10 247 résultats
2009réf. CBS-9781574446562Taylor & Francis Np ExclusiveCbs 2009. New. Taylor & Francis Np Exclusive(Cbs) unknown
2022réf. CBS-9781644350720Medicare Health Science Exclusive 2022. New. Medicare Health Science (Exclusive) unknown
2022réf. CBS-9781644350720Medicare Health Science Exclusive 2022. New. Medicare Health Science (Exclusive) unknown
1931réf. 23175London: Sheed & Ward 1931. First edition. Hardcover. Orig. dark salmon cloth. Near fine. Gill Eric. 120 pages. 19.5 x 13 m. Limited edition one of 500 signed by Eric Gill and Rene Hague. Wide text margins and graphic examples of type and alphabetical examples and pictorial colophons. With 25 letterform examples four printed from wood engravings including Janson Baskerville and Gill’s Joanna slab serif. Clean very fresh copy. Sheed & Ward hardcover
1931réf. 23175London: Sheed & Ward 1931. First edition. Hardcover. Orig. dark salmon cloth. Near fine. Gill Eric. 120 pages. 19.5 x 13 m. Limited edition one of 500 signed by Eric Gill and Rene Hague. Wide text margins and graphic examples of type and alphabetical examples and pictorial colophons. With 25 letterform examples four printed from wood engravings including Janson Baskerville and Gill’s Joanna slab serif. Clean very fresh copy. Sheed & Ward hardcover books
2004réf. CBS-9780306479731Sp Springer 2004. New. Sp Springer unknown
2004réf. CBS-9780306479731Sp Springer 2004. New. Sp Springer unknown
réf. 74335E-007. Hardcover. Very Good. Hardcover. 12mo. Printed by Hague and Gill for Sheed & Ward Pigotts London UK. 1931. Iv 121 pgs. Limited edition of one of 500 signed by Eric Gill and Rene Hague. Illustrated with twenty-five figures including ten type specimens and four illustrations from wood engravings by Gill. Bound in cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. Previous owner's bookplate present to the front pastedown. Text is clean and free of marks. Binding tight and solid. Eric Gill's opinionated manifesto on typography argues that 'a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture'. This essay explores the place of typography in culture and is also a moral treatise celebrating the role of craftsmanship in an industrial age. Gill a sculptor engraver printmaker and creator of many classic typefaces that can be seen around us today fused art history and polemic in a visionary work which has been hugely influential on modern graphic design. E-076; 8vo 8" - 9" tall . hardcover
réf. 8118London: Cassell & Co. Ltd. & Francis Walterson 1929. Sm 4to 10.25" x 7" red cloth over boards gilt title/author at spine deckled fore- and tail edges t.e.g. X 324 pp. colophon. Bookplate of Alfred Knopf designed by Rockwell Kent in 1928 on front paste-down. CONDITION: Very good spine moderately sunned light wear to extremities. This is number 55 of 100 copies printed on large paper. Signed and numbered by Gill on the colophon. London: Cassell & Co., Ltd. & Francis Walterson, 1929 unknown books
1931réf. 74635London: Sheed & Ward 1931. 8vo.Limited Edition. iv 121 pp. One of a limited run of 500 signed by the author Eric Gill and the printer Rene Hague. Red cloth in jacket. Jacket price-clipped with loss and a few tears at extremities. Minimal rubbing to extremities of book. Only a couple of spots to the text. . Near Fine. Gilt Lettered Cloth. Limited Edition. 1931. Sheed & Ward 1931 hardcover
1928réf. 118811928. Large collotype of a pencil portrait by Eric Gill signed with his monogram and dated 16.8.’28 in the print. In addition this has been signed in pencil by the artist ‘Eric G’. Image size 27 x 31 cm. on a large sheet of art card.John Gray had been a young poet and friend of Oscar Wilde in 1890s London and was rumoured to be the origin of Dorian Gray. He was a promising poet and the author of Silverpoints which was published in 1893 designed by Ricketts. Later he became a Catholic parish priest and then a canon living in surburban Edinburgh with Andre Raffalovich when he became friends with Eric Gill. At the time of this portrait Gill was due to publish Gray’s novel ‘Park’.MacCarthy p.132 241 Portrait by Gill of his friend Canon John Gray author of Silverpoints and friend of Oscar Wilde supposedly the inspiration for Dorian Gray unknown
réf. Bloomsbury-9780826472588Continuum. Hardback. New. 220 pages Continuum hardcover
réf. Bloomsbury-9780826472588Continuum. Hardback. New. 220 pages Continuum hardcover
2016réf. 1-1849497133Quadrille 2016. Hardcover. New. 288 pages. 10.00x7.83x1.57 inches. Quadrille hardcover
2005réf. Adhya-9780306479731SPRINGER 2005. HB. New. SPRINGER hardcover
2005réf. Adhya-9780306479731SPRINGER 2005. HB. New. SPRINGER hardcover
2010réf. NEW-MAY2-2017--19158McGraw-Hill Education 2010-01-28. Hardcover. New. New US Edition Textbook Ships with Emailed Tracking from USA McGraw-Hill Education hardcover
1996réf. SONG0941975347Brand: Powerhouse Publishing Fawnskin CA 1996-06-01. Student/Teacher Bible Study. paperback. Used: Good. 11.01x8.54x0.46. Buy with confidence. Excellent Customer Service & Return policy. Brand: Powerhouse Publishing (Fawnskin, CA) paperback
1926réf. 000307Privately printed for Gill by Robert Gibbings at the Golden Cockerel Press. 1st Edition 1st Printing. No. 105 of an edition of 150 copies hand-numbered and signed 'Eric Gill TSI' on the colophon. Illustrated with two full-page copper plate engravings by Gill: 'David' and 'Flying Buttresses'. 'Id Quod Visum Placet' was the first of several books by Gill which were printed at Waltham for publication by Douglas Cleverdon or Gill himself. Description: Quarter tan cloth with blue paper boards white paper label with black lettering on the front board. Octavo: 20 × 12 cm; pp. 6 frontispiece title prologue 19 1 colophon. Printed on Batchelor hand-made paper. Edges untrimmed. Provenance: Contemporary gift inscription to front free endpaper 'J. & R. from BW January 22 1927' and in pencil by Anonymous 'Presented by Beatrice Warde' this statement cannot be verified. Ref.: Cave/Manson 44A; Skelton P372 P373 Condition: Some rubbing to extremities and slight wear to spine boards slightly discolored as usual. Pages tightly bound throughout and bright and clean. Golden Cockerel Press hardcover
1842réf. 106369London: Smith Elder & Co. 1842. First edition small octavo quarter leather boards with original gilt-lettered and blind-stamped boards later leather backstrip with gilt lettering folding map pp viii 186 v i. Previous owner's bookplate light tanning and some foxing to map. Corners lightly rubbed. Very good condition. An important and scarce document of Western Australian history Includes the original folding map by John Arrowsmith titled "Western Australia from the Government Surveys" dated December 7th 1842 with inset of "Environs of Australind". 1st Edition. Boards. Smith, Elder & Co hardcover
2003réf. SBBIH-YZZU5K6W3C7NCambridge University Press 2003. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Cambridge University Press paperback
réf. 06638London: The Folio Society 2010. One of the Great Books of the Twentieth Century" No. 8 of 1980 Copies - A Superb Folio Society Facsimile CHAUCER Geoffrey. The Canterbury Tales. With wood engravings by Eric Gill. London: The Folio Society 2010. "This Facsimile Edition." Limited to 1980 numbered copies this example no. 8. Folio 12 1/8 x 7 1/2 inches; 308 x 191 mm. 1-7 8-764 2 1 limitation statement 1 blank pp. Illustrated throughout with Gill's celebrated wood engravings originally printed at the Golden Cockerel Press under the direction of Robert Gibbings. Printed in Germany by Memminger MedienCentrum on Corolla Classic Watermark laid paper. Elegantly bound by G. Lachenmaier in full black goatskin boards front cover decoratively stamped and lettered in gilt to a design by Neil Gower smooth spine gilt-lettered blue endpapers all edges gilt silk marker. With: The Golden Cockerel Press The Canterbury Tales. Decoration and the Mise en Page. Essay by Peter Holliday. London: The Folio Society 2010. Folio 12 1/4 x 8 inches; 311 x 204 mm. 1-6 7-48 pp. Frontispiece and ten illustrations in the text. Quarter black cloth over blue boards front cover with printed paper label. Together housed in the original black cloth clamshell case spine lettered in gilt. With the original "Two Sample Pages" in black paper folder and the publisher's four-page prospectus. A mint as new set. A magnificent facsimile of the Golden Cockerel Press Canterbury Tales 1929-31 widely regarded as one of the greatest achievements of twentieth-century private press printing. This Folio Society production faithfully recreates the scale typography and mise-en-page of the original preserving the remarkable integration of text and image conceived by Gibbings and Gill. Gill's wood engravings - bold architectural and deeply expressive - rank among his most important book illustrations bringing a modern vitality to Geoffrey Chaucer's great pilgrimage narrative. The present edition printed on fine laid paper and bound in full goatskin succeeds not merely as a reproduction but as a worthy modern counterpart to the Golden Cockerel original. The accompanying essay volume by Holliday offers a detailed examination of the book's decoration and design further enhancing the set's bibliographical interest while the inclusion of the rarely preserved prospectus and sample leaves adds an additional layer of completeness and appeal. Examples of the original Golden Cockerel Press Canterbury Tales are now firmly in the realm of major private press collecting. This facsimile - particularly in such pristine condition and with its ancillary material intact - offers a compelling alternative: a museum-quality presentation of one of the defining illustrated books of the twentieth century at a fraction of the cost. London: The Folio Society, 2010 unknown
réf. 06638London: The Folio Society 2010. One of the Great Books of the Twentieth Century" No. 8 of 1980 Copies - A Superb Folio Society Facsimile CHAUCER Geoffrey. The Canterbury Tales. With wood engravings by Eric Gill. London: The Folio Society 2010. "This Facsimile Edition." Limited to 1980 numbered copies this example no. 8. Folio 12 1/8 x 7 1/2 inches; 308 x 191 mm. 1-7 8-764 2 1 limitation statement 1 blank pp. Illustrated throughout with Gill's celebrated wood engravings originally printed at the Golden Cockerel Press under the direction of Robert Gibbings. Printed in Germany by Memminger MedienCentrum on Corolla Classic Watermark laid paper. Elegantly bound by G. Lachenmaier in full black goatskin boards front cover decoratively stamped and lettered in gilt to a design by Neil Gower smooth spine gilt-lettered blue endpapers all edges gilt silk marker. With: The Golden Cockerel Press The Canterbury Tales. Decoration and the Mise en Page. Essay by Peter Holliday. London: The Folio Society 2010. Folio 12 1/4 x 8 inches; 311 x 204 mm. 1-6 7-48 pp. Frontispiece and ten illustrations in the text. Quarter black cloth over blue boards front cover with printed paper label. Together housed in the original black cloth clamshell case spine lettered in gilt. With the original "Two Sample Pages" in black paper folder and the publisher's four-page prospectus. A mint as new set. A magnificent facsimile of the Golden Cockerel Press Canterbury Tales 1929-31 widely regarded as one of the greatest achievements of twentieth-century private press printing. This Folio Society production faithfully recreates the scale typography and mise-en-page of the original preserving the remarkable integration of text and image conceived by Gibbings and Gill. Gill's wood engravings - bold architectural and deeply expressive - rank among his most important book illustrations bringing a modern vitality to Geoffrey Chaucer's great pilgrimage narrative. The present edition printed on fine laid paper and bound in full goatskin succeeds not merely as a reproduction but as a worthy modern counterpart to the Golden Cockerel original. The accompanying essay volume by Holliday offers a detailed examination of the book's decoration and design further enhancing the set's bibliographical interest while the inclusion of the rarely preserved prospectus and sample leaves adds an additional layer of completeness and appeal. Examples of the original Golden Cockerel Press Canterbury Tales are now firmly in the realm of major private press collecting. This facsimile - particularly in such pristine condition and with its ancillary material intact - offers a compelling alternative: a museum-quality presentation of one of the defining illustrated books of the twentieth century at a fraction of the cost. London: The Folio Society, 2010 unknown books
réf. 9781631178436NOVA SCIENCE PUBLISHERS INC
1976réf. mon0000069127The Lute Society 1976-01-01. Hardcover. Good. in x in x in. Ex-library book usual markings. Clean copy sound binding. The Lute Society hardcover