Stephen GillBiblio.com
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réf. A9780198187646Paperback / softback. New. Wordsworth and the Victorians tells the story of the flowering of Wordsworth's reputation and influence. Stephen Gill uses anecdotal and biographical material - the personal testimony of critics scholars publishers and ordinary readers - to illustrate what Wordsworth's poetry meant to his Victorian readers. paperback
réf. B9780521369886Paperback / softback. New. In this introduction to Wordsworth's greatest poem its creation historical context structure and reception history Stephen Gill places The Prelude in the context of Wordsworth's life and discusses the various states in which it survives. paperback
2001réf. 2-0198187645Oxford Univ Pr on Demand 2001. Paperback. New. 360 pages. 8.50x5.25x0.75 inches. Oxford Univ Pr on Demand paperback
réf. 62289814Oxford University Press OUP . Hardback. New. pp. 386 Oxford University Press OUP hardcover
1997réf. Q-0965982009Enneas Pubns 1997-11-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Enneas Pubns hardcover
réf. 9004412352.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. ria9789004412354_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; In Words Deeds Bodies Jerry H. Gill seeks to connect the thought of L. Wittgenstein J. L. Austin M. Merleau-Ponty and M. Polanyi in relation to the intersection between language and embodiment. hardcover
réf. 0810816679.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1980réf. GIL123-003Verona Italy: Plain Wrapper Press 1980. 4to. 11 1/4 x 9 inches. 8 pp. Title page with a leaf ornament in brown cut by Fulvio Testa poem headings also in brown; text clean unmarked. Patterned paper over boards designed by Fulvio Testa which were screen-printed by Gino Berardenelli; binding square and tight no dust-jacket as issued. Errata sheet laid in at the rear. GIL123-003. Fine. LIMITED EDITION to 155 numbered copies this is number 63 SIGNED by Brendan Gill on the colophon. Contains 5 poems by Brendan Gill - "Easter" was first published in Harper's Magazine; "In Wicklow" and "Voices" were first published in The New Yorker; "Ferragosto" and "Norfolk" were written especially for this volume. Brendan Gill was an American journalist. He wrote for The New Yorker for more than 60 years. Gill also contributed film criticism for Film Comment wrote about design and architecture for Architectural Digest and wrote fifteen books including a popular book about his time at The New Yorker magazine. See: Wikipedia. REFERENCE: Rummonds Fantasies and Hard Knocks pp. 508-518. Plain Wrapper Press paperback books
réf. 34857VERONA PLAIN WRAPPER PRESS 1980. FIVE POEMS. FIRST EDITION LIMITED TO 155 COPIES THIS BEING NUMBER 88. SIGNED BY THE AUTHOR. PRINTED ON A HAND PRESS WITH HANDMADE PAPER. PATTERNED CARD COVERS. A FINE COPY. VERONA, PLAIN WRAPPER PRESS, 1980 unknown
1980réf. 136281Verona: Plain Wrapper Press 1980. paper-covered boards. Plain Wrapper Press. 4to. paper-covered boards. 71 pages. Printed in an edition limited to 155 numbered and signed copies. Plain Wrappers Press 29. Foot of spine bumped else a fine copy with errata sheet inserted apologizing for the error on the colophon page. Five poems in English by Brendan Gill. Two of the poems "Ferragosto" and "Norfolk" were written especially for this edition. "Easter" was previously published in Harper's magazine and "In Wicklow" and "Voices" previously appeared in The New Yorker. Toned parchment substitute wove paper printed damp on a Washington handpress in black and light brown. Covers are glued boards covered with matching Ingres paper screenprinted in black and yellow with a leaf-and-berry pattern. Plain Wrapper Press unknown
1980réf. 57744Verona: Plain Wrapper Press 1980. paper-covered boards. Plain Wrapper Press. 4to. paper-covered boards. 71 pages. Printed in an edition limited to 155 numbered and signed copies. Plain Wrappers Press 29. A fine copy with errata sheet inserted apologizing for the error on the colophon page. Five poems in English by Brendan Gill. Two of the poems "Ferragosto" and "Norfolk" were written especially for this edition. "Easter" was previously published in Harper's magazine and "In Wicklow" and "Voices" previously appeared in The New Yorker. Toned parchment substitute wove paper printed damp on a Washington handpress in black and light brown. Covers are glued boards covered with matching Ingres paper screenprinted in black and yellow with a leaf-and-berry pattern. Plain Wrapper Press unknown
1980réf. 136281Verona: Plain Wrapper Press 1980. paper-covered boards. Plain Wrapper Press. 4to. paper-covered boards. 71 pages. Printed in an edition limited to 155 numbered and signed copies. Plain Wrappers Press 29. Foot of spine bumped else a fine copy with errata sheet inserted apologizing for the error on the colophon page. Five poems in English by Brendan Gill. Two of the poems "Ferragosto" and "Norfolk" were written especially for this edition. "Easter" was previously published in Harper's magazine and "In Wicklow" and "Voices" previously appeared in The New Yorker. Toned parchment substitute wove paper printed damp on a Washington handpress in black and light brown. Covers are glued boards covered with matching Ingres paper screenprinted in black and yellow with a leaf-and-berry pattern. Plain Wrapper Press unknown books
1980réf. 57744Verona: Plain Wrapper Press 1980. paper-covered boards. Plain Wrapper Press. 4to. paper-covered boards. 71 pages. Printed in an edition limited to 155 numbered and signed copies. Plain Wrappers Press 29. A fine copy with errata sheet inserted apologizing for the error on the colophon page. Five poems in English by Brendan Gill. Two of the poems "Ferragosto" and "Norfolk" were written especially for this edition. "Easter" was previously published in Harper's magazine and "In Wicklow" and "Voices" previously appeared in The New Yorker. Toned parchment substitute wove paper printed damp on a Washington handpress in black and light brown. Covers are glued boards covered with matching Ingres paper screenprinted in black and yellow with a leaf-and-berry pattern. Plain Wrapper Press unknown books
1993réf. UBRIWOO00acmfTab Books 1993. Very Good. Bridgewater Alan. Woodworking Together: Projects for Kids and Their Families. Bridgewater Gill. Blue Ridge Summit PA: Tab Books 1993. 164pp. 4to. Paperback. Book condition: Very good with rubbed edges. Tab Books paperback books
1894réf. 143891Adelaide: C.E. Bristow Government Printer 1894. Fine. Adelaide C.E. Bristow Government Printer 1894. Foolscap folio 13 pages. Needle-holes and notches in the left-hand margin where previously bound now disbound; margins very slightly tanned; in fine condition. South Australian Parliamentary Paper number 152 of 1894; one of only 500 copies. C.E. Bristow, Government Printer unknown
2012réf. Q-1616890487Princeton Architectural Press 2012-05-02. Hardcover. New. In shrink wrap. Looks like an interesting title! Princeton Architectural Press hardcover
1936réf. 027382London: Golden Cockerel Press. Edition 6 of 12; SIGNED in pencil 1936. 210 x 140mm 370 x 285mm framed. Woodcut on paper; mounted and framed in black painted wood with glass. VG condition . Very Good. No Binding. 1936. Golden Cockerel Press unknown
2012réf. 99499Princeton Architectural Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. ; 94 illus. 71 in color. -- with a bonus offer--; If there is indeed nothing lovelier than a tree Connecticut-based artist Bryan Nash Gill shows us why. Creating large-scale relief prints from the cross sections of trees the artist reveals the sublime power locked inside their arboreal rings. Gill creates patterns not only of great beauty but also year-by-year records of the life and times of fallen or damaged logs. He rescues the wood from the property surrounding his studio and neighboring land extracts and prepares blocks of various species including ash maple oak spruce and willow then makes prints by carefully following and pressing the contours of rings and ridges until the intricate designs transfer from tree to paper. The results are colored nuanced shapes—mesmerizing impressions of the structural integrity hidden inside each tree. These exquisitely detailed prints are collected and published here for the first time with an introduction by esteemed nature writer Verlyn Klinkenborg and an interview with the artist describing his labor-intensive printmaking process. Also featured are Gill's series of printed lumber and offcuts such as burls branches knots and scrubs. Woodcut will appeal to anybody who appreciates the grandeur and mystery of trees as well as those who work with wood and marvel at the rich history embedded in its growth. . 2012. 1616890487 . Princeton Architectural Press hardcover
réf. R9781797232683New. Special order item direct from the distributor unknown
1996réf. Q-0806913347Sterling Publishing 1996-06-30. Paperback. New. In shrink wrap. Looks like an interesting title! Sterling Publishing paperback
1924réf. 24032450Ditchling Sussex: S. Dominic's Press 1924. Limited Edition. Hardcover. Very good . Gill Eric. One of 150 copies folio size 40 pp. Eric Gill 1882-1940 English sculptor typographer illustrator and printmaker is perhaps best known for his wood engravings; his work is characterised by sensual line work and elegant characters with a deep spirituality. This volume appears to be one of the first attempts to compile Gill's work in a single volume; however per Evan Gill's bibliography it "was prepared and published entirely without Gill's knowledge and consent." p. 162. As always seeing Gill's work with the depth and texture of an engraving is so very different from seeing an offset- or digitally-printed version; this work contains a wonderful selection of his early work with his talent already in its full glory. The work contains a total of thirty-eight of Gill's engravings including those done jointly with David Jones. Note that the list is given on the Contents page but does not call out that there are two engravings on the title page and four on p. 28. ___DESCRIPTION: Bound in full natural linen cloth over boards title page in red and black with two of the thirty-eight engravings a hand-made notation in the second sentence of the title which apparently was made to all copies as other online listings have the same correction noted limitation statement following the title page issued in an edition of 150 copies this no. 83 each engraving on the rectos only vintage bookseller ticket on the rear pastedown Phillip C. Duschenes New York; binding folio size 12 1/2" by 10" pagination: ii 36 leaves 2 printed recto only. ___CONDITION: Somewhat better than very good the front board clean the corners gently bumped with the linen cloth just beginning to rub a strong square text block with solid hinges and entirely free of prior owner markings; some foxing and a small spot of soil on the back board some foxing throughout and on some pages some marks which appear to be offsetting which fortunately do not intrude upon the engravings. Lacking the very scarce dust wrapper. ___CITATIONS: Taylor & Sewell no. A129; Gill no. 410 which states "thirty-seven engravings" but correctly lists each one of the thirty-eight. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. International customers please note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press hardcover books
1924réf. 24032450Ditchling Sussex: S. Dominic's Press 1924. Limited Edition. Hardcover. Very good . Gill Eric. One of 150 copies folio size 40 pp. Eric Gill 1882-1940 English sculptor typographer illustrator and printmaker is perhaps best known for his wood engravings; his work is characterised by sensual line work and elegant characters with a deep spirituality. This volume appears to be one of the first attempts to compile Gill's work in a single volume; however per Evan Gill's bibliography it "was prepared and published entirely without Gill's knowledge and consent." p. 162. As always seeing Gill's work with the depth and texture of an engraving is so very different from seeing an offset- or digitally-printed version; this work contains a wonderful selection of his early work with his talent already in its full glory. The work contains a total of thirty-eight of Gill's engravings including those done jointly with David Jones. Note that the list is given on the Contents page but does not call out that there are two engravings on the title page and four on p. 28. ___DESCRIPTION: Bound in full natural linen cloth over boards title page in red and black with two of the thirty-eight engravings a hand-made notation in the second sentence of the title which apparently was made to all copies as other online listings have the same correction noted limitation statement following the title page issued in an edition of 150 copies this no. 83 each engraving on the rectos only vintage bookseller ticket on the rear pastedown Phillip C. Duschenes New York; binding folio size 12 1/2" by 10" pagination: ii 36 leaves 2 printed recto only. ___CONDITION: Somewhat better than very good the front board clean the corners gently bumped with the linen cloth just beginning to rub a strong square text block with solid hinges and entirely free of prior owner markings; some foxing and a small spot of soil on the back board some foxing throughout and on some pages some marks which appear to be offsetting which fortunately do not intrude upon the engravings. Lacking the very scarce dust wrapper. ___CITATIONS: Taylor & Sewell no. A129; Gill no. 410 which states "thirty-seven engravings" but correctly lists each one of the thirty-eight. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. International customers please note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. S. Dominic's Press hardcover
réf. 107937Ditchling S. Dominic's Press 1924. . Limited edition number 11 of 50 copies numbered by hand from a total edition of 150; large 4to; title page with wood-engraved figurative initial publisher's device printed in red 32 wood-engravings each on a separate page; original cream cloth upper cover slightly marked slight offsetting to endpapers edges uncut a very good copy. Scarce Gill item compiled and printed by Douglas Pepler without Gill's knowledge or consent. Gill moved away from Ditchling to Capel-y-Ffin in Wales and wanted to take the engraved woodblocks with him as his personal property. Pepler claimed they belonged to the St. Dominic's lay order and press and so kept them resulting in Gill's refusal to speak to Pepler again. Taylor A129. Ditchling, S. Dominic's Press, 1924. hardcover
1924réf. 18386Saint Dominic's Press 1924. Hardback linen backed boards with dust-wrapper. 32 x 26cm. 36pp. Dust jacket in second state with lettering to front panel with a few chips and stains now protected. Half-title title-page with wood-engraved figurative initial publisher's device printed in red and manuscript annotation 'No 5' followed by 34 woodcuts including one on the limitation leaf. Number 75 of 100 copies numbered and offered for sale at two guineas each from the total edition of 150. Slight wear only. Contents clean and unmarked. . First Edition. Hard Cover. Very Good/Good. Saint Dominic's Press Hardcover
