Mme Emile de Girardin.Livre Rare Book
rif. 70664Paris, Michel Lévy Frères, sd, in-4, demi-chagrin bleu nuit de l'époque, dos à 4 faux nerfs, titre à l'or, toutes tranches dorées, gardes de tabis blanc, 365 pages. Rousseurs, surtout en début et fin de volume. Bon état.
rif. 3770PARIS, A. Michel - 2 Volumes In-8 Reliure plein cuir frottée, dos à 4 nerfs, couvertures illustrée conservées - Dessins d'Amandine DORE - 48 photographies NB PP de l'Auteur - Grande carte dépliante de la Polynésie - 396 & 405 pages - Malgré quelques rousseurs aux pags de garde, Bons Ex.
rif. 2206in 8 demi-chagrin vert à nerfs,titre et caissons dorés. plats percaline verte avec larges filets à froid en encadrement.faux-titre,titre,IV 536 pages,nombreuses illustrations dans et hors texte de Gustave DORE Hachette & Cie 1880 quelques rousseurs en début et fin de volume. mention de 8ème édition
1887Prefazione e traduzione di E. Panzacchi. 12 vignette nel testo e 30 tavole staccate.
1906rif. 17661Paris Eugène Fasquelle éditeur 1906 Paris, Bibliothèque Charpentier, Eugène Fasquelle éditeur, 1906, in-8, broché, 92 pages.
rif. 0953160025.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1985rif. Q-0896593886Abbeville Pr 1985-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Abbeville Pr paperback
2001rif. 1-1435125398Barnes & Noble 2001. Leather Bound. New. 1343 pages. 9.50x6.90x3.00 inches. Barnes & Noble hardcover
rif. 23274374like new. unknown
rif. 1041176546.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2025rif. x-1041176546Taylor & Francis Ltd 2025. Paperback. New. 206 pages. 8.50x5.43x8.50 inches. Taylor & Francis Ltd paperback
rif. 677994like new. unknown
rif. 0865318794.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 10373Meersburg/Leipzig F.W. Hendel Verlag 1937. 207 S.mit 500 Ill. von Gustave Doré. 4° Ln. unknown
2002rif. ZB1291955Routledge 2002. Price HAS BEEN REDUCED by 10% until Monday Nov. 2 weekend sale item 386 pp. Hardcover ex library else text and binding clean and tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Routledge hardcover
1862rif. 79669Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Charles Maurand on China paper and mounted on laid Holland paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Occasional worming and soiling to lower right corner not affecting the engraving. These illustrations of the Contes are considered the most successful of this text: Gustave Doré presents an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the time were employed to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like there never was before and as will never be seen again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their original marvelous quality that existed before Perrault himself."" Hetzel unknown
1862rif. 79633Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on chine collé mounted on Holland laid paper commissioned by publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A light marginal dampstain not affecting the design. These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were enlisted to engrave with burin the forty wood plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like there never was before and like there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent manner that they have a grandiose character which renews the aspect of these humble tales and restores to them their original marvel that preceded Perrault himself."" Hetzel unknown
1862rif. 79661Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and engraver. Composition by Gustave Doré and engraved by François Pannemaker on China paper and laid down on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Worming to margins not affecting the engraving. These illustrations of the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were employed to engrave with burin the forty wood plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there never was until now and such as will never be seen again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their first marvelous quality prior to Perrault himself."" Hetzel unknown
1862rif. 79641Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition by Gustave Doré and engraved by Hélène Boetzel on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A pale marginal dampstain not touching the image. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate a terrifying realism through the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven finest engravers of the period were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis 23 December 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there has never been until now and such as will never be seen again. . I can only say that these drawings seem very beautiful to me rich and opulent in style that they have a grandiose character that renews the aspect of these humble tales and restores to them their first wonder anterior even to Perrault."" Hetzel unknown
1862rif. 79672Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and the engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Worming in margins not touching the engraving. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the scene to the smallest details that generate terrifying realism through the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the time were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like none before and like none to come. . I can only say that these drawings seem very beautiful to me richly and opulently executed having a grandiose character that renews the aspect of these humble tales and restores their original wonder that predates even Perrault."" Hetzel unknown
1885rif. 41566ABLeipzig, Bach, 1885. Groß-4to. X S., 1 Bl., 416 S. Mit 1 Karte und zahlreichen ganzseitigen Illustrationen von Doré sowie zahlreichen Textillustrationen. Rote Orig.-Leinwand mit Deckelillustration.
rif. SONG0442006195Springer 0000-00-00. 1. paperback. Used: Good. 7.25x0.50x10.25. Buy with confidence. Excellent Customer Service & Return policy. Springer paperback
rif. 678227-nnew. unknown
rif. 6324479Taylor & Francis Group . Papeback. New. pp. 236 Taylor & Francis Group unknown
1974rif. 150286N Y: Viking 1974. First Edition. Hard Cover. Near Fine/Very Good. A clean unmarked book with a tight binding. Edge wear and small tears to dust jacket. Fading to edges of cover. 9 1/2""w x 8 5/8""h. 240 pages. Critical analysis by Dore Ashton. Poetry by John Ashbery Richard Howard Stanly Kunitz Octavio Pazz; and photography by Denise Hare Terry Schutte Duane Michaels Keywords: Joseph Cornell Assemblages Boxes Collages Utopia Parkway Dore Ashton Critical Analysis Poems Poetry John Ashbery Richard Howard Stanly Kunitz Octavio Pazz Denise Hare Terry Schutte Duane Michaels Viking hardcover
