Theophile Alexandre STEINLENBiblio.com
1,245 results
1901ref. 86266Paris: H. Piazza et CieSevin & Rey 1901. Fine. H. Piazza et Cie Sevin & Rey Paris 1901 15 x 20.50 cm broché First edition one of 100 numbered copies on Japan paper the only deluxe copies. Handsome copy. Work illustrated with 100 colored drawings by Théophile Alexandre Steinlen. H. Piazza et CieSevin & Rey unknown
1895ref. 84795Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm broché First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Spine cracked at head and foot. Autograph inscription dated and signed by Paul Chambot with the additional signature of Ambroise Girier to A. Patay. Librairie Gueteville unknown
1914ref. 79124Paris: E. Rey 1914. Fine. E. Rey Paris 1914 15.50 x 20 cm broché First edition on ordinary paper. Spine lightly sunned otherwise handsome copy. Work illustrated with 174 drawings by Steinlen. Rare signed autograph inscription by Théophile Alexandre Steinlen. E. Rey unknown
1885ref. 77552Paris: Furne & Cie 1885. Fine. Furne & Cie Paris 1885-1900 13.50 x 19 cm 4 volumes reliés First edition of each of the four volumes one of 50 copies for the first and third works or one of 150 copies for the second and fourth printed on Japan paper the only deluxe issue. Bradel bindings in citron half morocco with corners smooth spines slightly darkened marbled paper boards pebble-grained endpapers and pastedowns covers and backstrips preserved in one piece contemporary bindings signed Champs. Covers and in-text or full-page drawings by Théophile Alexandre Steinlen for the first and second volumes by Francisque Poulbot for the third and by Louis Borgex for the fourth and final volume. Each volume bears Aristide Bruants autograph signature beneath the colophon; the last volume also includes Louis Borgexs handwritten signature. A handsome complete set of four volumes uniformly bound at the time by Champs. Furne & Cie hardcover
1895ref. 77940Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm relié First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Bradel binding in half red shagreen smooth spine date in gilt at foot pebbled paper boards covers illustrated by Théophile Alexandre Steinlen and spine preserved in one piece. Handsome copy despite a small restoration to the upper corner of page 93 a slight lack at foot of the second cover of the illustrated wrapper. Librairie Gueteville hardcover
1898ref. 74859Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 34.50 x 21 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso some foxing. Lithograph inspired by an excerpt from Germinie Lacerteux by the Goncourts. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appear in total covering the major artistic movements of the late nineteenth century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints is published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also provides a confidential printing of very high luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a fine printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters amplifies at the beginning of the 1890s. Octave Uzanne to qualify this fever invents the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then becomes an art object and its ephemeral support becomes precious and devoted to conservation. Piazza decides to remove the poster from its advertising vocation and to elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composes a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1898ref. 75859Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 19.50 x 36 cm une feuille Rare original lithograph executed by Théophile Alexandre Steinlen for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature and date in the plate publisher's dry stamp depicting a child's profile in the lower margin with the numbered stamp of the deluxe issue on verso some foxing. Lithograph inspired by an extract from Germinie Lacerteux by the Goncourts. A magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of previously unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe issue: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful impression. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomania."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. A handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1903ref. 74987Paris: Editions d'art Edouard Pelletan 1903. Fine. Editions d'art Edouard Pelletan Paris 1903 14.50 x 20.50 cm relié First edition of this exhibition catalogue held at 32 place Saint Georges in NovemberDecember 1903. Bound in contemporary chocolate brown morocco-backed marbled boards spine plain corners in matching morocco marbled endpapers gilt top edge original wrappers and spine preserved; signed binding by Lortic. Pasted on the rear pastedown is the invitation card to the exhibition illustrated by Théophile-Alexandre Steinlen. Preface by Anatole France. A handsome copy finely bound by Lortic son of Charles Baudelaires bookbinder. Editions d'art Edouard Pelletan hardcover
1916ref. 66844Paris: Georges Crès & Cie 1916. Fine. Georges Crès & Cie Paris 1916 12 x 19 cm broché First edition on ordinary paper. Frontispiece by Théphile Alexandre Steinlen. Beautiful autograph inscription signed by Colette to her lover Valentine Feydeau : ""A Valentine Feydeau 1 / 1 Elle n'aura le reste de la dedication que si elle revient."" Georges Crès & Cie unknown
1984ref. 79271984. Pierre de Tartas éditeur 1984. In/4 reliure plein cuir gaufré avec plat à décor de cerf sous étui bordé de cuir dos à nerfs et titres dorés doré trois tranches lithographies de Steinlen monochromes et en couleur 168 p. Exemplaire numéroté sur grand bouffant des papeteries Buhn. Excellent état. Préface de Genevoix. Les agents de la chasse animaux nuisibles gibier à poil chasse au chien darrêt chasse au marais sur les étangs et dans les rivières. unknown
1911ref. 500031566London: Chatto & Windus 1911. First Edition. . Hardcover. Fair. Folio 12pp 24 full page plates. Uncommon. No spine front board detached Chatto & Windus hardcover
1890ref. 30948Paris: Marpon & Flammarion 1890. Fine. Marpon & Flammarion Paris s. d. 1890 11.50 x 18 cm relié First edition on ordinary paper with only 10 deluxe copies printed on Holland paper. Contemporary half-green shagreen binding spine with 5 raised bands covers and spine preserved at front of volume front cover illustrated in colors by Steinlen. Our copy is enhanced with an autograph visiting card by the author mounted on stub on the half-title page. Minor surface wear to headcaps otherwise handsome copy. Marpon & Flammarion hardcover
1906ref. 19684Paris: Fayard 1906. Fine. Fayard Paris s. d. 1906 17 x 24.50 cm relié Edition illustrated with drawings after watercolors by Steinlen. Publisher's full sea-green paper boards smooth spine. Handsome copy. Fayard hardcover
1915ref. 231041915. S.l. s.. s.d. circa 1915. Dimensions marges incluses : 697 x 497 mm. Grande planche lithographie signe la mine de plomb Thophile Alexandre Steinlen en marge infrieure et numrote 101/120. Epreuve tire sur papier fort. ''Sorti des Beaux-Arts Lausanne Steinlen dbuta dans le dessin industriel pour le textile Mulhouse. Arriv Paris en 1882 il frquenta aussitt le cabaret du Chat noir et commenÂa alors dessiner pour de nombreuses revues ainsi que plusieurs diteurs. A partir de 1898 il grava l'eau-forte et produisit des affiches qui le rendirent clÂbre. Anatole France crivit de lui : ''Dou d'une sensibilit subtile vive attentive d'une infaillible mmoire de l'oeil et de moyens rapides d'expression en somme tout destinait Steinlen devenir le dessinateur et le peintre de la vie qui passe le matre de la rue. Le flot clair et matinal et le flot sombre et nocturne des ouvriers et ouvriÂres les groupes attabls sur le trottoir les rdeurs des noirs boulevards la rue enfin la place publique les lointains faubourgs aux arbres maigres les terrains vagues tout cela est lui. De ces choses il sait tout. Leur vie est sa vie leur joie est sa joie leur tristesse sa tristesse. Il a ri et souffert avec les passants. L'me des foules irrits ou joyeuses a pass en lui. Il en a senti la simplicit terrible et la grandeur. C'est pourquoi l'oeuvre de Steinlen est pique''. in Osterwalder. Osterwalder I Dictionnaire des illustrateurs p. 1014 - Bnzit IX Dictionnaire des peintres p. 811. Oxydations affectant principalement la marge suprieure. Marge lgÂrement effrange pouvant en outre prsenter d'infimes dchirures. Du reste belle condition. Peu courant. b42961 unknown
2010ref. DADAX1160546738Kessinger Publishing 2010-02-23. hardcover. New. 6.00x0.63x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
1992ref. 016369Editions Michele Trinckvel 1992. This is a very good hardcover copy with a very good dust jacket. Completely clean. Text in FRENCH. Illustrated in black & white and some color with many full page plates of Steinlen's cats. 15" high X 11" wide 107 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Hard Cover. Very Good/Very Good. Editions Michele Trinckvel Hardcover
1905ref. 3003771905. 9-1/2 x 12 inches. Blue conté crayon on plain paper signed in autograph lower left; hinged to backing board; small unrepaired tear at lower right edge not affecting image. 9-1/2 x 12 inches. An original Steinlen drawing of a sitted nude woman beautifully rendered and shaded in blue conté crayon and signed by the artist at lower left. This is one of numerous studies Steinlen made during the early 1900s of what appear to be the same model in nearly all cases with her face obscured though most are far more loosely sketched than this finely drafted example. unknown
ref. 118388Épinal Pellerin & Cie. Imp. Édit.1900. 8 feuillets. 32 x 25 Cm. Broché couvertures illustrées d'origine. Dos acassé. Coins émoussés. Tous les ingrédients sont réunis ici pour amuser les enfants. Les dessins de Steinlen apportent à ces personnages de comédie tout le mouvement d'un spectacle vivant. Quelques taches et rousseurs. Petits accrocs sur les bords. Épinal, Pellerin & Cie. Imp. Édit.(1900) unknown
1833ref. 316700Lausanne: Spengler & Cie 1833. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. The first 15 plates mounted on the back of the latter 15 some minor spotting and light creasing folding concertina-style into modern marbled boards. Bound without wrappers. extensive panoramic scroll of this once-in-a-generation wine festival original hand-coloured lithograph on 30 plates conjoined. each plate aprox. 185 x 500 mm. 7 1/4 x 19 3/4 in. An impressively large panorama running over 14 meters in total. The fête of 1833 was held over two days in August involving nearly 800 participants pulling numerous floats and was organized by David Constantin and Steinlen. In the present day the Swiss fête is organized by the Confrérie des Vignerons Brotherhood of Winegrowers and while they are free to choose how often the festival takes place it can only happen five times each century. The next Fête des Vignerons was held in July 2019. There were two showings with tickets costing between one and three francs each. The vignerons Jean-Louis Blanchoud and the Lécheyres brothers were crowned. A further thirty-two vignerons also received awards. This scroll depicts the actual participants in the procession wearing costumes also designed by Steinlen. Many of the floats are symbolic and represent the seasons or Bacchus but many of them show the actual tools of the trade such as a display of barrel making various crop management tools and even a large wine press. The final image is that of Noah's ark as Noah is considered to be the first vigneron. This publication is one a number of illustrative depictions of the 1833 Fête Simon lists three alone in Bibliotheca Gastronomica. Andre Simon Bibliotheca Gastronomica no.1558; Reed p. 87; Bobins 1313. OCLC locates copies at California State University Fresno the Getty and Bibliotheque d'Art et d'Archaelogie Switzerland Spengler & Cie unknown
ref. 387900-WF12Amsterdam : Letteren en Kunst z.j. Hardcover. Good. Halflinnen bandillustraties in z/w f met steunkleuren ongepagineerd 4to.; Slijtage randen en hopekjes kaft; boekblok gebroken; gebruikssporen. Toch nog wel een goed exemplaar. Amsterdam : Letteren en Kunst hardcover
1981ref. BN431127Libro Verlag 1981. 1981. Des chats. Images sans paroles. Sutanran no neko. Nipponban jobun: Sugimoto Hidetarou. Des chats. Images sans paroles. Sutanran no neko. Nipponban jobun: Sugimoto Hidetarou. Théophile-Alexandre Steinlen Libro Verlag unknown
ref. BN595222Katzen Katzen Théophile- Alexandre Steinlen unknown
2004ref. BN678436Narr Francke Attempto 2004. 2004. The Influence of consonants on native and non-native vowel production: A cross-linguistic study. Diss. Language Development The Influence of consonants on native and non-native vowel production: A cross-linguistic study. Diss. Language Development Steinlen Anja K. Narr Francke Attempto unknown
1897ref. 1417704Paris: Felix Juven 1897-1901. Hardcover. Quartos Five volumes. In Good minus condition. Spines are green with red labels and gilt lettering. Quarter-bound in green cloth over marbled paper boards. Boards show mild to moderate overall shelf wear with rubbing to corners and edges. Scattered scuffs and scratches to all boards. Loss of paper along rear joint on 1899. Moderate bumping to corners and surface stain in 1897. Spines show mild to moderate wear with rubbing to head tail label and body. Labels or remnants of adhesive to all spines. Scattered light soiling to cloth. Text block shows mild age toning to interior; moderate toning to edges with occasional chip. Text block is loose or detached from binding in 1899 1900 and 1901. Loose foldout in 1897. Fly leaf and first two leaves detached in 1898. CONTENTS: 1897 No. 113-No. 164--1898 No. 165-No. 217--1899 No. 218-No.269--1900 No. 270-No. 321--1901 No. 322-No. 373. Shelved in Room C. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. . 1417704. Special Collections - Upstairs. Felix Juven hardcover
1894ref. 1417705Paris: Felix Juven 1894-1905. Hardcover. Quartos Seven volumes. In Good condition. Spines are red with gilt designs and lettering. Quarter-bound in red leather over black and red marbled paper boards. Boards show mild shelf wear overall with rubbing along edges and bumping to corners. Chip to front bottom edge in 1905. Scattered minor scratches to all covers. Spines show mild rubbing to head and tail moderate rubbing and tape remnants in 1894-1895 and 1896-1897. Text block shows mild age toning throughout interior. Occasional moderate toning with chip to fore edge. CONTENTS: 1905 No. 101 - No. 152--1903 No. 426 - No. 430 plus No. 1 - No. 47 New Series--1901 No. 322 - No. 373--1900 No. 270 - No. 321--1899 No. 218 - No. 269--1896-97 No. 114 - No. 150--1894-95 No. 1 - No. 52 plus special issue. Shelved in Room C. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1417705. Special Collections - Upstairs. Felix Juven hardcover
