4 292 résultats
1968réf. 6561Boston; Dijon: Boston Book & Art Shop; Imprimerie Darantiere 1968. Large quarto 32 x 24.5 cm. 163 pages. First American Edition simultaneous with the French edition of Andres Sauret of Daumier's Moeurs Conjugales. The sixty black and white lithographs as well as the color-illustrated dust jacket were printed rectos only by Mourlot Freres. Translated from the original French by Angus Malcolm. Introduction pages 5 - 22 Catalogue Raisonne pages 145-148 and Notes pages 149-161 by Professor Philippe Robert-Jones Director of the Musees Royaux. Some light age-toning to top edge of the tan cloth; otherwise fine. Illustrated dust jacket has a few very small spots to edges. Lacking additional unprinted acetate. Boston Book & Art Shop; Imprimerie Darantiere hardcover books
réf. 02254Paris: Chez Aubert & Cie. 1850. Love These Children! But the Joys and Sweets of Fatherhood Are Extremely Scarce DAUMIER Honoré. Henri-Daniel Plattel. Jules Platier. Ces Amours d'enfans. Joies et Douceurs de la Paternité. Paris: Aubert & Cie n.d. ca. 1850. Oblong octavo. Hand-colored lithographed title by Auguste Belin and sixteen hand-colored lithographed plates heightened with gum arabic eight by Daumier the remaining by Plattel or Platier. 16 pp. at rear as Aubert catalog. Publishers blind-stamped leather-grain red cloth over boards spine lettered in gilt "121" in gilt to upper cover. A very clean. bright and fine copy. Reversed restrikes from the Aubert series Croquis D'Expressions 100 lithographed prints originally appearing in Le Charivari 1838-1839 fifty-five of which were executed by Daumier the remainder by Henri-Daniel Plattel and Jules Platier. All artist signatures have been removed and the hand-coloring is far more bright and vivid than the original issue prints that we have seen. Croquis D'Expressions was never formally collected by Chez Aubert into an album. There are no copies of this later issue by Aubert collected under this new title in institutional holdings worldwide nor auction records. The Plates with Daumier Registry # where applicable: 1. Est-il gentil notre bibi! il a déja un petit air scélérat le gueux! Daumier DR #470. 2. Crie donc mátin!.égosille toi donc. et que çca finisse.ne pas fermer l'oeil pour un méchant moutard!.le diable emporte es enfans je n'en veux plus Daumier DR# 467. 3. Oh! ce Chérubin comme il dort gentiment! Tiens Gustave c'est ton portrait tout craché! Daumier DR# 513. 4. Allons bon les voilá tous trois partis.travaillez donc au milieu de ce charivari.chiens d'enfans! Daumier DR# 491. 5. Vous allex voir!.vous allez voir ça va arréter le sang comme avec la main!! Daumier DR# 497. 6. Oui ma chére laissez-moi lui donner cette petite soupe aux choux et vous verrez que ça lui vaudra mieux que tous leux drogues de médicine Plattel or Platier. 7. Hein! quelle jolie tournure!///faudra en faire in avocat pas vrai.ou ben un grand artiste. Plattel or Platier. 8. Puisuq tu es si riche ma tante vent bien t'epouser quoi que tu es bien laid et que tu n'as pas d'esprit du tout.c'est égal à ma tante.n'est ce pas ma tante Daumier DR# 505. 9. Appuyez fort gna rien de meyeur our les coupe ou les tombres as pas peur Guguste ca te guérira ti va voir Daumer DR# 492. 10. Tenez vous un peu tranquilles mes enfans vous finiriez peut-etre par ennuyer monsieur.Plattel or Platier. 11. Le Maitre: Qu entendez vous par l'axe d'un cercle. Plattel or Platier. 12. Lolo qu'aime tu mieux de ton papa ou de la maman - J'aime mieux les confitures Daumier DR# 500. 13. C'est vrai aussi vous la contrariez toujours cet enfant! Plattel or Platier. 14. Y disait comme ça: ton vieux grigou de père nous l'avons bien mis dedans. Plattel or Platier. 15. Allons bon! tu me fais porter le petit porter ton cabas tu me fais mouller.tu gardes le parapluie et tute plains Plattel or Platier. 16. Comment méchant vous pleurez vous criez toute la nuit.voulez vous bien vous taire et faire une petite risette à papa.Plattel or Platier. Paris: Chez Aubert & Cie., 1850 unknown books
1969réf. 13414Greenwich CT: New York Graphic Society 1969. 4to. Cloth dust jacket. Very good copy of this standard work on Daumier's sculptures. New York Graphic Society unknown books
réf. 91352New York: Pantheon Books Inc n.d. Hardcover. Very Good. Original cloth portfolio. 31 cm. Contains: 1 an 8 p. pamphlet including wrapper in French and English; and 2 24 unbound plates. Pantheon Books Inc hardcover books
réf. 6788Munchen Albert Langen n.d. Folio. Cloth and paper boards lettered in gilt on the cover and spine 217 2 pp. Catalog of Daumier's woodcuts. Endpaper foxed and creased one corner bumped worn and the head and heel of the spine else very good. Munchen, Albert Langen, n.d. hardcover books
réf. 04944Paris: Chez Aubert et Cie 1839. An Exceptionally Rare Original Hand-Colored Copy DAUMIER Honoré illustrator. PHILIPON Charles. Les Cent et Un Robert-Macaire composés et dessinés par M. H. Daumier sur les Idées et les Légendes de M. Ch. Philipon réduits et lithographiés par MM; Texte par MM. Maurice Alhoy et Louis Huart. Paris: Chez Aubert et Cie 1839. First Quarto Edition Hand Colored Issue. Two quarto volumes bound in one. 10 3/8 x 8 inches; 264 x 203 mm. viii 200 1 1 blank 4 advertisements ; viii 202 1 1 blank 4 advertisements pp. With 101 magnificent hand-colored lithographed plates heightened with gum Arabic. A few text leaves with toning some light scattered foxing which generally only affects the blank plate margins still a very good copy of the excessively rare hand-colored issue. Contemporary red chagrin over silk paper boards stamped in gilt. Smooth spines decoratively tooled and lettered in gilt all edges gilt. Front pastedowns with the engraved bookplate of "AM". "Les Robert-Macaire remains Daumier's best-known series.Baudelaire chose it along with Histoire ancienne for specific discussion in his essay on French caricaturists and Carteret accorded it a place in his bibliography. Its contemporary popularity was immense. As an album it was published by Aubert in an edition of 2500 copies a far larger number than for any other series. Yet so persistent was the demand that 600 two-volume sets of reduced copies called Les cent-et-un Robert-Macaire were published in 1839.When politics became a forbidden topic in Le charivari where Caricaturana Les Robert-Macaire first appeared Daumier and Philipon turned to social satire. If they could not attack Louis Philippe directly they could at least show the kind of society that flourished under his gross and venal regime. Taking the flamboyant and florid swindler Macaire from the character that Frédérick Lemaître had created in a hack melodrama called L'Auberge des adrets they showed him and his inseparable companion the dejected and meager Bertrand ranging through all kinds of commercial enterprise in the stock market in the banks in the courts and in dozens of other public settings never failing to find eager dupes. Macaire is equally persuasive in the encounters of private life where no situation finds him at a loss for an appropriate flower of sentiment.Though Daumier's designs are superb in themselves particularly in the variety of supple and telling poses.that he conceives for Macaire and Bertrand they would be incomplete without the unfailing wit and point of Philipon's captions" Ray The Art of the French Illustrated Book pp. 234-236. "These reduced and for the most part reversed copies of Daumier's lithographs apparently drawn by Menut Alophe are greatly inferior to the originals. Unlike Caricaturana the series is not often found colored" Ray The Art of the French Illustrated Book p. 236. Carteret III p.187. Ray The Art of the French Illustrated Book 162. Vicaire III cols. 31-32 under Alhoy and V cols. 572-573 under Philipon. Paris: Chez Aubert et Cie, , 1839 unknown books
réf. 04761Paris: Charivari and Martinet 1859. The Moroccan Sultan Monsieur Prudhomme a Stereotypical Bourgeois and the Chinese Emperor Thirty Fine Humorous Lithographs by Honoré Daumier DAUMIER Honoré. Album des Charges du Jour. 30 Lithographies par H. Daumier. Paris: Au Bureau du Charivari.et chez Martinet 1859-60. First edition. Oblong folio 10 3/8 x 13 5/16 inches; 264 x 338 mm. Lithographed pictorial title-page and thirty wonderful plates lithographed by Destouches. Some light foxing to a few plates mainly on the verso. Publisher's pictorial lithographed yellow paper wrappers spine very slightly chipped at extremities otherwise fine. A Wonderful example. This scarce album contains thirty fine and humorous lithographs by Daumier which had previously appeared in the Le Charivari in the series: Actualités En Chine Croquis de Chasse Ces Bons Parisiens and Emotions Nautiques. The three figures featured on the front cover and the title-page are: the Moroccan sultan Mr. Prudhomme a stereotypical bourgeois and the Chinese emperor. OCLC locates just two copies in libraries and institutions worldwide New York Public Library NY USA & The Morgan Library & Museum NY USA. The Plates: 1. - Dire que nous v'la Parisiens!. Unbelievable. we are Parisians now too! DR #3235; Actualités 2. Mr. Prudhomme - Mon fils rappelle toi ce jour mémorable où tu as vu démolir à jamais le mur d'octroi. rappelle-toi que tôt ou tard la philosophie produit de la raison humaine; renversera de même les barrières des préjugés sociaux!. Le Petit Adolphe- Oui papa!. mais dis donc. papa . pourquoi qu'on les reconstruit un peu plus loin. Mr. Prudhomme - My son remember that memorable day when you saw the wall of the grant being demolished forever . remember that sooner or later philosophy product of human reason; will also reverse the barriers of social prejudice! . Little Adolphe- Yes dad! . but say so . dad . why do we rebuild them a little further . DR #10945; Actualités 141 3. Le Diamant Magnétiseur. Nouveau divertissement des soirées. - ou manière de s'amuser et de se faire loucher en société sans se fâcher. The Diamond Hypnotist. A new pastime at evening parties - or how to have fun and get someone to squint without getting into trouble. DR #3227; Actualités 134 4. Une Application Utile du Diamant Magnétiseur. - Ma femme est bien magnétisée!. je peux filer tranquillement pour le bal de l'opéra. dors bien bobonne!. Practical Application for a Diamond Hypnotist. My wife is hypnotized. now I can quietly leave for the opera ball. sleep well my dear! DR #3230; Actualités 140 5. Toujours les merveilles du diamant magnétiseur. - ou manière en société de faire prendre aux dames des poses non moins fatigantes que disgracieuses. More marvels from the diamond hypnotist. Or how to make the ladies pose in society in exhausting and not very gracious positions. DR #3228; Actualités 137 6. - Mon ami. viens donc voir ces jolis diamants!. - Ne regarde pas cela. imprudente!. ça te ferait loucher!!. - My dear come and have a look at these beautiful diamonds! - Don't even look at them you careless woman. they'll make you cross-eyed! DR #3229; Actualités 138 7. La Chiromancie Nouveau Passe Temps Des Bons Parisiens. - Adélaïde. j'ai beau chercher. je ne me trouve pas la petite ligne qui annonce une longue vie. mon Dieu!. dois-je donc mourir à la fleur de l'âge!. Palmistry New Parisian Pastime. - Adelaide. no matter how intensely I am searching I simply cannot find the line for long life. oh my God must I die in the prime of my days! DR #3240; Actualités 142 8. - Ah! Théophile. j'en apprends de belles sur ton compte. d'après le livre de Mr. Desbarolles je vois que tu as dans la main la ligne du libertinage!. - Ah!. bah. - Ah Théophile what ghastly things I am reading about you. According to the book by Mr. Desbarolles I can tell that you have in your palm the lines of a libertinage!. - Oh well. DR #3241; Ces Bons Parisiens 1 9. L'empereur du maroc consultant le celèbre sorcier desbarolles. - Voici une petite ligne qui m'indique que vous êtes destiné à recevoir une grande raclée!. The Emperor of Morocco in consultation with the Famous Magician Desbarolles. - This small line here indicates to me that you are going to get a royal thrashing! DR #3225 10. À Tanger - Sublime Majesté! . . . . . voici les Espagnols qui arrivent . . . . . je crois aller au devant de vos désirs afin de leur inspirer du respect . de déployer votre auguste parasol ! . - Laisse-moi donc tranquille Belboul avec mon parasol . . . . en ce moment-ci j'aimerais mieux avoir un Pare-à-balle ! . . . . . . In Tangiers. - Sublime Majesty. the Spanish are coming. in order to frighten them off I took the liberty to fully open your umbrella as a sign of your greatness! - Leave me alone with your umbrella Belboul. I would rather like to have an umbrella protecting me from their bullets. DR #3223 11. Le Cid se mettant aussi en campagne pour aller combattre les Maures. El Cid also takes to the field to fight against the Moors. DR #3233 12. Combat singulier entre le Cid et l'Empereur du Maroc. A unusual battle between El Cid and the emperor of Morocco. DR #3234 13. Un parasol dans une position difficile. An umbrella in a difficult position. DR #3224 14. - Voilà un vent qui va joliment contrarier le débarquement des Espagnols!. - Oui. mais c'est aussi un bien fichu temps pour mon parasol . - This wind will give the Spanish a hard time when disembarking. - Sure but look at what it is doing at my umbrella! DR #3226 15. - Dire que c'est là ce que les Français appellent des chinois!. Strange. this is what the French call "Chinois". DR #3120 16. - Ils vont être bien attrapés ces européens!. ils ont des canons qui sont terribles parce qu'ils sont rayés moi j'ai eu l'excellente idée de faire rayer tous mes soldats!. These Europeans will be quite surprised. they are using "rifled cannons" . thus I had the clever idea to add "rifles" stripes to the uniforms of my soldiers. DR #3118 17. Patrouille chinoise en reconnaissance. Chinese reconnaissance unit in action. DR #3117 18. - Tiens regarde cette caisse. elle renferme les envoyés Américains qui se rendent à Pékin!. - On dirait que cette voiture contient des animaux curieux. - Ma foi! s'ils sont curieux. tant pis pour eux car ils ne voient pas beaucoup le pays qu'ils traversent! - Look at that box - it contains the American envoys on the way to Peking! - Anyone would say it was a coach full of curious animals. - Well if they are curious so much the worse for them for they can't see much of the country they are travelling through. DR #3114 19. Arrivée à Pékin des ambassadeurs Américains. Arrival of the American Ambassador in Beijing. DR #3115 20. L'envoyé américain obtenant une audience de l'Empereur de la Chine. The Emperor of China receives the American Ambassador. DR #3116 21. - Tchinn-tchinn. tu m'apportes une bonne nouvelle!. je t'accorde l'insigne honneur de baiser l'auguste poussière de mes augustes souliers!. Tchinn Tchinn. you are bringing me good news! As a special sign of grace I will allow you to kiss the sublime dust of my sublime shoes! DR #3119 22. La Chine se civilisant. - Voyons. attention!. voici la théorie européenne. les yeux à quinze pas de distance et que le pied qui est à terre vienne rejoindre vivement celui qui est en l'air. China on its way to become civilized. Attention!. this is European theory now. the eyes must look fifteen feet ahead. . the foot on the ground must quickly join the one in the air. DR #3124 23. Fonctionnaires chinois veillant au salut de l'empire ! . Chinese civil servants diligently guarding over the welfare of the nation. DR #3123 24. -Tenez je viens de tuer un magnifique coq de bruyère!. -Mais malheureux!. c'est le coq Brahma de la ferme voisine. un coq qui vous coûtera peut-être plus de trente francs. sans compter les coups de fourche!. - Look! I just killed this magnificent grouse! . - Poor you! That is the rooster of the farm next door. That cock will cost you more than thirty francs not counting the pitchfork jabs! DR #3216 25. - Eh! bien. as-tu l'intention de rester là . - Non certes!. je t'attendais pour que tu me transportes sur ton dos jusqu'au village. - Merci à une lieue et demie d'ici!!. es-tu fou. - Allons!. voyons mon ami. fais comme si tu avais tué un chevreuil et que tu sois obligé de le rapporter chez toi!. - What about it. are you planning to stay here all day - Surely not. I thought you were going to carry me to the next village! - You must be joking. one and a half leagues. you must be crazy! - Oh come on. just pretend I were a stag you shot you would have had to carry him too. DR #3217 26. - Eh! bien. allons-nous continuer notre chasse malgré le vilain temps . . . . . - Non ! du tout . . . . . il pleut . . . . le gibier craint autant la pluie que nous . . . . il ne pourra manquer de venir se mettre à l'abri dans cette chaumière et nous allons en prendre beaucoup ! . . . . . . - Now what Are we going to continue hunting during the rain - Not at all! The animals are just as afraid of the rain as we are. They might not be able to find this shelter and we would end up losing too many of them! DR #3215 27. Mr. Prudhomme. - Comment . . . flots impudents ! . . . . . vous ne savez donc pas qui vous portez en ce moment que vous vous montrez si hardis à mon égard . . . . mer audacieuse! . . . apprends que comme Xerxès je pourrais te faire fouetter ! . . . . . Mme. Prudhomme Toute tremblante. - Oh! . . . mon ami . . . . . je t'en supplie ! . . . . ne lui dis pas d'insolences tu la mettrais en colère et elle serait capable de nous engloutir! . . . . . Mr. Prudhomme: - Obnoxious waves. don't you know whom you are carrying in this moment. oh audacious. know I shall like Xerxes whip you terribly. Mme Prudhomme: shivering of fear - Pray my dear friend do not offend the sea any longer. you might wake its fury and it might devour us completely! DR #3218 28. Les Eunuques Réformés par le Bey de Tunis. - Qu'allons-nous devenir. nous voilà mis à pied!. - Nous n'avons plus qu'à nous faire cochers de Constantinople!. Eunuchs reformed by the Bey of Tunis. - What's going to become of us. we have been fired. - The only thing we can do is go to Constantinople and become coachmen. DR #3237 29. Le nouveau costume des cochers turcs à Constantinople - Ni hommes ni femmes. tous eunuques!. Extrait de la nouvelle ordonnance. The new uniform of the Turkish coachmen in Constantinople. neither male nor female. all eunuchs. from the new ordinances. DR #3238 30. Une position difficile. - Tiraillé entre la civilisation et le parti rétograde. A difficult position. Torn between civilization and the conservative party. DR #3221. Paris: Charivari and Martinet, 1859 unknown books
réf. 02253Paris: Chez Aubert 1839. With 150 Hand-Colored Lithographs including Forty-Five by Honoré Daumier and Forty-Two by Gavarni DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839-1840. First edition. Three quarto volumes bound in one 10 x 7 5/8 in; 251 x 193 mm. 1 half-title 2 title 600 pp. With 150 numbered hand-colored lithographs heightened with gum arabic by Honoré Daumier forty-five Gavarni forty-two Frédéric Bouchot twenty-two Victor Adam ten Platier seven Benjamin i.e. Benjamin Roubaud four Bourdet three Pruche three Platel two Grandville two Edme-Jean Pigal two Alophe Menut two Charles Vernier two Charles-Joseph Traviès one and others. Bound ca. 1886-1890 by James Screeton of Hull with label to rear pastedown half black pebbled morocco over gray-brown cloth. Elaborately gilt tooled compartments gilt-rolled raised bands. All edges gilt. Some foxing and toning throughout but still a very good copy. "The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had ‘a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book. Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series ‘Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints ‘after Daumier'". James Screeton was the son of bookbinder William Screeton of Hull. It appears that he was partner of binder William Wardell until opened his own shop in 1886. Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books
1992réf. 1342388New York: Metropolitan Museum of Art 1992. Hardcover. Quarto; VG-; Hardcover; Spine blue with gold print; Slipcase in blue cloth with illustrated pastedown light shelfwear but clean and strong; Boards in blue cloth with gold print clean and strong; Text block clean and tight; "Published in conjunction with the exhibition held at the Stadelsche Kunstinstitut and Stadtische Galerie Frankfurt November 17 1992-January 17 1993 and at the Metropolitan Museum of Art New York February 26-May 2 1993"- title page verso; xii 268 pages frontispiece illustrated chiefly b&w. Shelf: Drawings & Etchings Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1342388. FP New Rockville Stock. Metropolitan Museum of Art hardcover books
réf. 48053NY: Amiel nd. First printing of this edition. 4to. 121 pp. Fine in fine dust jacket. NY: Amiel unknown books
1974réf. 48055Paris & NY: Amiel 1974. First edition. 4to. 239 pp w/notes. Fine in fine dust jacket and near fine publisher’s cardstock slipcase. Paris & NY: Amiel unknown books
1974réf. 48054Paris & NY: Amiel 1974. First edition. 4to. 135 pp w/notes. Fine in fine dust jacket and fine publisher’s cardstock slipcase. Preface by Francoise Parturier catalogue and notes by Jacqueline Armingeat. Paris & NY: Amiel unknown books
1981réf. 48056NY: Rizzoli 1981. First US edition. 4to. 329 pp w/notes indexes and bibliography. Fine in fine dust jacket and publisher’s near fine light cardstock slipcase. NY: Rizzoli unknown books
réf. 016937NY: Vilo. N.D. First Edition. Hardcover. 4to very good in torn dust jacket. . Vilo hardcover books
1841réf. 316512Paris: Beauger et Cie 1841. First edition. 350 wood-engraved vignettes by Granville Gavarni Daumier Traviès Lécurieux and Monnier. iv 395 pp. 8vo. Contemporary full red pebbled morocco gilt a.e.g. Head of spine and joint repaired foxing dampstain to top margin and portion of text still an attractive copy in a contemporary French romantic binding. Bookplate. First edition. 350 wood-engraved vignettes by Granville Gavarni Daumier Traviès Lécurieux and Monnier. iv 395 pp. 8vo. "Rare en belle condition importante par son texte sur Paris et par son illustration due à une belle pléiade d'artistes" Carteret. Carteret III pp. 297-8 Beauger et Cie unknown books
1841réf. 217800Paris: L. Curmer 1841. First edition. Illustrated by Daumier Gagniet Gavarni Grandeville Malapeau Meissonier. Pauquet. Penguilly Raymond Pelez Trimolet. 480 pp. 1 vols. 4to. Bound in contemporary half tan calf spine gilt marbled boards. Spine slightly faded and rubbed some light scattered foxing; Very Good. First edition. Illustrated by Daumier Gagniet Gavarni Grandeville Malapeau Meissonier. Pauquet. Penguilly Raymond Pelez Trimolet. 480 pp. 1 vols. 4to. L. Curmer unknown books
1933réf. 217249Paris: Maurice le Garrec 1933. One of 550 copies. 991 illustrations. 2 vols. 4to. Printed wrappers largely unopened. Some minor creasing to wrapper edges else Fine. One of 550 copies. 991 illustrations. 2 vols. 4to. Maurice le Garrec unknown books
1923réf. 217324Paris: H. Floury 1923. First edition. 4 colour and over over 100 monochrome plates. 202 pp. 1 vols. 4to. Bound in half dark morocco gilt spine about fine. First edition. 4 colour and over over 100 monochrome plates. 202 pp. 1 vols. 4to. Freitag no. 2071 H. Floury unknown books
1924réf. 217323Paris: aux Édition G. Crès et Cie 1924. First edition. Illustrated with 46 plates. 38 pp. of text. 1 vols. 4to. Bound in three quarter dark morocco gilt spine about fine. First edition. Illustrated with 46 plates. 38 pp. of text. 1 vols. 4to. Freitag no. 2071 aux Édition G. Crès et Cie unknown books
1967réf. M7722Los Angeles:: Lynton Kistler 1967. 1967. 340 x 272 mm. Portfolio. i 2 pp. 12 black and white prints laid in a folded paper portfolio; top cover faded else fine. (Lynton Kistler), 1967. unknown books
1989réf. 48138New York New York U.S.A.: Tabard Press 1989. Hardcover. Very Good/Very Good. Preface by Julien Cain Member of the Institut de France. New York: Tabard Press 1989. Tan paper buckram binding with gilt titles. Some minor fading and wear to the dust jacket; otherwise a very good copy. In a Brodart dust jacket protector. Tabard Press hardcover books
1959réf. 6494New York: Tudor Publishing Company 1959 Large quarto. Illustrated with 47 full page plates reproduced from the original lithographs. Introduction by Julien Cain. Reddish black cloth with gilt lettering on spine and front cover. A very fine copy with worn and chipped pictorial dust jacket. . Tudor Publishing Company hardcover books
réf. 43487Other: Other. Very Good. Hardcover. New York: Reynal & Hitchcock 1946. 240 pages plus index of plates. Contents are clean and sound with light toning to pages. Tan cloth binding is stamped "h.D." and is tight. Overall a very good copy. . Other hardcover books
1958réf. 28705Cleveland: World Publishing Company n.d. ca. 1958. Paperback. Very good. Folio 32 cm. Blue folder with gilt titling and full color print "Coming out of School 1852." Six full color 24 x 30 cm prints by Daumier including "Coming Back from Market" "The Bath" "The Print Fanciers" "The Hurdy-Gurdy Players" "The Reader" and "The Third-class Compartment." Includes a brief essay on Doumier's artistry notes on the plates and a chronology of his life. Printed in Switzerland by Skira Color Studios. Cover shows edge wear fading and staining plates in near fine condition with only minor wear at edges not effecting art. Skira became world famous for publishing original works by Pablo Picasso Henri Matisse Man Ray and the legendary magazine Minotaure directed by Andrè Breton and Paul Eluard. "The 1950s and 1960s stand out for the publishers great international success. The famous Grand Books are born with their applied plates reproduced and printed at unbelievably high standards." Skira dot net World Publishing Company paperback books
1993réf. GG01574Paris:: Editions Michele Trinckvel 1993. 1993. 4to. 133 pp. Illus. Brown cloth dust-jacket. Fine copy. ISBN: 2851320327 Editions Michele Trinckvel, 1993. hardcover books