Richard T GillBiblio.com
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réf. Z1-C-013-03325PRENTICE-HALL. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. PRENTICE-HALL unknown
2017réf. k4649Waltham St Lawrence: The Folio Society. VG : in very good condition with dust jacket and in green cloth solander presentation box which has light wear. 2017. Limited Edition 657/750. White hardback cloth cover. 300mm x 210mm 12" x 8". 42pp. 19 wood-engravings by Eric Gill. With accompanying essay to this Folio facsimile of this 1925 Golden Cockerel Press edition. Printed by Memminger on Corolla book laid ivory paper and bound on cloth by Lachenmaier. The original edition printed by Robert Gibbings. 'The Song of Songs' was Gills first major work for the Golden Cockerel Press. . The Folio Society hardcover
2010réf. BN404188Photoworks 2010. 2010. Hardcover. Outside In Outside In Stephen GILL Photoworks hardcover
1931réf. A159Pigotts London: Hague and Gill Sheed & Ward 1931. Hardcover. First Edition Limited to 500 copies. Signed by Rene Hague and Eric Gill on the limitation page. Handmade paper watermarked 'ER.' Duodecimo 12mo. 7pp. blanks 120pp. 21 figures 4 engravings on wood. Evan Gill 21. A classic in the history of typography and the greatest explication of Gill's thought. Front paste-down with the bookplate of R.R. Donnelley and Sons The Lakeside Press. NEAR FINE in Very Good dust jacket protected in a removable archival cover. The book itself shows a very small furrow of the cloth at the foot of the spine else Fine having been exceptionally well maintained. The dust jacket shows some shelf rubbing along the edges and corners with marginal creasing and loss a chip from the head of the spine section of marginal toning otherwise is not price-clipped remaining bright colorful and distinct. As pictured. Hague and Gill | Sheed & Ward hardcover
1978réf. a-pa60Greenwood Press 1978. hardcover. Good/NO DUST JACKET. 0x0x0. This book has some writing but still in good condition in general no lost page no tear. NO DUST JACKET Greenwood Press hardcover
1884réf. 78633Portland Oregon:: J. K. Gill & Co. 1884. folded into gilt-lettered cloth portfolio as issued. Very fine original condition. Approx. 24 x 30 inches. Lith. in pastel colors by L. M. Snyder & Co. Chicago. J. K. Gill & Co., hardcover
1928réf. 9170London: Lanston Monotype Corporation 1928. One of 55 copies of this beautifully printed issue of a lecture on sculpture given by Eric Gill at the Victoria and Albert Museum. In addition to the text Gill contributes a red device to the title page and a map of his home Piggotts on the final leaf - with a loose leaf to receive offsetting from this image clearly in place since the book was issued. Gill has signed the book on the page before the map at the end of the text choosing to date it not to the imprint but to the date of the actual lecture: 'Eric G. Dec.r 1927'. Bound in black buckram with a puncture to the lower cover which has dented but not pierced the last three leaves of the book. Spotting throughout. PROVENANCE: from the collection of a Palestinian woman living in Switzerland in the 1980s whose sister knew Eric Gill. A very good copy of a very scarce book. Please contact Christian White Rare Books Ltd for more information or images of this item 1928 Lanston Monotype Corporation hardcover
réf. PJH52909Nobody London 2009. Fine in rubbed and slightly marked publishers decorated wrappers housed in copy of British Historians and the West Indies by Eric Williams. Designed and Edited by Gill to include 44 loose C - Type Prints and 1 dry point etching Letterpress with Shredded Pages. Number 50 0f 115 copies Signed by Stephen Gill. ISBN B002QOVGMO Nobody (London) 2009 unknown
1927réf. 118821927. Original copper engraving signed ‘Eric Gill’ and numbered 13/15 by the artist in pencil. Image size 7 x 11 cms. In a large mount and framed.In the engraving is the inscription ‘Sic enim Deus dilexit mundum’ For God so loved the world from St John 13:16. Engraved by Gill for Art and Love published in 1927.Physick 485 unknown
1940réf. 121495London: Peace Pledge Union 1940. Corrected proof copy extensively annotated by the author. Gill's corrections in brown ink are on almost every page emending typographical errors. It is accompanied by two leaves of suggestions of manuscript corrections for the printed text listed in black ink consisting of typographical and structural alterations with ticks by Gill in brown ink matching that in the proof copy. A margin note by Gill similarly in brown ink identifies these corrections as coming from a W.W. It is possible that this is Wilfred Wellock 1879-1972 MP and active member of the Peace Pledge Union. Published in 1940 this pamphlet was the first in a series written under the general title of The Bond of Peace. Wellock wrote the third volume Money Has Destroyed Your Peace 1940. The Human Person and Society is one of Gill's final publications; published in March 1940; Gill died in November of the same year. Together 4 items: pamphlet entitled "The Human Person and Society" duodecimo pp. 21. Original cream wrappers printed in black; 2 leaves of manuscript corrections; publisher's card indicating proof copy. Housed together in a custom red cloth chemise. Light creasing very occasional spotting. In excellent condition. Gill 43. hardcover
1929réf. 71331929. Original proof wood engraving being No. 1 of 10 signed and numbered by the artist in pencil. Image size c. 11 x 8 cms. Framed. This image was engraved for The Passion of Perpetua and Felicity published in 1930. Physick 559 No.1 of 10 proofs signed by the artist unknown
2017réf. Adhya-9781337282987CENGAGE 2017. HB. New. CENGAGE hardcover
2017réf. Adhya-9781337282987CENGAGE 2017. HB. New. CENGAGE hardcover
1920réf. 12040[Années 1920]. 1 vol. grand in-8. Plein maroquin brun, filets d’encadrement en pointillés à froid sur les plats avec fleurons en angle, titre et auteur dorés au dos, tranches dorées. [René KIEFFER]
réf. 63153L. Mauger Paris 1870 In-folio 432pp. illustr. couvertures et gravures sur bois dont les unes en couleurs par Gill Alfred Le Petit A. Lemot A. Humbert Moloch Hadol etc. reliure de l'epoque Nb-0264 unknown
2004réf. D11VM1029Other Criteria London 2004. 1st Edition. HARDCOVER. Lavish large landscape Quarto size 4to in illustrated cloth backed boards all page-block edges gilt 352pp. with printed card box. Signed by Hirst __CONDITION : NEW unread copy in printed box. . NOTE: This item weighs over 3 kg 7 lbs when packed for posting shipping to some destinations outside the UK may cost more than the price shown. If so orders made by card will not be processed until you have approved any such extra cost. __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Other Criteria, London hardcover
1931réf. 45462London: Messrs. Sheed & Ward 1931. Limited edition one of 500 copies signed by both Gill and Hague on the limitation page. Small 8vo. 4 120 2 pp. Original red buckram gilt lettered to spine dust jacket not price clipped. 25 figures representing typographical examples mostly set into the text. Some marking to the uncommon jacket a little more so to the spine and rear panel a little light edge wear very good overall. Printed by René Hague & Eric Gill at the latter's residence Piggotts near Hughenden Buckinghamshire. Evan Gill 21. London: Messrs. Sheed & Ward unknown
1911réf. 35044Philadelphia: J. B. Lippincott. Very Good in Very Good dust jacket. 1911. First Edition; First Printing. Hardcover. Photographs; 429 pages; 8vo orig color pictorial gilt-lettered salmon cloth t. E. G. other edges untrimmed. Extremities slightly scuffed d/j a few small tears at edges. Maps photo plates other illustrations. Slight discoloration to endpapers. Pub advt/order form of 36pp inserted. 139 illustrations. Top edge gilt. Publisher's brochure/order form laid in. . J. B. Lippincott hardcover
1929réf. 17898London: Cassell & Co. LTD. & Francis Walterson 1929 First trade edition. A limited edition of 100 copies bound in maroon cloth was also published. Blue buckram with gilt-lettered spine and bevelled edges. Octavo. Binding extremities lightly rubbed. Spine has some light toning and fading. Bookplate of Merle Armitage on front pastedown. Pages untrimmed. Holographic Eric Gill letter written to Merle Armitage and dated 6/3/31 laid in. Gill writes: "I would sign your book for you with / pleasure if you wd. send it. But this / seems a large trouble for so small an / advantage. / Why not cut out the above signature & stick it in" A very good copy and a wonderful association In Art-Nonsense and Other Essays Gill opens with an "apology" to the reader in which he writes "Two primary ideas run through all the essays in this book: 'that art is simply the well making of what needs making' and that 'art is collaboration with God in creating.' Written at various times and for various occasions I was sometimes moved by the one sometimes by the other. One essay will appear in consequence to contradict another. This seems unavoidable but apology is offered for the gymnastics to which the reader is compelled. After all life is full of these apparent contradictions and a robust mind is one that is not disturbed thereby." Cassell & Co., LTD. & Francis Walterson, hardcover
1929réf. 17898London: Cassell & Co. LTD. & Francis Walterson 1929 First trade edition. A limited edition of 100 copies bound in maroon cloth was also published. Blue buckram with gilt-lettered spine and bevelled edges. Octavo. Binding extremities lightly rubbed. Spine has some light toning and fading. Bookplate of Merle Armitage on front pastedown. Pages untrimmed. Holographic Eric Gill letter written to Merle Armitage and dated 6/3/31 laid in. Gill writes: "I would sign your book for you with / pleasure if you wd. send it. But this / seems a large trouble for so small an / advantage. / Why not cut out the above signature & stick it in" A very good copy and a wonderful association In Art-Nonsense and Other Essays Gill opens with an "apology" to the reader in which he writes "Two primary ideas run through all the essays in this book: 'that art is simply the well making of what needs making' and that 'art is collaboration with God in creating.' Written at various times and for various occasions I was sometimes moved by the one sometimes by the other. One essay will appear in consequence to contradict another. This seems unavoidable but apology is offered for the gymnastics to which the reader is compelled. After all life is full of these apparent contradictions and a robust mind is one that is not disturbed thereby." Cassell & Co., LTD. & Francis Walterson, hardcover books
1924réf. 24032450Ditchling Sussex: S. Dominic's Press 1924. Limited Edition. Hardcover. Very good . Gill Eric. One of 150 copies folio size 40 pp. Eric Gill 1882-1940 English sculptor typographer illustrator and printmaker is perhaps best known for his wood engravings; his work is characterised by sensual line work and elegant characters with a deep spirituality. This volume appears to be one of the first attempts to compile Gill's work in a single volume; however per Evan Gill's bibliography it "was prepared and published entirely without Gill's knowledge and consent." p. 162. As always seeing Gill's work with the depth and texture of an engraving is so very different from seeing an offset- or digitally-printed version; this work contains a wonderful selection of his early work with his talent already in its full glory. The work contains a total of thirty-eight of Gill's engravings including those done jointly with David Jones. Note that the list is given on the Contents page but does not call out that there are two engravings on the title page and four on p. 28. ___DESCRIPTION: Bound in full natural linen cloth over boards title page in red and black with two of the thirty-eight engravings a hand-made notation in the second sentence of the title which apparently was made to all copies as other online listings have the same correction noted limitation statement following the title page issued in an edition of 150 copies this no. 83 each engraving on the rectos only vintage bookseller ticket on the rear pastedown Phillip C. Duschenes New York; binding folio size 12 1/2" by 10" pagination: ii 36 leaves 2 printed recto only. ___CONDITION: Somewhat better than very good the front board clean the corners gently bumped with the linen cloth just beginning to rub a strong square text block with solid hinges and entirely free of prior owner markings; some foxing and a small spot of soil on the back board some foxing throughout and on some pages some marks which appear to be offsetting which fortunately do not intrude upon the engravings. Lacking the very scarce dust wrapper. ___CITATIONS: Taylor & Sewell no. A129; Gill no. 410 which states "thirty-seven engravings" but correctly lists each one of the thirty-eight. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. International customers please note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press hardcover
1924réf. 24032450Ditchling Sussex: S. Dominic's Press 1924. Limited Edition. Hardcover. Very good . Gill Eric. One of 150 copies folio size 40 pp. Eric Gill 1882-1940 English sculptor typographer illustrator and printmaker is perhaps best known for his wood engravings; his work is characterised by sensual line work and elegant characters with a deep spirituality. This volume appears to be one of the first attempts to compile Gill's work in a single volume; however per Evan Gill's bibliography it "was prepared and published entirely without Gill's knowledge and consent." p. 162. As always seeing Gill's work with the depth and texture of an engraving is so very different from seeing an offset- or digitally-printed version; this work contains a wonderful selection of his early work with his talent already in its full glory. The work contains a total of thirty-eight of Gill's engravings including those done jointly with David Jones. Note that the list is given on the Contents page but does not call out that there are two engravings on the title page and four on p. 28. ___DESCRIPTION: Bound in full natural linen cloth over boards title page in red and black with two of the thirty-eight engravings a hand-made notation in the second sentence of the title which apparently was made to all copies as other online listings have the same correction noted limitation statement following the title page issued in an edition of 150 copies this no. 83 each engraving on the rectos only vintage bookseller ticket on the rear pastedown Phillip C. Duschenes New York; binding folio size 12 1/2" by 10" pagination: ii 36 leaves 2 printed recto only. ___CONDITION: Somewhat better than very good the front board clean the corners gently bumped with the linen cloth just beginning to rub a strong square text block with solid hinges and entirely free of prior owner markings; some foxing and a small spot of soil on the back board some foxing throughout and on some pages some marks which appear to be offsetting which fortunately do not intrude upon the engravings. Lacking the very scarce dust wrapper. ___CITATIONS: Taylor & Sewell no. A129; Gill no. 410 which states "thirty-seven engravings" but correctly lists each one of the thirty-eight. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. International customers please note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press hardcover books
1878réf. ROD0058236non imprimé. 17 mars 1878. In-Plano. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages: une gravure double en couleurs faite à la main par Gill, original (caricature, 40x60 cm).. . . . Classification Dewey : 70.441-Journaux satiriques anciens
réf. 240010Paris, A. Cinqualbre, s.d. (13 septembre 1878-1881) 206 fascicules en 4 vol. in-4, [2] ff. n. ch. (faux-titre et titre illustré d'une vignette en couleurs), puis ff. n. ch., brochés sous couvertures illustrées en couleurs. Déchirures à la livraison 101 (avec perte de texte).
1927réf. 13011Capel Y Ffin: Francis Walterson 1927. Translated by John O’Connor. 4 wood engravings by Eric Gill. One of only 150 copies this no. 76 signed in full by Eric Gill. Sq. 8vo. original red cloth backed marbled paper covered boards. A very good unopened copy with a little rubbing and darkening to edges.A beautiful poem of the coming together of the Bride and Bridegroom delicately illustrated by Gill. The translator Father John O’Connor was the mentor of Gill David Jones and the community at Ditchling as well as G.K. Chesterton who immortalised him as Father Brown. Francis Walterson was the pseudonym of Donald Attwater who lived with Gill Jones etc in Capel Y Ffin and who published several books at this time including this and Christianity and Art.The four engravings are Physick numbers 493 494 495 & 496. One of only 150 copies signed by Eric Gill Francis Walterson hardcover
