Simeon SolomonBiblio.com
2 924 résultats
réf. 162287Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century Oct. 1863. Professionally printed on premium fine-art paper Photo Rag 308 premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 763216Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Ycba. Created in the 19th century 1858. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2090439Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1920. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2123869Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1912. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2090933Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1922. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1930réf. 52625Paris Henry Babou 1930 In-4, en feuilles, couverture imprime.Edition originale de la prface de Jean-Jacques Brousson (dont le texte manuscrit est reproduit en fac-simil) et de l'tude de Luc-Benoist, illustre d'un portrait photographique de l'artiste par Laure Albin Guillot et de 36 compositions de Fernand Simon dont une vignette de titre, 20 in-texte et 15 planches hors texte. Ouvrage publi dans la collection Les Artistes du livre. Tirage limit 750 exemplaires numrots. Un des 650 exemplaires sur vlin de Johannot.
1921réf. 54861Lucien Vogel éditeur | Paris 1921 | 18 x 24 cm | une feuille
1921réf. 54901Lucien Vogel éditeur | Paris 1921 | 18 x 24 cm | une feuille
1922réf. 54971Lucien Vogel éditeur | Paris 1922 | 18 x 24 cm | une feuille
1921réf. 54939Lucien Vogel éditeur | Paris 1921 | 18 x 24 cm | une feuille
réf. 15167Paris, "Le Livre", 1924. In-8, 186-(1) pp. et (19) pl., demi-maroquin lapis-lazuli à coins, dos à nerfs mosaïqué, date en pied, tête dorée, non rogné, couverture et dos conservés.
1965réf. X116748Moskva, Nauka 1965 323pp. + 1 leaf of errata, text in Russian in Cyrillic script, publisher's hardcover in grey cloth, published in the series "Pamiatniki pis'mennosti Vostoka" vol.9, limited edition of 3000 copies, upper part of some pages with a vague trace of humidity, although still in good condition, X116748
1782réf. 23801Marseille, Jean Mossy, 1782. In-8 (15 x 22 cm) reliure de toile anthracite moderne, pièce de titre de chagrin rouge sur le premier plat, couverture ancienne conservée. 91 pp.
réf. 31543Paris Les Marges 1927 in 12 (17x12) 1 volume reliure demi basane bleue, dos à nerfs, couverture conservée, 199 pages [2], avec des gravures sur cuivre de Fernand Siméon. Collection de la Petite Ourse. Tirage limité à 476 exemplaires numérotés, celui-ci un des 467 exemplaires numérotés sur papier vergé à la forme des papeteries d'Arches, au filigrane de la société. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
2008réf. w82-12LINCOM Europa 2008. Paperback. Used - Very Good. Year: 2008. This preowned item is in very good condition with very minimal wear and tear visible ex. Corner dings small tears/rips bent pages scuffs/scratches etc. This item may or may not include minimal store/library markings including stickers and barcodes. Additional materials such as CD's and access codes may or may not be included. If the book has a dust jacket it may not be included. Free tracking provided. International shipping available. 6. LINCOM Europa paperback
1981réf. 039077Hauppague New York U.S.A.: J. Marr Pub Co 1981. Slight bow to book otherwise in very nice condition. 2nd. Hard Cover. Near Fine/Near Fine. Illus. by b/w Photos. J. Marr Pub Co Hardcover
2001réf. Q-0761971580SAGE Publications Ltd 2001-05-25. Paperback. New. New. In shrink wrap. Looks like an interesting title! SAGE Publications Ltd paperback
2000réf. Q-0929661583Rebus Inc 2000-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Rebus, Inc hardcover
2009réf. DADAX3640331338Grin Publishing 2009-05-25. paperback. New. 5.83x0.17x8.27. Buy with confidence. Excellent Customer Service & Return policy. Grin Publishing paperback
1995réf. Q-092966132XRandom House Inc 1995-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Random House, Inc hardcover
2002réf. Q-0970718659CavanKerry Press 2002-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! CavanKerry Press paperback
réf. 1258533545.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9780567472403Paperback / softback. New. Identifies the impasse between classical Protestant and contemporary charismatic and Pentecostal pneumatologies as a fundamental theological problem. This title aims to contribute a constructive pneumatological proposal for moving beyond this impasse based on the resources of the theology of Christoph Friedrich Blumhardt 1842-1919. paperback
1912réf. 57636Paris: S. n. 1912. Fine. S. n. Paris 1912 14 x 22.50 cm une feuille original print in color printed on laid paper signed lower left of the board. One of the first French fashion magazines published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement. The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini secretary friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War. The review was drawn to 1279 copies making it for the time a relatively confidential publication. The 186 plates with great finesse are engraved on strong paper and colored stencil. They represent the majority of the time women but also men and children. The models are not unlike those of the Gazette fashionable whose publication will be launched a few months later those renowned couturiers but are the fruit of the imagination of the illustrators themselves. The stencils are mostly executed by George Barbier but other artists collaborating on the magazine: Léon Bakst B. Berty Bernard Boutet de Monvel Roger Broders Jan van Brock Umberto Brunelleschi H. Robert Dammy Etienne Drian Abel Faivre Marie-Madeleine Franc-Nohain Xavier Gosé Paul Iribe Kriegck Victor Lhuer Pierre Legrain Charles Martin Fernand Simeon Ismael Smith Armand Vallee and Gerda Wegener. Many of these illustrators will also be involved in The Gazette fashionable. Their work emblematic of the Art Deco movement emphasize the influence of Orientalism and costumes of the Ballets Russes while registering in the daily activities of affluent French of the time. From the preface of the first issue of 1912 Anatole France said: ""After seventy-five years he is reborn. He is reborn through the efforts of a few ingenious minds and artists. He is reborn for the curious if there is that do not simply modes newspaper fired several thousand and illustrated by photography. And if publishers make us very exactly in its format with its paper printing its processes of etching and coloring the old classic patterns of the past is that they intend to continue the pleasantly and become charming classic fashion of today and tomorrow. "" S. n. unknown
1920réf. 54773Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris Juin 1920 18 x 24 cm une feuille Original color print printed on vergé paper non signed. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
