1,277 results
1974ref. 100141636Cerf 1974. Bon état emboîtages un peu frottés intérieurs propres. in8. 1974. relié emboitage. 4 volumes. Cerf unknown
1913ref. 48670Paris.: Société de Propagation des Livres d'Art. 1913. Unbound with original wrappers. 4to. With 11 originl prints 4 etchings and 7 lithographs.5 of the prints in 2 states and 6 of the prints in 3 states. Monochrome illustrations throughout. The catalogue of Steinlen's graphic work including his work in periodicals and other ephemera. From the edition limited to 500 copies with this one of 20 deluxe copies printed entirely on chine and reserved for members of Les XX group. Signed by both Steinlen and De Crauzat this deluxe copy has 11 original prints by Steinlen including four etchings and seven lithographs each present in two or three states. Several of the states include remarques. Société de Propagation des Livres d'Art. unknown
1910ref. 1720Paris: Edouard Pelletan 1910. Limited Edition. Near fine. Théophile Steinlen. 4to; 10 1/8 x7 3/4 inches 258 x 197 mm; half-title limitation title with publisher's device 366 pp including a glossary of slang Glossaire argotique 1 8 advertisements printed in black and red with additional colors for title page. 252 illustrations from works by Théophile Steinlen engraved by Ducourtioux. Full red morocco binding by Vautrin gilt stamped in dentelle; gilt fillets on covers raised bands with gilt titles and decorations in compartments wide gilt dentelles marbled endpapers t.e.g.; original paper boards bound in; minimal rubbing on bottom corners and edges internally clean and bright with a very faint water mark on bottom right corner not affecting texts or images firmly bound. Copy 218 of 340 numbered and signed by E. Pelletan on limitation page one of 267 copies on Marais Mills hand-made paper. Carteret IV 341; Crauzat 643. A very beautiful work by Jean Richepin 1849 - 1926 superbly illustrated by Théophile Alexandre Steinlen 1859-1923 in an elegant contemporary binding. Richepin was virtually unknown until the publication in 1876 of this volume of verse entitled La Chanson des Gueux a declaration of war against the bourgeoisie. Richepin's outspokenness resulted in his being imprisoned and fined for "outrage to morals." The collection was republished without the contentious pieces which were published separately in Brussels in 1881. The book is divided into several parts: 1°/ Beggars of the Fields; 2°/ Beggars of Paris; 3°/ We Other Beggars; Epilogue: The End of the Beggars. A slang glossary concludes the work. For this 1910 edition the illustrations were entrusted to the Swiss-born Steinlen who was politically engaged and often collaborated with anarchist and socialist press. "You will find Steinlen at the entrance to the construction site at the workshop door at the factory exit; he is everywhere where people gather on days of celebration riot or strike. . He succeeds in establishing the link which unites simple hearts in showing the intimate cohesion of the group of the theory of the collection; no one possesses to the same degree as Steinlen the gift and the power to make the shiver of a common anguish run through an assembly Roger Marx preface to "L'Oeuvre gravé et lithographié de Steinlen" Paris Société de Propagation des Livres d'Art 1913. Edouard Pelletan unknown
1911ref. B6673Chatto & Windus De Nieuwe Tijd. c. 1911. Some fraying to top of spine but interior is good plates clean and crisp. . Binding: Original full yellow cloth boards. ‘Steinlen’ in red lettering on upper cover featuring large colour engraving of cartoon depicting man with accordion and woman in headscarf. Green paste-in and free endpapers. Notes: Theophile Steinlen 1859–1923 was a Swiss-born French Art Nouveau painter and printmaker. Size: Folio390x282 mm. Illustration: A collection of Steinlen’s art reflecting on political and social ills and scenes. 24 plates in total tipped-in at corners. With a critical introduction and descriptive notes. Category: Book Social Sciences; Chatto & Windus, De Nieuwe Tijd. hardcover
1901ref. 780R29Paris: Sevin et Rey 1901. Cloth. Very Good. 8" by 6". Theophile Steinlen. A beautiful collection of the artworks of Theophile Steinlen in colour. Theophile Steinlen 1859-1923 was a French Art Nouveau painter. He depicted Montmartre often as well as his daughter Collette; he also did poster art for cabaret owner Aristide Bruant.Illustrated with one hundred marvellous examples of the artist's work in colour.With a foreword by Camille de Saint Croix.The H. Piazza et cie. edition of this work. In a full cloth binding. Externally a trifle worn with marks to the spine and ink stains to the front board as well as some wear to the extremities and head and tail of the spine. Internally firmly bound. Pages are a touch age-toned but otherwise clean. Very Good Sevin et Rey hardcover
1907ref. 27750Paris: Bibliothèque Internationale d'Édition E. Sansot & Cie 1907. First Trade Edition. Quarto 24.5cm.; original grey pictorial wrappers; 207pp.; frontispiece & 14 tissue guarded plates; numerous text illus. throughout. Wrappers a bit worn especially at spine edges; preliminaries foxed else Very Good and sound overall. Bleak collection of stories following in the footsteps of Zola's naturalistic novel Germinal. Mostly set in the mines of northern France; beautifully albeit lugubriously illustrated by the Art Nouveau painter and printmaker Théophile Steinlen. CRAUZAT 639. Bibliothèque Internationale d'Édition, E. Sansot & Cie unknown
1914ref. 56999Paris: Eugène Rey 1914. Fine. Eugène Rey Paris 1914 16 x 20.50 cm relié DESCAVES Lucien illustrated by STEINLEN Théophile Alexandre Barabbas. Paroles dans la vallée Barabbas. Words in the Valley Eugène Rey Paris 1914 16 x 205 cm dark brown morocco and custom slipcase First edition one of a 100 numbered copies on Japan paper enriched with a suite of illustrations printed on China paper the tirage de tête. Dark brown morocco by Gruel spine in five compartments very slightly faded pastedowns lined with a dark brown morocco frame and five gilt fillets moiré cloth endpapers and pastedowns gilt fillet to edges of covers gilt roulettes to head of spine wrappers and spine preserved all edges gilt dark brown morocco-edged slipcase. With lithographs by Steinlen. This copy is enriched with a rare suite of the drawings on China paper. A fine copy remarkably bound by Léon Gruel. $ 1 800 Eugène Rey hardcover
1894ref. 1417744Paris: Felix Juven 1894-1895. Hardcover. Quarto 52 issues. In Good Plus condition. Spine is green with gilt lettering. Three-quarter bound in publisher's green cloth over dark green marbled boards. Boards show mild overall shelf wear with rubbing along edges and bumping to corners. Scattered surface scratches to both covers. Stain to upper right corner of front cover. Spine shows mild wear to head and tail creasing to body small puncture and remnants of removed tape. Text block shows mild age toning throughout interior. Moderate age toning to most page edges with occasional chip. Issue No. 2 is partially detached at gutter and has been repaired with tape in several places. Issue No. 39 is missing pp. 9-10. CONTENTS: No. 1 - No. 52. Shelved in Room C. 1417744. Special Collections - Upstairs. Felix Juven hardcover
1907ref. 1417736Paris: Felix Juven 1907-1908. Hardcover. Quartos Two volumes. In Very Good condition. Spine is brown with raised bands and gilt lettering. Quarter-bound in brown leather over blue and yellow marbled paper boards. Boards show mild overall shelf wear with mild rubbing along edges and moderate bumping to corners. A few surface scratches to all covers. Stain to rear board of 1908. Scattered patches of faint discoloration. Spines show mild wear across raised bands and a few small abrasions along joints. Text block shows mild age toning throughout interior; occasional moderate toning to page edges. Cracking to gutter in 1908. CONTENTS: 1907 No. 205 - 256 Nouvelle Serie--1908 No. 257 - No. 308 Nouvelle Serie Shelved in Room C. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. 1417736. Special Collections - Upstairs. Felix Juven hardcover
1891ref. 1417755Paris 1891-1903. Other. Small folios. 638 issues in 13 foam binders. In Good minus condition. Moderate age toning to all issues with chipping and small closed tears to edges. Volumes are complete. CONTENTS: 1891 31 issues No.1-27 4 supplementary issues--1892 52 issues--1893 52 issues--1894 52 issues--1895 52 issues--1896 52 issues--1897 53 issues--1898 52 issues--1899 52 issues--1900 52 issues--1901 52 issues--1902 52 issues--1903 34 issues final year Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. . 8-page French weekly newspapers featuring many color lithographs by Steinlen on front and back covers. 1417755. Special Collections - Upstairs. unknown
ref. 84868Couverture rigide. Bon/1909. in-8. Paris 1909 in-8 256pp broché Très bel exemplaire magnifiquement illustré de bois par Steinlen! unknown
ref. 53813938like new. unknown
ref. 53813938-nnew. unknown
1885ref. 92455Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 11 avril 1885 31 x 45 cm En feuillets First edition. The issue consists of four pages The issue consists of four pages and includes a comic strip by Steinlen ""Horrible fin de Bazouge ou les Suites funestes de l'Intempérance"" and a composition by Henri Rivière framing a poem by Emile Gourdeau. Political column by Rodolphe Salis literary contributions by Emile Gourdeau with the poem ""Le Discours du Bitume"" by Louis Marsolleau ""L'Eau qui coule"" and Georges d'Esparbès ""Les Justices bibliques"". A pleasant copy despite some foxing. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885ref. 92459Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 25 avril 1885 31.2 x 45 cm En feuillets First edition. The issue consists of four pages and includes a comic strip by Steinlen ""Impressions d'un Lecteur."" Literary contributions by Alphonse Allais with ""L'Esprit d'Ellen"" Louis Denise with the poem ""Hiver"" Albert Glatigny with ""Il n'aimait pas le boeuf"" Louis Marsolleau with ""Voyage à la découverte de l'Ile d'Amour"" George Auriol with ""Ernest"" and Albert Tinchant with ""Cottage."" Fine copy. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885ref. 92464Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 7 février 1885 31.5 x 44.6 cm En feuillets First edition. The issue consists of four pages and includes a comic strip by Steinlen: ""Ce qu'il advint d'une Petite Fille."" Literary contributions by Fernand Fau with ""Economies"" Victor Margueritte with the poem ""Vu royal"" Charles Cros with ""La Chanson de la plus belle femme"" Louis Denise with ""Statuette byzantine"" Paul Morisse with ""Féminines"". A pleasant copy despite a few marginal tears and light soiling. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885ref. 88817Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 14 février 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This 4-page issue features a comic strip by Steinlen: ""La mauvaise aventure de Maigriou."" Includes literary contributions by Charles Cros Pour en avoir le coeur net Charles Chincholle Les jours dabsinthe George Auriol La saint Charlemagne François Coppée Lesclave ivre . A well-preserved copy. Le Chat Noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famed cabaret of the same name of which it served as a living memory. It featured the texts performed during the shows. The publication also stands as a significant literary and artistic testimony of the late 19th century centered on the bohemian world and the vibrant cultural scene of Paris at the time. Au cabaret Le Chat noir unknown
1887ref. 88808Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 9 avril 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This four-page issue features a large double-page illustration by Steinlen. Literary contributions by Alphonse Allais Bébert Pimpinelli Pose de lapin dedicated to Albert Tinchant and Narcisse Lebeau Paravent. Some marginal tears and stains. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to commemorate. It published the texts recited during the performances and stands as a major literary and artistic document of late 19th-century bohemian life and the distinctive Parisian vitality of the era. Au cabaret Le Chat noir unknown
1885ref. 88583Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 1er août 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Coqs et poule"". Literary contributions by Alphonse Allais with ""Le pauvre bougre et le bon génie"" dedicated to Henry Somm François Villon with the poem ""Rondel"" George Auriol with ""Au diable vert"" dedicated to Steinlen Rodolphe Salis. A handsome copy. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 created to promote the famous cabaret of the same name and to serve as its memory. It published the texts performed during the shows. More broadly it constitutes a major literary and artistic record of the late 19th century centered on bohemian life and the unique creative fervor of Paris at the time. Au cabaret Le Chat noir unknown
1885ref. 88582Paris: Au cabaret Le Chat noir 1885. Fine. Au cabaret Le Chat noir Paris 25 juillet 1885 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features an illustration by Steinlen: ""Le plus vexé des trois"". With literary contributions by Alphonse Allais ""Absinthes"" dedicated to Adolphe Willette Rodolphe Darzens with the poem ""Le conseil de la chair"" Camille de Sainte-Croix ""Paul Margueritte"" Louis Marsolleau ""Villon"" among others. A handsome copy despite a small paper flaw at the head of the first page due to a printing defect. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to document. It featured texts performed during the shows and stands as a major literary and artistic record of late 19th-century bohemian life and Parisian effervescence. Au cabaret Le Chat noir unknown
1888ref. 88811Paris: Au cabaret Le Chat noir 1888. Fine. Au cabaret Le Chat noir Paris 27 octobre 1888 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and features a comic strip by Steinlen ""Du dernier bien avec le général"" as well as drawings by Henry Somm on the facing page. Literary contributions by Alphonse Allais ""La forêt enchantée"" dedicated to George Auriol Raoul Gineste ""Les vieux chats"" and José Rolla ""A l'église"". A well-preserved copy despite a few faint marginal stains. Le Chat noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as a major literary and artistic testimony to the late 19th century capturing the bohemian spirit and vibrant Parisian scene of the time. Au cabaret Le Chat noir unknown
1918ref. 88522Paris: s. n. 1918. Fine. s. n. Paris 1er avril 1918 21.3 x 29.5 cm Une feuille Autograph letter dated and signed by Théophile-Alexandre Steinlen 30 lines in black ink written from his Montmartre residence at 21 rue Caulaincourt addressed to his friends the Lefèvres.Folding marks inherent to mailing minor marginal tears.The painter inquires after the health of Madame Lefèvre who was unwell at the time and asks his correspondent to see that everything is put in order at their house in Saint Ay where his wife and model Massia would soon be staying.Steinlen is held back in Paris: ""Pour moi je ne se sais trop ce que je ferai en tout cas je ne puis quitter Paris avant le 15 - d'ici là des évènements peuvent survenir qui me bloqueront ici. ou ailleurs - s'ils ne s'arrangent pas de la façon que je souhaite St Ay ne me verra pas cette année."" s. n. unknown
1894ref. 86064Paris: Flammarion 1894. Fine. Flammarion Paris s. d. 1894 12 x 19 cm relié First edition one of 10 numbered copies on Japan paper the only deluxe copies. Bound in full mustard yellow morocco spine very slightly faded with four raised bands underlined with black fillets green morocco doublure yellow moiré silk endpapers following endpapers of marbled paper original wrappers and spine preserved bookplate pasted on one pastedown all edges gilt elegant contemporary binding signed Cretté. Small glue stains on the page opposite the bookplate. Cover illustrated with a drawing by Théophile Alexandre Steinlen. Handsome copy perfectly bound in morocco doublure by Georges Cretté. Flammarion hardcover
1901ref. 86266Paris: H. Piazza et CieSevin & Rey 1901. Fine. H. Piazza et Cie Sevin & Rey Paris 1901 15 x 20.50 cm broché First edition one of 100 numbered copies on Japan paper the only deluxe copies. Handsome copy. Work illustrated with 100 colored drawings by Théophile Alexandre Steinlen. H. Piazza et CieSevin & Rey unknown
1895ref. 84795Paris: Librairie Gueteville 1895. Fine. Librairie Gueteville Paris 1895 12.50 x 19.50 cm broché First edition illustrated with a cover and drawings by Théophile Alexandre Steinlen. Spine cracked at head and foot. Autograph inscription dated and signed by Paul Chambot with the additional signature of Ambroise Girier to A. Patay. Librairie Gueteville unknown
