WALTON Izaak, RACKHAM ArthurBiblio.com
16 résultats
réf. 18914Philadelphia: David McKay Co. 1931. 4to 10 x 7¾ ins. Contemporary gilt tooled full maroon calf top edge gilt some slight scuffing to extrems - otherwise bright VG. Pp. 223 illus with 12 coloured plates and b&w vignettes in text some light spotting on prelims; no inscriptions. Philadelphia: David McKay Co., 1931 unknown
réf. 118678Hachette Et Cie Paris S.D. (1911) In-4 carré ( 295 X 230 mm ), plein vélin ivoire, dos lisse orné du titre et d'un décor dorés, tête dorée. PREMIER TIRAGE des 30 "féeriques" illustrations en couleurs contrecollées sur papier fort brun sous serpentes légendées par Arthur RACKHAM. Tirage de luxe, limité à 390 exemplaires numérotés, celui-ci 1 des 350 sur papier vélin à la forme ( N°245 ). Très bel exemplaire signé par Arthur RACKHAM.
réf. ORD-16114Paris. Georges Crès. 1914. In-8 (135 x 182mm) percaline bradel de l'éditeur, 1er plat richement orné et illustré d'un dessin d'Arthur Rackham, 128 pages, 8 hors texte couleurs par Arthur Rackham dont le frontispice. Reliure un peu frottée, bon état intérieur.
réf. ORD-20147London. William Heinemann. New York. Doubleday, Page & Co. 1908. In-4 (190 x 258 mm) percaline de l'éditeur, titre et vignette dorés, nombreuses illustrations en noir et blanc dans le texte et 40 en couleur hors texte protégées par des serpentes légendées. Edition originale du tirage courant. Assez nombreuses rousseurs notamment sur la couverture, très bon état des planches en couleurs d'Arthur Rackham.
réf. 9380Paris, Hachette, sans date. In-4 de [4]-38-[2] pages suivies des planches, puis [4] pages, plein vélin ivoire, dos lisse orné d'un chat, d'un fleuron, du nom de l'éditeur et du titre, le tout doré, premier plat avec titre et oiseau dorés, tête dorée. Les attaches manquent.
1933réf. 860831933. Signed. RACKHAM Arthur. Autograph letter signed. Surrey England July 28 1933. Single sheet measuring 4-1/2 by 7 inches folded; pp. 4 writing on first and last pages. With archive of related material. $2200.Original lengthy autograph letter from Arthur Rackham entirely written and signed by him to a Mrs. Lloyd Berrall regarding the theft of his illustrations by American artist Edward Trumbull for a mural in New York's Metropolitan Life Building with original hand-addressed signed envelope.This autograph letter by Arthur Rackham was written in response to a letter from a Julia Smith Berrall a.k.a. Mrs. James Lloyd Berrall of Montclair New Jersey. Berrall had written to Rackham to inform him that the new murals in New York City's Metropolitan Life Building by muralist Edward Trumbull were ""exact copies of the figures in his illustrations of Rip Van Winkle and the Legend of Sleeph sic Hollow."" She further inquired whether Rackham had given permission to Trumbull to use the images. Less than two weeks laterincredibly quickly for transatlantic mailRackham penned an outraged response. The letter written from Rackham's home in ""Stilegate Limpsfield Surrey England"" and dated ""28.7.33"" reads: ""Dear Mrs. Lloyd Many thanks for your letter. You are quite right in assuming that. I know nothing about Mr. Trumbull's theft of my designsfor it is nothing less. I will take steps to find out whether there is anything to be done about it. That whether Mr. Trumbull is on the safe side of the law or not & one fears he may have taken steps to find out before embarking it is a strange mentality that allows one artist to lift the work of another without even the courtesy of an acknowledgement. I am indeed surprised that a man in such a position as Mr. Trumbull appears to be should so demean himself. One would think that any artist would feel it to be an outrage which it certainly is. Yrs sincerely Arthur Rackham. PS. The question of International Copyright is one that to my sorrow the United States will not agree with the rest of us about."" Included with the letter to Mrs. Berrall are a copy of an article concerning the murals in the May 1933 issue of Pencil Points that showed pictures of the murals but made no reference to Rackham; a copy of Berrall's letter to Rackham; a handwritten letter on Montclair Art Museum stationary which appears to be a draft of Berrall's letter to Publisher's Weekly inquiring about the plagiarism issue and inquiring as to whether Pencil Points was aware of Rackham's ownership of the mural images; a letter to Berrall from Publisher's Weekly confirming that Metropolitan Life was aware of the plagiarism and was attempting to come to a settlement with Rackham; a draft of an article by Jesse Mann of The Chatham Bookseller who acquired the Berrall/Rackham material and attempted to find out the ultimate disposition of Rackham's claim against Metropolitan Life; a copy of a letter from The Book Collector to Mann asking for additional information on the Met Life building; and Mann's finished article published in The Book Collector in 1996.Autograph signed letter and envelope fine. A fascinating and desirable collection of items. unknown books
réf. SLIVCN-9782717727357BIBLIOTHEQUE NATIONALE DE FRAN
1974réf. RO60106638Studio Book - The Viking Press. 1974. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 121 pages. Illustré de nombreux dessins en noir et blanc et en couleur, dans et hors texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1933réf. 860831933. Signed. RACKHAM Arthur. Autograph letter signed. Surrey England July 28 1933. Single sheet measuring 4-1/2 by 7 inches folded; pp. 4 writing on first and last pages. With archive of related material. $2200.Original lengthy autograph letter from Arthur Rackham entirely written and signed by him to a Mrs. Lloyd Berrall regarding the theft of his illustrations by American artist Edward Trumbull for a mural in New York's Metropolitan Life Building with original hand-addressed signed envelope.This autograph letter by Arthur Rackham was written in response to a letter from a Julia Smith Berrall a.k.a. Mrs. James Lloyd Berrall of Montclair New Jersey. Berrall had written to Rackham to inform him that the new murals in New York City's Metropolitan Life Building by muralist Edward Trumbull were ""exact copies of the figures in his illustrations of Rip Van Winkle and the Legend of Sleeph sic Hollow."" She further inquired whether Rackham had given permission to Trumbull to use the images. Less than two weeks laterincredibly quickly for transatlantic mailRackham penned an outraged response. The letter written from Rackham's home in ""Stilegate Limpsfield Surrey England"" and dated ""28.7.33"" reads: ""Dear Mrs. Lloyd Many thanks for your letter. You are quite right in assuming that. I know nothing about Mr. Trumbull's theft of my designsfor it is nothing less. I will take steps to find out whether there is anything to be done about it. That whether Mr. Trumbull is on the safe side of the law or not & one fears he may have taken steps to find out before embarking it is a strange mentality that allows one artist to lift the work of another without even the courtesy of an acknowledgement. I am indeed surprised that a man in such a position as Mr. Trumbull appears to be should so demean himself. One would think that any artist would feel it to be an outrage which it certainly is. Yrs sincerely Arthur Rackham. PS. The question of International Copyright is one that to my sorrow the United States will not agree with the rest of us about."" Included with the letter to Mrs. Berrall are a copy of an article concerning the murals in the May 1933 issue of Pencil Points that showed pictures of the murals but made no reference to Rackham; a copy of Berrall's letter to Rackham; a handwritten letter on Montclair Art Museum stationary which appears to be a draft of Berrall's letter to Publisher's Weekly inquiring about the plagiarism issue and inquiring as to whether Pencil Points was aware of Rackham's ownership of the mural images; a letter to Berrall from Publisher's Weekly confirming that Metropolitan Life was aware of the plagiarism and was attempting to come to a settlement with Rackham; a draft of an article by Jesse Mann of The Chatham Bookseller who acquired the Berrall/Rackham material and attempted to find out the ultimate disposition of Rackham's claim against Metropolitan Life; a copy of a letter from The Book Collector to Mann asking for additional information on the Met Life building; and Mann's finished article published in The Book Collector in 1996.Autograph signed letter and envelope fine. A fascinating and desirable collection of items. unknown
réf. ORD-16492New York. Doubleday Page. London. William Heinemann. (1921). Petit in-4 (195 x 260mm) percaline verte de l'éditeur, illustrée or sur le 1er plat, gardes vertes illustrées en blanc, XVIII, 76 pages, bien complet des 24 planches hors texte couleurs d'Arthur Rackham. Dos remonté, étiquette de prix collée au milieu d'une garde sinon bon état.
réf. 338315Hachette Et Cie Paris 1921 In-4 carré ( 295 X 230 mm ) de XV-76 pages, plein vélin ivoire, dos lisse orné du titre et d'un décor dorés, tête dorée. PREMIER TIRAGE du frontispice et des 24 "féeriques" illustrations en couleurs contrecollées sur papier fort brun sous serpentes légendées par Arthur RACKHAM. Tirage de luxe, limité à 300 exemplaires numérotés à la presse, celui-ci signé par Arthur RACKHAM. Très bel exemplaire.
réf. 191991Hachette Et Cie Paris 1906 In-8 carré ( 255 X 190 mm ) de frontispice + 69 pages + 50 planches, pleine percaline verte à la bradel, dos lisse et premier plat ornés du titre et de décors dorés. Frontispice et 50 "féeriques" illustrations en couleurs contrecollées sur papier fort vert sous serpentes légendées par Arthur RACKHAM. Dos éclairci, bon exemplaire, les planches sont très fraîches.
réf. 456169Hachette Et Cie Paris 1906 In-4 carré ( 285 X 220 mm ) de X-69-[2] pages, suivies des planches puis de [2] pages, plein vélin ivoire, dos lisse orné du titre doré, premier plat d'un portrait en pied de Rip Van Winkle et du titre dorés, tête dorée ( rubans absents ). PREMIER TIRAGE du frontispice et des 50 "féeriques" illustrations en couleurs contrecollées sur papier fort brun sous serpentes légendées par Arthur RACKHAM. Tirage de luxe, limité à 200 exemplaires numérotés sur papier Whatman ( N°188 ). SUPERBE EXEMPLAIRE. De la bibliothèque WITZ-DAVIAU ( Ex-libris ).
réf. 149142Hodder & Stoughton c. 1929. 8vo. Original black lettered green cloth boards lightly faded - otherwise VG dustwrapper rather chipped and worn with partial loss at bottom edge of lower cover - in protective wrapper. Pp. vi 123 illus with 6 coloured plates and b&w drawings by Arthur Rackham and endpaper map 2nd plate loose and creased at edges; previous owner's neat 1929 gift inscription on front free endpaper. Hodder & Stoughton, c. 1929 unknown
London, William Heinemann - New York, Doubleday, Page & Co. 1911 (for Siegfried) and 1920 for The Rignegold. 2 forts volumes grands in-8 (19, x 25,7 cm), Plein cartonnage éditeur de percaline brique, titre et décor dorés sur le premier plat et le dos. First édition for Siegfried & the twilight of the gods (1911) and new impression for the Rhinegold (1920). 35 et 30 Illustrations contre collées sous serpentes légendées. (dont frontispices). ACHAT FACTURE LIBRAIRIE LIVRES BEAUX 10/10/2004 (550,00 €)
réf. 24456London, William Heinemann - New York, Doubleday, Page & Co. 1911 (for Siegfried) and 1920 for The Rignegold. 2 forts volumes grands in-8 (19, x 25,7 cm), Plein cartonnage éditeur de percaline brique, titre et décor dorés sur le premier plat et le dos.
