Victor Hugo, Gustave Dore (Illustrator)Biblio.com
3 922 résultats
1873réf. BL-001115New York: Harper and Brothers 1870's. 7 x 10 1/2". Brown cloth over boards with beveled edges frontispiece etching of Victor Hugo is missing tissue guard 2 illustrations by Gustave Dore have tissue guards intact some stains and wear to covers corners bumped and frayed spine ends show wear minor foxing good condition. American version originally printed in 1867 but this is one of three possible later versions either 1873 1875 or 1878 according to their size. Malan p.279 Text in two columns. The book is dedicated by Hugo to the island of Guernsey where he spent 19 years in exile. The novel setting is just after the Napoleonic Wars and portrays the impact of the Industrial Revolution upon the island Harper and Brothers hardcover
1870réf. IRÉeDORÉ51London: E.Moxon Son And Co. c1870. 1870. folio. pp. 4 p.l. 159-216 8ads. with half-title. 9 engraved plates. with tissue guards. several woodcut ornaments. original black & blind-stamped cloth gilt edges recased light spotting to cloth spine bit faded & scarred rear hinge cracked. Hardcover. London: E.Moxon, Son, And Co., [c1870]. Hardcover
réf. 0260394769.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1333846177.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 51711210059E. Moxon Son and Co London. Hardcover. Acceptable. Hardcover. No date found.looks to be c.1872. Text unmarked. Text and illustrations clean and unmarked.MISSING THE LAST ILLUSTRATION. Pages do have edge wear. Covers green with black and gilt decoration/lettering are poor showing edge wear with rubbing/scuffing. Bumped corners. Spine edge chipping and tearing. Hinges cracked with binding and pages loose. Heavily worn but illustrations are still very nice.only with edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day! E. Moxon, Son, and Co, London hardcover
2010réf. 2090502113712105Not Available 2010. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1991réf. 2000041005Seattle Public Schools 1991. Seattle Public Schools 1991 Fine/ For Teaching Spelling Grades 1-8 Complete all pages. LARGE HEAVY ITEM 3.0 Pounds. Size: 11 3/4 x 10 3/4 x 2 inches. . 3 Ring Binder. Fine. No Exp. Seattle Public Schools Hardcover
réf. 1881693031.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1877réf. 36295New York: Harper & Brothers 1877. A plate from the volume The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Measures roughly 36 x 46 cm 14 x 18". Small faint stain on the lower edge not affecting the image. A very good copy. ; Prints; 36 x 46 cm. Harper & Brothers unknown
1869réf. 003276New York: Vistus Balch 1869. Very good. Engraved broadside; sheet 24 x 19 plate 20 1/2 x 16; small scattered spots of foxing to margins; a few mild creases to edges; overall in very good condition. A magnificent depiction of Jesus preaching on the mount an event recorded in Matthew 5-7 it was created by Gustave Dore 1832 - 1883 and engraved by prominent Utica and New York engraver Vistus Balch 1799 - 1884. Vistus Balch unknown books
1869réf. 003276New York: Vistus Balch 1869. Very good. Engraved broadside; sheet 24 x 19 plate 20 1/2 x 16; small scattered spots of foxing to margins; a few mild creases to edges; overall in very good condition. A magnificent depiction of Jesus preaching on the mount an event recorded in Matthew 5-7 it was created by Gustave Dore 1832 - 1883 and engraved by prominent Utica and New York engraver Vistus Balch 1799 - 1884. Vistus Balch unknown
1996réf. 165105New York: Hudson Hills Press 1996. Hardcover. VG/VG. Olive green cloth boards with stamped lettering. Color-illustrated dust jacket with navy blue lettering. 108 pp. Color and BW illustations. From one of the most original voices in contemporary American art more than 20 years of work culminating in grand abstract ensembles of cedar beams enriched with graphite. -Amazon. Hudson Hills Press hardcover books
1996réf. 9008996New York: Hudson Hills Press 1996. 1st. Hardcover. Book fine Dust jacket fine. Bound in publisher's original cloth with the front cover stamped in blind and the spine stamped in gilt. Hudson Hills Press hardcover books
1996réf. BN469434Hudson Hills Press 1996. 1996. The Sculpture of Ursula von Rydingsvard. The Sculpture of Ursula von Rydingsvard. Ashton Dore / Marek Bartelik / Matti Megged Essays. Hudson Hills Press unknown
1996réf. 110713Hudson Hills 1996-10-01. Hardcover. Like New. 10x10x0. Brand new gift quality hardcover in jacket oversized and overweight. First edition. A46 Please email for photos. Hudson Hills hardcover
1996réf. 061413New York NY: Hudson Hills Press 1996. Book. Very Good. Hardcover. Signed by Authors. 108 pages 4to. SIGNED and inscribed by Ursula von Rydingsvard on half-title page: "To ---- with affection admiration Ursula". Minor shelfwear to DJ: light scuffing along edges moderate spine fade. DJ in mylar. Tightly bound no marks. Volume is in Very Good conditin. Hudson Hills Press Hardcover
réf. 1555951228.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1996réf. Q-1555951228Hudson Hills 1996-10-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Hudson Hills hardcover
1996réf. 9008996New York: Hudson Hills Press 1996. 1st. Hardcover. Book fine Dust jacket fine. Bound in publisher's original cloth with the front cover stamped in blind and the spine stamped in gilt. Hudson Hills Press hardcover
réf. MC00A-00099Hudson Hills. Collectible - Very Good. New York: Hudson Hills Press 1996. 1st edition. Sm 4to hardcover. 108pp. Photos. Very Good book and dust jacket. Art Sculpture Inquire if you need further information. Hudson Hills hardcover
1996réf. 014160Berkeley CA etc: University of California Press 1996. 1st Edition . Soft cover. Fine. Glossy soft-back marred only by touch of curling to back top outer corner. Full opening monochrome photo-plate full opening t.p. referencing the Laguna Art Museum Laguna Beach as additional publisher/sponsor xxiii 271 copiously illustrated throughout in both monochrome and colour inc. some full page colour plates; internally pristine in fact cover corner curl only reason not rated As New. Scarce in UK. 22.5 cm x 30 cm University of California Press paperback
1996réf. Q-0520086112University of California Press 1996-03-29. Paperback. New. New. In shrink wrap. Looks like an interesting title! University of California Press paperback
1996réf. 57760Ewing New Jersey U.S.A.: Univ of California Pr. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 271 pages. "A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism. Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts she cites areas of mutual influence and shows the impact of San Francisco on the New York School including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets Dixieland jazz musicians and the area's stunning vistas were essential parts of Abstract Expressionism as were artistic and spiritual contacts with Asia. Under Douglas MacAgy and Clyfford Still the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett Jay DeFeo James Budd Dixon Frank Lobdell and Hassel Smith produced gritty provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley director of the San Francisco Museum of Modern Art who opened the museum to major Abstract Expressionist figures and Jermayne MacAgy who brought local and international artists together. Enlivened by oral histories Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates it celebrates the energy and lasting impact of a special time." -- with a bonus offer--; Landauer Susan; Ashton Dore introduction The San Francisco School of Abstract Expressionism PAINTING AMERICAN MODERN 20TH CENTURY . 1996. 0520086104 . Univ of California Pr hardcover
1996réf. 57761Ewing New Jersey U.S.A.: Univ of California Pr. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 271 pages. "A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism. Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts she cites areas of mutual influence and shows the impact of San Francisco on the New York School including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets Dixieland jazz musicians and the area's stunning vistas were essential parts of Abstract Expressionism as were artistic and spiritual contacts with Asia. Under Douglas MacAgy and Clyfford Still the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett Jay DeFeo James Budd Dixon Frank Lobdell and Hassel Smith produced gritty provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley director of the San Francisco Museum of Modern Art who opened the museum to major Abstract Expressionist figures and Jermayne MacAgy who brought local and international artists together. Enlivened by oral histories Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates it celebrates the energy and lasting impact of a special time." -- with a bonus offer--; Landauer Susan; Ashton Dore introduction The San Francisco School of Abstract Expressionism PAINTING AMERICAN MODERN 20TH CENTURY . 1996. 0520086112 . Univ of California Pr paperback
2009réf. 319911Washington D. C.: Regnery Publishing 2009. First Edition; First Printing. Hardcover. Fine in a Fine dust jacket.; 256 pages. Regnery Publishing hardcover
