Stephen Charles Gill Stephen GillBiblio.com
10 247 résultats
réf. 63138734Oxford University Press OUP . Hardback. New. pp. xii 265 Oxford University Press OUP hardcover
réf. A9780198119654Hardback. New. This text explores the work of William Wordsworth in relation to the Lake District where he spent his formative years. It is aimed at students and scholars of Romantic and Victorian literature and those with an interest in the Lake District and the National Trust. hardcover
réf. A9780199268771Hardback. New. In this beautifully written and thoughtful book Wordsworth's biographer and editor Stephen Gill explores the ways in which the poet attempted as an artist to maintain continuities through all the stages of his life and shows how revisitings of various kinds are at the heart of his creativity. hardcover
réf. B9780521369886Paperback / softback. New. In this introduction to Wordsworth's greatest poem its creation historical context structure and reception history Stephen Gill places The Prelude in the context of Wordsworth's life and discusses the various states in which it survives. paperback
2001réf. 2-0198187645Oxford Univ Pr on Demand 2001. Paperback. New. 360 pages. 8.50x5.25x0.75 inches. Oxford Univ Pr on Demand paperback
réf. 62289814Oxford University Press OUP . Hardback. New. pp. 386 Oxford University Press OUP hardcover
1997réf. Q-0965982009Enneas Pubns 1997-11-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Enneas Pubns hardcover
réf. ria9789004412354_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In Words Deeds Bodies Jerry H. Gill seeks to connect the thought of L. Wittgenstein J. L. Austin M. Merleau-Ponty and M. Polanyi in relation to the intersection between language and embodiment. hardcover
1980réf. GIL123-003Verona Italy: Plain Wrapper Press 1980. 4to. 11 1/4 x 9 inches. 8 pp. Title page with a leaf ornament in brown cut by Fulvio Testa poem headings also in brown; text clean unmarked. Patterned paper over boards designed by Fulvio Testa which were screen-printed by Gino Berardenelli; binding square and tight no dust-jacket as issued. Errata sheet laid in at the rear. GIL123-003. Fine. LIMITED EDITION to 155 numbered copies this is number 63 SIGNED by Brendan Gill on the colophon. Contains 5 poems by Brendan Gill - "Easter" was first published in Harper's Magazine; "In Wicklow" and "Voices" were first published in The New Yorker; "Ferragosto" and "Norfolk" were written especially for this volume. Brendan Gill was an American journalist. He wrote for The New Yorker for more than 60 years. Gill also contributed film criticism for Film Comment wrote about design and architecture for Architectural Digest and wrote fifteen books including a popular book about his time at The New Yorker magazine. See: Wikipedia. REFERENCE: Rummonds Fantasies and Hard Knocks pp. 508-518. Plain Wrapper Press paperback books
réf. 34857VERONA PLAIN WRAPPER PRESS 1980. FIVE POEMS. FIRST EDITION LIMITED TO 155 COPIES THIS BEING NUMBER 88. SIGNED BY THE AUTHOR. PRINTED ON A HAND PRESS WITH HANDMADE PAPER. PATTERNED CARD COVERS. A FINE COPY. VERONA, PLAIN WRAPPER PRESS, 1980 unknown
1980réf. 136281Verona: Plain Wrapper Press 1980. paper-covered boards. Plain Wrapper Press. 4to. paper-covered boards. 71 pages. Printed in an edition limited to 155 numbered and signed copies. Plain Wrappers Press 29. Foot of spine bumped else a fine copy with errata sheet inserted apologizing for the error on the colophon page. Five poems in English by Brendan Gill. Two of the poems "Ferragosto" and "Norfolk" were written especially for this edition. "Easter" was previously published in Harper's magazine and "In Wicklow" and "Voices" previously appeared in The New Yorker. Toned parchment substitute wove paper printed damp on a Washington handpress in black and light brown. Covers are glued boards covered with matching Ingres paper screenprinted in black and yellow with a leaf-and-berry pattern. Plain Wrapper Press unknown
1980réf. 57744Verona: Plain Wrapper Press 1980. paper-covered boards. Plain Wrapper Press. 4to. paper-covered boards. 71 pages. Printed in an edition limited to 155 numbered and signed copies. Plain Wrappers Press 29. A fine copy with errata sheet inserted apologizing for the error on the colophon page. Five poems in English by Brendan Gill. Two of the poems "Ferragosto" and "Norfolk" were written especially for this edition. "Easter" was previously published in Harper's magazine and "In Wicklow" and "Voices" previously appeared in The New Yorker. Toned parchment substitute wove paper printed damp on a Washington handpress in black and light brown. Covers are glued boards covered with matching Ingres paper screenprinted in black and yellow with a leaf-and-berry pattern. Plain Wrapper Press unknown
1980réf. 136281Verona: Plain Wrapper Press 1980. paper-covered boards. Plain Wrapper Press. 4to. paper-covered boards. 71 pages. Printed in an edition limited to 155 numbered and signed copies. Plain Wrappers Press 29. Foot of spine bumped else a fine copy with errata sheet inserted apologizing for the error on the colophon page. Five poems in English by Brendan Gill. Two of the poems "Ferragosto" and "Norfolk" were written especially for this edition. "Easter" was previously published in Harper's magazine and "In Wicklow" and "Voices" previously appeared in The New Yorker. Toned parchment substitute wove paper printed damp on a Washington handpress in black and light brown. Covers are glued boards covered with matching Ingres paper screenprinted in black and yellow with a leaf-and-berry pattern. Plain Wrapper Press unknown books
1980réf. 57744Verona: Plain Wrapper Press 1980. paper-covered boards. Plain Wrapper Press. 4to. paper-covered boards. 71 pages. Printed in an edition limited to 155 numbered and signed copies. Plain Wrappers Press 29. A fine copy with errata sheet inserted apologizing for the error on the colophon page. Five poems in English by Brendan Gill. Two of the poems "Ferragosto" and "Norfolk" were written especially for this edition. "Easter" was previously published in Harper's magazine and "In Wicklow" and "Voices" previously appeared in The New Yorker. Toned parchment substitute wove paper printed damp on a Washington handpress in black and light brown. Covers are glued boards covered with matching Ingres paper screenprinted in black and yellow with a leaf-and-berry pattern. Plain Wrapper Press unknown books
1993réf. UBRIWOO00acmfTab Books 1993. Very Good. Bridgewater Alan. Woodworking Together: Projects for Kids and Their Families. Bridgewater Gill. Blue Ridge Summit PA: Tab Books 1993. 164pp. 4to. Paperback. Book condition: Very good with rubbed edges. Tab Books paperback books
1894réf. 143891Adelaide: C.E. Bristow Government Printer 1894. Fine. Adelaide C.E. Bristow Government Printer 1894. Foolscap folio 13 pages. Needle-holes and notches in the left-hand margin where previously bound now disbound; margins very slightly tanned; in fine condition. South Australian Parliamentary Paper number 152 of 1894; one of only 500 copies. C.E. Bristow, Government Printer unknown
1936réf. 027382London: Golden Cockerel Press. Edition 6 of 12; SIGNED in pencil 1936. 210 x 140mm 370 x 285mm framed. Woodcut on paper; mounted and framed in black painted wood with glass. VG condition . Very Good. No Binding. 1936. Golden Cockerel Press unknown
2012réf. 99499Princeton Architectural Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. ; 94 illus. 71 in color. -- with a bonus offer--; If there is indeed nothing lovelier than a tree Connecticut-based artist Bryan Nash Gill shows us why. Creating large-scale relief prints from the cross sections of trees the artist reveals the sublime power locked inside their arboreal rings. Gill creates patterns not only of great beauty but also year-by-year records of the life and times of fallen or damaged logs. He rescues the wood from the property surrounding his studio and neighboring land extracts and prepares blocks of various species including ash maple oak spruce and willow then makes prints by carefully following and pressing the contours of rings and ridges until the intricate designs transfer from tree to paper. The results are colored nuanced shapes—mesmerizing impressions of the structural integrity hidden inside each tree. These exquisitely detailed prints are collected and published here for the first time with an introduction by esteemed nature writer Verlyn Klinkenborg and an interview with the artist describing his labor-intensive printmaking process. Also featured are Gill's series of printed lumber and offcuts such as burls branches knots and scrubs. Woodcut will appeal to anybody who appreciates the grandeur and mystery of trees as well as those who work with wood and marvel at the rich history embedded in its growth. . 2012. 1616890487 . Princeton Architectural Press hardcover
réf. R9781797232683New. Special order item direct from the distributor unknown
1924réf. 24032450Ditchling Sussex: S. Dominic's Press 1924. Limited Edition. Hardcover. Very good . Gill Eric. One of 150 copies folio size 40 pp. Eric Gill 1882-1940 English sculptor typographer illustrator and printmaker is perhaps best known for his wood engravings; his work is characterised by sensual line work and elegant characters with a deep spirituality. This volume appears to be one of the first attempts to compile Gill's work in a single volume; however per Evan Gill's bibliography it "was prepared and published entirely without Gill's knowledge and consent." p. 162. As always seeing Gill's work with the depth and texture of an engraving is so very different from seeing an offset- or digitally-printed version; this work contains a wonderful selection of his early work with his talent already in its full glory. The work contains a total of thirty-eight of Gill's engravings including those done jointly with David Jones. Note that the list is given on the Contents page but does not call out that there are two engravings on the title page and four on p. 28. ___DESCRIPTION: Bound in full natural linen cloth over boards title page in red and black with two of the thirty-eight engravings a hand-made notation in the second sentence of the title which apparently was made to all copies as other online listings have the same correction noted limitation statement following the title page issued in an edition of 150 copies this no. 83 each engraving on the rectos only vintage bookseller ticket on the rear pastedown Phillip C. Duschenes New York; binding folio size 12 1/2" by 10" pagination: ii 36 leaves 2 printed recto only. ___CONDITION: Somewhat better than very good the front board clean the corners gently bumped with the linen cloth just beginning to rub a strong square text block with solid hinges and entirely free of prior owner markings; some foxing and a small spot of soil on the back board some foxing throughout and on some pages some marks which appear to be offsetting which fortunately do not intrude upon the engravings. Lacking the very scarce dust wrapper. ___CITATIONS: Taylor & Sewell no. A129; Gill no. 410 which states "thirty-seven engravings" but correctly lists each one of the thirty-eight. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. International customers please note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press hardcover books
1924réf. 24032450Ditchling Sussex: S. Dominic's Press 1924. Limited Edition. Hardcover. Very good . Gill Eric. One of 150 copies folio size 40 pp. Eric Gill 1882-1940 English sculptor typographer illustrator and printmaker is perhaps best known for his wood engravings; his work is characterised by sensual line work and elegant characters with a deep spirituality. This volume appears to be one of the first attempts to compile Gill's work in a single volume; however per Evan Gill's bibliography it "was prepared and published entirely without Gill's knowledge and consent." p. 162. As always seeing Gill's work with the depth and texture of an engraving is so very different from seeing an offset- or digitally-printed version; this work contains a wonderful selection of his early work with his talent already in its full glory. The work contains a total of thirty-eight of Gill's engravings including those done jointly with David Jones. Note that the list is given on the Contents page but does not call out that there are two engravings on the title page and four on p. 28. ___DESCRIPTION: Bound in full natural linen cloth over boards title page in red and black with two of the thirty-eight engravings a hand-made notation in the second sentence of the title which apparently was made to all copies as other online listings have the same correction noted limitation statement following the title page issued in an edition of 150 copies this no. 83 each engraving on the rectos only vintage bookseller ticket on the rear pastedown Phillip C. Duschenes New York; binding folio size 12 1/2" by 10" pagination: ii 36 leaves 2 printed recto only. ___CONDITION: Somewhat better than very good the front board clean the corners gently bumped with the linen cloth just beginning to rub a strong square text block with solid hinges and entirely free of prior owner markings; some foxing and a small spot of soil on the back board some foxing throughout and on some pages some marks which appear to be offsetting which fortunately do not intrude upon the engravings. Lacking the very scarce dust wrapper. ___CITATIONS: Taylor & Sewell no. A129; Gill no. 410 which states "thirty-seven engravings" but correctly lists each one of the thirty-eight. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. International customers please note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press hardcover
1933réf. 5527971933. Unbound. Near Fine. Wood engraving. 2.75" x 6.25" on thin paper. Upper corners a bit bumped a few very light spots of foxing very good. Eric Gill's engraving "Dog & Tree" that was used on the colophon of the Limited Editions Club volume of Shakespeare's Hamlet 1933. unknown books
1948réf. 23039London: Faber & Faber 1948. Reprint. Hardcover. Orig. salmon cloth. Very good in dust wrapper lacking spine. 59 pages. 19 x 13 cm. Illustrated. First published 1921: No. 10 of St. Dominic's Press publications. Adverts at rear. Barry Moser's copy with his bookplate. Faber & Faber hardcover books
1929réf. 186215Ditchling Common Sussex England: St. Dominic's Press 1929. Hardcover. Good light shelfwear overall and foxing spots to boards pages are clean and clear. Tan paper over boards with black lettering and illustration; black cloth spine; iv 43 pp; untrimmed pages bw illustrations. Introduction and appendix by Eric Gill. St. Dominic's Press hardcover books
réf. 9042Ditchling Sussex: Printed and published at S. Dominic's Press on the Feast of S. Bartholomew 1920. Hardcover. Sm 8vo 7.75" x 5.25" cloth spine printed paper over boards. 4 viii 40 pp. emblem of S. Dominic's Press and one wood-engraving by Gill other engravings by the author and Desmond Chute. Bookplate of "Wyman Parker" on front pastedown also ticket on ffep reading: "This book can be supplied by the Dryad Works Handicraft Department 42 St. Nicholas Street Leicester." CONDITION: Good spine slightly browned corners slightly curled endpapers toned first two leaves partially detached but holding firm. First edition. Number 10 of the S. Dominic's Press publications. Gill's "introduction was revised and the book was enlarged.published as the fifth edition by Faber & Faber in 1938" Gill. Wyman Parker was a librarian at Wesleyan University librarian at the Bread Loaf School of English and a collector of fine press books. REFERENCES: Gill 77. Ditchling, Sussex: Printed and published at S. Dominic's Press, on the Feast of S. Bartholomew, 1920 unknown books
