1.270 Ergebnisse
1886Best.-Nr. 83276Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen ""Actualité brûlante"". Literary contributions by Francisque Sarcey ""Chronique du bon sens"" Jean Richepin ""Le chat noir"" Abel Hamel ""Qui a bu ne peut plus boire"" Georges Courteline ""Madame Dieu-nous-voit"". Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the performances. It constitutes moreover an important literary and artistic testimony of the end of the 19th century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
1885Best.-Nr. 92455Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 11 avril 1885 31 x 45 cm En feuillets First edition. The issue consists of four pages The issue consists of four pages and includes a comic strip by Steinlen ""Horrible fin de Bazouge ou les Suites funestes de l'Intempérance"" and a composition by Henri Rivière framing a poem by Emile Gourdeau. Political column by Rodolphe Salis literary contributions by Emile Gourdeau with the poem ""Le Discours du Bitume"" by Louis Marsolleau ""L'Eau qui coule"" and Georges d'Esparbès ""Les Justices bibliques"". A pleasant copy despite some foxing. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1885Best.-Nr. 92464Paris: Le Chat noir 1885. Fine. Le Chat noir Paris 7 février 1885 31.5 x 44.6 cm En feuillets First edition. The issue consists of four pages and includes a comic strip by Steinlen: ""Ce qu'il advint d'une Petite Fille."" Literary contributions by Fernand Fau with ""Economies"" Victor Margueritte with the poem ""Vu royal"" Charles Cros with ""La Chanson de la plus belle femme"" Louis Denise with ""Statuette byzantine"" Paul Morisse with ""Féminines"". A pleasant copy despite a few marginal tears and light soiling. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a record. It featured texts performed during the shows and stands as an important literary and artistic testimony to the bohemian life and cultural effervescence of late 19th-century Paris. Le Chat noir unknown
1887Best.-Nr. 88808Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 9 avril 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This four-page issue features a large double-page illustration by Steinlen. Literary contributions by Alphonse Allais Bébert Pimpinelli Pose de lapin dedicated to Albert Tinchant and Narcisse Lebeau Paravent. Some marginal tears and stains. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name which it sought to commemorate. It published the texts recited during the performances and stands as a major literary and artistic document of late 19th-century bohemian life and the distinctive Parisian vitality of the era. Au cabaret Le Chat noir unknown
1884Best.-Nr. 81915Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition. This issue consists of 4 pages and is illustrated with a full-page comic strip by Théophile Alexandre Steinlen ""Le chat et la grenouille"" ""The cat and the frog"". Literary contributions by Georges Auriol ""Fleur d'orange"" ""Orange blossom"" Rodolphe Salis Léo Niversac ""Bulletin du Chat Noir"" ""Chat Noir bulletin"" Jules Jouy. A few minor marginal tears of no consequence. Le Chat noir was a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it served as the memory. It published texts recited during the shows. It is moreover an important literary and artistic testimony of the end of the 19th century centered around the bohemian lifestyle and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
1886Best.-Nr. 81973Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen: ""Les mésaventures d'Auguste"". Literary contributions by Alphonse Allais ""L'avancement"" Maurice Mac Nab ""La vue de Naples"" Eugène Godin ""Ronds de cuir"". Fine copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name of which it intended to be the record. It published texts declaimed during the performances. It is moreover an important literary and artistic testimony of the late nineteenth century around the bohemia and the Parisian effervescence that was its own. Au cabaret Le Chat noir unknown
1884Best.-Nr. 81999Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition. The issue is illustrated with a drawing by Théophile Alexandre Steinlen ""Au clair de la lune drame sombre"". Other contributions by Jules Jouy J. Chevalier Léopold Stapleaux ""Hugo ne mourra pas"". One fold to right margin of the third and final pages. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during performances. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
Best.-Nr. 23414Paris Enoch & Cie, Editeurs, sans date (fin XIXème) 0 in 8 (27x17,5) 1 fascicule broché, couverture imprimée, plat supérieur illustré par Théophile-Alexandre Steinlen, et 2 pages de musique notée (Paris, Imp. E. Dupré). Poésie de Léon Durocher. Musique de Paul Delmet. Théophile-Alexandre Steinlen, Lausanne 1859 - Paris 1923, peintre, dessinateur, lithographe suisse, s'installe à Paris en 1881 (naturalisé français en 1901), il réalisa aussi de nombreux travaux d'illustration d'oeuvres musicales, ou souvent son trait parvient à exprimer un réalisme social original tiré des scènes de moeurs populaires de l'époque. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Best.-Nr. 59226P., Au Mirliton, 1893, in 12 broché, 56 pages ; ex-libris contrecollé au verso du titre, cachet-ex-libris et signature ; couverture factice ; papier uniformément jauni.
Best.-Nr. c4856Paris, Au Mirliton, 1893 ; in-12° broché, couverture illustrée et imprimée en noir et rouge, dos muet; 56pp. Couverture reproduisant une affiche de Toulouse-Lautrec et 30 vignettes par Steinlen dans le texte.A la fin de l' ouvrage on trouve " Oscar Méténier par Aristide Bruant ".
Best.-Nr. 98128sd La Belle Edition, Paris - Sans date - In-8, broché, couverture rempliée, sous papier cristal, dans un étui cartonné - 239 pages - Exemplaire sur Vélin de Lana
1987Best.-Nr. 56436Ville de montreuil / musee de l'histoire vivante 1987 In-4 broché 22,8 cm sur 24,7. 192 pages. État correct d’occasion.
Best.-Nr. 18-7765Montreuil France: Centre des Expositions 1987. 8vo. 191 pp. Oblong. Very Good. Soft Cover. Illustrated paper wraps. Minor shelf wear and crease at bottom right corner. Color and B&W plates throughout. From the library of Pasquale Iannetti as indicated by stamp and library card on end papers. Text in French. Montreuil, France: Centre des Expositions, 1987. paperback
Best.-Nr. 4232Paris, Société d'Editions Littéraire et Artistiques - Librairie Ollendorf sans date ( 1923 ). In-8 broché de 83 pages au format 14 x 19,5 cm. Couverture avec titre imprimé. Dos légèrement gauchi. Pâle trace brune en haut du 4ème plat. Intérieur frais. Tirage unique numéroté à 500 exemplaires ( n° 149 ), sur couché. Superbe état. Rare édition originale.
1932Best.-Nr. 39151Paris André Barry 1932 1 vol. Broché in-4, broché, couverture illustrée, 153 pp. Edition originale. Ce rare témoignage d'un des 10.000 combattants suisses qui se sont engagés dans la Légion étrangère pendant la Grande Guerre est illustré de 33 dessins par Hautot, dont 9 hors-texte, et d'un portrait-frontispice par Steinlen. Exemplaire numéroté sur alfa fort. Quelques rousseurs.
1932Best.-Nr. 39151Paris André Barry 1932 1 vol. Broché in-4, broché, couverture illustrée, 153 pp. Edition originale. Ce rare témoignage d'un des 10.000 combattants suisses qui se sont engagés dans la Légion étrangère pendant la Grande Guerre est illustré de 33 dessins par Hautot, dont 9 hors-texte, et d'un portrait-frontispice par Steinlen. Exemplaire numéroté sur alfa fort. Quelques rousseurs.
1932Best.-Nr. RES7L20Paris André Barry 1932 In4 153 pages - broché - belles illustrations Très bel état intérieur - mouillures et légères rousseurs à la couverture voir scan
1932Best.-Nr. RES7L20Paris André Barry 1932 In4 153 pages - broché - belles illustrations Très bel état intérieur - mouillures et légères rousseurs à la couverture voir scan
1932Best.-Nr. GITj138Paris André Barry 1932. In-8 carré 153pp 1 feuillet non chiffré table. Demi basane bleu nuit, dos à nerfs, couverture illustrée sur les 2 plats conservée, reliure de l'époque. Frontispice d'après un dessin de Steinlen et 33 illustrations de Georges Hautot dont 9 hors texte. Edition originale tirée à 5300 exemplaires, celui-ci 1 des 5000 numérotés sur Alfa Fort. Rousseurs sur 1 feuillet blanc et le faux-titre, intérieur en bon état et complet, reliure sobre et solide.
Best.-Nr. 93172aafLausanne, Roth & Sauter S.A., Printed in Switzerland, s.d. vers 1940, 100x65 cm, pt. déchirure en haut sans perte.
Best.-Nr. 7862Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1898. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 7863Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1898. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 7860Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1898. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 7861Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1898. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Best.-Nr. 87054Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century February 1891. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
