3.861 Ergebnisse
Best.-Nr. Z13OS-00057George Routledge and Sons. Collectible - Acceptable. New York: George Routledge and Sons 1869. Folio hardcover. 107pp. Illustrations by Gustave Dore. Binding copy. Front board and many pages detached. Rear hinge split. Spine torn and partially missing. Slightly dampstained and soiled. Gifter's inscription on front endpage. Arthurian Romances Gustave Dore Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. George Routledge and Sons hardcover
1986Best.-Nr. Q-0449300501Fawcett 1986-11-12. Mass Market Paperback. New. In shrink wrap. Looks like an interesting title! Fawcett paperback
1980Best.-Nr. Q-0500233012Thames & Hudson 1980-03-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Thames & Hudson hardcover
Best.-Nr. Q-0394407423Random House 1958-06-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Random House hardcover
1862Best.-Nr. 79637Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving on end-grain wood signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Charles Maurand on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A pale marginal dampstain not touching the image. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven finest engravers of the period were enlisted to engrave with burin the forty wood blocks: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in the context of illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis 23 December 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there never was until now and such as there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their original wonder that predates Perrault himself."" Hetzel unknown
1862Best.-Nr. 79638Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pierdon on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A pale marginal dampstain not touching the image as well as some worming in the margin. These illustrations for the Contes are considered the most successful for this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is essential; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like there never was before and as there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent style that they have a grandiose character that renews the aspect of these humble tales and restores to them their original wonder that preceded even Perrault."" Hetzel unknown
1862Best.-Nr. 79632Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on chine collé mounted on Holland laid paper commissioned by publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A light marginal dampstain not affecting the design. These illustrations for the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were enlisted to engrave with burin the forty wood plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault like there never was before and like there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent manner that they have a grandiose character which renews the aspect of these humble tales and restores to them their original marvel that preceded Perrault himself."" Hetzel unknown
1862Best.-Nr. 79636Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving on end-grain wood signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A pale marginal dampstain not touching the image as well as a discreet black spot in the center of the engraving. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven finest engravers of the period were enlisted to engrave with burin the forty wood blocks: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in the context of illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis 23 December 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there never was until now and such as there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their original wonder that predates Perrault himself."" Hetzel unknown
1862Best.-Nr. 79667Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and engraver. Composition executed by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Fold in the lower right corner and very rare worming. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there never was before and such as will never be seen again. . I can only say that these drawings seem very beautiful to me richly and opulently executed that they have a grandiose character that renews the aspect of these humble tales and restores to them their original wonder that predates Perrault himself."" Hetzel unknown
1862Best.-Nr. 79653Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed on the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Jules Fagnion on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Excellent condition. These illustrations of the Contes are considered the most successful treatment of this text: Gustave Doré presents an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique called ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were commissioned to engrave with burin the forty wood plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is essential; he does not reduce engraving to its ornamental function but transforms it into a true narrative object. These illustrations are Doré's most famous works and immediately received enthusiastic criticism notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there has never been until now and as there will never be again. . I can only say that these drawings seem very beautiful to me of a rich and opulent turn that they have a grandiose character that renews the aspect of these humble tales and restores to them their first wonder prior to Perrault himself."" Hetzel unknown
1970Best.-Nr. Q-048622306xDover Pubns 1970-07-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Pubns paperback
1989Best.-Nr. Q-0882897136Pelican Pub Co Inc 1989-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! Pelican Pub Co Inc paperback
Best.-Nr. 1846280559.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 113816464X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2017Best.-Nr. x-113816464XTaylor & Francis 2017. Hardcover. New. 516 pages. 9.21x6.14x1.45 inches. Taylor & Francis hardcover
Best.-Nr. 2759235416.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1885Best.-Nr. 2610140064John E. Potter and Co. Philadelphia 1885. Hardcover. Acceptable. Gustave Dore illustrated Govan Family Bible. Bound in Victorian embossed leather with gilt decoration. All edges gilt. Hardcover. Shelf wear. Front board and end page detached. Edges chipped. Govan family photographs and genealogical information inside. This is an oversized or heavy book which WILL require additional postage for Priority Mail or International delivery outside the US. John E. Potter and Co., Philadelphia hardcover
1885Best.-Nr. 2610140065John E. Potter and Co. Philadelphia 1885. Hardcover. Acceptable. Gustave Dore illustrated Govan Family Bible. Bound in Victorian embossed leather with gilt decoration. All edges gilt. Hardcover. Shelf wear. Front board and end page detached. Edges chipped. Govan family photographs and genealogical information inside. This is an oversized or heavy book which WILL require additional postage for Priority Mail or International delivery outside the US. John E. Potter and Co., Philadelphia hardcover
2004Best.-Nr. 090388Thames and Hudson 2004. First Edition. Hardcover. Collectable - Very Good Condition/Very Good. ~~Comes with Royal Academy art card of Guston's Street II~~VG/VG 1st ed Thames and Hudson large format hardback with unclipped DJ. Light edge-wear to jacket only bright and unmarked. Immediate dispatch worldwide Quantity Available: 1. Shipped Weight: Under 2kg. Category: Art & Design; ISBN: 0500093083. ISBN/EAN: 9780500093085. 84cxrarebooks is the trading name of Cambridge-based bookseller Marino Guida with 25 years experience in the trade. We guarantee the condition of all our books. Further images or a short video presentation of any book can be arranged on request. We send tax-free and tariff-free to EU US/Canada and Australia/NZ with insurance included for peace of mind. Inventory No: 090388. 9780500093085 Thames and Hudson hardcover
Best.-Nr. A9780822308638Hardback. New. hardcover
2000Best.-Nr. Q-1577486773Barbour Publishing Incorporated 2000-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Barbour Publishing, Incorporated paperback
1997Best.-Nr. DADAX0853459754Monthly Review Press 1997-01-01. hardcover. New. 6.00x0.90x9.30. Buy with confidence. Excellent Customer Service & Return policy. Monthly Review Press hardcover
1998Best.-Nr. DADAX063121030XWiley-Interscience 1998-12-29. 1. paperback. New. 6.75x1.12x9.70. Buy with confidence. Excellent Customer Service & Return policy. Wiley-Interscience paperback
Best.-Nr. 4218Dresden Verlag der Kunst 1963. 4° ca. 700 S. 321 Abb. OLwd. goldgepr. in Kart.-Schuber. Schuber berieben ansonsten tadellos. Umfangreiche Monographie. Mit einer Widmung des Kunsthistorikers und Kommunisten Konrad Farner. 010 Dresden, Verlag der Kunst, 1963 unknown
1993Best.-Nr. 34976New York: Guggenheim Museum 1993. First Edition; First Printing. Hardcover. Near Fine in a Near Fine dust jacket. By Carmen Gimenez Dore Ashton and Francisco Calvo Serraller. 336 pp. 179 illustrations 55 text figures.; 1.5 x 11.73 x 10.08 Inches; 336 pages. Guggenheim Museum hardcover
