in 1847 with Les Baigneuses. Honoré Daumier 1808-1879 began his career as a political cartoonist for the newspapers "La Caricature" and "Le Charivari" under the sign of opposition to Louis-Philippe led by Charles Philipon the director of these publications. But the laws of September 1835 put a brake on the freedom of the press and forced Daumier to reorient himself towards the caricature of manners. Parisian society is then pinned in all its strata under the eyes of readers of "Charivari". Formidable caricaturist of the ridicules of the French society of the 19th century qualified of "Michelangelo of the caricature" he developed his lithographic career for the press from the July Monarchy until the fall of the Second Empire. " Delacroix not only appreciated but even studied the nude of the Baigneurs of Daumier ". Béraldi. "The source of the river Seine is found in Burgundy runs through Paris and ends in the Channel. The public baths in the Seine offered a highly welcomed refreshment in summer. According to information by Provost one of the ""Bathing Boats" called ""Petit Ecole de Natation"" was moored very close to Daumier's house at the Quai d'Anjou on the river Seine. In turning over this album all the different schools of swimming from the working-man's bath at 10 Centimes up to the noble baths where one walks on rugs. Daumier even allows us to peak a stolen glance at the ladies aquatic section. We also enjoy a view of the Seine and those strong gentlemen racing the train in the water swimming against the current. We see all these aspects from their amusing angle because Daumier's drawings are filled with grotesque physiognomies amusing scenes and all those little mishaps which strike the unfortunate swimmer. from a Charivari advertisement August 2 1843 The French painter Delacroix 1798-1863 was so impressed by Daumiers Bathers that he pinned a lithograph from this series to the wall of his studio. He advised his students to look at Daumiers prints exhibited in the windows of Auberts gallery in order to appreciate this masters drawing talent."" Good condition except for few foxing on some plates. Français Paris Aubert s.d. 1840. In-folio de 30 planches. Demi-basane verte dos orné en long. Reliure de l'époque. 339 x 263 mm. Suite complète et très rare de 30 lithographies originales en très belles épreuves en noir sur blanc en très rare épreuve du 2e ou 3e état sur 3 ou 4 avant la correction avec l'adresse d'Aubert effacée par la suite. Delteil 760 à 790. Les baigneurs des bords de la Seine ont offert à Daumier de multiples sujets propices à évoquer des situations cocasses. La série de trente planches des Baigneurs publiée entre juin 1839 et septembre 1842 dans Le Charivari était très appréciée de Delacroix pour la qualité des études anatomiques qu'elle contient et qui aura un pendant féminin en 1847 avec Les Baigneuses. " Daumier recherche avant tout l'expression juste qui lui est fournie par une rare faculté d'observation ce qui fit dire à Champfleury : "Dans le moindre croquis de Daumier on sent la griffe du lion". Les Daumier font aujourd'hui des prix fous. " Carteret Trésor du bibliophile III p.188. Honoré Daumier 1808-1879 débute sa carrière comme caricaturiste politique pour les journaux " La Caricature " et " Le Charivari " sous le signe d'une opposition à Louis-Philippe conduite par Charles Philipon le directeur de ces publications. Mais les lois de septembre 1835 mettent un frein à la liberté de la presse et obligent Daumier à se réorienter vers la caricature de mœurs. La société parisienne est alors épinglée dans toutes ses strates sous les yeux des lecteurs du " Charivari ". Formidable caricaturiste des ridicules de la société française du XIXe siècle qualifié de " Michel-Ange de la caricature " il développa sa carrière lithographique pour la presse de la Monarchie de Juillet jusqu'à la chute du Second Empire. " Delacroix non seulement appréciait mais même étudiait le nu des Baigneurs de Daumier ". Béraldi. " Si plus tard les héritiers de Delacroix trouvèrent dans un de ses nombreux portefeuilles des croquis d'après 'les Baigneurs' de Daumier cela n'étonnera pas les admirateurs des deux maîtres. Les yeux gourmands de Delacroix dans leur soif d'études et d'observations ne pouvaient jamais assez se rassasier de lignes passionnées d'emportements michelangesques et de mouvements réels. L'accentuation robuste des œuvres de Daumier enthousiasmait cette nature distinguée comme un cavalier qui monté sur un élégant cheval arabe s'arrête tout à coup pour admirer un cheval de brasseur. " Revue de Paris "The source of the river Seine is found in Burgundy runs through Paris and ends in the Channel. The public baths in the Seine offered a highly welcomed refreshment in summer. According to information by Provost one of the ""Bathing Boats" called ""Petit Ecole de Natation"" was moored very close to Daumier's house at the Quai d'Anjou on the river Seine. In turning over this album all the different schools of swimming from the working-man's bath at 10 Centimes up to the noble baths where one walks on rugs. Daumier even allows us to peak a stolen glance at the ladies aquatic section. We also enjoy a view of the Seine and those strong gentlemen racing the train in the water swimming against the current. We see all these aspects from their amusing angle because Daumier's drawings are filled with grotesque physiognomies amusing scenes and all those little mishaps which strike the unfortunate swimmer. from a Charivari advertisement August 2 1843 The French painter Delacroix 1798-1863 was so impressed by Daumiers Bathers that he pinned a lithograph from this series to the wall of his studio. He advised his students to look at Daumiers prints exhibited in the windows of Auberts gallery in order to appreciate this masters drawing talent."" Belle condition sauf quelques rousseurs à certaines planches. hardcover
1848Best.-Nr. 2121848. Lithograph. 365mm by 245mm sheet. PIERRE LEROUX. Ce grand philosophe se dirigeant vers la tribune de l'assembl_e nationale avec sa collection d'aphorismes sociaux.' 'PIERRE LEROUX. We see this great philosopher and specialist in social aphorisms aiming for the rostrum at the National Assembly.'Pierre-Henri Leroux 1797 - 1871 was a deputy and philosopher writer and a friend of George Sand. He was a director and founding member of the following papers: "Globe" "Revue encyclopedique" and "La Republique". He lived in exile in England between 1851 and 1869. During 1848 he was the official theorist of the socialist school. Original lithograph by Honore Daumier published in Paris in 1848. From a series titled 'Les Representans Representes' The representative represented depicting the portraits of the 'Assemblee Constituante' Constituent Assembly and the 'Assemblee Legislative' Legislative Assembly. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century.Text on the reverse as issued. Faint ink off-setting. unknown
1847Best.-Nr. 1701847. Lithograph. 300mm by 225mm sheet. Original lithograph by Honore Daumier published in Paris in 1847. Initialled 'HD' in the image. From a series titled 'Les Bons Bourgeois' which was published in the French magazine 'Le Charivari'. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
1849Best.-Nr. 1581849. Lithograph. 250mm by 350mm sheet. The French text below the image translates to : Victor Hugo in a discourse of three points shows the worthlessness of military glory and proves by example that the crown of laurels can be advantageously replaced by the rosary! That gives him the advantage of creating a new affect of the forehead.Text on the reverse as issued.Original lithograph by Honore Daumier published in Paris in 1849. Initialled 'HD' in the image. From his series titled Souvenirs Du Congres de La Paix.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen. One small spot in the image and closely cut to title at top of the sheet. unknown
1848Best.-Nr. 2091848. Lithograph. 365mm by 245mm sheet. PROUDHON. Aputre du socialisme ennemi de la propriete et son destructeur brevete sans garantie du gouvernement.' 'PROUDHON. Apostle of socialism enemy of capitalism and it' patented destroyer without state guarantee.'Pierre-Joseph Prudhon 1809 - 1865 was a French politician the founder of Mutualist philosophy an economist and a socialist. He was the first person to declare himself an anarchist and is among its most influential theorists. He is considered by many to be the "father of anarchism". He became a member of the French Parliament after the revolution of 1848 whereafter he referred to himself as a federalist.Original lithograph by Honore Daumier published in Paris in 1848. From a series titled 'Les Representans Representes' The representative represented depicting the portraits of the 'Assemblee Constituante' Constituent Assembly and the 'Assemblee Legislative' Legislative Assembly. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century.Text on the reverse as issued. Faint ink off-setting. Faint foxing. unknown
1847Best.-Nr. 2331847. Lithograph. 300mm by 225mm sheet. 'An indispensable New Year's visit at Aunt Rabourdin's' Original lithograph by Honore Daumier published in Paris in 1844. Initialled 'HD' in the image. From the series 'Les Bons Bourgeois' The Petty Bourgeois from the Parisian magazine 'Le Charivari'. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and renown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
1844Best.-Nr. 1741844. Lithograph. 300mm by 225mm sheet. Initialled 'HD' in the image. From a series titled 'Les Beaux Jours de la Vie' The best days in life which was published in the French magazine 'Le Charivari'. Each issue would contain one lithographic caricature. 'UN JOUR DE 1ère REPRÉSENTATION.Comment jusqu'à mon portier qui m'offre un bouquet!. Saperlotte voilà un vaudeville qui va me coûter cher. je commence à regretter qu'il n'ait pas été complètement sifflé!.'THE OPENING NIGHT!What! Even my porter offers me flowers!. Bless my soul this comedy will cost me a fortune. I begin to regret that it hasn't been hissed off the stage altogether.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and renown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed but not affecting image or title etc. unknown
1839Best.-Nr. 1571839. Lithograph. 245mm by 325mm sheet. The French text below the image translates to : Get out of here this is my place! Original lithograph by Honore Daumier published in Paris in 1839. Initialled 'HD' in the image. From a series titled Actualities News of the Day. Text on the reverse as issued folds as issued.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen. unknown
1847Best.-Nr. 26201847. Lithograph. 350mm by 240mm sheet. 'Un bon mari qui pour distraire son Epouse la conduit regulierement au cafe chaque dimanche soir.' To entertain his wife a good husband takes her regularly to the cafe every Sunday evening.From the series 'Les Bons Bourgeois' The petty bourgeois from the Parisien magazine 'Le Charivari'. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Faint horizontal crease as issued. unknown
1844Best.-Nr. 1601844. Lithograph. 300mm by 225mm sheet. Text below the image reads : Look at that ! Instead of milk she is pouring shoe polish into my hot chocolate! enough with that damned novel! Original lithograph by Honore Daumier published in Paris in 1844. Initialled 'HD' in the image. From a series titled 'Les Bas Bleus' The Blue Stockings which was published in the French magazine 'Le Charivari'.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
1844Best.-Nr. 2051844. Lithograph. 300mm by 225mm sheet. The Illustrated Rebus- Singular! I cannot guess the rebus in today's Charivari ! - I think I have one word - I have several words - I have it all! I must run and tell my wife' Original lithograph by Honore Daumier published in Paris in 1844. From a series titled 'Les Beaux Jours de la Vie' The Best Days in Life which was published in the French magazine 'Le Charivari'. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
1844Best.-Nr. 26191844. Lithograph. 325mm by 240mm sheet. 'Voyez donc un peu Ismenie!. Comment le Gouvernement permet-il d'afficher de pareilles turpitudes .' Just look at that Ismenie!. How can the government allow posters advertising such disgraceful rubbish!Original lithograph by Honore Daumier published in Paris in 1844. From a series titled 'Les Bas Bleus' The Bluestockings which was published in the French magazine 'Le Charivari'. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. Faint folds as issued text on the reverse as issued. unknown
1855Best.-Nr. 2301855. Lithograph. 240mm by 305mm sheet. AUX CHAMPS ELYSEES. Degustation des produits de l'industrie des differents brasseurs.' ON THE CHAMPS-ELYSEES. Tasting of the industrial products of different brewers.Original lithograph by Honore Daumier published in Paris in 1855. Initialed 'HD' in the image. From a series titled 'L'Exposition Universelle' which was published in the French magazine 'Le Charivari'.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen.Sheet trimmed slightly. Faint folds as issued text on the reverse as issued. One crease. Faint off-setting. Worm hole in upper title.Beer interest. unknown
1848Best.-Nr. 2141848. Lithograph. 365mm by 245mm sheet. ODILON BARROT. Plan coupe et Elevation du grand homme et de son pedestal.' 'ODILON BARROT. Drawing site and height of this important man and his pedestal.'Camille Hyacinthe Odilon Barrot was a French politician who was briefly head of the council of ministers under Prince Louis Napoleon in 1848-49.Original lithograph by Honore Daumier published in Paris in 1848. From a series titled 'Les Representans Representes' The representative represented depicting the portraits of the 'Assemblee Constituante' Constituent Assembly and the 'Assemblee Legislative' Legislative Assembly. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century.Text on the reverse as issued. Faint ink off-setting. unknown
1844Best.-Nr. 1731844. Lithograph. 300mm by 225mm sheet. Original lithograph by Honore Daumier published in Paris in 1844. Initialled 'HD' in the image. From a series titled 'Les Beaux Jours de la Vie' which was published in the French magazine 'Le Charivari'. The text beneath the image reads 'Un Diner Chez Very -Enfin ! je viens donc de diner en garcon !.oui ! mais ma femme m'a confie un louis et il me reste.soixante centimes !' A Dinner at Very's - So what! I am having dinner by myself today. alright! But my wife gave me one Louis d'or and I still have. 60 centimes left.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
1844Best.-Nr. 1711844. Lithograph. 300mm by 225mm sheet. Original lithograph by Honore Daumier published in Paris in 1847. Initialled 'HD' in the image. From a series titled 'Les Bons Bourgeois' which was published in the French magazine 'Le Charivari'. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
1848Best.-Nr. 2151848. Lithograph. 365mm by 245mm sheet. M.M. Victor Hugo et Emile Girardin cherchent _ _lever le prince Louis sur un pavois ca n'est pas tres solide!' 'Victor Hugo and Emile Girardin trying to raise Prince Louis on a shield. a somewhat shaky affair.'Depcits Hugo and Girardin supporting the election of Prince Louis to the Legislative. This way Hugo facilitated the upcoming seizure of power and proclamation of Louis-Napoleon Bonaparte as president on December 10 1848. A month before on November 4 1848 a section in the Constitution had been changed guaranteeing freedom of the press. Original lithograph by Honore Daumier published in Paris in December 1848. From a series titled 'Actualities' News of the Day which was published in the French magazine 'Le Charivari'.Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century.Faint folds as issued text on the reverse as issued. One foxing spot faint ink off-setting on left hand side. unknown
1845Best.-Nr. 1721845. Lithograph. 300mm by 225mm sheet. Original lithograph by Honore Daumier published in Paris in 1845. Initialled 'HD' in the image. From a series titled 'Les Beaux Jours de la Vie' which was published in the French magazine 'Le Charivari'. Honore Daumier 1808-1879 was a French printmaker caricaturist painter and sculptor whose many works offer commentary on social and political life in France in the 19th century. A prolific and reknown draftsman who produced over 4000 lithographs he was perhaps best known for his caricatures of political figures and satires on the behaviour of his countrymen.Sheet trimmed but not affecting image or title etc. Folds as issued text on the reverse as issued. Some off-setting. unknown
Best.-Nr. B243544-1Paris Aubert/ Lavigne 1841. 119 9pp. 61 steelcut vignettes by Daumier. 16mo. Orig. wraps. Glassine d.j. Paris (Aubert/ Lavigne), 1841. paperback
1837Best.-Nr. 11541837. Hand-colored lithograph printed on white wove paper Sur Blanc. Delteil 346 only state. 11 3/8 x 9 1/8. Plate 21 from "Galerie Physionomique". Light foxing otherwise fine. Extremely Rare when hand colored.
Best.-Nr. 4032Augsburg. Privatdruck Der Augsburger Bücher Verlagsgesellschaft. O. J. . Softcover. Gut bis sehr gut. J2 --- 6 Drucke Jagdszenen darstellend in Passsepartout Maße: mit Passsepartout 49 mal 35 cm ohne Passepartout 32 mal 25cm in illustr. Mappe Titelblatt 1 Bl. Text 6 Drucke Nr. 47 von gesamt 999 Exemplaren sehr schöner Zustand Augsburg. Privatdruck Der Augsburger Bücher Verlagsgesellschaft. O. J. paperback
1968Best.-Nr. 013680Boston: Boston Book & Art Pub. 1968 161 numbered pp 1; HB w/DJ. Pages: clean bright tight; partial sm stamp b.e. Cover: gray tweed gilt signature front gilt titles spine; minimal shelfwear 3 shallow indents front joint back joint has lt stain . DJ: unclipped cream color artwork front black titles front/spine; modest edge/shelfwear. Extremities somewhat worn.60 full-page Daumier lithographs reproduced in stone by Alexis Manaranche and printed by Mourlot Freres. Nice. Heavy. Boston Book & Art, Pub. hardcover
