607 résultats
2026réf. x-180041336XMultilingual Matters 2026. Hardcover. New. 312 pages. 6.15x2.00x9.21 inches. Multilingual Matters hardcover
2026réf. x-1800413254Multilingual Matters 2026. Paperback. New. 312 pages. 6.15x2.00x9.21 inches. Multilingual Matters paperback
réf. 003687New York: Harry N. Abrams Inc. 1990. Soft cover. Very Good. Folio. 56pp. First edition. Publisher's original decorated stiff paper wrappers. Illustrated extensively. An excellent copy. New York: Harry N. Abrams, Inc., 1990. paperback
1905réf. 3003771905. 9-1/2 x 12 inches. Blue conté crayon on plain paper signed in autograph lower left; hinged to backing board; small unrepaired tear at lower right edge not affecting image. 9-1/2 x 12 inches. An original Steinlen drawing of a sitted nude woman beautifully rendered and shaded in blue conté crayon and signed by the artist at lower left. This is one of numerous studies Steinlen made during the early 1900s of what appear to be the same model in nearly all cases with her face obscured though most are far more loosely sketched than this finely drafted example. unknown
1915réf. 231041915. S.l. s.. s.d. circa 1915. Dimensions marges incluses : 697 x 497 mm. Grande planche lithographie signe la mine de plomb Thophile Alexandre Steinlen en marge infrieure et numrote 101/120. Epreuve tire sur papier fort. ''Sorti des Beaux-Arts Lausanne Steinlen dbuta dans le dessin industriel pour le textile Mulhouse. Arriv Paris en 1882 il frquenta aussitt le cabaret du Chat noir et commenÂa alors dessiner pour de nombreuses revues ainsi que plusieurs diteurs. A partir de 1898 il grava l'eau-forte et produisit des affiches qui le rendirent clÂbre. Anatole France crivit de lui : ''Dou d'une sensibilit subtile vive attentive d'une infaillible mmoire de l'oeil et de moyens rapides d'expression en somme tout destinait Steinlen devenir le dessinateur et le peintre de la vie qui passe le matre de la rue. Le flot clair et matinal et le flot sombre et nocturne des ouvriers et ouvriÂres les groupes attabls sur le trottoir les rdeurs des noirs boulevards la rue enfin la place publique les lointains faubourgs aux arbres maigres les terrains vagues tout cela est lui. De ces choses il sait tout. Leur vie est sa vie leur joie est sa joie leur tristesse sa tristesse. Il a ri et souffert avec les passants. L'me des foules irrits ou joyeuses a pass en lui. Il en a senti la simplicit terrible et la grandeur. C'est pourquoi l'oeuvre de Steinlen est pique''. in Osterwalder. Osterwalder I Dictionnaire des illustrateurs p. 1014 - Bnzit IX Dictionnaire des peintres p. 811. Oxydations affectant principalement la marge suprieure. Marge lgÂrement effrange pouvant en outre prsenter d'infimes dchirures. Du reste belle condition. Peu courant. b42961 unknown
1992réf. 016369Editions Michele Trinckvel 1992. This is a very good hardcover copy with a very good dust jacket. Completely clean. Text in FRENCH. Illustrated in black & white and some color with many full page plates of Steinlen's cats. 15" high X 11" wide 107 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good/Very Good. Editions Michele Trinckvel Hardcover
1907réf. 27750Paris: Bibliothèque Internationale d'Édition E. Sansot & Cie 1907. First Trade Edition. Quarto 24.5cm.; original grey pictorial wrappers; 207pp.; frontispiece & 14 tissue guarded plates; numerous text illus. throughout. Wrappers a bit worn especially at spine edges; preliminaries foxed else Very Good and sound overall. Bleak collection of stories following in the footsteps of Zola's naturalistic novel Germinal. Mostly set in the mines of northern France; beautifully albeit lugubriously illustrated by the Art Nouveau painter and printmaker Théophile Steinlen. CRAUZAT 639. Bibliothèque Internationale d'Édition, E. Sansot & Cie unknown
1915réf. 2791Paris: Éditions La Guerre 1915. Very good. Lithograph printed in beige and black on cream wove paper 20 1/4 x 15 inches 509 x 381 mm full margins. Published by Éditions La Guerre in Paris in collaboration with printmaker Charles Verneau printed by Charles Verneau Paris. Published as part of Steinlen's wartime series Croquis de Temps de Guerre War Sketches. In very good condition. Éditions La Guerre unknown
1910réf. 1720Paris: Edouard Pelletan 1910. Limited Edition. Near fine. Théophile Steinlen. 4to; 10 1/8 x7 3/4 inches 258 x 197 mm; half-title limitation title with publisher's device 366 pp including a glossary of slang Glossaire argotique 1 8 advertisements printed in black and red with additional colors for title page. 252 illustrations from works by Théophile Steinlen engraved by Ducourtioux. Full red morocco binding by Vautrin gilt stamped in dentelle; gilt fillets on covers raised bands with gilt titles and decorations in compartments wide gilt dentelles marbled endpapers t.e.g.; original paper boards bound in; minimal rubbing on bottom corners and edges internally clean and bright with a very faint water mark on bottom right corner not affecting texts or images firmly bound. Copy 218 of 340 numbered and signed by E. Pelletan on limitation page one of 267 copies on Marais Mills hand-made paper. Carteret IV 341; Crauzat 643. A very beautiful work by Jean Richepin 1849 - 1926 superbly illustrated by Théophile Alexandre Steinlen 1859-1923 in an elegant contemporary binding. Richepin was virtually unknown until the publication in 1876 of this volume of verse entitled La Chanson des Gueux a declaration of war against the bourgeoisie. Richepin's outspokenness resulted in his being imprisoned and fined for "outrage to morals." The collection was republished without the contentious pieces which were published separately in Brussels in 1881. The book is divided into several parts: 1°/ Beggars of the Fields; 2°/ Beggars of Paris; 3°/ We Other Beggars; Epilogue: The End of the Beggars. A slang glossary concludes the work. For this 1910 edition the illustrations were entrusted to the Swiss-born Steinlen who was politically engaged and often collaborated with anarchist and socialist press. "You will find Steinlen at the entrance to the construction site at the workshop door at the factory exit; he is everywhere where people gather on days of celebration riot or strike. . He succeeds in establishing the link which unites simple hearts in showing the intimate cohesion of the group of the theory of the collection; no one possesses to the same degree as Steinlen the gift and the power to make the shiver of a common anguish run through an assembly Roger Marx preface to "L'Oeuvre gravé et lithographié de Steinlen" Paris Société de Propagation des Livres d'Art 1913. Edouard Pelletan unknown
réf. 118388Épinal Pellerin & Cie. Imp. Édit.1900. 8 feuillets. 32 x 25 Cm. Broché couvertures illustrées d'origine. Dos acassé. Coins émoussés. Tous les ingrédients sont réunis ici pour amuser les enfants. Les dessins de Steinlen apportent à ces personnages de comédie tout le mouvement d'un spectacle vivant. Quelques taches et rousseurs. Petits accrocs sur les bords. Épinal, Pellerin & Cie. Imp. Édit.(1900) unknown
réf. 5095Berlin Staatl. Kunsthalle 1978. 4° 400 S. zahlr. teilw. farb. Abb. Broschur. Tadell. Ausstellungskatalog und Zeitbild zugleich: Zahlreiche Dokumente Bebel Benjamin usw. und Photographien dokumentieren Steinlens Zeit beginnend mit der Pariser Commune bis zum Ersten Weltkrieg. 010 Berlin, Staatl. Kunsthalle, 1978 unknown
réf. 97716Paris bureaux de l'Illustration 1897-99. 44 x 32 cm Papierbedingt gebräunt teilweise randrissig teilweise hinterlegt. - Théophile-Alexandre Steinlen 10. November 1859 in Lausanne; † 14. Dezember 1923 in Paris war ein französischer Maler Zeichner Grafiker und Illustrator schweizerischer Herkunft. Er wurde vor allem für seine Plakat-Entwürfe insbesondere für das Kabarett Le Chat Noir im Stil der französischen Kunstrichtung Art Nouveau bekannt. - Alphonse Gallaud de la Pérouse nach einigen Quellen Alphonse Galland genannt Zo d’Axa 24. Mai 1864 in Paris; † 30. August 1930 in Marseille war ein Anarchist Antimilitarist Autor und satirischer Journalist. Er war Gründer der Zeitschriften „L'Endehors“ und „La Feuille“. Bis 1899 veröffentlichte Zo d'Axa in La Feuille verschiedene antimilitaristische und antikapitalistische Artikel. Er lancierte eine Kampagne gegen Kindergefängnisse. Bei den Wahlen kürte La Feuille einen Esel zum offiziellen Kandidaten; während dieser durch Paris spazierengeführt wurde erregte er einen Skandal. Am Tag des Wahlganges ließ sich Zo von einem durch den weißen Esel gezogenen Panzer durch die Stadt ziehen dem eine zahlreiche lachende Menge folgte. Die Polizei erschien und wollte der Demonstration ein Ende setzen und den Esel ins Tierheim bringen woraufhin sich ein Krawall entzündete und Zo d'Axa den Esel mit den Worten „Das ist nicht mehr wichtig dies ist nun ein offizieller Kandidat!“ freiließ. 010 Paris, bureaux de l'Illustration, 1897-99 unknown
1981réf. BN431127Libro Verlag 1981. 1981. Des chats. Images sans paroles. Sutanran no neko. Nipponban jobun: Sugimoto Hidetarou. Des chats. Images sans paroles. Sutanran no neko. Nipponban jobun: Sugimoto Hidetarou. Théophile-Alexandre Steinlen Libro Verlag unknown
réf. BN595222Katzen Katzen Théophile- Alexandre Steinlen unknown
2004réf. BN678436Narr Francke Attempto 2004. 2004. The Influence of consonants on native and non-native vowel production: A cross-linguistic study. Diss. Language Development The Influence of consonants on native and non-native vowel production: A cross-linguistic study. Diss. Language Development Steinlen Anja K. Narr Francke Attempto unknown
1916réf. 1346500Paris 1916. Original 1916 WWI benefit poster for the 1916 tri-annual exposition of French Art in Paris. Features art by Steinlen and measures 39 1/8in x 51 1/8in Poster currently sealed behind plastic; creasing wrinkling edge-wear and evidence of minor water damage to upper left corner. Shipping flat will likely be expensive--and risky--so plan on removing poster from plastic and shipping folded or rolled in sturdy tube unless buyer has specific shipping preferences. CX Consignment. Shelved in Rockville 1107. 1346500. Special Collections. unknown
1914réf. 56999Paris: Eugène Rey 1914. Fine. Eugène Rey Paris 1914 16 x 20.50 cm relié DESCAVES Lucien illustrated by STEINLEN Théophile Alexandre Barabbas. Paroles dans la vallée Barabbas. Words in the Valley Eugène Rey Paris 1914 16 x 205 cm dark brown morocco and custom slipcase First edition one of a 100 numbered copies on Japan paper enriched with a suite of illustrations printed on China paper the tirage de tête. Dark brown morocco by Gruel spine in five compartments very slightly faded pastedowns lined with a dark brown morocco frame and five gilt fillets moiré cloth endpapers and pastedowns gilt fillet to edges of covers gilt roulettes to head of spine wrappers and spine preserved all edges gilt dark brown morocco-edged slipcase. With lithographs by Steinlen. This copy is enriched with a rare suite of the drawings on China paper. A fine copy remarkably bound by Léon Gruel. $ 1 800 Eugène Rey hardcover
réf. 57108Eugene Rey Paris 1930. First Edition. 4to unpaginated b/w illus tipped-in colour plates loose tissue guards. Text in French. A very good copy tape marks on endpapers card wraps frayed and partially split at spine. . Limited to 500 copies of which this is number 481. Eugene Rey, Paris, 1930. First Edition paperback
réf. 53813938like new. unknown
réf. 53813938-nnew. unknown
1903réf. 12890Paris: Editions D'Art Edouard Pelletan 1903. Limited Edition. Leather. Near Fine. Th.- A. Steinlen lithographs. 12mo. Pp. 34. Engraved Steinlen frontis. printed on rice paper signed by engraver Perrichon and text paper signed by Steinlen. French text. Printed at the Imprimerie nationale. Copy number 3 on Washi Japon paper for Doctor H. Stilling with illustration proofs printed recto only on rice paper adjacent to those in the text and specially bound with ephemera. With the artist's signature "St." on the limitation page. Green three quarter leather over green marbled paper covered boards marbled endpapers gilt spine titles between five raised bands top edges gilt original wraps bound in: spine moderately sunned. Bound in: 1. Autograph letter signed from Steinlen to Dr. Stilling thanking him for an invitation dated 12 April 1904. 2. Steinlen illustrated exposition invitation card printed in red and black . "Monsieur le Docteur H. Stilling" is likely the Swiss pathologist and bibliophile Heinrich Henri Stilling 1853-1911. Editions D'Art Edouard Pelletan unknown
1911réf. B6673Chatto & Windus De Nieuwe Tijd. c. 1911. Some fraying to top of spine but interior is good plates clean and crisp. . Binding: Original full yellow cloth boards. ‘Steinlen’ in red lettering on upper cover featuring large colour engraving of cartoon depicting man with accordion and woman in headscarf. Green paste-in and free endpapers. Notes: Theophile Steinlen 1859–1923 was a Swiss-born French Art Nouveau painter and printmaker. Size: Folio390x282 mm. Illustration: A collection of Steinlen’s art reflecting on political and social ills and scenes. 24 plates in total tipped-in at corners. With a critical introduction and descriptive notes. Category: Book Social Sciences; Chatto & Windus, De Nieuwe Tijd. hardcover
1885réf. 92455Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 11 avril 1885 31 x 45 cm En feuillets First edition. The issue consists of four pages The issue consists of four pages and includes a comic strip by Steinlen ""Horrible fin de Bazouge ou les Suites funestes de l'Intempérance"" and a composition by Henri Rivière framing a poem by Emile Gourdeau. Political column by Rodolphe Salis literary contributions by Emile Gourdeau with the poem ""Le Discours du Bitume"" by Louis Marsolleau ""L'Eau qui coule"" and Georges d'Esparbès ""Les Justices bibliques"". A pleasant copy despite some foxing. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885réf. 92459Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 25 avril 1885 31.2 x 45 cm En feuillets First edition. The issue consists of four pages and includes a comic strip by Steinlen ""Impressions d'un Lecteur."" Literary contributions by Alphonse Allais with ""L'Esprit d'Ellen"" Louis Denise with the poem ""Hiver"" Albert Glatigny with ""Il n'aimait pas le boeuf"" Louis Marsolleau with ""Voyage à la découverte de l'Ile d'Amour"" George Auriol with ""Ernest"" and Albert Tinchant with ""Cottage."" Fine copy. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885réf. 92464Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 7 février 1885 31.5 x 44.6 cm En feuillets First edition. The issue consists of four pages and includes a comic strip by Steinlen: ""Ce qu'il advint d'une Petite Fille."" Literary contributions by Fernand Fau with ""Economies"" Victor Margueritte with the poem ""Vu royal"" Charles Cros with ""La Chanson de la plus belle femme"" Louis Denise with ""Statuette byzantine"" Paul Morisse with ""Féminines"". A pleasant copy despite a few marginal tears and light soiling. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
