3 914 résultats
2008réf. 1-0785823409Chartwell Books 2008. Hardcover. New. reprint edition. 112 pages. 12.25x10.00x0.75 inches. Chartwell Books hardcover
1888réf. 1039510Harper & Brothers 1888. Hardcover. Poor. Boards detached however the pages are still bound. Boards are a deep navy blue heavily worn. Title and front illustration is faded. Pages are toned but the illustrations are still sharp. Pictures upon request fmc2%262D. Harper & Brothers hardcover
réf. 51-5466London: Doré Gallery Hamilton Adams & Co. 1876 . Large folio 50 x 41 cm. Half title Title Frontispiece iv 5 - 12 pp texts 39 full-page plates by Doré including frontispiece. The pages are mounted on hinges and some are slightly detached. French publisher's red cloth binding. Blindstamped border and bronze lettering. Some soiling to the binding. On the front cover the title in French: "La Chanson du Vieux Marin" and the text: "Offert par le XIXe Siècle à ses abonnées".Samuel Taylor Coleridge 1772 -1834 was a founder of the Romantic Movement in England and a member of the Lake Poets. The Rime of the Ancient Mariner first published 1798 is his longest major poem and in the present edition is accompanied by thirty-eight magnificent plates by renowned French artist and illustrator Gustave Doré. The poem describes the experiences of a sailor whose ship is forced by a storm into Antarctic waters. Along the way the mariner encounters an albatross who guides the ship and its crew out of the ice and into calmer waters. To the crew's initial dismay the mariner kills the albatross a mistake for which they will all dearly pay. Gustave Dore 1832 - 1883 illustrated works of major poets including John Milton Dante and Lord Byron. Word of his talent spread quickly throughout Europe and he was asked to illustrated a version of the English Bible which was extremely popular allowing for the foundation of his own gallery the Doré Gallery. In-folio percaline rouge décor estampé à froid titre doré en français sur le premier plat. Première édition illustrée par Gustave Doré donnant le texte anglais et sa traduction française par A. Barbier. L’illustration comprend un frontispice et 38 compositions hors texte gravés sur bois. cartonnage frotté quelques rousseurs.London Doré Gallery - Hamilton Adams & Co. 1876. Second edition the first is dated 1875 but first bilingual. . The first four pages contain a translation in French by A. Barbier of this famous poem. Pages 5-12 contain the original text in English. London: Doré Gallery, Hamilton, Adams & Co., 1876 hardcover
1875réf. 76484London:: Dore Gallery 1875. First edition thus; presentation copy inscribed by Dore on the original plain front wrapper to a contemporary publisher "A Monsieur Goupil Hommage Affectueux G. Dore.". rebound inappropriately in 20th c. gilt-lettered leatherette but with the original plain wrappers bound in. Custom clamshell box. Some scattered foxing and slight marginal waterstaining to a few leaves. Oversised folio. Illustrated by Gustave Dore: title page vignette frontispiece and 38 black and white plates. Additional postage charge applicable for this oversized book. Dore Gallery, hardcover
réf. Q-0304356174Cassell 1899-12-31. Hardcover. New. In shrink wrap. Looks like an interesting title! Cassell hardcover
1878réf. 47198Harper & Brothers 1878. Hardcover - as published. Ex-library re-bound in a red cloth library binding. has library stamp. t.e.g. Folio. Page edges gutters have some damp stains the illustrations are not effected. Harper & Brothers hardcover
1878réf. 46084New York: Harper & Brothers 1878. Very Good-. New York: Harper & Brothers 1878. Large folio 47.5cm; publisher's blue-green pictorial cloth stamped in gilt; 12pp. & 39 leaves of plates collated complete. Cloth quite rubbed and worn at corners and spine ends upper cover soiled with a number of faint ring stains white paint residue at spine foot contemporary inscription on title page else a Good to Very Good still bright and internally sound example of this masterpiece of verse and book illustration. Harper & Brothers unknown
réf. E03OS-00048Harper & Brothers. Collectible - Acceptable. Collectible - Acceptable. New York: Harper & Brothers 1888. Folio hardcover. 12pp. 39 leaves of plates. Illustrations by Gustave Dore. Poor book. Front board detached. Backstrip missing. Heavily insected. Dampstained. Sailors Poetry Wood Engravings NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Harper & Brothers hardcover
1966réf. 2112150016Amilcare Pizzi; International Book Society 1966-01-01. Hardcover. Very Good. 0x0x0. Near fine. Folio in red moire-silk covered boards. Hardcover in slip case. Good binding and cover. Clean unmarked pages. Accompanying phonorecord read by Sir Ralph Richardson in listening Library D2213. 26 pages 39 leaves of plates : illustrations ; 43 cm. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Amilcare Pizzi; International Book Society hardcover
1889réf. B3688Philadelphia: Henry Altemus 1889. Boards sunfaded illegible inscription to title page in period hand otherwise a fine copy text and plates are clean and crisp. Binding: Contemporary ¼ white elaborately-gilt cloth with red cloth boards gilt title to upper board flat spine with seven densely-gilt compartments of giilt-tooled bands gilt text on two all edges gilt red and gold endpapers. Size: Folio. Illustration: Complete with 40 hors texte woodcuts depicting various scenes of Coleridge’s epic poem each one facing a text leaf from the poem. Pages: Foliation. 2 ff. half-title frontis title vignette leaf life of Coleridge 4 39 leaves of poetry 2 ff. Category: Book Literature; Book Plate Books General; Henry Altemus hardcover
1966réf. 1805130001International Book Society 1966-01-01. Hardcover. Very Good. 17x12x1. 26 pages 39 leaves of plates : illustrations ; 43 cm. Includes record. Hardcover in slip case. Good binding and cover. Clean unmarked pages. This is an oversized or heavy book which requires additional postage for international delivery outside the US. International Book Society hardcover
1877réf. 1310170005Harper & Brothers 1877. Third edition. Hardcover. Good. Elephant folio illustrated by Dore. 47 cm. Hardcover. Original brown cloth with gold seagull on front. Rebacked with later leather spine. Wear to cover edges. 12 p. illus. 39 pl. Clean unmarked pages. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US. Harper & Brothers hardcover
1878réf. 46084New York: Harper & Brothers 1878. Very Good-. New York: Harper & Brothers 1878. Large folio 47.5cm; publisher's blue-green pictorial cloth stamped in gilt; 12pp. & 39 leaves of plates collated complete. Cloth quite rubbed and worn at corners and spine ends upper cover soiled with a number of faint ring stains white paint residue at spine foot contemporary inscription on title page else a Good to Very Good still bright and internally sound example of this masterpiece of verse and book illustration. Harper & Brothers unknown books
1966réf. 131747Club Français du livre 1966 Livre en français, anglais. In-4 reliure de l’éditeur sous jaquette rhodoïd. 27,7 cm sur 21,5. 140 pages. Premier plat orné d’une vignette, titre et auteur dorés au dos, intérieur frais. ATTENTION : la jaquette rhodoïd présente quelques déchirures. Bon état d’occasion.
1966réf. 85143New York: Edizione d'Arte "Felix" a curra di Giuseppe Massani 1966. Publisher's pictorial stapled paper pamphlet and LP record laid in. Folio 42.5cm; red moire silk-covered boards with titling stamped in gilt on spine and front cover; pictorial endpapers; n.p.; black-and-white illustrations to frontispiece and throughout text. Two tiny nicks to front cover silk trace foxing to edges of textblock and tiny marginal soil to "We Drifted O'er." plate; Very Good. In publisher's black paper-covered slipcase with titling stamped in gilt on cover blue title label on spine and light shelf-soil; Very Good. Coleridge's long poem explores marine life during an extended sea voyage with Doré's engravings throughout. Side 1 of LP recording includes Sir Ralph Richardson's reading of Coleridge's "The Rime of the Ancient Mariner" and Side 2 includes Richardson's readings of Colridge's "Kubla Khan" "Frost at Midnight" "The Lime-Tree Bower My Prison" and "Dejection: An Ode" all directed by Howard Sackler. 85143. Edizione d'Arte "Felix" a curra di Giuseppe Massani unknown books
1887réf. 013983NY: Pollard & Moss 1887. First Edition Thus. Hardcover. Very Good. Small folio vi 39 iv amply illustrated with 42 drawings by Dore and 20 plates by Paton. Bound in original publisher's red cloth beveled covers elaborate pictorial cover decorated in black and gilt. Covers faded around the edges about 2" deep on all sides spine faded too with cloth loss head of spine corners worn. Internals nicely preserved. Pollard & Moss hardcover books
2009réf. 319911Washington D. C.: Regnery Publishing 2009. First Edition; First Printing. Hardcover. Fine in a Fine dust jacket.; 256 pages. Regnery Publishing hardcover
réf. 1433291991.Gmp3_cd. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
2009réf. Q-1596985712Regnery Publishing 2009-08-24. Hardcover. New. In shrink wrap. Looks like an interesting title! Regnery Publishing hardcover
1996réf. 014160Berkeley CA etc: University of California Press 1996. 1st Edition . Soft cover. Fine. Glossy soft-back marred only by touch of curling to back top outer corner. Full opening monochrome photo-plate full opening t.p. referencing the Laguna Art Museum Laguna Beach as additional publisher/sponsor xxiii 271 copiously illustrated throughout in both monochrome and colour inc. some full page colour plates; internally pristine in fact cover corner curl only reason not rated As New. Scarce in UK. 22.5 cm x 30 cm University of California Press paperback
1996réf. Q-0520086112University of California Press 1996-03-29. Paperback. New. New. In shrink wrap. Looks like an interesting title! University of California Press paperback
1996réf. 57760Ewing New Jersey U.S.A.: Univ of California Pr. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 271 pages. "A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism. Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts she cites areas of mutual influence and shows the impact of San Francisco on the New York School including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets Dixieland jazz musicians and the area's stunning vistas were essential parts of Abstract Expressionism as were artistic and spiritual contacts with Asia. Under Douglas MacAgy and Clyfford Still the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett Jay DeFeo James Budd Dixon Frank Lobdell and Hassel Smith produced gritty provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley director of the San Francisco Museum of Modern Art who opened the museum to major Abstract Expressionist figures and Jermayne MacAgy who brought local and international artists together. Enlivened by oral histories Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates it celebrates the energy and lasting impact of a special time." -- with a bonus offer--; Landauer Susan; Ashton Dore introduction The San Francisco School of Abstract Expressionism PAINTING AMERICAN MODERN 20TH CENTURY . 1996. 0520086104 . Univ of California Pr hardcover
1996réf. 57761Ewing New Jersey U.S.A.: Univ of California Pr. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 271 pages. "A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism. Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts she cites areas of mutual influence and shows the impact of San Francisco on the New York School including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets Dixieland jazz musicians and the area's stunning vistas were essential parts of Abstract Expressionism as were artistic and spiritual contacts with Asia. Under Douglas MacAgy and Clyfford Still the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett Jay DeFeo James Budd Dixon Frank Lobdell and Hassel Smith produced gritty provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley director of the San Francisco Museum of Modern Art who opened the museum to major Abstract Expressionist figures and Jermayne MacAgy who brought local and international artists together. Enlivened by oral histories Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates it celebrates the energy and lasting impact of a special time." -- with a bonus offer--; Landauer Susan; Ashton Dore introduction The San Francisco School of Abstract Expressionism PAINTING AMERICAN MODERN 20TH CENTURY . 1996. 0520086112 . Univ of California Pr paperback
1996réf. BN469434Hudson Hills Press 1996. 1996. The Sculpture of Ursula von Rydingsvard. The Sculpture of Ursula von Rydingsvard. Ashton Dore / Marek Bartelik / Matti Megged Essays. Hudson Hills Press unknown
1996réf. 110713Hudson Hills 1996-10-01. Hardcover. Like New. 10x10x0. Brand new gift quality hardcover in jacket oversized and overweight. First edition. A46 Please email for photos. Hudson Hills hardcover
