Honore-Victorin DaumierBiblio.com
4 304 résultats
réf. 30653Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1869. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 30651Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1869. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 30652Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1869. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1989réf. 42225Frankfurt/M. Taschenbuchverlag Fischer, 1989. Taschenbuch, 92 Seiten.
réf. 117469Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century October 2 1834. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 117468Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century October 2 1834. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 117470Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century October 2 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 117467Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century October 2 1834. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 4640En un volume in 4 demi-cuir vert,titre filets dorés. BALZAC:œuvres illustrées Les parents pauvres 2ème partie le cousin Pons,texte sur 2 colonnes,en tête de Célestin NANTEUIL,illustrations dans le texte de Tony JOHANNOT, STAAL DAUMIER,BERTALL….Paginé 97 à 164.Le Lys dans la vallée page 1 à 64.Séraphita:32 pages.Le bal des sceaux 16 pages.Eugénie Grandet 48 pages suivie de Chef d’œuvre inconnu(une déchirure longitudinale à tout le texte) Gustave Havard éditeur sans date. BRIFFAULT Eugène:Paris à Table illustrations de H. EMY,32 pages,Paris dans l’eau 16 pages,Paris marié 20 pages, illustrations de GAVARNI. Paul de KOCK L’amoureux transi 80 pages.Frédéric SOULIE les mémoires du diable 240 pages illustrations. Le magnétiseur 80 pages,illustré.Le Vicomte de Béziers 80 pages illustrations A la librairie théâtrale.Sans date
1920réf. 30178Berlin, Mauritius-Verlag, (1920). 12°. Mit Illustrationen. Goldgeprägter HalbLEDER, VollFarbschnitt, Fadenheftung.
réf. HD-018o.J. Mr. Gobard, j?ai l?honneur de vous présenter Mme de St. Bertrand veuve de la grande armée, jouissant d?une fortune très conséquente, et Mlle Eloa de Wormspire, fille du célèbre baron de Wormspire à qui le grand homme a légué 50 mille livres de rente sur le gros livre. Ces dames brulent du désir de faire votre connaissance, je les ai invitées à diner chez vous ce soir, vous nous mènerez à l?opéra et nous ferons une petite partie d?écarté?. Mr. Gobard ces dames ont des projets sur vous, tenez vous bien. (Robert Macaire als Heiratsvermittler. Monsieur Gobard, ich habe die Ehre, Ihnen Madame de St Bertrand vorzustellen, Witwe der großen Armee und Nutznießerin eines bedeutenden Vermögens; und Mademoiselle Eloa de Wormspire, Tochter des berühmten Baron de Wormspire, der dieser bedeutende Mann eine Rente von 50'000 Pfund ausgesetzt hat. Diese Damen brennen darauf, Ihre Bekanntschaft zu machen. Ich habe sie heute Abend bei Ihnen zum Essen eingeladen, Sie führen uns anschließend in die Oper aus, und dann verbringen wir einen gemütlichen Abend.... Monsieur Gobard, machen Sie sich auf was gefasst, die Damen haben einiges mit Ihnen vor....). Zeitgenöss. aquarellierte Lithographie, 1836, mit Text von Charles Philipon (1800-1862), auf bräunlichem Velin, mit den Adressen: Chez Aubert gal. véro dodat, sowie Imp. d?Aubert et de Junca. Darstellungsgröße 21,8:28,7 cm, Blattgröße 25,8:33,5 cm. ? Mit Heftspuren am Oberrand, linker Unterrand zweimal geknickt und mit kleinem Einriss sowie mit kleinen Bereibungen der Oberfläche innerhalb der Darstellung. Literatur: Daumier-Register 369; Delteil 369. No. 16 der 100 Blatt-Serie ?Caricaturana?, erschienen 4.12.1836 in ?Le Charivari?. Bei vorliegendem Exemplar handelt es sich wohl um ein Exemplar aus dem Album ?Caricaturana?, das 1838 erschien. - Sur papier blanc!
réf. HD-019o.J. Que diable ! Mon cher, vous êtes bien bon de vous échiner à payer vos dettes, éteignez les donc tout d?un coup ! ? Comment ça ? ? Parbleu ! Apportez moi vos livres, je les arrangerai, c?est ma spécialité; nous ferons un petit passif, un gros actif, nous assemblerons vos créanciers, nous offrirons cinq pour cent payables en dix ans, pendant dix ans vous ne donnerez rien, dans dix ans, vous recommencerez, les créanciers seront morts, les dettes oubliées et tout sera dit?. (Robert Macaire als Geschäftsberater. - Teufel! Mein Lieber, es ist ja rührend, wie Sie sich abrackern, um Ihre Schulden zu bezahlen, tilgen Sie sie doch mit einem Schlag! - Wie das? - Na verflixt! Geben Sie mir Ihre Bücher, ich werde sie frisieren, das ist meine Spezialität, wir bilanzieren geringe Passiva und hohe Aktiva, rufen Ihre Gläubiger zusammen, bieten ihnen fünf Prozent an, zahlbar in zehn Jahren, und in diesen zehn Jahren werden Sie nichts zahlen, dann fangen Sie wieder von vorne an, Ihre Gläubiger werden tot sein, die Schulden vergessen und niemand redet mehr darüber...). Lithographie, auf chamoisfarbenem Velin, mit Text von Charles Philipon (1800-1862), mit den Adressen: Chez Aubert gal. Véro-dodat, sowie Imp. d?Aubert et de Junca. Darstellungsgröße 24,3:21,8 cm, Blattgröße 36,2:26,9 cm. ? Durchgehend braunfleckig. Literatur: Daumier-Register 393; Delteil 393. No. 39 der 100 Blatt-Serie ?Caricaturana?, erschienen 2.04.1837 in ?Le Charivari?. - Sur papier blanc!
réf. 2187707Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1838. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2187706Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1838. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2187708Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1838. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2187705Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1838. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1731aaAubert Paris 1836. Maße: ca. 285 cm x 22 cm am unteren Bildrand typografisch betitelt und bezeichnet Blattrand gering gebräunt. - Honoré Daumier war ein französischer Maler Bildhauer Grafiker und Karikaturist. Er ist ein wichtiger Vertreter des Realismus. Bedeutend sind seine politischen und sozialkritischen Karikaturen - unknown
1836réf. 296442Paris: Chez Aubert 1836. hardcover. Lithograph with original hand coloring. 10 x 13 1/4 inches. Plate 23. Some scuffs foxing and toning on left of image and margins but luminous coloring. Text below in French."Example: Buy a new process it doesn't matter which or whether it's good or bad buy it for 600F 500F 25F for as little as possible. Create 500'000F worth of shares as many as possible. Make out monster advertisements monster posters monster promises. Make the capital pocket it put the key under the door file your bankruptcy papers that's to say the company's papers. that's the end of that little game. You then go on to another." From the rare album of 100 caricatures called Caricaturana Les Cent Robert-Macaire.This collaboration with Philipon takes aim at French society through satire behind the vehicle of invented swindler Robert Macaire. Chez Aubert unknown books
réf. 05441Paris: Chez Aubert 1838. Daumier's Masterpiece of French Social Satire The Complete Les Robert Macaire - One Hundred Magnificently Hand-Colored Lithographs Heightened with Gum Arabic An Extraordinary Copy in the Original Publisher's Blue Cloth with an Additional Plate from the Exceedingly Rare Second Series DAUMIER Honoré 1808-1879 illustrator and PHILIPON Charles 1800-1862. Les Robert Macaire Caricaturana. Paris: Chez Aubert August 1836-November 1838. First edition. Folio 13 3/16 x 10 3/8 inches; 338 x 263 mm. One hundred original hand-colored lithographed plates all heightened with gum arabic together with one additional hand-colored plate from the exceptionally scarce second series. The complete suite of one hundred plates from the first series is present. A remarkable bibliographical curiosity: In this copy plate 96 À tous les cœurs bien nés que la patrie est chère!! Daumier Register 451 published October 28 1838 was originally replaced by a plate from the second series Robert Macaire 2e Série No. 7: Nouveautés philanthropiques Daumier Register 872 published April 4 1841. The plate number has been altered in old ink to read "96" apparently at or before the time of binding although the circumstances of the substitution cannot be established with certainty. An original hand-colored impression of the correct plate 96 DR 451 has subsequently been supplied and inserted immediately following plate 95 thereby restoring the complete first series while preserving the unusual second-series plate in its original bound position. The first plate bound a little tightly at the upper margin just touching the image. Plate 13 DR 366 with a small expertly repaired marginal tear extending approximately 1 1/2 inches and just touching the image; plate 46 DR 401 with a small expert repair approximately 5/8 inch to the inner blank margin; plates 11 DR 364 31 DR 385 and 48 DR 403 each with a tiny repaired marginal tear approximately 5/16 inch. A few plates very slightly toned; plate 34 DR 388 with some light foxing. Overall the plates are remarkably fresh with exceptionally vivid hand-coloring. Original publisher's diaper-grain blue cloth covers ruled in blind front cover decoratively lettered in gilt "Robert-Macaire." Plain endpapers. Expertly recased with inner hinges repaired. An early bookseller's catalogue description dated April 1942 affixed to the front free endpaper making no reference to the substituted plate. Traces of old tape residue on the front and rear endpapers. An excellent and unusually desirable example retaining the exceptionally scarce original publisher's binding and displaying the superb quality of the contemporary hand-coloring throughout. The Great Masterpiece of Daumier's Social Satire: Among the many achievements of Honoré Daumier few have exercised so enduring an influence upon the history of caricature as Les Robert Macaire. First published in the pages of Le Charivari between 1836 and 1838 this extraordinary series of one hundred lithographs constitutes one of the most penetrating inventive and entertaining portrayals of nineteenth-century French society. The series arose from the increasingly restrictive political climate of Louis-Philippe's July Monarchy. Following the September Laws of 1835 which severely curtailed political caricature Daumier and his publisher and collaborator Charles Philipon redirected their formidable satirical talents toward the absurdities pretensions and moral corruption of contemporary bourgeois life. Their vehicle was Robert Macaire the flamboyant confidence trickster made famous by the actor Frédérick Lemaître in the melodrama L'Auberge des Adrets. In Daumier's hands Macaire became something altogether more significant: the embodiment of a society in which speculation self-interest hypocrisy and dishonesty appeared to flourish in virtually every profession. Accompanied by his long-suffering accomplice Bertrand Macaire appears in an astonishing succession of disguises and occupations: banker lawyer physician businessman journalist financier entrepreneur philanthropist and opportunist of every conceivable description. No institution escapes scrutiny. The law courts the stock exchange the medical profession commercial speculation fashionable society marriage religion and charitable enterprise all provide opportunities for Macaire's inexhaustible ingenuity in separating the gullible from their money. Daumier's genius lies not merely in the grotesque exaggeration of his figures but in his extraordinary understanding of human character. Macaire's expansive gestures magnificent self-assurance and perpetual air of injured respectability are rendered with such brilliance that the character becomes at once ludicrous recognizable and disturbingly convincing. The accompanying captions largely devised by Philipon are an essential part of the achievement. Their wit irony and perfectly judged dialogue transform each lithograph into a miniature theatrical performance. Together artist and writer created a sustained comic portrait of an entire social order one whose relevance has scarcely diminished in the intervening two centuries. The original album was published by Aubert in a reported edition of 2500 copies a considerably larger printing than was customary for contemporary lithographic series. However the overwhelming majority were issued with the plates uncolored and complete copies with contemporary hand-coloring are particularly desirable. The present example is distinguished by the brilliance and freshness of its coloring enhanced throughout by the application of gum arabic which lends a characteristic luminosity and richness to selected details. The original publisher's blue cloth binding is another feature of exceptional importance. Most surviving copies have been rebound and examples retaining their original publisher's cloth are seldom encountered. This is only the second such copy we have handled. The present copy possesses the additional distinction of containing a plate from the exceedingly scarce second series of Robert Macaire issued between 1840 and 1842. This later continuation comprised twenty lithographs Daumier Register 866-885 and individual impressions are themselves difficult to obtain. The presence of Nouveautés philanthropiques DR 872 incorporated into the original sequence and renumbered in contemporary ink is an intriguing survival. Whether introduced by the publisher or by an early owner it provides unusual evidence of the manner in which these lithographic albums could be assembled and altered. With the correct original plate 96 now supplied the album preserves the complete first series while retaining this additional and exceptionally uncommon impression. The bibliographical importance of Les Robert Macaire has long been recognized. Charles Baudelaire singled out the series for discussion in his essay on French caricaturists while Philip Hofer Gordon N. Ray and other historians of illustrated books have acknowledged its central position in the development of modern graphic satire. Gordon Ray described it as Daumier's best-known work and noted the extraordinary contemporary popularity that led to the publication of 6000 copies of the smaller-format two-volume Les Cent-et-Un Robert Macaire beginning in 1839. Despite this popularity complete copies of the original folio series are uncommon and those combining contemporary hand-coloring exceptional condition and the publisher's original binding are rarer still. A magnificent survival of one of the most celebrated achievements in the history of European caricature combining artistic brilliance bibliographical rarity and an unusually interesting publishing history. References: Daumier Register 354-373 375-455 first series; 872 additional plate from second series. Ray The Art of the French Illustrated Book 161. Beraldi Les Graveurs du XIXe Siècle V p. 124. Paris: Chez Aubert, 1838 unknown books
réf. 05492Paris: Chez Aubert 1838. The First Twenty Hand Colored Lithographs of Daumier's Most Celebrated Work DAUMIER Honoré and Charles Philipon. Les Robert Macaire Caricaturana. Paris: Chez Aubert 1836-1838. First edition. Oblong folio 10 3/8 x 14 inches; 264 x 355 mm. Twenty hand-colored lithographed plates numbered 1 - 20 heightened with gum arabic. Plate no. 7 supplied and expertly re-margined at gutter and lower margins. Contemporary quarter green calf over green patterned boards decoratively ruled in gilt with gilt corner pieces smooth spine. Inner hinges repaired slight rubbing to extremities. An excellent collection of the first twenty plates of Daumier's Caricaturana. "Les Robert Macaire remains Daumeir's best-known work. Baudelaire chose it. for specific discussion in his essay on French caricaturists and Carteret accorded it a place in his bibliography. Its contemporary popularity was immense. As an album it was published by Aubert in an edition of 2500 copies a far larger number than for any other series. Yet so persistent was the demand that 6000 two-volume sets of reduced copies called Les cent-et-un Robert Macaire were published in 1839." Ray. Though 2500 may have been printed few have survived. OCLC/KVK records only two copies in institutions worldwide Sadleir's at the Morgan Library and at Yale. Though both are complete only the Morgan copy is in the original cartonnage portfolio. ABPC reports only three complete copies at auction since 1935 and it appears that at least two were rebound; it is safe we think to presume that the third copy was also rebound. The 'reduced' edition of 1839 is still quite rare at auction two copies only since 1975 but there are more copies in institutional holdings. "When politics became a forbidden topic in Le Charivari where Caricaturana first appeared Daumier and Philipon turned to social satire. If they could not attack Louis-Philippe directly they could at least show the kind of society that flourished under his gross and venal regime. Taking the flamboyant and florid swindler Macaire from the character that Frederick Lemaitre had created in a hack melodrama called L'Auberge des adrets they showed him.ranging through all kinds of commercial enterprise in the stock market in the banks in the courts and in dozens of other public settings never failing to find eager dupes.Though Daumier's designes are are superb in themselves.they would be incomplete without the unfailing wit and point of Philipon's captions" Ray. Ray Art of the French Illustrated Book 161. Beraldi V p. 124. Paris: Chez Aubert, 1838 unknown books
réf. HD-016o.J. Voici mes conditions : Vous me ferez une lettre de changé de 40,000 f. je vous donnerai 25 f. argent ? 3000 f. de moutarde blanche et de soques articulés ? 3000 f. de pommes de terre frites, - une roue de cabriolet ? deux vaches ? quatre actions du Physionotype et un quintal de connaissances utiles?.. Je n?ai pas d?autres valeurs en portefeuille, mais cela vaut de l?or. (Robert Macaire als Geldverleiher. Hier meine Bedingungen: Sie stellen mir einen Wechsel über 40'000 Francs aus... ich gebe Ihnen 25 Francs Bargeld, für 3000 Francs weissen Senf und Sprüche, für weitere 3000 Francs Bratkartoffeln... ein Wagenrad, zwei Kühe, 4 Aktien des Physionotypen und einen Zentner nützliche Beratung.... Andere Werte habe ich nicht anzubieten, aber diese sind Gold wert.). Lithographie, auf chamoisfarbenem Velin, mit Text von Charles Philipon (1800-1862), mit den Adressen: Chez Aubert, gal: véro-dodat, sowie Imp: d?Aubert et de Junca gal. Colbert. Darstellungsgröße 26,6:22 cm, Blattgröße 37,5:28,2 cm. ? Mit Wasserrand und leicht angeschmutzt. Literatur: Daumier-Register 357; Delteil 357. No. 4 der 100 Blatt-Serie ?Caricaturana?, erschienen 13.04.1838 in ?Le Charivari?. ? Sur papier blanc!
réf. 06067Paris: N.p. 1895. A Unique Daumier Survival: Robert Macaire Boursier Issued as a Belle Époque Jig-Saw Puzzle Preserved in the Original Delvaux Paris Box DAUMIER Honoré. Robert Macaire Boursier. Caricaturana no. 29. Jig-Saw Puzzle. N.p. Paris n.d. circa 1895-1915. Folio 12 1/2 × 9 7/8 inches; 317 × 251 mm. Approximately eighty interlocking pieces. Finely colored print mounted on laminated wood approximately 1.5-3 mm thick precision-cut to form a complete jig-saw puzzle. Housed in the original Delvaux Paris box patterned and lettered "Delvaux" with retail address at 18 Rue Royale-Opéra Paris. An extraordinarily rare and apparently unrecorded adaptation of Daumier's most celebrated satirical image transforming Robert Macaire Boursier - the archetypal financier-swindler of the July Monarchy - into a luxury Belle Époque leisure object. While Daumier's Robert Macaire series is well documented in lithographic form no jig-saw or puzzle versions appear in the standard Daumier bibliographies. The quality of production chromolithographic coloring and machine-cut interlocking pieces place the object firmly in the late nineteenth or early twentieth century and suggest a sophisticated adult audience rather than a child's toy. The association with Delvaux one of Europe's oldest luxury houses is especially notable and points to a Parisian market for refined satirical amusements sold alongside high-end travel and novelty goods. The survival of the original Delvaux box is exceptional and may be unique in the Daumier field. The puzzle survives substantially complete with the image fully legible when assembled. A remarkable cross-category survival at the intersection of caricature material culture and luxury retail history and among the most unusual Daumier objects to appear on the market. Paris: N.p., 1895 unknown books
réf. 1779307Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1840. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1779333Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1842. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 1779332Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1842. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
