Simeon, Roblyn,Biblio.com
2266 risultati
rif. 18568775-nnew. unknown
rif. 18568775like new. unknown
2012rif. x-0415891310Routledge 2012. Paperback. New. 285 pages. 9.75x7.00x0.75 inches. Routledge paperback
2012rif. DADAX0415891310Routledge 2012-11-08. 1. paperback. New. 7.00x0.69x10.00. Buy with confidence. Excellent Customer Service & Return policy. Routledge paperback
2019rif. Gyan-9789353745325Facsimile Publisher 2019. Hardcover. New. 22.59 x 14.34 x 2.83 cm. English Facsimile Publisher hardcover
2018rif. Gyan-9789379634993Facsimile Publisher 2018. Hardcover. New. 22.59 x 14.34 x 2.81 cm. English Facsimile Publisher hardcover
2019rif. Gyan-9789353745325Facsimile Publisher 2019. Hardcover. New. 22.59 x 14.34 x 2.83 cm. English Facsimile Publisher hardcover
2018rif. Gyan-9789379634993Facsimile Publisher 2018. Hardcover. New. 22.59 x 14.34 x 2.81 cm. English Facsimile Publisher hardcover
rif. 0331740575.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 1330312023.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1967rif. MASTER333471IGLORIETA NM.: RIO GRANDE PRESS INC. VG IN BLACK CLOTH WITH GILT LETTERING. NO DJ. Pages: 376. . 1967. HARDCOVER. 2 FACSIMILE REPRINTS IN 1 VOLUME. BOARDS LIGHTLY EDGEWORN & SCUFFED. PREV. OWNER BOOKPLATE INSIDE. PAGES CLEAN & TIGHT. . RIO GRANDE PRESS INC. hardcover
1967rif. 044202The Rio Grande Press 1967. Hardcover. Very Good. Minimal wear to hardcover. The titles on the spine are fading. Titles are front cover and bright and clear. No marks inside except owner name. The Rio Grande Press hardcover
rif. ria9780674051171_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; After the Bible the Passover haggadah is the most widely read classic Jewish text. Few editions are as exquisite as the Washington Haggadah in the Library of Congress. A stunning facsimile edition meticulously reproduced in full color hardcover
1920rif. 39027Lucien Vogel éditeur | Paris 1920 | 19.50 x 25 cm | une feuille
1920rif. 39027Paris: Lucien Vogel éditeur 1920. Fine. Lucien Vogel éditeur Paris 1920 19.50 x 25 cm une feuille Original color print printed on vergé paper the signature does not let identify the artist. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication was aimed at bibliophiles and fashionable society Françoise Tétart-Vittu La Gazette du bon ton in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff the sister of Jean creator of Babar to set up the Gazette du bon ton subtitled at the time: Art fashion frivolities. Georges Charensol noted the reasoning of the editor-in-chief: In 1910 he observed there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists I was assured of success because when it comes to fashion no country on earth can compete with France. Un grand éditeur dart. Lucien Vogel in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrators conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together for the first time the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that little dying paper that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown
2018rif. AME_9781108428361Cambridge 2018. 1ST. Hardcover. New/New. _ Cambridge hardcover
rif. 33207951-nnew. unknown
2019rif. x-1108449506Cambridge Univ Pr 2019. Paperback. New. 302 pages. 9.00x6.00x1.00 inches. Cambridge Univ Pr paperback
2019rif. x-1108428363Cambridge Univ Pr 2019. Hardcover. New. 302 pages. 9.25x6.25x1.00 inches. Cambridge Univ Pr hardcover
rif. ria9781108428361_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book focuses on clientelism the pattern of exchanges between politicians and votes as citizens promise to vote for a politician in order to receive benefits. While many scholars have explored the threats to clientelism this book hardcover
rif. ria9781108449502_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book focuses on clientelism the pattern of exchanges between politicians and votes as citizens promise to vote for a politician in order to receive benefits. While many scholars have explored the threats to clientelism this book paperback
rif. 25595Paris, Henri Jonquières, collection Les Beaux Romans, 1925. In-8, 420 pp. Demi-chagrin vert à coins, dos à 4 nerfs filets dorés sur les plats, couvertures illustrées et dos conservés.
rif. 12644Paris, Henri Jonquières et Cie (impr. Coulouma et Duchatel), 1925. Fort in-8 carré, (4)-420-(2) pp., reliure plein maroquin (Yseux, successeur Thierry-Simier), titre estampé sur le plat supérieur, toutes tranches dorées, gardes doublées (mors fendillés, rousseurs dans les marges).
rif. 200712020Paris, Henri Jonquières & Cie éditeurs 21 rue visconti, 1925 ; in-8, 420 pp., broché, couverture illustr. Exemplaire sur papier de rive n°573 en très bon état - 11e vol de la collection les beaux romans.
1925rif. 18130Illustrations de F. Siméon. Exemplaire sur papier vélin teinté de Rives (N°981).Paris, Henri Jonquières & Cie. - 1925 - 420 pages. Collection Les Beaux Romans. Ex libris.Reliure demi chagrin bleu à coins. Dos à 5 nerfs aux titre et auteur dorés. Tête dorée sur témoins, non rogné. Couverture d'édition illustrée et dos conservés. Petits frottements aux nerfs et aux coiffes. Pas de rousseur. Bon état. Format in-8°(21x15).
