Dore Gustave

Dore Gustave — marelibri

Dore, Gustave, Leonardo da Vinci, Philippe de Champagne, Henry Anelay, Emmanuel Philippoteaux, W J Linton, David Henry Friston,ABAA

The Holy Bible Containing the Old and New Testaments Translated out of the Original Tongues and with Former Translations Diligently Compared and Revised. Self-Pronouncing Edition

1903réf. 40884Philadelphia: The John C. Winston Co 1903. Later edition. Hardcover. g- to vg. Folio 12 x 10". 10pp Half-title Presentation leaf Frontispiece chromolithographic leaf and title page 32pp Gallery of Scripture Illustrations 104pp A Comprehensive Dictionary of the Bible 18pp A History of Religious Denominations 16pp Biblical Antiquities 32pp The Story of the Books of the Old Testament 16pp A Self-Pronouncing Dictionary of Scripture Proper Names VIII 9-667 3pp Old Testament 8pp Family section 24pp The Parables of the Lord 671-879 1pp New Testament 48pp Questions and Answers on the Sacred Scriptures 80pp Standard Concordance to the Bible. Full blind-stamped morocco with gold lettering to spine and front cover. Beveled edges. All edges gilt. Moire endpapers. Chromolithographic half-title. Engraved tissue-guarded frontispiece. Both title pages in red and black lettering. Lavishly illustrated throughout with hundreds of in-text and full-page wood and steel engravings b/w photographic reproductions color maps and 10 chromolithographs the Authorized Version has been strictly followed in this handsome Bible. The text has been carefully compared with that of the most accurate editions printed in England and in the United States. Previous owner's name on fly leaf David Robinson. Presentation leaf inscribed as followed: "Presented to my beloved friend David Robinson by Edward A. Reisler." Family section unused. Binding rubbed along front joint and at head and tail of spine. Some creasing to fly leaf. Fore-edge of pages 12 to 17 slightly and partly water-stained not affecting text or illustrations. Binding in overall good- interior in very good condition. The John C. Winston Co hardcover books

Eric Chaim Kline - Bookseller · États-Unis275,00 $US≈ 245,69 €

Warner, Malcolm; Allen, Brian; John House, Robin Spencer ; Samuel F. ClappMareMagnum

The Image of London : Views by Travellers and Emigr?s 1550-1920

1987Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...

Bookshop Pistil Books Online · États-Unis39,41 €

Ashton, DoreBiblio.com

The Life and Times of the New York School

1972réf. 91957Bath England: Adams & Dart 1972. Presumed First Edition First Printing. Hardcover. Very good/Good. x 246 pages. Author's Note. Illustrations. References. Index. The contents include Greenwich Village--and Depression "Hell it's not just about painting!" Artists and the New Deal A farrago of Theories Studio Talk The advent of Surrealism Voices from Europe Myth and Metamorphosis American culture or mass culture Abstract Expressionism Artists and Dealers Existentialism The Eighth-street Club 'Instantaneous tradition' and The end of an era. Dore Ashton May 21 1928 - January 30 2017 was an American writer professor and critic on modern and contemporary art. Ashton was born in Newark New Jersey on May 21 1928. She was the author or editor of more than thirty books on art including Noguchi East and West About Rothko American Art Since 1945 The New York School: A Cultural Reckoning and Picasso On Art. Ashton also contributed to many publications including Art Digest. and worked as an art critic at The New York Times. Ashton was one of the New York art critics who championed the New York School along with Harold Rosenberg and Barbara Rose. Ashton's 1983 work on Mark Rothko About Rothko remains a source of much discussion about the artist. Ashton's last book David Rankin: The New York Years on artist David Rankin was published in 2013. Ashton was a professor of art history at the Cooper Union in New York City and a senior critic in painting and printmaking at Yale. Ashton received a bachelor's degree in literature from the University of Wisconsin and an M.A. in art history from Harvard University. The New York School was an informal group of American poets painters dancers and musicians active in the 1950s and 1960s in New York City. They often drew inspiration from surrealism and the contemporary avant-garde art movements in particular action painting abstract expressionism jazz improvisational theater experimental music and the interaction of friends in the New York City art world's vanguard circle. Frank O'Hara was at the center of the group before his death in 1966. Because of his numerous friendships and his post as a curator at the Museum of Modern Art he provided connections between the poets and painters such as Jane Freilicher Fairfield Porter and Larry Rivers who was O'Hara's lover. There were many joint works and collaborations particularly between poets such as O'Hara Kenneth Koch John Ashbery and James Schuyler: Rivers inspired a play by Koch Koch and Ashbery together wrote the poem "A Postcard to Popeye" Ashbery and Schuyler wrote the novel A Nest of Ninnies and Schuyler collaborated on an ode with O'Hara whose portrait was painted by Rivers. Ron Padgett Dick Gallup Joe Brainard and Ted Berrigan came to the group from Tulsa Oklahoma. Koch O'Hara Schuyler and Ashbery were quite different as poets but they admired each other and had much in common personally: All four were inspired by French Surrealists such as Raymond Roussel Pierre Reverdy and Guillaume Apollinaire. Adams & Dart hardcover

Ground Zero Books · États-Unis85,00 $US≈ 75,94 €

Dore Gustave

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