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2012rif. 333362New York: Eakins Press Foundation 2012. hardcover. fine/near fine. 24 color and 5 duotone illustrations. 358 pages. Tall 8vo black blind-stamped cloth black d.w. lightly edge worn. New York: Eakins Press Foundation 2012. A fine copy in a near fine dust wrapper. Inscribed by the author on the title page. Eakins Press Foundation unknown
2012rif. DADAX0871300699Eakins Press Foundation 2012-03-01. First Edition. hardcover. New. 7.40x1.40x10.30. Buy with confidence. Excellent Customer Service & Return policy. Eakins Press Foundation hardcover
2012rif. 180171New York: Eakins Press Foundation 2012. Hardcover. VG/VG. Black cloth boards with silver spine lettering; black dust jacket with white lettering; 358 pp illustrated throughout with 24 color and 5 duotone illustrations. "The Eakins Press Foundation is proud to announce the publication of Magicians & Charlatans by the art critic Jed Perl. In this collection of 26 essays Mr. Perl writes with great urgency about the art scene of the past decade. The poet John Ashbery has said that "For years Jed Perl has been covering the art world with tremendous empathy and unsparing accuracy. His ability to recognize the traditional forms of art behind their continual transmutation has made his an almost solitary essential voice." The essays range from highly controversial critiques of the painter Gerhard Richter the art dealer Leo Castelli and the Museum of Modern Art to appreciations of the art of Bernini and Chardin and the writings of Edmund Wilson and Meyer Schapiro."--Publisher's description. Chapters include: Our Dadaist : Robert Gober -- Summer madness : Balthus and "Encounters" at the National Gallery in London -- The variety show : Tony Oursler Bill Viola and contemporary art -- Saint Gerhard of the sorrows of painting : Gerhard Richter -- Firings : Noguchi Ken Price and ceramics -- The beauty trap : notes on the return to beauty -- MoMA Inc. : the Museum of Modern Art since reopening in 2004 -- Peep shows for poets : Jeremy Blake and experimental cinema -- Postcards from nowhere : new museums in Los Angeles and New York -- Private lives : the recession and the art world -- The opportunist : a life of Leo Castelli -- Extreme sensibility : Christian Marclay's The clock -- Ecstasy : reflections on Bernini -- Ordinary magic : Chardin at the Metropolitan Museum of Art -- Lyricist and empiricist : Gustave Le Gray at the J. Paul Getty Museum -- Philosophical furnishings : Thomas Hope and Jean-Michel Frank -- Everyday symbolist : Vuillard at the National Gallery of Art -- Apollo and Dionysus : Cézanne and Picasso -- Spiritual matters : Rouault and Chagall -- A defense of Dada : anti-art revisited -- The writer's eye : Edmund Wilson and the visual arts -- Maker and shaper : the life and literature of Lincoln Kirstein -- From Alabama to Manhattan : remembering David Daniel -- Half tame : Roger Shattuck from The banquet years to Forbidden knowledge -- Varieties of artistic experience : Meyer Schapiro on medieval and modern art. Eakins Press Foundation hardcover
2012rif. 104183Ram Publications Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 360 pages; illustrated. -- with a bonus offer-- . 2012. 0871300699 . Ram Publications (Distribution) hardcover
2022rif. BN681912Cross Cult 2022. 2022. Magic: The Gathering 2: Limited Edition Magic: The Gathering 2: Limited Edition Guara Ig Arianna Consonni und Jed MacKay Cross Cult unknown
2024rif. SONG1934506419BOOM! Studios 2024-08-06. Deluxe. hardcover. Used: Good. 7.25x1.50x11.25. Buy with confidence. Excellent Customer Service & Return policy. BOOM! Studios hardcover
rif. 1637969414.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 1934506419.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1934506621.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2023rif. 1-1684159490Boom! Studios 2023. Hardcover. New. 144 pages. 10.19x6.63x0.60 inches. Boom! Studios hardcover
2021rif. 1-1684157358Boom! Studios 2021. Hardcover. New. 144 pages. 10.50x7.00x0.25 inches. Boom! Studios hardcover
1999rif. 124233FinnbogadÃttir, VigdÃs; Ashbery, John; Perl, Jed et al.: Louisa Matthiasdottir. New York: Hudson Hills, 1999. 198 pages, numerous colour and black and white illustrations. Hardback. 29x29cms.
1999rif. 124233FinnbogadÃttir, VigdÃs; Ashbery, John; Perl, Jed et al.: Louisa Matthiasdottir. New York: Hudson Hills, 1999. 198 pages, numerous colour and black and white illustrations. Hardback. 29x29cms.
rif. 124233New York: Hudson Hills 1999. 198 pages numerous colour and black and white illustrations. Hardback 29x29cms. ISBN: 9781555951979. Text in English. New York: Hudson Hills, 1999. hardcover
1986rif. 26764new oversize hc Hudson Hills Press hardcover
2000rif. SONG155595197XBrand: Hudson Hills 2000-08-08. hardcover. Used: Good. 11.46x1.02x11.32. Buy with confidence. Excellent Customer Service & Return policy. Brand: Hudson Hills hardcover
2000rif. 260319008Hudson Hills 2000. Hardcover. Like New. 11x1x11. A Fine Book in a Fine Dust Jacket. Very Clean. No writing or tears. Solid Binding. Dust Jacket is bright and shiny. Hudson Hills hardcover
rif. LDM0016638We ship worldwide. 100% guarentee. BRAND NEW unknown
2009rif. 185836Chicago IL: University of Chicago Press 2009. First edition and first printing. Hardcover. 132 pages. Features an introduction by Britt Salvesen and an essay by Vince Aletti. A powerful collection of black and white photographs of blind children from Mexico. Includes 68 duotone illustrations. A clean and tight near fine copy in black cloth boards with some bumping to the top of the spine in a close to near fine dust jacket with some bumping to the top of the spine and some other light wear. Signed and inscribed by Fielding to a New York gallerist in the year of publication. University of Chicago Press unknown books
2009This is a fine hardcover copy in a fine dust jacket with no wear at all. Signed in ink by the photographer, Jed Fielding, on the half title and dated 3/09. Not inscribed, just signed and dated. Illustrated in black & white throughout with Fieldings photographs of Mexican subjects, all blind. Essay by Vince Aletti. 13" high X 11" wide, 132 pages. This book will be securely packed and shipped with tracking.
2009rif. 276595Chicago: University of Chicago Press 2009. hardcover. fine/near fine. Fielding Jed. Introduction by Britt Salvesen. Essay by Vince Aletti. 67 full page black-and-white plates including several folding. 132 pages. Folio black cloth d.w. Chicago: University of Chicago Press 2009. A fine copy in a near fine dust wrapper. Presentation copy signed by Jed Fielding. University of Chicago Press unknown books
2009rif. 230317Chicago: University of Chicago Press 2009. First. hardcover. fine/near fine. Profusely illustrated with black-and-white photographs. 132 pages. Folio black cloth d.w. Chicago: University of Chicago Press 2009. A fine copy in near fine dust wrapper. University of Chicago Press unknown books
2009rif. 200854Chicago IL: University of Chicago Press 2009. Hardcover. VG Ex art library with sticker on DJ spine and to rear endpaper; DJ and boards are lightly edgeworn/scratched; interior is in excellent condition; binding is solid. Grey pictorial DJ with white orange and grey lettering; black cloth over boards with stamped lettering; 132 pp.; chiefly illustrations. "Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image An in-depth pictorial study of blind schoolchildren in Mexico Look At Me draws attention to and distinctions between the activity of sight and the awareness of form." "Combining aspects of his acclaimed street work with an innovative approach to portraiture Chicago-based photographer Jed Fielding has concentrated closely on these children's features and gestures probing the enigmatic boundaries between surface and interior. Design composition and the play of light and shadow are central elements in these photographs but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding's sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative joyful participation with the children he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fielding's work achieves what only great art and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look At Me contains more than sixty arresting images from which we often want to look away but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer."-- Jacket. University of Chicago Press hardcover books
2009rif. 200854Chicago IL: University of Chicago Press 2009. Hardcover. VG Ex art library with sticker on DJ spine and to rear endpaper; DJ and boards are lightly edgeworn/scratched; interior is in excellent condition; binding is solid. Grey pictorial DJ with white orange and grey lettering; black cloth over boards with stamped lettering; 132 pp.; chiefly illustrations. "Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image An in-depth pictorial study of blind schoolchildren in Mexico Look At Me draws attention to and distinctions between the activity of sight and the awareness of form." "Combining aspects of his acclaimed street work with an innovative approach to portraiture Chicago-based photographer Jed Fielding has concentrated closely on these children's features and gestures probing the enigmatic boundaries between surface and interior. Design composition and the play of light and shadow are central elements in these photographs but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding's sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative joyful participation with the children he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fielding's work achieves what only great art and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look At Me contains more than sixty arresting images from which we often want to look away but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer."-- Jacket. University of Chicago Press hardcover
2009rif. 78289University of Chicago Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 132 pp. 5 foldout with 68 ills. 34 x 28 cm. -- with a bonus offer--; Sight is central to the medium of photography. But what happens when the subjects of photographic portraits cannot look back at the photographer or even see their own image An in-depth pictorial study of blind schoolchildren in Mexico Look at me draws attention to and distinctions between the activity of sight and the consciousness of form. Combining aspects of his earlier acclaimed street work with an innovative approach to portraiture Chicago-based photographer Jed Fielding has concentrated closely on these children’s features and gestures probing the enigmatic boundaries between surface and interior innocence and knowing beauty and grotesque. Design composition and the play of light and shadow are central elements in these photographs but the images are much more than formal experiments; they confront disability in a way that affirms life. Fielding’s sightless subjects project a vitality that seems to extend beyond the limits of self-consciousness. In collaborative joyful participation with the children he has made pictures that reveal essential gestures of absorption and the basic expressions of our creatureliness. Fielding’s work achieves what only great art and particularly great portraiture can: it launches and then complicates a process of identification across the barriers that separate us from each other. Look at me contains more than sixty arresting images from which we often want to look away but into which we are nevertheless drawn by their deep humanity and palpable tenderness. This is a monograph of uncommon significance by an important American photographer. . 2009. 0226248526 . University of Chicago Press hardcover
