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2007Best.-Nr. DADAX1558323724Harvard Common Press 2007-07-09. paperback. New. 7.25x0.63x9.13. Buy with confidence. Excellent Customer Service & Return policy. Harvard Common Press paperback
Best.-Nr. 0953160025.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985Best.-Nr. Q-0896593886Abbeville Pr 1985-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Abbeville Pr paperback
2025Best.-Nr. x-1041176546Taylor & Francis Ltd 2025. Paperback. New. 206 pages. 8.50x5.43x8.50 inches. Taylor & Francis Ltd paperback
Best.-Nr. 23274374like new. unknown
Best.-Nr. 1041176546.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 677994like new. unknown
Best.-Nr. 0865318794.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 10373Meersburg/Leipzig F.W. Hendel Verlag 1937. 207 S.mit 500 Ill. von Gustave Doré. 4° Ln. unknown
Best.-Nr. ria9780415852760_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The Japanese way of work is notoriously ‘different’. But is it Japan or Britain which is the odd man out When originally published this was the first book to explore the real differences through a point-by-point comparison of two paperback
1862Best.-Nr. 79669Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Charles Maurand on China paper and mounted on laid Holland paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Occasional worming and soiling to lower right corner not affecting the engraving. These illustrations of the Contes are considered the most successful of this text: Gustave Doré presents an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the time were employed to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like there never was before and as will never be seen again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their original marvelous quality that existed before Perrault himself."" Hetzel unknown
1862Best.-Nr. 79633Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on chine collé mounted on Holland laid paper commissioned by publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A light marginal dampstain not affecting the design. These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were enlisted to engrave with burin the forty wood plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like there never was before and like there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent manner that they have a grandiose character which renews the aspect of these humble tales and restores to them their original marvel that preceded Perrault himself."" Hetzel unknown
1862Best.-Nr. 79661Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and engraver. Composition by Gustave Doré and engraved by François Pannemaker on China paper and laid down on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Worming to margins not affecting the engraving. These illustrations of the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were employed to engrave with burin the forty wood plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there never was until now and such as will never be seen again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their first marvelous quality prior to Perrault himself."" Hetzel unknown
1862Best.-Nr. 79641Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition by Gustave Doré and engraved by Hélène Boetzel on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A pale marginal dampstain not touching the image. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate a terrifying realism through the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven finest engravers of the period were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis 23 December 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there has never been until now and such as will never be seen again. . I can only say that these drawings seem very beautiful to me rich and opulent in style that they have a grandiose character that renews the aspect of these humble tales and restores to them their first wonder anterior even to Perrault."" Hetzel unknown
1862Best.-Nr. 79672Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Worming in margins not touching the engraving. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the time were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like none before and like none to come. . I can only say that these drawings seem very beautiful to me richly and opulently executed having a grandiose character that renews the aspect of these humble tales and restores their original wonder that predates even Perrault."" Hetzel unknown
1885Best.-Nr. 41566ABLeipzig, Bach, 1885. Groß-4to. X S., 1 Bl., 416 S. Mit 1 Karte und zahlreichen ganzseitigen Illustrationen von Doré sowie zahlreichen Textillustrationen. Rote Orig.-Leinwand mit Deckelillustration.
Best.-Nr. SONG0442006195Springer 0000-00-00. 1. paperback. Used: Good. 7.25x0.50x10.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
Best.-Nr. 678227-nnew. unknown
Best.-Nr. 6324479Taylor & Francis Group . Papeback. New. pp. 236 Taylor & Francis Group unknown
2002Best.-Nr. ZB1291955Routledge 2002. Price HAS BEEN REDUCED by 10% until Monday Oct. 26 weekend SALE item 386 pp. Hardcover ex library else text and binding clean and tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Routledge hardcover
1974Best.-Nr. 150286N Y: Viking 1974. First Edition. Hard Cover. Near Fine/Very Good. A clean unmarked book with a tight binding. Edge wear and small tears to dust jacket. Fading to edges of cover. 9 1/2""w x 8 5/8""h. 240 pages. Critical analysis by Dore Ashton. Poetry by John Ashbery Richard Howard Stanly Kunitz Octavio Pazz; and photography by Denise Hare Terry Schutte Duane Michaels Keywords: Joseph Cornell Assemblages Boxes Collages Utopia Parkway Dore Ashton Critical Analysis Poems Poetry John Ashbery Richard Howard Stanly Kunitz Octavio Pazz Denise Hare Terry Schutte Duane Michaels Viking hardcover
2021Best.-Nr. x-1032082216Routledge 2021. Paperback. New. 314 pages. 9.02x5.98x0.75 inches. Routledge paperback
1963Best.-Nr. 34100New York: Stein & Day 1963. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket.; 8vo 8" - 9" tall. Stein & Day hardcover
1995Best.-Nr. G0442002017I4N00Springer 1995. Hardcover. Very Good. Disclaimer:Dust jacket quality is not guaranteed. Springer hardcover
Best.-Nr. Q-0738823406Xlibris. Paperback. New. New. In shrink wrap. Looks like an interesting title! Xlibris paperback
