Chardin, Jean Simeon; Pierre RosenbergBiblio.com
2 921 résultats
2010réf. 95579Ferrara Arte S. P. A. . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 240 pp. ; 139 illus. 118 in color. -- with a bonus offer-- . 2010. 8889793104 . Ferrara Arte S. P. A. hardcover
2000réf. 52360New York : Harry N. Abrams, 2000. 127 Seiten ; zahlr. Ill. ; Sprache: Englisch broschiert
1999réf. 22883Köln : DuMont 1999. 359 S. : 120 farb. u. 50 einfarb. Abb.; 31 cm Softcover/Paperback, Exemplar in gutem Erhaltungszustand
1994réf. BN205869Fernand Hazan Editions 1994. 1994. Hardcover. Chardin Chardin Marianne Roland Michel Hrsg.; Jean Siméon Chardin Illustration Fernand Hazan Editions hardcover
1999réf. 116278Köln: DuMont Verlag, 1999. 359 S. ; 30,5 x 23 cm ; kart. ;
1950réf. 80803Longmans, Green & Co. Publishers, London, New York, and Toronto, 1950. 26,5 cm ; Pp.
2000réf. 43737Munich ; London ; New York : Prestel, 2000. 191 S. : zahlr. Ill. ; 32 cm ; Sprache: Englisch Pp.
2000réf. 18202Cumberland Rhode Island U.S.A.: Yale Univ Pr. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Fine -- with a bonus offer--; 018202; CHARDIN JEAN BAPTISTE SIMEON 1699 . 2000. 0300083483 . Yale Univ Pr hardcover
1856réf. 100478Lebanon Ohio: Printed at the Western Star Office 1856. 1856. Fair. - Octavo 10 inches high by 6-3/4 inches wide. Softcover bound in printed tan wraps titled within a decorative ruled frame in black on the front cover. The covers are stained and heavily chipped with pieces out from corners of the front cover. The rear cover is partially detached and the spine has perished. 61 pages with the text printed in 2 columns. The book is folded vertically down the center and the edges of the pages are darkened. The corners of several pages are creased and a few are slightly chipped. Good. First edition. The 1855-56 trial for heresy of one of its most popular pastors the Rev. Simeon Brown was the most memorable event in the history of the First Presbyterian Church of Lebanon's history. Held at the Church in front of the Miami Presbytery Rev. Brown was charged with unsoundness of faith for denying the doctrine of limited atonement. His beliefs which were cited in the charges included those that "Christ gave his life for the world and it is absurd to limit the word world to the elect." The Presbytery found him guilty and Rev. Brown subsequently wrote in his defense that "I maintained that our Lord Jesus Christ is a Savior provided for and sincerely offered in the Gospel to all who hear it but the Presbytery held that He is provided for the elect only." Found guilty of this one charge the sympathy of the public was chiefly with him and the members of his church were mostly on his side. Rev. Brown chose to separate from the Presbyterian Church and the trial led to the formation of the Lebanon Congregational Church. Lebanon, Ohio: Printed at the Western Star Office, 1856. paperback
réf. BN324884Jean-Michel Place. Softcover. Charles Juliet : La Conquête dans l'obscur Charles Juliet : La Conquête dans l'obscur Jean-Pierre Siméon Jean-Michel Place paperback
réf. 76550Editions Saint-Germain-des-Prés 1984, broché, 62pp avec envoi de l’auteur - très bon état
réf. 6208207991.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. ria9786208207991_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The application of chemical mutagens has proved highly successful. The use of these is an effective means of creating genetic variations resulting in new individuals with improved characteristics. The resulting characteristics can be mo paperback
réf. B9786208207991Paperback / softback. New. paperback
réf. 1357716419.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1358125643.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 6208208246.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. ria9786208208240_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Bei der Anwendung von chemischen Mutagenen sind zahlreiche Erfolge zu verzeichnen. Der Einsatz von chemischen Mutanten ist ein wirksames Mittel um genetische Variationen zu erzeugen die zu neuen Individuen mit besseren Eigenschaften f paperback
1921réf. 54901Lucien Vogel éditeur | Paris 1921 | 18 x 24 cm | une feuille
1921réf. 54901Paris: Lucien Vogel éditeur 1921. Fine. Lucien Vogel éditeur Paris 1921 18 x 24 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
2004réf. 100058858La Part Commune 2004 222 pages 12x17x2cm. 2004. Broché. 222 pages.
réf. 1271317060.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1873réf. RO40202058Chez Mme Ve Jules Renouard, Paris. 1864-1873. In-8. Relié cuir dos-coins. Etat d'usage, Couv. légèrement passée, Dos à nerfs, Quelques rousseurs. 261 + 508 pages pour le tome I, 420 pages pour le tome II, 451 pages pour le tome III, et 421 pages pour le tome IV. Titre, tomaison, et dates dorés sur les dos. Tranches de tête dorées. Dos et plats légèrement frottés. Annotations en pages de faux-titre.. . . . Classification Dewey : 840.01-Origines - 1400
1874réf. RO40202056Chez Mme Ve Jules Renouard, Paris. 1869-1874. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Mouillures. 5 tomes d'env. 400-500 pages chacun. Dos fendus avec quelques cahiers se détachant. Quelques plats se détachant. Nombreuses pages non coupées. Rousseurs.. . . . Classification Dewey : 840.01-Origines - 1400
1874réf. RO40202057Chez Mme Ve Jules Renouard, Paris. 1874. In-8. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Non coupé. 428 pages. Manques en coiffe de pied. Rousseurs.. . . . Classification Dewey : 840.01-Origines - 1400
