Daumier, Honoré Les représentants représentésLivre Rare Book
4 298 résultats
1849réf. 255181849 LE CHARIVARI Aubert et Cie, imprimeur-lithographe. 1849- Lithographie - Hauteur: 35.9cmx Largeur: 27.6cm - Description:Planche n° 16- Assemblée législative, . -1 feuillet (4 pages) numéro complet ; illustration page 3.-- texte imprime au dos,bon etat,rousseurs.
réf. 117222Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1832. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 117223Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1832. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 117221Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1832. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 117220Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1832. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1945réf. 10197Bâle, Société pour l'Industrie Chimique, 1945. Petit in-8 broché, couverture illustrée, imprimée en deux tons - un peu défraîchie.
1945réf. AUB-9338Bâle 1945 (Société pour l'Industrie Chimique). Bel exemplaire broché, couverture ornée et rempliée d'origine, 1er plat orné, no10/100 sur vergé antique, in-8, 110 pages.
réf. 04953Paris: Léopold Pannier et Cie. 1841. One Hundred Masterpieces by Honoré Daumier Two Exceptionally Rare Complete Albums Bound Together One Hundred Superb Lithographs Satirizing Parisian Life and the Classical World DAUMIER Honoré illustrator. Variétés Drolatiques. Paris: Léopold Pannier et Cie. 1841. First collected edition. Folio 13 3/16 x 10 inches; 335 x 254 mm. Publisher Léopold Pannier gathered together seven of Daumier's finest humorous series into a single album comprising fifty lithographs: Vulgarités 10 plates complete Les Musiciens de Paris 6 plates complete Proverbes de Famille 2 plates complete Proverbes et Maximes 12 plates complete La Pêche 7 plates complete La Journée du Célibataire 12 plates complete Les Saltimbanques 1 plate as issued in the album A total of fifty lithographs. As noted by the Daumier Register: "Pannier published a separate album with the title Variétés Drolatiques. containing seven complete series. bringing the total number of prints to fifty. This album can be considered rare." Far scarcer than the individual lithographs themselves this publisher's album represents one of the earliest attempts to preserve Daumier's celebrated caricatures in collected form. The seven suites encompass every aspect of Parisian life - from domestic quarrels and bachelorhood to musicians fishermen itinerant entertainers and the comic absurdities of bourgeois society. Together they provide an extraordinary survey of Daumier's mature genius during the early years of the July Monarchy. Institutionally the album is exceptionally elusive. OCLC records only three individual plates from Proverbes et Maximes in public collections while we have located only a single complete copy appearing at auction sold between October 1898 and July 1899. Even the celebrated Armand Hammer Collection includes only a single plate from La Pêche. Bound with Histoire Ancienne Daumier's Brilliant Satire on Classical Antiquity DAUMIER Honoré illustrator. PHILIPON Charles. Histoire Ancienne. Paris: Chez Aubert 1841-1843. Complete with fifty lithographed plates. Together the two works comprise one hundred superb lithographs. Contemporary quarter dark brown morocco over marbled boards spine with four raised bands ruled in blind and lettered in gilt marbled endpapers. A near fine complete example. One of Daumier's most original and intellectually ambitious achievements Histoire Ancienne transforms the heroes and gods of Greece and Rome into recognizably nineteenth-century Parisians. Achilles Ulysses Hercules Jupiter and countless other classical figures are stripped of their heroic grandeur and recast as vain bourgeois comic bureaucrats quarrelsome husbands and pretentious social climbers. Published between 1841 and 1843 the series formed part of the Romantic assault upon academic Classicism then dominating French art and literature. Charles Philipon's witty accompanying texts contain numerous veiled political references to the reign of King Louis-Philippe making the series not merely humorous but a sophisticated exercise in social and political satire. Among the finest plates are: Le Baptême d'Achille in which the infant Achilles is plunged into the Styx with comic domestic realism rather than epic grandeur. La Mère des Gracques perhaps the best-known image in the series where the famous Roman matron proudly presents her boisterous children as her "only jewels" allowing Daumier to transform an episode from Plutarch into a scene from contemporary Parisian family life. Complete copies are extraordinarily uncommon. We have located only a single institutional example worldwide at the Bibliothèque nationale de France. Bound together these two remarkable albums contain one hundred original lithographs spanning every facet of Daumier's genius - from the comic theater of everyday Parisian existence to his devastating reinterpretation of the ancient world. Few nineteenth-century caricature albums combine such artistic brilliance historical importance and genuine rarity. An exceptional opportunity to acquire two of the master's most elusive and complete lithographic series in a handsome contemporary binding. Paris: Léopold Pannier et Cie., 1841 unknown
réf. 04953Paris: Léopold Pannier et Cie. 1841. One Hundred Masterpieces by Honoré Daumier Two Exceptionally Rare Complete Albums Bound Together One Hundred Superb Lithographs Satirizing Parisian Life and the Classical World DAUMIER Honoré illustrator. Variétés Drolatiques. Paris: Léopold Pannier et Cie. 1841. First collected edition. Folio 13 3/16 x 10 inches; 335 x 254 mm. Publisher Léopold Pannier gathered together seven of Daumier's finest humorous series into a single album comprising fifty lithographs: Vulgarités 10 plates complete Les Musiciens de Paris 6 plates complete Proverbes de Famille 2 plates complete Proverbes et Maximes 12 plates complete La Pêche 7 plates complete La Journée du Célibataire 12 plates complete Les Saltimbanques 1 plate as issued in the album A total of fifty lithographs. As noted by the Daumier Register: "Pannier published a separate album with the title Variétés Drolatiques. containing seven complete series. bringing the total number of prints to fifty. This album can be considered rare." Far scarcer than the individual lithographs themselves this publisher's album represents one of the earliest attempts to preserve Daumier's celebrated caricatures in collected form. The seven suites encompass every aspect of Parisian life - from domestic quarrels and bachelorhood to musicians fishermen itinerant entertainers and the comic absurdities of bourgeois society. Together they provide an extraordinary survey of Daumier's mature genius during the early years of the July Monarchy. Institutionally the album is exceptionally elusive. OCLC records only three individual plates from Proverbes et Maximes in public collections while we have located only a single complete copy appearing at auction sold between October 1898 and July 1899. Even the celebrated Armand Hammer Collection includes only a single plate from La Pêche. Bound with Histoire Ancienne Daumier's Brilliant Satire on Classical Antiquity DAUMIER Honoré illustrator. PHILIPON Charles. Histoire Ancienne. Paris: Chez Aubert 1841-1843. Complete with fifty lithographed plates. Together the two works comprise one hundred superb lithographs. Contemporary quarter dark brown morocco over marbled boards spine with four raised bands ruled in blind and lettered in gilt marbled endpapers. A near fine complete example. One of Daumier's most original and intellectually ambitious achievements Histoire Ancienne transforms the heroes and gods of Greece and Rome into recognizably nineteenth-century Parisians. Achilles Ulysses Hercules Jupiter and countless other classical figures are stripped of their heroic grandeur and recast as vain bourgeois comic bureaucrats quarrelsome husbands and pretentious social climbers. Published between 1841 and 1843 the series formed part of the Romantic assault upon academic Classicism then dominating French art and literature. Charles Philipon's witty accompanying texts contain numerous veiled political references to the reign of King Louis-Philippe making the series not merely humorous but a sophisticated exercise in social and political satire. Among the finest plates are: Le Baptême d'Achille in which the infant Achilles is plunged into the Styx with comic domestic realism rather than epic grandeur. La Mère des Gracques perhaps the best-known image in the series where the famous Roman matron proudly presents her boisterous children as her "only jewels" allowing Daumier to transform an episode from Plutarch into a scene from contemporary Parisian family life. Complete copies are extraordinarily uncommon. We have located only a single institutional example worldwide at the Bibliothèque nationale de France. Bound together these two remarkable albums contain one hundred original lithographs spanning every facet of Daumier's genius - from the comic theater of everyday Parisian existence to his devastating reinterpretation of the ancient world. Few nineteenth-century caricature albums combine such artistic brilliance historical importance and genuine rarity. An exceptional opportunity to acquire two of the master's most elusive and complete lithographic series in a handsome contemporary binding. Paris: Léopold Pannier et Cie., 1841 unknown books
réf. HD-200o.J. MORGENBESUCH IM ELYSÉE. - Aber, Monsieur Véron, Sie werden mir doch wohl nicht nur eine Unterpräfektur anbieten! Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse., sowie: Imp. Aubert & Cie. Darstellungsgröße 20:26,3 cm, Blattgröße 25,5:33,9 cm. Literatur: Daumier-Register 1914 II (von 3); Delteil 1914 II (von 3), Blatt Nr. 33 der Serie ?ACTUALITÉS?, erschienen 21.11.1849 in ?LE CHARIVARI?. ? Sur blanc!
réf. 68-1975Paris France: Le Charivari 1853. Broadside. 35 x 24.5 cm. Very Good. Text En Francais. Illustrations by Daumier. English translation loosely laid in. In mylar protective sleeve. Paris, France: Le Charivari, 1853. unknown
réf. HD-237o.J. EIN INDISKRETER TISCH. - Was? Dieser Tisch wagt zu behaupten, dass ich achtundvierzig Jahre alt bin?... Oh welche Schande... meine Nerven..... meine Nerven! (Der Dame wird schlecht, was nicht heissen will, dass sie nicht tatsächlich achtundvierzig Jahre alt ist). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Maison Martinet r.Vivienne 41 et 11 r.du Coq, sowie: Imp. Ch.Trinocq, Cour des Miracles, 9, Paris. Darstellungsgröße 19,7:25,7 cm, Blattgröße 26,4:35 cm. Literatur: Daumier-Register 2407 II (von 2); Delteil 2407 II (von 2), Blatt 11 der Serie ?LA FLUIDOMANIE.?, erschienen 15.06.1853 in ?LE CHARIVARI?. ? Sur blanc!
réf. HD-132o.J. EIN TREFFEN LÄCHELNDER AUGUREN. Es heisst, dass Auguren nicht zusammentreffen konnten, ohne über ihre Schurkenstreiche zu lächeln. Aber unsere Industrieritter begegnen sich ernsthaft, und ohne Heiterkeit. Zeitgenöss. aquarellierte Lithographie, auf chamoisfarbenem Velin, mit der Adresse: Chez Bauger R. du Croissant 16, sowie: Imp. d?Aubert & Cie. Blattgröße 33,6:25,1 cm. Literatur: Daumier-Register 936, III (von 3); Delteil 936, II (von 2), Blatt 12 der Serie ?Histoire Ancienne?. ? Sur blanc.
réf. HD-170o.J. EIN EMPFANG. Meine Herren,..... lassen Sie uns auf die Gesundheit der französischen Seeleute im Allgemeinen und auf das neue Mitglied Greluchon im Besonderen trinken.... und während wir auf seine Feuertaufe warten, taufen wir ihn schon mal mit Wasser. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Pannier& Cie.Edrs. R. du Croissant. 16., sowie: Chez Aubert & Cie. Pl. de la Bourse und: Imp. d'Aubert & Cie. Darstellungsgröße 22,9:19,8 cm, Blattgröße 34,9:26,5 cm. Literatur: Daumier-Register 1032 III (von 4); Delteil 1032 III (von 4), Blatt 10 der Folge ?LES CANOTIERS PARISIENS.?, erschienen 26.05.1843 in ?LE CHARIVARI?. ? Sur blanc! Provenienz: zugeschrieben Coll. Hazard, Nicolas-Auguste (Lugt 1279), vgl. Lugt 1975.
réf. 71-5010Paris: Bauger et Cie 1841. Lithograph on wove paper. 29 x 20.5 cm. sheet. Text on verso. Text in French. Very Good sheet trimmed and mounted to another support sheet. Paris: Bauger et Cie, 1841. unknown
réf. HD-068o.J. (EIN UHR. Spaziergang im Luxembourg Park. Komm her, Nichtsnutz, schluck es! Du wirst schon sehen, was es bedeutet, wenn man von einem Schurken, wie Du einer bist, ins Wasser geworfen wird!..). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Imp. d?Aubert & Cie., sowie: Au bureau du Charivari rue du Croissant 16. Blattgröße 33,1:24,2 cm. Literatur: Daumier-Register 613; Delteil 613, Blatt 7 (Zahl mit Bleistift hinzugefügt) aus der Serie ?La Journée du Célibataire?, erschienen 17.06.1839 in ?Le Charivari?. ? Sur blanc!
réf. HD-241o.J. EINE ÄRGERLICHE BEGEGNUNG. Ich täusche mich nicht. Dieser Hut stammt aus meinem Geschäft... sieht man, wie er getragen wird, gehe ich jede Wette ein, dass er noch nicht bezahlt ist. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Maison Martinet r.Vivienne 41 et 11 r.du Coq, sowie: Imp. Ch.Trinocq, Cour des Miracles, 9, Paris. Darstellungsgröße 19,9:26,1 cm, Blattgröße 25,7:33,8 cm. Literatur: Daumier-Register 2565 II (von 2); Delteil 2565 II (von 2), Blatt 4 der Serie ?CROQUIS PARISIENS?, erschienen 31.01.1854 in ?LE CHARIVARI?. ? Sur blanc! Im unteren Rand beschnitten unter Verlust der zweiten Textzeile. Rare!
réf. HD-076o.J. (Die Gelüste einer Schwangeren). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger R du Croissant 16, sowie: Imp. d?Aubert & Cie. Blattgröße 34:26,4 cm. ? Mit Heftspuren am linken Rand, gering fleckig, linke untere Ecke fehlt teilweise. Literatur: Daumier-Register 638; Delteil 638. No.15 der Folge ?Moeurs Conjugales?, erschienen 2./3.11.1839 in ?Le Charivari?. ? Sur blanc!
réf. HD-224o.J. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert & Cie. Pl. de la Bourse,29 Paris., sowie: Imp. de Me.Ve.Aubert, 5, rue de l'Abbaye,Paris. Darstellungsgröße 24,5:20,8 cm, Blattgröße 36:27,5 cm. Literatur: Daumier-Register 2112 II (von 2); Delteil 2112 II (von 2), Blatt Nr. 139 der Serie ?ACTUALITÉS.?, erschienen 02.06.1851 in ?LE CHARIVARI?. ? Sur blanc!
réf. HD-244o.J. EINE NÜTZLICHE ANWENDUNG DES MAGNETISIERENDEN DIAMANTEN. Meine Frau ist hypnotisiert... ich kann mich beruhigt zum Opernball begeben.... Schlaf gut meine Liebe! Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Maison Martinet,172 r.Rivoli et 41,r.Vivienne, sowie: Lith. Destouches,28,r.Paradis Pre.Paris. Darstellungsgröße 21:26,6 cm, Blattgröße 26:33 cm. Literatur: Daumier-Register 3230 III (von 3); Delteil 3230 III (von 3), Blatt 140 der Serie ?ACTUALITÉS?, erschienen 24.01.1860 in ?LE CHARIVARI?. Exemplar des ?Album des Charges du Jour? ? Sur blanc!
réf. 118174Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1856. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 118176Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1856. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 118173Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1856. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 118175Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1856. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. HD-048o.J. (EIN BEISPIEL dessen, was man als Die Schönen von Paris bezeichnet). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger R du Croissant, 16, sowie: Imp. D?Aubert & Cie. Blattgröße 25,7:34,5 cm. ? Braunfleckig. Literatur: Daumier-Register 584; Delteil 584. Blatt 28 der Folge ?Types Parisiens?. ? Sur blanc!
