3922 risultati
1867rif. 323777Paris: L. Hachette 1867. Second. hardcover. very good. DORE Gustave. Text in French. 43 woodcut illustrations by Gustave Dore. 87 pages. Slim 4to original dark blue cloth with gilt lettering and decoration at the front and rear covers and spine. Gilt outer page edges. Paris: Librairie de L. Hachette 1867. Second edition. Cloth slightly edgeworn several faint stains some foxing on the pages; several gatherings loose but still sewn. A very good copy. "Story as Interesting as it is Implausible of the Intrepid Captain Castagnette Nephew of the Man with the Wooden Head" L. Hachette unknown books
1988rif. 35388New York: Hudson Hills Press 1988. Hardcover. Very Good /Very Good . New York: Hudson Hills Press 1988. First Edition stated. Quarto 31cm; photographic dust jacket; boards in blindstamped black cloth with gilt lettering to spine; ii121pp; b&w photos throughout. Price-clipped jacket very lightly shelfworn. Boards sturdy and square. Binding sound and pages unmarked. Signed by the author on front free endpaper with inscription "3/22/1989 // At Last - Here it is! // For Stephanie and Tony with Love and Admiration. Renate." A card laid in from Brick Walk Books and Fine Art formerly of West Hartford CT. identifies the inscribed as Stephanie and Tony Terenzio — Stephanie a curator who produced a catalog raisonne of Robert Motherwell's graphic work and Tony a painter and art teacher at the University of Connecticut. Hudson Hills Press hardcover
1988rif. 35388New York: Hudson Hills Press 1988. Hardcover. Very Good /Very Good . New York: Hudson Hills Press 1988. First Edition stated. Quarto 31cm; photographic dust jacket; boards in blindstamped black cloth with gilt lettering to spine; ii121pp; b&w photos throughout. Price-clipped jacket very lightly shelfworn. Boards sturdy and square. Binding sound and pages unmarked. Signed by the author on front free endpaper with inscription "3/22/1989 // At Last - Here it is! // For Stephanie and Tony with Love and Admiration. Renate." A card laid in from Brick Walk Books and Fine Art formerly of West Hartford CT. identifies the inscribed as Stephanie and Tony Terenzio — Stephanie a curator who produced a catalog raisonne of Robert Motherwell's graphic work and Tony a painter and art teacher at the University of Connecticut. Hudson Hills Press hardcover books
rif. 0670509124.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 0415030714.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1987rif. Q-0835717410UMI Research Press 1987. hardcover. New. In shrink wrap. Looks like an interesting title! UMI Research Press hardcover
2000rif. mon0003150591Geological Society of London 11/1/2002 12:00:01 A. hardcover. Good. 1.0984 9.7008 6.9016. Ex-library book with stamps and stickers Geological Society of London hardcover
1973rif. 101168Paris, Michel de l’Ormeraie, impr. Presses de Jean Grou-Radenez, à Paris 1973 5 volumes. In-4 29,5 x 24 cm. Reliures éditeur pleine peau aubergine grainée, dos à nerfs encadrés de fers dorés, plats encadrés d’un triple filet doré à écoinçons, tranches dorées, contreplats et pages de garde soie moirée écarlate, 231-231-232-230-223 pp., nombreuses illustrations de Gustave Doré dans et hors-texte. Exemplaire en très bon état. On joint le prospectus de l’éditeur.
1991rif. Adhya-9780442002060Springer 1991. Paperback. New. Springer paperback
1991rif. Adhya-9780442002060Springer 1991. Paperback. New. Springer paperback
rif. ria9780822308638_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
rif. 23804968like new. unknown
1862rif. 79646Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by François Pannemaker on China paper and mounted on Dutch laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. A very light marginal dampstain not affecting the design as well as some soiling in the left margin. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism through the technique known as ""tinted wood."" He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the time were enlisted to engrave the forty wood plates with the burin: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is essential; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault the likes of which has never existed until now and the likes of which will never be seen again. . I can only say that these drawings seem very beautiful to me of a rich and opulent style that they have a grandiose character that renews the aspect of these humble tales and restores to them their first marvelous quality that preceded Perrault himself."" Hetzel unknown
1862rif. 79652Paris: Hetzel 1862. Fine. Hetzel Paris 1862 29.90 x 42.10 cm une feuille Original wood engraving signed in the plate by the artist and engraver. Composition created by Gustave Doré and engraved by Héliodore Pisan on China paper and mounted on Holland laid paper at the request of publisher Hetzel to illustrate his folio edition of Perrault's Contes in 1862. Rare and light worming to margins not affecting the engraving. These illustrations of the Contes are considered the most successful of this text: Gustave Doré offers an unprecedented dramatic vision. With him everything contributes to the dramatization of the tale from the theatrical staging of the tableau to the smallest details that generate terrifying realism thanks to the technique known as ""tinted wood"". He uses India ink or gouache previously diluted as required by the ""wash"" technique. For Perrault's tales the eleven best engravers of the period were enlisted to engrave with burin the forty wooden plates: Pannemaker Pisan Pierdon Maurand Boetzel Brevière Hébert Deschamps Dumont Delduc and Fagnon. Gustave Doré's work in illustrating the Contes is paramount; he does not reduce engraving to its ornamental function but transforms it into a true object of narration. These illustrations are Doré's most famous works and immediately received enthusiastic reviews notably that of Sainte-Beuve in Les Nouveaux lundis December 23 1861: ""Un Perrault comme il n'y en eut jamais jusqu'ici et comme il ne s'en verra plus. . Je ne puis que dire que ces dessins me semblent fort beaux d'un tour riche et opulent qu'ils ont un caractère grandiose qui renouvelle l'aspect de ces humbles contes et leur rend de leur premier merveilleux antérieur à Perrault même."" ""A Perrault such as there never was before and as will never be seen again. . I can only say that these drawings seem very beautiful to me of a rich and opulent character that they have a grandiose quality that renews the aspect of these humble tales and restores to them their original wonder that predates Perrault himself."" Hetzel unknown
1888rif. 30128132London : Cassell & Co 1888 . Poor . 34.0 x 26.0cms 340pp b/w illusts hardback. NO spinebut could be rebound. foxing throughout but most of Dore's plates are not foxed. Cassell & Co hardcover
2010rif. 1002387NEW ~ Twentieth-century Mexican painter Manuel Felguerez known for his constructivist color abstractions in painting and sculpture. 213pp. Illustrations throughout mostly full-page color images. Includes a final section on his monumental and architectural sculpture and an illustrated chronology. Bibliography. This oversize hardcover book is brand new and removed from publisher's original plastic wrap to check data. English / Ingles. In stock. Usually ships in three days. EDITORIAL RM / CONACULTA / INBA hardcover
rif. MA03B-03578Cassell and Company Ltd. Collectible - Acceptable. New York & London: Cassell Petter Galpin & Co. n.d.; ca. 1880s 2-volume set. Folio hardcovers in beveled brown cloth boards heavily decorated with scenes from the story in black and gilt. AEG. 183337pp. 7060 egraved plates. Reading copy only. Boards heavily soiled. Gouges to edges of boards. Both books disbound with boards detached and spine cloth lacking; Volume 1 text block split in half but Volume 2 text block completely disbound. Pages torn and chipped. Dampstaining along spine of Volume 1 near front. 1.5 x 2 inch piece of Volume 2 front board cloth missing near spine head on front board. Scraps of tape to Volume 2 boards along spine and intermittent dampstaining to fore-edge; intermittent silverfishing. Pages of both volumes remain generally clean and bright with beautiful plates. Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Cassell and Company Ltd. hardcover
rif. 23804968-nnew. unknown
1873rif. 483670Chatto and Windus Piccadilly 1873. First Edition. Hardcover. Good copy in the original gilt-blocked cloth. Spine bands and panel edges slightly bumped and rubbed as with age. Slightly foxed internally. Hinges starting. Remains quite well-preserved overall. Previous owners inscription. Physical description; xx 2 640 pages : illustrations ; 22 cm. Subjects; 1490-1553. Translations into English. dance of death. Posthumous poems. Louis Bouilhet. Chatto and Windus, Piccadilly hardcover
1866rif. 113791866 Paris, Aux buraux du Journal Amusant, des Modes parisiennes…( Typographie Henri Plon), 1866 - 1867; 1 volume in-4°, demi-basane rouge époque, dos à faux-netrfs plats, filets dorés et à froid titre doré “Album comique" et date dorée . Chaque numéro de 8 pages, comporte un dessins de Grévin mis en couleurs à la 1ère page et de nombreux dessins à plaine page ou dans le texte en noir.Ensemble de 70 numéros regroupant les numéros 463 à 472 ( 10), 504 à 512 ( 9), 514 (1) 518 à 535 ( 18),537-538 (2), 540 à 543 (4), 546 à 552 (7), 568 à 569 ( 2), 562 à 564 (3),566 à 567 (2), 570 à 571 (2), 573 à 579 (7), 545 (1), 580 à 581 (2) et reliés dans cet ordre. Plusieurs numéros consacrés à la photographie ( pour et contre).
rif. 39884P., Edition J. Bry, Librairie de Gennequin Ainé, 1862 (1863 sur les couvertures), 2 volumes in 8° reliés demièbasane aubergine, dos à faux nerfs orné, couvertures conservées, XVIII-267 et XL-287 pages ; des rousseurs ; menus frottis.
1970rif. Y115956Bruxelles, Editions Roger Wastiau 1970 171 + [5] pp. illustré de 16 dessins par Amandine Doré + joint: 15 dessins (dont 5 en couleurs, aquarellés à la main) en feuilles sous étui d'éditeur, Première édition de luxe illustrée pour la première fois avec les dessins originaux d'Amandine Doré (aquarellé à la main), cm., tirage numéroté et limité à 445 exemplaires : ceci porte le no.28 (un des 30 exx. sur Hollande à la Cuve Van Gelder filigrané, brochure originale, texte et intérieur sont frais, avec ex-libris héraldique, très bon état, Y115956
rif. 13226Chang-Haï, Imprimerie de la Mission Catholique, à l'orphelinat de T'Ou-Sè-Wè, 1926 (première édition). 1 volume in-12, V-219 pp., reliure toile éditeur brune, très bon état
rif. 10264Chang-Hai, Imprimerie de T'Ou-Sè-Wè, 1918. 1 volume contenant la fin de la Deuxième Partie, Tome XII des Recherches sur les Superstitions Chinoises, sous reliure traditionnelle chinoise, plats cartonnés lacés avec des cordons de soie ou de coton, dos de papier imprimé, très richement illustrés de multiples gravures en couleurs ou noir et blanc à pleine page. Cartonnage présentant quelques traces marginales de mouillure, tampons chinois sur la page de titre, bon exemplaire dans l'ensemble. Tome XII: Variétés Sinologiques N°48, 1918, VIII-1053-1286 pp., texte illustré de photos en noir et blanc, 58 illustrations hors texte.
1963rif. 66250Dresden: Verlag der Kunst 1963. 345 Ss., 1 Bl.; 144 nn. Bll. 4°. Ln. mit goldgeprägt. Rücken- u. Deckeltitel u. Kopffarbschnitt in illustr. Schuber (Schuber stärker gebräunt, etw. angestaubt u. bestoßen, Schuberrücken mit Kratzspur).
